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Weißer Tagesanbruch. Stille. Als das Kräuseln begann,
hielt ich es für Seewind, in unser Tal kommend mit Raunen
von Salz, von baumlosen Horizonten. Aber der weiße Nebel
bewegte sich nicht; das Laub meiner Brüder blieb ausgebreitet,
regungslos.
Doch das Kräuseln kam näher – und dann
begannen meine eigenen äußersten Zweige zu prickeln, fast als wäre
ein Feuer unter ihnen entfacht, zu nah, und ihre Spitzen
trockneten und rollten sich ein.
Doch ich fürchtete mich nicht, nur
wachsam war ich.
Ich sah ihn als erster, denn ich wuchs
draußen am Weidehang, jenseits des Waldes.
Er war ein Mann, so schien es: die zwei
beweglichen Stengel, der kurze Stamm, die zwei
Arm-Äste, biegsam, jeder mit fünf laublosen
Zweigen an ihrem Ende,
und der Kopf gekrönt mit braunem oder goldenem Gras,
ein Gesicht tragend, nicht wie das geschnäbelte Gesicht eines Vogels,
eher wie das einer Blume.
Er trug eine Bürde,
einen abgeschnittenen Ast, gebogen, als er noch grün war,
Strähnen einer Rebe quer darüber gespannt. Von dieser,
sobald er sie berührte, und von seiner Stimme,
die, unähnlich der Stimme des Windes, unser Laub und unsere
Äste nicht brauchte, um ihren Klang zu vollenden,
kam das Kräuseln.
Es war aber jetzt kein Kräuseln mehr (er war nahe herangekommen und
stand in meinem ersten Schatten), es war eine Welle, die mich umspülte,
als stiege Regen
empor von unten um mich herum,
anstatt zu fallen.
Und was ich spürte, war nicht mehr ein trockenes Prickeln:
Ich schien zu singen, während er sang, ich schien zu wissen,
was die Lerche weiß; mein ganzer Saft
stieg hinauf der Sonne entgegen, die nun
aufgegangen war, der Nebel hob sich, das Gras
wurde trocken, doch meine Wurzeln spürten, wie Musik sie tränkte
tief in der Erde.

Er kam noch näher, lehnte sich an meinen Stamm:
Die Rinde erschauerte wie ein noch gefaltetes Blatt.
Musik! Kein Zweig von mir, der nicht
erbebte vor Freude und Furcht.

Dann, als er sang,
waren es nicht mehr nur Klänge, aus denen die Musik entstand:
Er sprach, und wie kein Baum zuhört, hörte ich zu, und Sprache
kam in meine Wurzeln
aus der Erde,
in meine Rinde
aus der Luft,
in die Poren meiner grünsten Knospen
sanft wie Tau,
und er sang kein Wort, das ich nicht zu deuten wußte.
Er erzählte von Reisen,
davon, wo Sonne und Mond hingehen, während wir im Dunkeln stehen,
von einer Erden-Reise, von der er träumte, sie eines Tages zu tun
tiefer als Wurzeln…
Er erzählte von den Menschenträumen, von Krieg, Leidenschaften, Gram
und ich, ein Baum, verstand die Wörter – ach, es schien,
als ob meine dicke Rinde aufplatzen würde, wie die eines Schößlings,
der zu schnell wuchs im Frühling,
so daß später Frost ihn verwundete.

Feuer besang er,
das Bäume fürchten, und ich, ein Baum, erfreute mich seiner Flammen.
Neue Knospen brachen auf in mir, wenngleich es Hochsommer war.
Als ob seine Leier (nun wußte ich ihren Namen)
zugleich Frost und Feuer wäre, ihre Akkorde flammten
hinauf bis zu meiner Krone.
Ich war wieder Samen.
Ich war Farn im Sumpf.
Ich war Kohle.
Road to Alaska Aug 2014
As I sit in this bar
Observing all the people fulfilling their roles
Rushing around, being part of their made up system
Looking like little working ants
I feel the difference between them and me
in my inability to find my place in this world
And therefore leaving the shore
Navigating myself into deeper waters
Swimming on the surface of the still ocean
waiting to sink in awe
And look! I found Atlantis.
Michael R Burch Oct 2020
Uyghur Poetry Translations

With my translations I am trying to build awareness of the plight of Uyghur poets and their people, who are being sent in large numbers to Chinese "reeducation" concentration camps which have been praised by Trump as "exactly" what is "needed."

Perhat Tursun (1969-????) is one of the foremost living Uyghur language poets, if he is still alive. Unfortunately, Tursun was "disappeared" into a Chinese "reeducation" concentration camp where extreme psychological torture is the norm. Apparently no one knows his present whereabouts or condition.

Because Perhat Tursun quoted Hermann Hesse I have included my translations of Hesse at the bottom of this page, including "Stages" or "Steps" from his novel "The Glass Bead Game" and excerpts from "Siddhartha."



Elegy
by Perhat Tursun
loose translation/interpretation by Michael R. Burch

"Your soul is the entire world."
―Hermann Hesse, Siddhartha

Asylum seekers, will you recognize me among the mountain passes' frozen corpses?
Can you identify me here among our Exodus's exiled brothers?
We begged for shelter but they lashed us bare; consider our naked corpses.
When they compel us to accept their massacres, do you know that I am with you?

Three centuries later they resurrect, not recognizing each other,
Their former greatness forgotten.
I happily ingested poison, like a fine wine.
When they search the streets and cannot locate our corpses, do you know that I am with you?

In that tower constructed of skulls you will find my dome as well:
They removed my head to more accurately test their swords' temper.
When before their swords our relationship flees like a flighty lover,
Do you know that I am with you?

When men in fur hats are used for target practice in the marketplace
Where a dying man's face expresses his agony as a bullet cleaves his brain
While the executioner's eyes fail to comprehend why his victim vanishes,...
Seeing my form reflected in that bullet-pierced brain's erratic thoughts,
Do you know that I am with you?

In those days when drinking wine was considered worse than drinking blood,
did you taste the flour ground out in that blood-turned churning mill?
Now, when you sip the wine Ali-Shir Nava'i imagined to be my blood
In that mystical tavern's dark abyssal chambers,
Do you know that I am with you?

TRANSLATOR NOTES: This is my interpretation (not necessarily correct) of the poem's frozen corpses left 300 years in the past. For the Uyghur people the Mongol period ended around 1760 when the Qing dynasty invaded their homeland, then called Dzungaria. Around a million people were slaughtered during the Qing takeover, and the Dzungaria territory was renamed Xinjiang. I imagine many Uyghurs fleeing the slaughters would have attempted to navigate treacherous mountain passes. Many of them may have died from starvation and/or exposure, while others may have been caught and murdered by their pursuers.



The Fog and the Shadows
adapted from a novel by Perhat Tursun
loose translation/interpretation by Michael R. Burch

“I began to realize the fog was similar to the shadows.”

I began to realize that, just as the exact shape of darkness is a shadow,
even so the exact shape of fog is disappearance
and the exact shape of a human being is also disappearance.
At this moment it seemed my body was vanishing into the human form’s final state.

After I arrived here,
it was as if the danger of getting lost
and the desire to lose myself
were merging strangely inside me.

While everything in that distant, gargantuan city where I spent my five college years felt strange to me; and even though the skyscrapers, highways, ditches and canals were built according to a single standard and shape, so that it wasn’t easy to differentiate them, still I never had the feeling of being lost. Everyone there felt like one person and they were all folded into each other. It was as if their faces, voices and figures had been gathered together like a shaman’s jumbled-up hair.

Even the men and women seemed identical.
You could only tell them apart by stripping off their clothes and examining them.
The men’s faces were beardless like women’s and their skin was very delicate and unadorned.
I was always surprised that they could tell each other apart.
Later I realized it wasn’t just me: many others were also confused.

For instance, when we went to watch the campus’s only TV in a corridor of a building where the seniors stayed when they came to improve their knowledge. Those elderly Uyghurs always argued about whether someone who had done something unusual in an earlier episode was the same person they were seeing now. They would argue from the beginning of the show to the end. Other people, who couldn’t stand such endless nonsense, would leave the TV to us and stalk off.

Then, when the classes began, we couldn’t tell the teachers apart.
Gradually we became able to tell the men from the women
and eventually we able to recognize individuals.
But other people remained identical for us.

The most surprising thing for me was that the natives couldn’t differentiate us either.
For instance, two police came looking for someone who had broken windows during a fight at a restaurant and had then run away.
They ordered us line up, then asked the restaurant owner to identify the culprit.
He couldn’t tell us apart even though he inspected us very carefully.
He said we all looked so much alike that it was impossible to tell us apart.
Sighing heavily, he left.



