Submit your work, meet writers and drop the ads. Become a member
Joshua Haines Apr 2016
Money melting in a spoon,
let's shoot it into our veins.
Flashing Kardashian lights,
streaming into our brains.
Donald Trump! He's our man!
Mark Muslims is the plan!

All-you-can-eat-
Pile. It. The. ****. High.
When you walk or
When you talk,
let the words squeak out
like they're between
Your thighs.

Thighs. American thighs,
Dreaming next to our Calvins.
Our slacktivism, our regurgitated ideas
spitballing out of our McDonald's mouths
into our peers' ears, distilled by years
And years of "almost-knowledge"
that we quasi-ascertained,
if we knew what that meant --
but we've been left behind!
No child left the **** behind!
We were left behind and there's no
possible way we slacked off, that we're dumb,
that we aren't the movie stars destined for
Lamborghini cars, five-star bars, designer bodies
for designer you and designer me:
the most special of the unique, the
Pearls that have been made in the
darkest parts of the sea, the darkest parts of
origin. Origin. ******. ****.
American ****: virginal ideals sliding around
the muck of a marketable ****, fuckfest,
******* of the American mind, the
congratulations of the American ego,
the proud mother and father tears associated with
buying and lying, "trying" and frying our food,
our ideas, our friends, our neo-impressionistic
children in Jordans, skinny jeans, on tumblr:
the unknowing cousin of Fox News, surprised
by its own wit and wisdom: they're ******* twins.
Carbon copies, unknowing, unwilling, un-un-un.

The romanticism of mental illness.
The close-up of reality-tv emotion.
The manipulation taught to servers
from managers.
The manipulation taught to customers
from society.

All we care about is ****, image, and ***.
Self-preservation: **** Donald Trump
and *******.
Brycical Mar 2014
A heart deflates
into a circular fire,
burning a tunnel in reality
so a dark train of thought can barrel through.

Hieroglyphic crocodiles swim
into a stream to eat gazelle.

A universe is just the iris
of gods.

I grew up in a cactus hut
that was atop the boogeyman's hat.
'Ol Skullface evaporates like a rippling image
in water...
dreadlocked lightning
bottle sips on the venus flytrap's *******.

Maybe I'm the combination of Bob Marley's dope smoke
& Dali's pipe steam.
That right there
was his psychedelic ego
he o rarely sees.

The Native American sound in my brain
reminds me of beautiful cave paintings
in candle lit screams & moans
echoing.

Bamboo lightning
sword frightening shimmers
in the light.

Tribal war paint vicious sharp drumbeats;
fangs ready for battle,
a head bobbing mystic predicts victory
in the shadows;
glowing.
Ashes from the evening smoke means we've won,
thanks to my brain eye.
Your droopy eyes are palpable
But their leakage is  so very  liquid
That everything  from your frown and down
are only streaks of monochrome colours.

The shine from your bottom lip’s pout  
Is the sole indication of any protuberance
In between the  misty, misplaced  smudges
And  now I’ve gone and lost your focal point.

Your wilted close is tangible
But the reasoning is  so volatile
That I’m unsure of Where the dead must head
And whether *** just simply is a sin.

The parameters are but blurred
And lead to a dissipated bit of an apex
Among smears of arrogant  ignorance
And now I’ve gone and belittled your focal point.

But what is it, exactly, that you wanted to make an impression of?
John Niederbuhl Sep 2016
at first an unrelenting green covers everything:
the trees, the lawn, the hillsides, the marshes, the windbreaks,
everything is completely and totally green, the deepest, truest green,
so green you might even forget that it wasn't always green,
so green you might not stop to think that it won't always be green.
school children look out windows during their exams,
longing to be free amid all that greenness,
lovers sit in parks near the water, under perfectly green leaves,
listening to the wind, watching the stars come out
and making their wishes, forever joined with that unrelenting green.
artists dip their impressionistic brushes in the green and dab on canvas
pictures of people gathered at picnics in dappled, green shade,
joined with the greenness, enveloped and absorbed by it,
becoming green themselves. they paint pictures of leafy trees reaching beyond the canvas with patches of sky showing through, a perspective of endless summer that you have to look at a long time
to see and feel, but once you find it beyond the greenness, in the
blue beyond the hill, you will be part of it always: through the fading mid-summer and pale, yellowing late summer, even into the multi-
colored fall and the stark, grey-white winter, and you will know life, and hope and love,  and nothing will ever seem the same again
Valerie Watts Jul 2013
The rigger journeyman was city bred,
But Cumberland was in his bones,
He saw the hills above the doors,
He saw the fells above the roofs
And when the great pain came,
His eyes belonged to them again.