The Encounter
by Abdurehim Otkur
loose translation/interpretation by Michael R. Burch

I asked her, why aren’t you afraid? She said her God.
I asked her, anything else? She said her People.
I asked her, anything more? She said her Soul.
I asked her if she was content? She said, I am Not.



The Distance
by Tahir Hamut
loose translation/interpretation by Michael R. Burch

We can’t exclude the cicadas’ serenades.
Behind the convex glass of the distant hospital building
the nurses watch our outlandish party
with their absurdly distorted faces.

Drinking watered-down liquor,
half-****, descanting through the open window,
we speak sneeringly of life, love, girls.
The cicadas’ serenades keep breaking in,
wrecking critical parts of our dissertations.

The others dream up excuses to ditch me
and I’m left here alone.

The cosmopolitan pyramid
of drained bottles
makes me feel
like I’m in a Turkish bath.

I lock the door:
Time to get back to work!

I feel like doing cartwheels.
I feel like self-annihilation.



Refuge of a Refugee
by Ablet Abdurishit Berqi aka Tarim
loose translation/interpretation by Michael R. Burch

I lack a passport,
so I can’t leave legally.
All that’s left is for me to smuggle myself to safety,
but I’m afraid I’ll be beaten black and blue at the border
and I can’t afford the trafficker.

I’m a smuggler of love,
though love has no national identity.
Poetry is my refuge,
where a refugee is most free.

The following excerpts, translated by Anne Henochowicz, come from an essay written by Tang Danhong about her final meeting with Dr. Ablet Abdurishit Berqi, aka Tarim. Tarim is a reference to the Tarim Basin and its Uyghur inhabitants...

I’m convinced that the poet Tarim Ablet Berqi the associate professor at the Xinjiang Education Institute, has been sent to a “concentration camp for educational transformation.” This scholar of Uyghur literature who conducted postdoctoral research at Israel’s top university, what kind of “educational transformation” is he being put through?

Chen Quanguo, the Communist Party secretary of Xinjiang, has said it’s “like the instruction at school, the order of the military, and the security of prison. We have to break their blood relations, their networks, and their roots.”

On a scorching summer day, Tarim came to Tel Aviv from Haifa. In a few days he would go back to Urumqi. I invited him to come say goodbye and once again prepared Sichuan cold noodles for him. He had already unfriended me on Facebook. He said he couldn’t eat, he was busy, and had to hurry back to Haifa. He didn’t even stay for twenty minutes. I can’t even remember, did he sit down? Did he have a glass of water? Yet this farewell shook me to my bones.

He said, “Maybe when I get off the plane, before I enter the airport, they’ll take me to a separate room and beat me up, and I’ll disappear.”

Looking at my shocked face, he then said, “And maybe nothing will happen …”

His expression was sincere. To be honest, the Tarim I saw rarely smiled. Still, layer upon layer blocked my powers of comprehension: he’s a poet, a writer, and a scholar. He’s an associate professor at the Xinjiang Education Institute. He can get a passport and come to Israel for advanced studies. When he goes back he’ll have an offer from Sichuan University to be a professor of literature … I asked, “Beat you up at the airport? Disappear? On what grounds?”

“That’s how Xinjiang is,” he said without any surprise in his voice. “When a Uyghur comes back from being abroad, that can happen.”…



This poem helps us understand the nomadic lifestyle of many Uyghurs, the hardships they endure, and the character it builds...

Iz (“Traces”)
by Abdurehim Otkur
loose translation/interpretation by Michael R. Burch

We were children when we set out on this journey;
Now our grandchildren ride horses.

We were just a few when we set out on this arduous journey;
Now we're a large caravan leaving traces in the desert.

We leave our traces scattered in desert dunes' valleys
Where many of our heroes lie buried in sandy graves.

But don't say they were abandoned: amid the cedars
their resting places are decorated by springtime flowers!

We left the tracks, the station... the crowds recede in the distance;
The wind blows, the sand swirls, but here our indelible trace remains.

The caravan continues, we and our horses become thin,
But our great-grand-children will one day rediscover those traces.

The original Uyghur poem:

Yax iduq muxkul seperge atlinip mangghanda biz,
Emdi atqa mingidek bolup qaldi ene nevrimiz.
Az iduq muxkul seperge atlinip chiqanda biz,
Emdi chong karvan atalduq, qaldurup chollerde iz.
Qaldi iz choller ara, gayi davanlarda yene,
Qaldi ni-ni arslanlar dexit cholde qevrisiz.
Qevrisiz qaldi dimeng yulghun qizarghan dalida,
Gul-chichekke pukinur tangna baharda qevrimiz.
Qaldi iz, qaldi menzil, qaldi yiraqta hemmisi,
Chiqsa boran, kochse qumlar, hem komulmes izimiz.
Tohtimas karvan yolida gerche atlar bek oruq,
Tapqus hichbolmisa, bu izni bizning nevrimiz, ya chevrimiz.

Other poems of note by Abdurehim Otkur include "I Call Forth Spring" and "Waste, You Traitors, Waste!"



My Feelings
by Dolqun Yasin
loose translation/interpretation by Michael R. Burch

The light sinking through the ice and snow,
The hollyhock blossoms reddening the hills like blood,
The proud peaks revealing their ******* to the stars,
The morning-glories embroidering the earth’s greenery,
Are not light,
Not hollyhocks,
Not peaks,
Not morning-glories;
They are my feelings.

The tears washing the mothers’ wizened faces,
The flower-like smiles suddenly brightening the girls’ visages,
The hair turning white before age thirty,
The night which longs for light despite the sun’s laughter,
Are not tears,
Not smiles,
Not hair,
Not night;
They are my nomadic feelings.

Now turning all my sorrow to passion,
Bequeathing to my people all my griefs and joys,
Scattering my excitement like flowers festooning fields,
I harvest all these, then tenderly glean my poem.

Therefore the world is this poem of mine,
And my poem is the world itself.



To My Brother the Warrior
by Téyipjan Éliyow
loose translation/interpretation by Michael R. Burch

When I accompanied you,
the commissioners called me a child.
If only I had been a bit taller
I might have proved myself in battle!

The commission could not have known
my commitment, despite my youth.
If only they had overlooked my age and enlisted me,
I'd have given that enemy rabble hell!

Now, brother, I’m an adult.
Doubtless, I’ll join the service soon.
Soon enough, I’ll be by your side,
battling the enemy: I’ll never surrender!

Another poem of note by Téyipjan Éliyow is "Neverending Song."

Keywords/Tags: Uyghur, translation, Uighur, Xinjiang, elegy, Kafka, China, Chinese, reeducation, prison, concentration camp, desert, nomad, nomadic, race, racism, discrimination, Islam, Islamic, Muslim, mrbuyghur



Chinese Poets: English Translations

These are modern English translations of poems by some of the greatest Chinese poets of all time, including Du Fu, Huang E, Huang O, Li Bai, Li Ching-jau, Li Qingzhao, Po Chu-I, Tzu Yeh, Yau Ywe-Hwa and Xu Zhimo.



Lines from Laolao Ting Pavilion
by Li Bai (701-762)  
loose translation/interpretation by Michael R. Burch

The spring breeze knows partings are bitter;
The willow twig knows it will never be green again.



A Toast to Uncle Yun
by Li Bai (701-762)  
loose translation/interpretation by Michael R. Burch

Water reforms, though we slice it with our swords;
Sorrow returns, though we drown it with our wine.



The Solitude of Night
by Li Bai (701–762)
loose translation/interpretation by Michael R. Burch

At the wine party
I lay comatose, knowing nothing.
Windblown flowers fell, perfuming my lap.
When I arose, still drunk,
The birds had all flown to their nests.
All that remained were my fellow inebriates.
I left to walk along the river—alone with the moonlight.



Li Bai (701-762)    was a romantic figure who has been called the Lord Byron of Chinese poetry. He and his friend Du Fu (712-770)    were the leading poets of the Tang Dynasty era, which has been called the 'Golden Age of Chinese poetry.' Li Bai is also known as Li Po, Li Pai, Li T'ai-po, and Li T'ai-pai.



Moonlit Night
by Du Fu (712-770)  
loose translation/interpretation by Michael R. Burch

Alone in your bedchamber
you gaze out at the Fu-Chou moon.

Here, so distant, I think of our children,
too young to understand what keeps me away
or to remember Ch'ang-an...

A perfumed mist, your hair's damp ringlets!
In the moonlight, your arms' exquisite jade!

Oh, when can we meet again within your bed's drawn curtains,
and let the heat dry our tears?



Moonlit Night
by Du Fu (712-770)  
loose translation/interpretation by Michael R. Burch

Tonight the Fu-Chou moon
watches your lonely bedroom.

Here, so distant, I think of our children,
too young to understand what keeps me away
or to remember Ch'ang-an...

By now your hair will be damp from your bath
and fall in perfumed ringlets;
your jade-white arms so exquisite in the moonlight!

Oh, when can we meet again within those drawn curtains,
and let the heat dry our tears?



Lone Wild Goose
by Du Fu (712-770)  
loose translation/interpretation by Michael R. Burch

The abandoned goose refuses food and drink;
he cries querulously for his companions.

Who feels kinship for that strange wraith
as he vanishes eerily into the heavens?

You watch it as it disappears;
its plaintive calls cut through you.

The indignant crows ignore you both:
the bickering, bantering multitudes.

Du Fu (712-770)    is also known as Tu Fu. The first poem is addressed to the poet's wife, who had fled war with their children. Ch'ang-an is an ironic pun because it means 'Long-peace.'



The Red Cockatoo
by Po Chu-I (772-846)  
loose translation/interpretation by Michael R. Burch

A marvelous gift from Annam—
a red cockatoo,
bright as peach blossom,
fluent in men's language.

So they did what they always do
to the erudite and eloquent:
they created a thick-barred cage
and shut it up.

Po Chu-I (772-846)    is best known today for his ballads and satirical poems. Po Chu-I believed poetry should be accessible to commoners and is noted for his simple diction and natural style. His name has been rendered various ways in English: Po Chu-I, Po Chü-i, Bo Juyi and Bai Juyi.



The Migrant Songbird
Li Qingzhao aka Li Ching-chao (c.1084-1155)  
loose translation/interpretation by Michael R. Burch

The migrant songbird on the nearby yew
brings tears to my eyes with her melodious trills;
this fresh downpour reminds me of similar spills:
another spring gone, and still no word from you...



The Plum Blossoms
Li Qingzhao aka Li Ching-chao (c.1084-1155)  
loose translation/interpretation by Michael R. Burch

This year with the end of autumn
I find my reflection graying at the edges.
Now evening gales hammer these ledges...
what shall become of the plum blossoms?

Li Qingzhao was a poet and essayist during the Song dynasty. She is generally considered to be one of the greatest Chinese poets. In English she is known as Li Qingzhao, Li Ching-chao and The Householder of Yi'an.



Star Gauge
Sui Hui (c.351-394 BC)  
loose translation/interpretation by Michael R. Burch

So much lost so far away
on that distant rutted road.

That distant rutted road
wounds me to the heart.

Grief coupled with longing,
so much lost so far away.

Grief coupled with longing
wounds me to the heart.

This house without its master;
the bed curtains shimmer, gossamer veils.

The bed curtains shimmer, gossamer veils,
and you are not here.

Such loneliness! My adorned face
lacks the mirror's clarity.

I see by the mirror's clarity
my Lord is not here. Such loneliness!

Sui Hui, also known as Su Hui and Lady Su, appears to be the first female Chinese poet of note. And her 'Star Gauge' or 'Sphere Map' may be the most impressive poem written in any language to this day, in terms of complexity. 'Star Gauge' has been described as a palindrome or 'reversible' poem, but it goes far beyond that. According to contemporary sources, the original poem was shuttle-woven on brocade, in a circle, so that it could be read in multiple directions. Due to its shape the poem is also called Xuanji Tu ('Picture of the Turning Sphere') . The poem is now generally placed in a grid or matrix so that the Chinese characters can be read horizontally, vertically and diagonally. The story behind the poem is that Sui Hui's husband, Dou Tao, the governor of Qinzhou, was exiled to the desert. When leaving his wife, Dou swore to remain faithful. However, after arriving at his new post, he took a concubine. Lady Su then composed a circular poem, wove it into a piece of silk embroidery, and sent it to him. Upon receiving the masterwork, he repented. It has been claimed that there are up to 7,940 ways to read the poem. My translation above is just one of many possible readings of a portion of the poem.



Reflection
Xu Hui (627-650)  
loose translation/interpretation by Michael R. Burch

Confronting the morning she faces her mirror;
Her makeup done at last, she paces back and forth awhile.
It would take vast mountains of gold to earn one contemptuous smile,
So why would she answer a man's summons?

Due to the similarities in names, it seems possible that Sui Hui and Xu Hui were the same poet, with some of her poems being discovered later, or that poems written later by other poets were attributed to her.



Waves
Zhai Yongming (1955-)  
loose translation/interpretation by Michael R. Burch

The waves manhandle me like a midwife pounding my back relentlessly,
and so the world abuses my body—
accosting me, bewildering me, according me a certain ecstasy...



Monologue
Zhai Yongming (1955-)  
loose translation/interpretation by Michael R. Burch

I am a wild thought, born of the abyss
and—only incidentally—of you. The earth and sky
combine in me—their concubine—they consolidate in my body.

I am an ordinary embryo, encased in pale, watery flesh,
and yet in the sunlight I dazzle and amaze you.

I am the gentlest, the most understanding of women.
Yet I long for winter, the interminable black night, drawn out to my heart's bleakest limit.

When you leave, my pain makes me want to ***** my heart up through my mouth—
to destroy you through love—where's the taboo in that?

The sun rises for the rest of the world, but only for you do I focus the hostile tenderness of my body.
I have my ways.

A chorus of cries rises. The sea screams in my blood but who remembers me?
What is life?

Zhai Yongming is a contemporary Chinese poet, born in Chengdu in 1955. She was one of the instigators and prime movers of the 'Black Tornado' of women's poetry that swept China in 1986-1989. Since then Zhai has been regarded as one of China's most prominent poets.



Pyre
Guan Daosheng (1262-1319)  
loose translation/interpretation by Michael R. Burch

You and I share so much desire:
this love―like a fire—
that ends in a pyre's
charred coffin.



'Married Love' or 'You and I' or 'The Song of You and Me'
Guan Daosheng (1262-1319)  
loose translation/interpretation by Michael R. Burch

You and I shared a love that burned like fire:
two lumps of clay in the shape of Desire
molded into twin figures. We two.
Me and you.

In life we slept beneath a single quilt,
so in death, why any guilt?
Let the skeptics keep scoffing:
it's best to share a single coffin.

Guan Daosheng (1262-1319)    is also known as Kuan Tao-Sheng, Guan Zhongji and Lady Zhongji. A famous poet of the early Yuan dynasty, she has also been called 'the most famous female painter and calligrapher in the Chinese history... remembered not only as a talented woman, but also as a prominent figure in the history of bamboo painting.' She is best known today for her images of nature and her tendency to inscribe short poems on her paintings.



Tzu Yeh (circa 400 BC)  
loose translation/interpretation by Michael R. Burch

I heard my love was going to Yang-chou
So I accompanied him as far as Ch'u-shan.
For just a moment as he held me in his arms
I thought the swirling river ceased flowing and time stood still.



Tzu Yeh (circa 400 BC)  
loose translation/interpretation by Michael R. Burch

Will I ever hike up my dress for you again?
Will my pillow ever caress your arresting face?



Tzu Yeh (circa 400 BC)  
loose translation/interpretation by Michael R. Burch

Night descends...
I let my silken hair spill down my shoulders as I part my thighs over my lover.
Tell me, is there any part of me not worthy of being loved?



Tzu Yeh (circa 400 BC)  
loose translation/interpretation by Michael R. Burch

I will wear my robe loose, not bothering with a belt;
I will stand with my unpainted face at the reckless window;
If my petticoat insists on fluttering about, shamelessly,
I'll blame it on the unruly wind!



Tzu Yeh (circa 400 BC)  
loose translation/interpretation by Michael R. Burch

When he returns to my embrace,
I'll make him feel what no one has ever felt before:
Me absorbing him like water
Poured into a wet clay jar.



Tzu Yeh (circa 400 BC)  
loose translation/interpretation by Michael R. Burch

Bare branches tremble in a sudden breeze.
Night deepens.
My lover loves me,
And I am pleased that my body's beauty pleases him.



Tzu Yeh (circa 400 BC)  
loose translation/interpretation by Michael R. Burch

Do you not see
that we
have become like branches of a single tree?



Tzu Yeh (circa 400 BC)  
loose translation/interpretation by Michael R. Burch

I could not sleep with the full moon haunting my bed!
I thought I heard―here, there, everywhere―
disembodied voices calling my name!
Helplessly I cried 'Yes! ' to the phantom air!



Tzu Yeh (circa 400 BC)  
loose translation/interpretation by Michael R. Burch

I have brought my pillow to the windowsill
so come play with me, tease me, as in the past...
Or, with so much resentment and so few kisses,
how much longer can love last?