By Ruskin Street he stopped to choke
At forty six, his wife beside,
My father's line revealed to me,
A farming, rigging family tree.

His place of death recorded so,
Not 'in' or 'at' but 'by' they wrote,
Impressionistic, vague, but true,
Or careless hand for riggers, who
In city great of small account
By Ruskin Street,
Out for the count...


The journey ends
And Benson, male,
No sails will mend.
On finding Victorian death certificate of ancestor.
Amir  May 2011
i finds me
Amir May 2011
when i get lost
i find myself

in the most various of places
as the echo of my paces
reach outer spaces
i delve inward

like the whirlpool
at the center of a ripple
touching the banks of the pond
and defining itself by them
i am
utterly interdependent
externally anchored
and implicitly bound
to the web of meaning
spun around me
and when you found me
lost
in the most various of places
as the echo of my paces
reached outer spaces
i delved inward

and i found me,
my lost self,
all around me
in everyone
and everything else

(it astounds me
how the pronoun 'he'
implies that
which surrounds the
not-so-isolated subject.)

so when i found 'me'
lost
in the most various of places
as the echo of my paces
reached outer spaces
i delved inward.

i delved inward
and saw outward
myself
a shard of glass
reflecting and refracting
the light bouncing
between so many shards of glass
and i shattered

and i dissolved
and i splattered
so many dots of paint
in an impressionistic painting
that got smudged
and delved inward.

so when you found me
lost
in the most various of places
the echo of my paces
reached outer spaces.

and when i
delved inward
i found myself
outside myself.
like the whirlpool
at the center of a ripple.
Aye, Montecelli, that's the name.
You may have heard of him perhaps.
Yet though he never savoured fame,
Of those impressionistic chaps,
Monet and Manet and Renoir
He was the avatar.

He festered in a Marseilles slum,
A starving genius, god-inspired.
You'd take him for a lousy ***,
Tho' poetry of paint he lyred,
In dreamy pastels each a gem: . . .
How people laughed at them!

He peddled paint from bar to bar;
From sordid rags a jewel shone,
A glow of joy and colour far
From filth of fortune woe-begone.
'Just twenty francs,' he shyly said,
'To take me drunk to bed.'

Of Van Gogh and Cezanne a peer;
In dreams of ecstasy enskied,
A genius and a pioneer,
Poor, paralysed and mad he died:
Yet by all who hold Beauty dear
May he be glorified!
Ryan Bowdish Aug 2010
There is no floor
Below the water there is sand and dust
My feet disappear below the mist
And below that is a floor of nothing.

Lock and key, relative conductivity
Separation of anxieties
Generally elementary
Universal energy
Scientific inquiry
Empirical discovery

What a bunch of crap.

I bathe in fake white plastic
I swim in silent smiles
Dionysian warfare paintings
Classical textual narrating

Fitness, happiness, soporific movies
Genial tendencies, braced for ingenuity
Waiting for a paroxysm to bring forth neologisms
That test the boundaries of scientific truth
That recapture the errant minds of youth
We could make new buildings or lose a tooth

I hold the latter higher than that
I tilt the ladder there and back
Assiduous and wont, *** for tat
All a game, a joke at that
Your domain, provoked and trapped
Impressionistic spinal taps
On canvases of green and black
All from within cerebral shacks

Wind hammers palm trees on windowpanes
Wind tears down houses, rips apart planes
Wind doesn't move me, yet seems urbane
It's so jejune, it's all the same
I'm tired and lonely, powder remains
Pink like reagents in reactive flames
Quick like catalysts jumping inane
Frontal lobes retired my brain.
My favorite piece that I have written.
Ma Cherie Jan 2017
The great Green Mountains,
up where the tallest evergreens grow,
stretching,
upward an outward,
toward the heavens,
a perimeter of boundaries,
where white iridescent angels,
can drift,

Touching the clouds,
in winds of change coming,
gathered together sheltering storms,
alongside barren maples
and birches,
with shriveled others aging,
gracefully,
bowing down to winter's bone,
and ready for Spring's solstice.