Tzu Yeh (circa 400 BC)  
loose translation/interpretation by Michael R. Burch

When she approached you on the bustling street, how could you say no?
But your disdain for me is nothing new.
Squeaking hinges grow silent on an unused door
where no one enters anymore.



Tzu Yeh (circa 400 BC)  
loose translation/interpretation by Michael R. Burch

I remain constant as the Northern Star
while you rush about like the fickle sun:
rising in the East, drooping in the West.

Tzŭ-Yeh (or Tzu Yeh)    was a courtesan of the Jin dynasty era (c.400 BC)    also known as Lady Night or Lady Midnight. Her poems were pinyin ('midnight songs') . Tzŭ-Yeh was apparently a 'sing-song' girl, perhaps similar to a geisha trained to entertain men with music and poetry. She has also been called a 'wine shop girl' and even a professional concubine! Whoever she was, it seems likely that Rihaku (Li-Po)    was influenced by the lovely, touching (and often very ****)    poems of the 'sing-song' girl. Centuries later, Arthur Waley was one of her translators and admirers. Waley and Ezra Pound knew each other, and it seems likely that they got together to compare notes at Pound's soirees, since Pound was also an admirer and translator of Chinese poetry. Pound's most famous translation is his take on Li-Po's 'The River Merchant's Wife: A Letter.' If the ancient 'sing-song' girl influenced Li-Po and Pound, she was thus an influence―perhaps an important influence―on English Modernism. The first Tzŭ-Yeh poem makes me think that she was, indeed, a direct influence on Li-Po and Ezra Pound.―Michael R. Burch



The Day after the Rain
Lin Huiyin (1904-1955)  
loose translation/interpretation by Michael R. Burch

I love the day after the rain
and the meadow's green expanses!
My heart endlessly rises with wind,
gusts with wind...
away the new-mown grasses and the fallen leaves...
away the clouds like smoke...
vanishing like smoke...



Music Heard Late at Night
Lin Huiyin (1904-1955)  
loose translation/interpretation by Michael R. Burch

for Xu Zhimo

I blushed,
hearing the lovely nocturnal tune.

The music touched my heart;
I embraced its sadness, but how to respond?

The pattern of life was established eons ago:
so pale are the people's imaginations!

Perhaps one day You and I
can play the chords of hope together.

It must be your fingers gently playing
late at night, matching my sorrow.

Lin Huiyin (1904-1955) , also known as Phyllis Lin and Lin Whei-yin, was a Chinese architect, historian, novelist and poet. Xu Zhimo died in a plane crash in 1931, allegedly flying to meet Lin Huiyin.



Saying Goodbye to Cambridge Again
Xu Zhimo (1897-1931)  
loose translation/interpretation by Michael R. Burch

Quietly I take my leave,
as quietly as I came;
quietly I wave good-bye
to the sky's dying flame.

The riverside's willows
like lithe, sunlit brides
reflected in the waves
move my heart's tides.

Weeds moored in dark sludge
sway here, free of need,
in the Cam's gentle wake...
O, to be a waterweed!

Beneath shady elms
a nebulous rainbow
crumples and reforms
in the soft ebb and flow.

Seek a dream? Pole upstream
to where grass is greener;
rig the boat with starlight;
sing aloud of love's splendor!

But how can I sing
when my song is farewell?
Even the crickets are silent.
And who should I tell?

So quietly I take my leave,
as quietly as I came;
gently I flick my sleeves...
not a wisp will remain.

(6 November 1928)  

Xu Zhimo's most famous poem is this one about leaving Cambridge. English titles for the poem include 'On Leaving Cambridge, ' 'Second Farewell to Cambridge, ' 'Saying Goodbye to Cambridge Again, '  and 'Taking Leave of Cambridge Again.'



These are my modern English translations of poems by the Chinese poet Huang E (1498-1569) , also known as Huang Xiumei. She has been called the most outstanding female poet of the Ming Dynasty, and her husband its most outstanding male poet. Were they poetry's first power couple? Her father Huang Ke was a high-ranking official of the Ming court and she married Yang Shen, the prominent son of Grand Secretary Yang Tinghe. Unfortunately for the young power couple, Yang Shen was exiled by the emperor early in their marriage and they lived largely apart for 30 years. During their long separations they would send each other poems which may belong to a genre of Chinese poetry I have dubbed 'sorrows of the wild geese' …

Sent to My Husband
by Huang E
loose translation/interpretation by Michael R. Burch

The wild geese never fly beyond Hengyang...
how then can my brocaded words reach Yongchang?
Like wilted willow flowers I am ill-fated indeed;
in that far-off foreign land you feel similar despair.
'Oh, to go home, to go home! ' you implore the calendar.
'Oh, if only it would rain, if only it would rain! ' I complain to the heavens.
One hears hopeful rumors that you might soon be freed...
but when will the Golden **** rise in Yelang?

A star called the Golden **** was a symbol of amnesty to the ancient Chinese. Yongchang was a hot, humid region of Yunnan to the south of Hengyang, and was presumably too hot and too far to the south for geese to fly there.



Luo Jiang's Second Complaint
by Huang E
loose translation/interpretation by Michael R. Burch

The green hills vanished,
pedestrians passed by
disappearing beyond curves.

The geese grew silent, the horseshoes timid.

Winter is the most annoying season!

A lone goose vanished into the heavens,
the trees whispered conspiracies in Pingwu,
and people huddling behind buildings shivered.



Bitter Rain, an Aria of the Yellow Oriole
by Huang E
loose translation/interpretation by Michael R. Burch

These ceaseless rains make the spring shiver:
even the flowers and trees look cold!
The roads turn to mud;
the river's eyes are tired and weep into in a few bays;
the mountain clouds accumulate like ***** dishes,
and the end of the world seems imminent, if jejune.

I find it impossible to send books:
the geese are ruthless and refuse to fly south to Yunnan!



Broken-Hearted Poem
by Huang E
loose translation/interpretation by Michael R. Burch

My tears cascade into the inkwell;
my broken heart remains at a loss for words;
ever since we held hands and said farewell,
I have been too listless to paint my eyebrows;
no medicine can cure my night-sweats,
no wealth repurchase our lost youth;
and how can I persuade that ****** bird singing in the far hills
to tell a traveler south of the Yangtze to return home?



Hermann Hesse

Hermann Karl Hesse (1877-1962) was a German-Swiss poet, novelist, essayist, painter and mystic. Hesse’s best-known works include Steppenwolf, Siddhartha, Demian, Narcissus and Goldmund and The Glass Bead Game. One of Germany’s greatest writers, Hesse was awarded the Nobel Prize in Literature in 1946.

"Stages" or "Steps"
by Hermann Hesse
from his novel The Glass Bead Game
loose translation/interpretation by Michael R. Burch

As every flower wilts and every youth
must wilt and exit life from a curtained stage,
so every virtue—even our truest truth—
blooms some brief time and cannot last forever.
Since life may summons death at any age
we must prepare for death’s obscene endeavor,
meet our end with courage and without remorse,
forego regret and hopes of some reprieve,
embrace death’s end, as life’s required divorce,
some new beginning, calling us to live.
Thus let us move, serene, beyond our fear,
and let no sentiments detain us here.

The Universal Spirit would not chain us,
but elevates us slowly, stage by stage.
If we demand a halt, our fears restrain us,
caught in the webs of creaturely defense.
We must prepare for imminent departure
or else be bound by foolish “permanence.”
Death’s hour may be our swift deliverance,
from which we speed to fresher, newer spaces,
and Life may summons us to bolder races.
So be it, heart! Farewell, and adieu, then!



The Poet
by Hermann Hesse
loose translation/interpretation by Michael R. Burch

Only upon me, the lonely one,
Do this endless night’s stars shine
As the fountain gurgles its faery song.

For me alone, the lonely one,
The shadows of vagabond clouds
Float like dreams over slumbering farms.

What is mine lies beyond possession:
Neither manor, nor pasture,
Neither forest, nor hunting permit …

What is mine belongs to no one:
The plunging brook beyond the veiling woods,
The terrifying sea,
The chick-like chatter of children at play,
The weeping and singing of a lonely man longing for love.

The temples of the gods are mine, also,
And the distant past’s aristocratic castles.

And mine, no less, the luminous vault of heaven,
My future home …

Often in flights of longing my soul soars heavenward,
Hoping to gaze on the halls of the blessed,
Where Love, overcoming the Law, unconditional Love for All,
Leaves them all nobly transformed:
Farmers, kings, tradesman, bustling sailors,
Shepherds, gardeners, one and all,
As they gratefully celebrate their heavenly festivals.