When,
in surging solar winds,
upward of,
a million miles an hour,
40 hours after leaving their sun,
raining in an big bright ariel shower,
emphasizing their greatness,
in an eerie tranquility,
behind a diffused hazy luster,
a distant soft moon light,
in a beautiful Glory Shining.

Silvery satin ribbons,
and celadon green bends,
as colors wait pensive to create
in messages it then sends,
a heavenly landscape,
for their part in the prism ballet,
these arial acrobats,
yearn to touch tips on sturdy cutouts,
of tall old aging trees,

Dancing into ever-changing,
multifaceted soft,
an inspiring hues,
an shifting in the breeze
they move above,
in a mystical rhythm,
a dark and mysterious,
black smoke rises
in between rays,
in the opaque darkest hour,
for the creation of,
a spiritual backdrop,
mysterious feeling power
in the magnificent,
Magnetic Midnight.

The darker the sky,
the brighter the light,
for an otherworldly setting,
as colors merge and ignite
while they mix the palate again,
I am lost in silent reverie,
for the forces that dance there in that blackness,

Awe-inspiring,
breathtakingly beautiful,
alien,
frightening,
imparting comforting wisdom,
it is everything an so exciting,
and healing to your soul,
like a hauntingly familiar sound,
of
music to your ears.

moving like in an immensely,
active native conga,
while flitting eiree,
ghosts of glaciers perform,
when fueled folklore beckon,
swirling magic colors
in a perfect moving storm
these beauties from frozen skies,
spraying snow & tossing sparks,
as their created stars,
saturate the deep,
as their tears are shed,
in big butterfly kisses,

playfully floating,
in lovely little fine wisps,
of cirrus smudges of pure refractions,
bending in rarified veils of light,
into a seamless,
shimmering skyscape.

A hiding crystal clear,
deep Alice blue sky,
now fading,
as colors are now blending,
from azure into darkest denim,
then turning periwinkle,
stretching out,
into auroral archways,
dusted in a tangerine glow
in transitioning brushstrokes,
gently cover impressionistic sketches,
evolving into luminism,
on an endless open canvas.

As I paint the words,
where I sit there quietly,
respectfully awaiting answers,
as clouds and moonlight smear,
into watercolor scenery,
using up each angel tear
an intimate engagement occurs,
the passion of nature,
is sublime,
just perfectly,
these synchronized sky swimmers ,
becoming one

As a stormy sun is forcing,
red light dancers,
holding torches,
colliding and becoming excited,
edging themselves,
these powerful ominous portents,
becoming the framework.

Around a fantastic fluorescent show,
the cast wearing blushing pink,
and wild viola purples,
tinged in chartreuse green,
basking in beauty,
where hope lies,
in these colors I've never ever seen, since,
transcending skies of tomorrow,
into an age old masterpiece,
waiting patiently for this,
spiritual journey,
to begin,
with an eager & beautiful,
dawn coming.

Where the North winds,
send a brilliant light show,
of atomic wonders,
in watery pirouettes,
of shaped effects,
& teardrops sacrificed,
swirl in spirits of harmony,
completely memorizing,
I am transfixed,
an astonishing feat,
of brilliant pigments,
smudged into,
the mysterious lightness,
my drifters heart wanders,
melded into atmospheric colors,
we can only wish to see in this lifetime.

Where life seeds now
glide,
on the giving winds,
and Eagles and hawks can,
applaud this much beauty way up there.

This place,
a heavenly firmament,
where all the sacred souls come to die,
  where all the very, very, wise end up,
where they all spend their eternal lives,
young and old alike,
eventually they all retire here,
bringing us hope or warnings,
a chance at redemption,
striking hot iron in a glow,
metallic bits,
stars form,
restless,

Sighing, awaiting,
  a gifted chance to share with us,
along with all the parished,
souls and spirits,
playfully transforming,
from native garb,
mocassin covered feet,
change into favorite animals,
stomping on the colorful floor,
a great bear,
a wolf,
a beluga whale,
a soaring raptor,
not wanting for anything,
walking in Native American circles,
to the sounds of long silent drums,
morphing & shape shifting,

Again,
and again,
and again,
where rain shadows dance,
in ancient skies,
celestial bodies are illuminated,
reflecting the fire circles,
from where distant oceans shore,
take me there...ancestors
take me there once more,

As night slowly declines,
as daylight seeps through cracks,
bleeding into tomorrow,
to fly again to share what they must,
they pray and worship their God,
and they trust..

And Aurora Borealis is her name.