Only the poet is unaccompanied:
The lonely one who continues alone,
The recounter of human longing,
The one who sees the pale image of a future,
The fulfillment of a world
That has no further need of him.
Many garlands
Wilt on his grave,
But no one cares or remembers him.



On a Journey to Rest
by Hermann Hesse
loose translation/interpretation by Michael R. Burch

Don't be downcast, the night is soon over;
then we can watch the pale moon hover
over the dawning land
as we rest, hand in hand,
laughing secretly to ourselves.

Don't be downcast, the time will soon come
when we, too, can rest
(our small crosses will stand, blessed,
on the edge of the road together;
the rain, then the snow will fall,
and the winds come and go)
heedless of the weather.



Lonesome Night
by Hermann Hesse
loose translation/interpretation by Michael R. Burch

Dear brothers, who are mine,
All people, near and far,
Wishing on every star,
Imploring relief from pain;

My brothers, stumbling, dumb,
Each night, as pale stars ache,
Lift thin, limp hands for crumbs,
mutter and suffer, awake;

Poor brothers, commonplace,
Pale sailors, who must live
Without a bright guide above,
We share a common face.

Return my welcome.



How Heavy the Days
by Hermann Hesse
loose translation/interpretation by Michael R. Burch

How heavy the days.
Not a fire can warm me,
Nor a sun brighten me!
Everything barren,
Everything bare,
Everything utterly cold and merciless!
Now even the once-beloved stars
Look distantly down,
Since my heart learned
Love can die.



Without You
by Hermann Hesse
loose translation/interpretation by Michael R. Burch

My pillow regards me tonight
Comfortless as a gravestone;
I never thought it would be so bitter
To face the night alone,
Not to lie asleep entangled in your hair.

I lie alone in this silent house,
The hanging lamp softly dimmed,
Then gently extend my hands
To welcome yours …
Softly press my warm mouth
To yours …
Only to kiss myself,
Then suddenly I'm awake
And the night grows colder still.

The star in the window winks knowingly.
Where is your blonde hair,
Your succulent mouth?

Now I drink pain in every former delight,
Find poison in every wine;
I never knew it would be so bitter
To face the night alone,
Alone, without you.



Secretly We Thirst…
by Hermann Hesse
from his novel The Glass Bead Game
loose translation/interpretation by Michael R. Burch

Charismatic, spiritual, with the gracefulness of arabesques,
our lives resemble fairies’ pirouettes,
spinning gently through the nothingness
to which we sacrifice our beings and the present.

Whirling dreams of quintessence and loveliness,
like breathing in perfect harmony,
while beneath your bright surface
blackness broods, longing for blood and barbarity.

Spinning aimlessly in emptiness,
dancing (as if without distress), always ready to play,
yet, secretly, we thirst for reality
for the conceiving, for the birth pangs, for suffering and death.

Doch heimlich dürsten wir…

Anmutig, geistig, arabeskenzart
*******unser Leben sich wie das von Feen
In sanften Tänzen um das Nichts zu drehen,
Dem wir geopfert Sein und Gegenwart.

Schönheit der Träume, holde Spielerei,
So hingehaucht, so reinlich abgestimmt,
Tief unter deiner heiteren Fläche glimmt
Sehnsucht nach Nacht, nach Blut, nach Barbarei.

Im Leeren dreht sich, ohne Zwang und Not,
Frei unser Leben, stets zum Spiel bereit,
Doch heimlich dürsten wir nach Wirklichkeit,
Nach Zeugung und Geburt, nach Leid und Tod.



Across The Fields
by Hermann Hesse
loose translation/interpretation by Michael R. Burch

Across the sky, the clouds sweep,
Across the fields, the wind blunders,
Across the fields, the lost child
Of my mother wanders.

Across the street, the leaves sweep,
Across the trees, the starlings cry;
Across the distant mountains,
My home must lie.



EXCERPTS FROM "THE SON OF THE BRAHMAN"
by Hermann Hesse
loose translation/interpretation by Michael R. Burch

In the house-shade,
by the sunlit riverbank beyond the bobbing boats,
in the Salwood forest’s deep shade,
and beneath the shade of the fig tree,
that’s where Siddhartha grew up.

Siddhartha, the handsomest son of the Brahman,
like a young falcon,
together with his friend Govinda, also the son of a Brahman,
like another young falcon.

Siddhartha!

The sun tanned his shoulders lightly by the riverbanks when he bathed,
as he performed the sacred ablutions,
the sacred offerings.

Shade poured into his black eyes
whenever he played in the mango grove,
whenever his mother sang to him,
whenever the sacred offerings were made,
whenever his father, the esteemed scholar, instructed him,
whenever the wise men advised him.

For a long time, Siddhartha had joined in the wise men’s palaver,
and had also practiced debate
and the arts of reflection and meditation
with his friend Govinda.

Siddhartha already knew how to speak the Om silently, the word of words,
to speak it silently within himself while inhaling,
to speak it silently without himself while exhaling,
always with his soul’s entire concentration,
his forehead haloed by the glow of his lucid spirit.

He already knew how to feel Atman in his being’s depths,
an indestructible unity with the universe.

Joy leapt in his father’s heart for his son,
so quick to learn, so eager for knowledge.

Siddhartha!

He saw Siddhartha growing up to become a great man:
a wise man and a priest,
a prince among the Brahmans.

Bliss leapt in his mother’s breast when she saw her son's regal carriage,
when she saw him sit down,
when she saw him rise.

Siddhartha!

So strong, so handsome,
so stately on those long, elegant legs,
and when bowing to his mother with perfect respect.

Siddhartha!

Love nestled and fluttered in the hearts of the Brahmans’ daughters when Siddhartha passed by with his luminous forehead, with the aspect of a king, with his lean hips.

But more than all the others Siddhartha was loved by Govinda, his friend, also the son of a Brahman.

Govinda loved Siddhartha’s alert eyes and kind voice,
loved his perfect carriage and the perfection of his movements,
indeed, loved everything Siddhartha said and did,
but what Govinda loved most was Siddhartha’s spirit:
his transcendent yet passionate thoughts,
his ardent will, his high calling. …

Govinda wanted to follow Siddhartha:

Siddhartha the beloved!

Siddhartha the splendid!



Thus Siddhartha was loved by all, a joy to all, a delight to all.

But alas, Siddhartha did not delight himself. … His heart lacked joy. …

For Siddhartha had begun to nurse discontent deep within himself.
These are my modern English translations of poems by Uyghur poets, Chinese poets and the German poet Hermann Hesse.
Madness Jul 2014
Ich finde Bonbonpapier
tief in meiner Jacken-
tasche, klebrig und
federleicht

Die Stille knistert
genüsslich, und
das Zucker brützelt

Es sind die Worte
und eine Sehnsucht,
die ich auf meiner
Zunge schmecke,
und nicht die Süße
des Bonbons
Sie ist wie mein ******;
eine schöne und schmerzliche Abhängigkeit.

Ich weiss sie ist nicht gut für mich,
aber bin ich schon zu tief.

Obwohl es wird mich umbringen,
hab ich noch Verlangen nach mehr.
I just had to get this out of my head.
Inspired by a recurring character in my dreams recently.
Written in German for fun. Here's a translation:

She is like my ******;
a beautiful and painful addiction.

I know she's no good for me,
but I'm already in too deep.

Although it will **** me,
I'm still yearning for more.
katewinslet Sep 2015
Keine Eindeutige Regel may well to your Genaue Anteil der ende Flüssigkeit sowie Mehl, other bei der Brotherstellung verwendet Werden, gegeben Werden, Weil einige arten von Mehl zu absorbieren viel mehr ende Flüssigkeit als weitere. Realmente es wurde jedoch festgestellt that will About three cupfuls Mehl Wird i'm Allgemeinen für JEDE Brotlaibchen notwendig.

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typically the weitere Hefe verwendet Wird, Desto schneller Wird sterben Notwendige Petrol Erzeugt Werden sowie, Wie gezeigt BEREITS Wurde, ist sterben Bildung von Fuel, das Brot leicht sowie porös macht. NEBEN Mehl, ende Flüssigkeit und Hefe, A Teelöffel Salz, 1 Esslöffel Zucker sowie A single Esslöffel Fett Sind Die Bestandteile inside der Regel Für jeden Laib Brot verwendet. Utensilien for any Brotherstellung Notwendige Ausrüstung .-- Nicht zahlreiche Utensilien for the Brotherstellung erforderlich Wir, Aber sterben, sterben Erforderlich Sindh, Müssen von der Richtigen Kunst, Wenn Die-off Besten Ergebnisse erzielt Werden Sollen. Es umfasst Eine Schüssel und Deckel, Ein Mehl Sieb Messbecher h Der Standard-Größe, Eine für feuchte and also a dog's hair kick the bucket Trockenen Zutaten, Messlöffel, including a Crash, Messer und Spachtel Einer zu messen; a fabulous langstieligen Löffel zum mischen; sowie Backen und Brot, Pfannen. Es sei denn, sterben Tabelle, to make certain that sie als Formplatte verwendet Werden, Wird realmente es notwendig sein, zu der genannten addition Geräte, Eine Formplatte von geeigneter Größe zu schaffen. sterben Rührschüssel Kann Ein irdenes Ein oder Ein Metall sein. Perish Größe der verwendeten Pfannen sowie das Product Günstige Samsung Galaxy S4, aus dems sterben Schalen gemacht Werden sollten Gleichsam sterben aufmerksamkeit. Pass on Laibe Werden gefunden, schneller sowie gründlicher,, ideal Nicht zu groß gemacht Werden gebacken Werden, und Jeder ist throughout Einem separaten Formular gebacken. Pfannen, sterben Eight Zoll lang, Several 1/2 Zoll breit und A variety of Zoll tief Sindh, Sind von Einer praktischen Größe. It is possible to aus Zinn, Eisenblech, Alloy und Einem wärmebeständigen Glas, sterben Einzige voraussetzung ist, Dass alle Any einem Backen Pfannen aus dems Gleichen Werkstoff sein, weil, Wie Wärme dringt schnell einige Materialien als weitere, sterben Zurück Erfolgen Dann mehr einheitlich sein.

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Keine Eindeutige Regel may well to your Genaue Anteil der ende Flüssigkeit sowie Mehl, other bei der Brotherstellung verwendet Werden, gegeben Werden,
I walk da streets under de Iz of zion
my boombastic styl could **** a lion
wit da good reefa in my between me teeth
i fight off kids who try to tief
for babylon is my home, born in raised
ma reggae styl is ere to stay
Itcha boi Da Real Reggae mon ja feel?
Johanna Khan Apr 2013
Die Sterne blinken und blitzen
Je dunkler die Nacht desto heller
Sie versprühen Funken des Glücks
Jeder Funke sucht sich einen Weg
Seinen Weg zu dir und zu mir
Sie setzen sich auf unsere Nasenspitzen
Wenn wir am träumen sind
Und wenn wir tief einatmen
Nehmen wir ein Stückchen Glück

Mit in den Schlaf
ilias Jul 2023
Ich renne. Lautlos. Meine Füße berühren abwechselnd den Kies, ein paar Steinchen nehme ich kurz auf meinem Weg mit, danach bleiben sie einsam neben Anderen liegen.
In meinen Ohren ertönt der nicht endende Bass meiner Gedanken.  
   müde. müde. müde.
Es ist das Wissen um das Ankommen, das mich weiter antreibt. Ankommen, da wo der Wald den Himmel trifft. Ankommen, da wo der Regen unter mir immer noch fällt. Da, wo ich Ruhe finden werde.
Links und rechts wiegen sich die Bäume zu meinem Rhythmus im Wind. Alles pfeift mir zu. Das Rauschen des Flusses ist mein Applaus. Er gilt mir, und nur mir. Weil ich es bald geschafft habe.
Da wo das Brummen lauter wird, wird das Rauschen leiser. Die Menschheit ist wieder spürbar. Und ich laufe, laufe laut. Meine Arme strecken sich aus nach dem greifbaren Ziel.

Stillstand.

Einatmen, ausatmen, tief einatmen.
-
Meine Gedanken fallen vor mir. Und mit mir fällt das Leben.
Es kommt unten an und zerbirst in Millionen Scherben. Ich tue es ihm gleich.

Willkommen Unendlichkeit.
Marie Nov 2020
Als die abgekühlten, verschwendeten Träume des Unterbewusstseins
langsam ihre Farbe verlieren,
werden seine verwaisten Hände übertastig,
greifen blind nach dem Fleisch,
neben dem seinen,
das weltverloren aus der verweiblichten Realität atmet.

Im Niemandsland halbwacher Gedanken,
erscheint jene Schaufensterpuppe,
die ihn an einem ganz gewöhnlichen Wochentag,
mit ihrem leeren Blick fixiert.
Plastische Existenz im gedankenlosen Körper,
zum Schweigen gebracht,
damit sie ihr Selbst nicht verleugnen muss,
wenn ihr der rechte Arm auf links gedreht wird.
Im Vorbeistehn schenkt sie ihm ein unbewohntes
Lächeln.
Oder ist es doch sein eigenes,
das sich im Fenster spiegelt?

An den Venusgürtel der Blauen Stunde gekrallt,
hält er die Augen fest geschlossen
Unsichtbar für das Lichte,
nicht sehen,
nicht gesehen werden,
ein Sich-den-Sinnen-verweigern,
im unbemerkten Raum innerhalb der Zeit

Wie der Blaue Blumendichter,
so weiß auch er,
um die Notwendigkeit der Verschiebung,
wenn die ätherische Illusion berührt,
wenn das Subjekt zum Objekt geworden,
in die Nichtwirklichkeit zurückgeschoben werden muss,
damit das lyrische Heimweh aus der
Überlebensverhinderung befreit wird

Wäre sie immer noch das,
was er am meisten bewundert,
wenn er jetzt,
jetzt,
in diesem blutleeren Augenblick,
sein linkes Oberlid öffnete,
nur einen kleinen Spalt breit
?
Wäre sie nur eine der liebreizenden
Schmetterlingspflanzen,
deren sinnliche Blüten begierig mit seinem Unterleib
tanzen,
und die Töne aus seinen Lenden presst,
bis die Musik verstummt
??
Würde er in seinen Weißhaarzeiten auf einer Bank
sitzen,
unten am See,
eine verschlissene, offene Aktentasche auf dem Schoß,
den Kopf tief vergraben im ranzigen Leder
und mit zittrigen Händen

nach einer fragmentierten Erinnerungsspur suchend,
die längst in die Bedeutungslosigkeit geflohen war
???

Er wagt einen halboffenen Blick,
hinüber zur lichtblauen Sehnsucht,
dem gestern noch so gefräßigen Verlangen,
das sich nun,
in gnadenloser Sattheit,
in seiner Fleisches-Unlust ausbreitet.

Ausgelangweilt kratzen seine gierigen Finger an der fiktiven Verkleidung,
bis ihr schamhaftes Blut in seine eigene Selbsttäuschung tropft
und ihre Brüste aus den blaubepuderten Versprechungen bersten,
die er nicht ihr, sondern sich selbst gab.

Im Schein des Morgensterns
glänzt bereits der melancholische Trauertau,
als sich beider Seufzer ein letztes Mal berühren.
Hastig wickelt er prosaische Bandagen
um ihre offenen Wunden

und schiebt das Gestern in (s)eine neue Zukunft.
Blaue Blume = Sehnsucht (metaphysisches Streben) nach dem Unendlichen, dem Unerreichbaren
Mateuš Conrad Jan 2023
Kaiser Clown

borrowed shoe:
stolen foot.

- - - - - - - - - - - - - - - - - - - -

auf die frei zungen ich kennt -
   (of the three tongues i know) -
ich kennt zwei
    und kennen eine:
    (i know two and know of one):

auf die frei: ich lieben dieser
                        äußerst
(of the three: i love this utmost)...
                      
    in my youth i spent a good deal of time
watching Disney's Robin "fox" Hood
cartoon in German, somehow it rubbed off
on me...

      i was never born with anything even remotely
resembling the love of the English language...
can there be a love akin to the Anglophile
that excludes the love of the language?
i love everything English except for the language...

each day i'm slowly planning my escape
into womb of the mother of the isles that
was first spoken in Saxony...
         tired Bavarians? tired Pomeranians?
but the Saxons were a landlocked people
who gave them the courage and adventurous
spirits to claim the seas with more than
oars and steer the winds with
sails?