Cherie Nolan © 2016
Listen to Time to turn the tide by Millpond Moon  global warming is affecting this gift....writing this made me cry ....for our sacred Earth.  This is a meaningful piece I had to dig deep in old studies and in my beliefs this was BREATHTAKINGLY beautiful Aurora Borealis a few years ago. This is about stars, this place- Vermont, Heaven, angels and death or coming omens. Peace - Vermont
(I watched my video again in astonishment.)
I hope you all are well n happy. I'm OK....
Del Maximo  May 2010
The Hospital
Del Maximo May 2010
mortality's taste is bittersweet
as death's brush paints life's new lease
impressionistic could haves, should haves, would haves
minimalist suprematism shapes dreams
surrealistic hopes
time's urgency hammered home by temporal clarity
top 10 lists glazed to topography
as future blends to present amid trees
a familiar CICU
a family gathering
beds with tubes and wires
monitors flashing and beeping
refreshing past's distance
with updated parking prices
will the ending be the same?
© May 31, 2010
Anais Vionet Nov 2021
The elevator opened on the 46th floor, to a small foyer and one plain, grey door

The door opened and a young girl, 10ish, in a blue, polo, tennis dress, said, “Hi! I’m Karen, you must be Anais. Will is around here somewhere. Aren’t you pretty, though? You go to school with Lisa? No wonder Will likes you.”

She skippingly ushered me from a bright, windowed, off-white, staircase entryway, into a deep-red, mahogany paneled library. A persian cat was soon underfoot, purring and winding around my legs.”That’s Misha,” Karen said, “just shoo her away if you don’t like cats.”

I stooped down to pet Misha who eagerly offered herself to be petted and admired. As I stroked her charcoal fur, Karen said, “Let me get Will,” as she scampered off.

A gold framed, impressionistic painting, pin-lit in bright crystalline light, hung over a fireplace. In the painting, two girls, in summer hats bright with startling red bows and yellow flowers, were sharing a book. The colors were rich, deep and swirling - it looked very much like a Renoir (I know my French artists). He’d done a whole “two girls” series. I drew closer - it wasn’t a print.

Though dazed by the opulence, I hadn’t missed what Karen had said. Will liked me. I longed to interrogate her about how exactly she knew Will liked me, and what form, exactly, Will’s liking took.

I know Will and Lisa (who would be joining us in a minute) are just friends. Not that it matters, we’re heading back to New Haven later - but Karen’s statements were capable of activating a girl's guy-dar.

Karen, wearing socks but no shoes, came to a sliding halt, on the wooden floor, by grabbing the door frame to stop an otherwise complete slide into the library. “You guys are going to the Ritz for lunch?” she asked, looking back over her shoulder, in a way that indicated that she knew the answer quite well.

The Ritz Carlton is a block away and our mission was to grab the food and bring it back here to eat. “Mind if I join?” she said, before I could answer her first question, all wide-eyed, blinking impatience.

“I don’t mind at ALL.” I said, Karen whooped and was off again down the hall. “I’M COMING TOO!” she yelled. I chuckled, knowingly - I’ve been there - I’m a little sister too.
u-life on thanksgiving break
Meagan Moore Jan 2014
The mosquitoes supped histamine limpets into our puckered flesh
dew gilted grass entombed our feet in dappled domes
refracting the overhead fireworks
smears of whirling color
accented by smoke mote ghosts

I forgot to wear my contacts
my near-sightedness
makes you giggle nervously -
a hard full body ****** of a laugh
it arches your spine
pulling our hand-holding into an expansion
only the lining betwixt finger inlets
galvanized our pulse

well, that and your voltaic laugh
its flourishing timbre
resonant
reverberant pyrotechnic
thickly glazing aural canal

lascivious tomes penned themselves
densely
upon neural plane
dendrites imprinting chemical insignia
moment captured in impressionistic blurs
Annie  Jun 2015
The World Spins
Annie Jun 2015
Tell me your troubles
And I’ll tell you mine
And meanwhile the
Great world spins
We are artists
En plein air
Your impressionistic strokes
Coalesce into a formless
Gray corona
Beneath the sea.
It might be a shark
Or a porpoise
I will never know
Until it rises to the surface
Will it eat
or draw breath?

My strokes are baroque
A tenebristic composition
Of dark and light tones
A bee on a peony
Your eyes fall to its
Barbed stinger

Show me your soul
And I will show you mine
And meanwhile
It’s all an art
On how we spin things

— The End —