      English didn't come to me as some
poor Romanian kid listening to current pop music
or back then, early 1990s... movies from Hollywood...
i didn't want to speak gimmicks...
i was ****** into the deep-end of speaking this
tongue by starting off a mute...
even with the influences of cartoon network
none left a too great impression on my ears
as the German version of the Disney cartoon
of Robin Hood...

   even after watching the English version many years
later... i can still hear the German dubbing
and i can't escape it...

auf die frei zungen ich spre(s)chen es
mit ein konkurs auf substantive...
(of the three tongues i speak it
with a bankruptcy of nouns)...

        at least i have made progress with predispositions
and conjunctions:
i am better coordinated...
but how... how can one be an Anglophile
without a love of the language?
i can adore the way the English care for
the countryside... how traffic is managed...
how taxes are collected how foreign cultures
can slowly integrate and everyone can feel
somehow, seemingly at home:
even if the natives do not for a while...
but without a love for the language
i cannot be a true Anglophile...

                the beauty of Shakespeare disintegrates
when a simple German neo-folk is played to me...

   in der zwölften stund (sage vom untersberg)

- in der zwölften stunde -
at the twelfth hour
- wenn die raben fliegen um den berg -
when the ravens fly around the mountain
- tun sie lautstark kunde -
they loudly proclaim
- von des kaiser macht und tagewerk -
the emperor's power and legacy
- solang der kaiser schlafet -
as long as the emperor sleeps
- tief drunt' im dunklen bergensschloß -
deep down there in the dark mountain *****
- solang fliegen auch die raben -
the ravens will fly
- hoch über seinem marmelschloss -
high above this castle of marble...

   no words in English, and their meaning make much
for... however simple they might be in German:
the simple fact that... they're spoken in German!
das: sie sind gesprochen im Alt...
    
it is only natural that i sought out the origins of
the English tongue in German,
as much as i am not interested in the etymology
of designated word:
i could never be this youth exposed to too much
English culture wishing to sing pop songs
or utter single line pin-pointers from
films: ehrilch mein schatz,
   ich tun nicht ein pflege
   (frankly my dear,
    i don't give a **** / care)
    or... ich wille wieder (i will be back)...

so the indentations of learning English in a later
developmental stage of language acquisiton
didn't rub off on me: as it does on people
with accents of their mother tongue
who never lose it... and merely culturally appropriate
English as a spoken tongue of culture
and not a "cultured" tongue...
native tongue: a shape-shifting accent
of an educated "class"...
    even today! West Ham was playing Everton,
Toffees... ******* Scousers... Liverpool dwelling folk...
two younglings asked me to speak to one
of the managers who took their banner away
expressing disgruntlement with
how the football club was being managed...
huh?! am i still in England...
i have an easier time understanding Scots
than i have understanding anyone from
Manchester or Liverpool!
i can't understand them!
maybe that's why the Scots are like the Irish:
they come from a proud literary history...
oh... i spoke to an Irishman today at
the football game... woke up at 3am to come
to the game... i understood him perfectly...
i can understand a Scot and an Irishman...
i wouldn't be able to tell you an Irishman
from a North Irishman...
but i could tell you decipherable English
of the Scot and the Irishman from
an undecipherable, local, "polyglot"
mishandling of the English language with
such local accents and idioms as that of
Liverpool or Manchester...
can't understand the *******: even if i tried...

obviously i can't relate to a love of Russian...
as they might say in Poland:
better 6 years of **** rule: by fire...
than the subsequent how many decades it was
under the rule of the Soviet rule: by ice...
a slow burn of war is more demoralising
than a quick stretch of spandex and all hell
and all fury and all hearts united
than this scuttling of rats and shadow-bullets
shot from shadow-pistols!

of course i would naturally side with the Germanic
side of my upbringing:
i have no itch for rekindling any Russian brainwashing!
and i know that the Germanic side of "things"
has become a breeding ground for feral creature-oids
that resemble as best cuckoldry and at worst
the shadiest parts of the ***-scenes in Amsterdam...
but... bone-headed Russians and their
pride... that Russian pride... it's one of those intoxication
liquid i want to drink any of!

hmm...
   perhaps because i know English as a utility,
there's nothing romantic in it for me:
i buy bread with it, i ask: i used to ask for directions
in it, i ask someone in that conventional
formal way how they are and hope for the less *******
that most Americans reply with: how all is dandy
and it's all Texan blue above and not
the grey of the island skyline...

i did think for a moment: i should haven taken a step
further and attached myself to Swedish...
or Norwegian...
but then that's what a German would do...
as an Anglo-Slav it was only natural for me to succumb
to the allure of German...
the natural dynamo...
i fall on German and the German falls on Swedish...
or Danish...
**** knows who the Scandinavians fall on for
inspiration... the Finns?!
after all: the Finns are somewhat Scandinavian:
more Inuit people than...
        
one is a tongue one learned: or, was rather thrown
into learning...
but it's unlike a learning from it being passed on...
no one passed English down to me...
i'm a first generation immigrant...
i learned the tongue in the same time
as my parents learned it...
unlike all those 2nd generation immigrants
who were born in this land
and learned this tongue outside the dynamic
of their parents learning the language:
the only difference being...
i kept the mother tongue, the native, intact...
by refusing my parents' claim that:
if i only spoke English at home,
the English i acquired from being schooled
in the English educational system...
if i forwent me speaking my native tongue
to them: their English would somehow improve...
that they would, somehow, miraculously not have
a foreign accent!
as a child i picked up three majors things...
Catholicism wouldn't take me... i might have been
baptised without my consent...
but i had all the necessary obligations to
give or not give my consent when it came to confirmation:
i haven't been confirmed... i head too many
Gnostic Heresy texts as a teenager...
their idea that somehow i would mistreat my native tongue
in order for them to gain something for it...
like most Pakistani 2nd generation children...
perhaps, maybe... a few slip through the netting...
who still pride themselves on knowing Urdu...
most? with their loss of the mother tongue pick up
their own idiosyncratic accents within the confines
of English: they are literally children robbed
of bilingualism by their parents...

i mastered it and by mastering it found it with
shortcomings that only the tongue i was born
with could expose...

today this alpha looking male sat next to me on the train
and spread his legs... smiling... listening to music...
**** me mate... how much spreading do you need to do?
what i found:
poetry, best read when commuting...
i'm building up a complimentary package for a friend
of mine... she sent me macadamia nut shells
and dried pineapple and honey and...
a feather... i said to her: i will not send you anything
before i compliment a feather you sent me with a feather
of my own... i went cycling two days prior
and: imagine my luck! some magpie... ELSTER...
was either shedding her feathers or was in a fight...
i picked up about half a dozen ELSTERGEFIEDER...
magpie feathers...
on the train... you're better off reading a book
of poems than a newspaper...
the optics are much more clarifying...
none of the claustrophobia and oczopląs
               of a tightly-knitted (printed) column or opinion
paragraph... spread out text...
  poetry books as an alternative to reading newspapers
in transit... that's how i imagine "it"...
once upon a time newspapers were tightly knitted
beyond the scope of the printed paragraph:
it would require the solitudes of Sundays
to sit in calm and quiet and read them...
these days: that tabloid press with headers
and exploding wordings for the newly acquired
people of literacy: the addition of pictures...

nothing new, therefore nothing old...
mein herzenskummer ist was giBt
                   der Sonnenaufgang seine
      rinnsal auf schüchtern farben...
und! unt!
        der Sonnenuntergang seine
    busen-auf-verkörperung:
                auf: das nie vergeht!

                   how easily the displaced spiders...
turn to new architecture of the spider web
should their former and no sooner
than sooner: distraught with the havoc
of a man's quill of fingers having to differentiate
walking into a spider-web confusing it
with: are my eye-lashes camel's now?!

some shifts at work are terrible,
esp. when working with two females...
everything is wrong...
even telling after-work jokes is wrong...
talk of fish fingers... loads of ketchup...
that's wrong too...
top it all of this one is joking about the other
and the other is lesbian
and she has a new girlfriend
and fish-fingers: well... i am a man and i never
equated the smell of ****** with fish...
i know that tadpoles and ****...
but never fish... fish fingers... *******...
ketchup? i joked: that time of the month?
no laughter... no laughter...
if women are joking about their horrid ****
i better not be asked to, ******* joke!

better working with mute men on zombie mode...
i'm already a year behind having my social medial
stalked... sure... they can stalk me when they
figure out my middle name and some Slovak
diacritical markers... not until then...
just because i look silly when ice-skating
and everyone has seen the video doesn't
mean i'll give up my internet presence so easily: so...
i have a project aligning myself to German
so close to my heart i can find it forgiving...
to desire in the heart-of-hearts
to: **** this tongue enough to speak it when drinking!
because i find that Wilhelm was sort of right...
about how Germany was no empire
expect something on the continent
that gobbled up a part of
the Polish-Lithuanian Commonwealth...
because the Germans were an established people
and there was no sailing spirit in them...
after all: one might be inclined to think they
wanted to upkeep the romantic, familial orientation
of Christianity...
but the powers, the colonial powers at be...
whether the French the English or the Spanish...
who does, Christianity belong to, these days?
one might have asked the same question
before Christianity spread to the Nord Lands...
prior to its prior occupation with the Syrians
and North Africans and the Greeks...
Romans as a side joke?
who are the current mass of Christianity if not
the former colonies of the English
the Spanish and the French?
i know of Christians in South America from
the cross being dumped by the Spaniards with
vain hope... vain hope of the French in Africa...
and the English in Africa... and North America...

at least the Germans didn't... spread this...
Christianity might be allocated to about 12 individuals
within the confines of a single generation...
beyond that? money-grabbing money-laundering:
a religion with only the sole focus on LOGOS
while reading up on Zhuangzi you have several
other, dutiful terms to meditate on...
i might have been smitten by Hindu thinking before
being doubly smitten by Taoist dialogues...
one still remains a categorical imperative...
outside the realm of dialogue:
the best way you can help the world is
to help the world forget you and you in turn forget
the world...
obviously i'm doing X and counter-X...
i'm writing... by extension of writing i "want"...
or is that: "i" want to be remembered...
but thinking is no telekinesis nor is speaking
any telepathy...
             i speak... like today... i get this oddity of looks...
first she asks me: oh what should i reply
to my friend... just been to a Hen-do...
strippers? oh sure... there were strippers...
first time married? no... second... so what's the ******* point
of a hen-do? cluck x2 laid eggs x4?!
  
so her friend sends me a photograph of her newly bought
dress... laces... or whatever the ******* call
a would-be reimagined-curtain...
i tell her: she could pull it off... if she was a size 0...
the lace could really add dimension and curves to
a thin body...
to hide the skeleton...
but you know what would work for her?
a meringue dress...
you know the type? a one piece...
cut just above the ***** line...
simple: smoothed over... no patterns...
all the way from the cleavage to the feet...
so then she shows me her wedding dress...
it cost her £130 while her friend paid over £2000...
exactly what i was describing...
she just sent an AWW and tried to deflate the question,
or simply avoid it...
yeah... she looks like a flayed torso...
because... SHE's fat...

           eat all you want and as much (perhaps)
but at least burn it off...
if there's no work in the fields:
then there's no work in the fields...
but there's enough rubber burning on the bicycle
to escape the monotone drudgery of
urban living... as i found today,
upon Hook Lane cycling up to Chigwell Row...
there's no need to eat excessively...
no comfort in all that fat without
a leather chair or enough warm clothing...

treating people as these existential morons:
conceptualizing the non-existence of free-will is one thing,
another: to debrief them: life is without agency...
a choice-less Darwinism where
jelly-fish are somehow automated: sprouts:
well... no other life could or would ever be!
people without free-will is one thing:
the shackles of the dynamic of choice...
one choice sets you free, subsequent choice shackles
and inescapable binary of freedom-no-freedom...
science governing the flip of a coin...
but... people, robbed of any sort of agency?!
of self-authority over themselves:
so, so easily mangled and mishandled leaving
their fate unto... no fate: double sure...
unto others?!
i watched a few horror movies in my lifetime...
none seem as horrifying as this +mundaneness
of the horrible leftover: forgotten...

i must have a Germanic attitude toward these matters...
i was born into the living spirit of the ****** tongue,
the membrane in situ staging the conflict
of Rome vs. Greece...
or Germany vs. Russia...
i see no end to it...
i was born from the Germans trying to burn out
the Jews from "my" lands
while the Russians trying to subdue the flames
all the while...
i was still borne from a history that required
a solitary antagonist...
less so an protagonist of solitude...
either way: i was going to slither my way through...
like water like serpents...
wie wasser wie schlangen...

mein herz bricht aus hungrig flammen
als ich stürzen blind Samson's
already toppled temple
            
i know i that i will not write the sort of beauty
that's poetry that's everything that's
Zbigniew Herbert's
Godly Claudius
the Game of Mr. Cogito
Mr. Cogito observes his face in the Mirror
the Seventh Angel
   (my favourite of the angels listed?
Dedrael - the apologist and cabalist)
   to name but a few of the poems...

it brings such relief that i can't bring such
beauty into this world: perhaps if my mind was
not muddled by the utility of English
and my romance with German -
perhaps but only perhaps:
i don't even know why i started to write poetry:
maybe it was my lowest ebb
psychotic running on steam and pretend
legs between Edinburgh, Glasgow,
London, Dover, Athens, Belgrade,
Katowice...
                    walking into a bookshop buying
a copy of Rumi's verses...
buying Dostoyevsky's the Brothers Karamazov
and, just by chance... Bukowski...
what was so supposedly special and hiding
within the poetry of this man?
absolutely nothing: i was mad enough
to try it then and to keep at it:
not really knowing why...
  
compared to Zbigniew Herbert i write trash:
perhaps i read too much fiction,
even autobiographical prose: prose in general:
i don't know how to shut up the ten mouths
on the tips of my fingers but
i know how i can seem menacing
on a shift at work... hood pulled over my head
leather gloves squeezing each knuckle
asked by the atypical extroverted woman
whether something is wrong...
pulling my hood up, smiling, yet still being
compared to the grim reaper...
jokes aside: someone is counting the time...

a welcome break from Knausgaard...
this little safe-haven of poetry read in transit...
finally! something that's not mine
and not in English!

that's the terrible difference between men and women...
going to the Fulham shift i was sitting
behind three women... i'm guessing two were
newly arrived brides of war from Ukraine
who also picked up a Thai-surprise bride...
birds sound chirpier and more pleasant to talk
to... sitting behind them reading my little poetry
book... with a magpie's feather for a bookmark...
the women talked... about?
photographs... filters... instagram models...
plastic surgeries of people wanting to look
like their photographs...
impossible dreams! dreams of women...
and some womanized-men...
on my way back... same book same bookmark
and a young man sat down next to me...
put on some decent music i could
make out through the headphones...
angled his horizon to look over my shoulder
as to why i was reading a book with so much
open space and so little words...
not any fiction, not some constipated prose
of imaginary conversations...
and i could feel his leg pressing against mine...

perhaps i am not gay but i can't imagine
being friends with a woman...
i truly can't... there's either *** for me: with women...
or there is friendship with men...
with each man i meet i can achieve this
transcendent: otherwise unpackaged will
of subduing and seduction that only a woman
can provide me... but a conversation with a woman
is painful: at least for the majority of times:
there might be a special place for a woman
who might not necessarily:
but is probably older than me and shares
the same sentiments as me...
probably lives far away and thinks that hand-writing
is like exposing herself all naked...
will go out of her way to send me a feather of a bird
from over 3000miles away...

while i will send her a necklace with a single amber
stone on it... or i will send her a crab's pincer with a hole
drilled in it and ask her to buy some leather-string
to have herself a second necklace...

at work Stephanie the supervisor had to make it adamant
for me alone to know that i would be her Alpha...
whatever the hell that meant...
Alpha... well yeah... because i do try to ensure that
everyone is treated fairly...
the Asians boys of Bangladesh and Pakistan caved it...
this work or this cold of England
finally bit them...
     it's an unrewarding work if you don't have
an escape plan, like i do...
i'm always flying to other pursuits outside of this
work... customer service... being polite to people
that might not be polite to you or simply ignore you...
but even my standards i thought they were
taking it too far...
but i made a pact with them...
they took out a bottle of Jack Daniels and poured
out shots... if there's going to be a snitch among
us... it will be the man who does drink...
so when asked if i'd like a shot i replied: why not!
the weather calls for it... whiskey to warm up!
mixer? oh no no... straight!
plus... you can't mix Jack Daniels with Fanta, can you?
a few new colts were bullied into peer pressure
of silence, asked if they wanted a drink: said no...
me? i had a drink... i'm not snitching...
well i did when Stephanie was coming round
when i just said: nothing about the drinking...
but if there are 7 of us standing in one place...
but i'm the only one giving any customer service
by giving directions and good-evenings while
they're just standing talking to each other,
having a good time? apparently some people still
can't internalise being drunk for their own
self-amusement, drinking is somehow: getting together...
clearly these boys haven't been alone
and drank a litre of whiskey each and every single
night for months on end...

what really bugged me is when they took out a spliff
and smoked it between the four of them...
even as the customers were coming to see
Tottenham beat Fulham 1 - nil...
oh for ****'s sake... it's one thing having a cheeky sip of
whiskey on a cold day to warm up...
but to also smoke marijuana on a shift?
in full view and easily scented air of winter
before customers?
these guys don't want this ****** job...
thank god none of them are either bus drivers
or train drivers or plumbers for that matter!
maybe doctors who forgot to take out a pair of
scissors from a patient's body when
the patient is getting stitched up?

the worst i ever did was drink the night before
and sobered up on my way to work...
ah... not to mention that one time this
girl tried to scout her paranoia from prior relationships
with abusive alcoholic boyfriends onto me:
a man she just met... pampered with an array
of chemicals whether that be a cologne or this alcohol
containing face spray...
who i later tried to sooth by bringing her my homemade
weisserwein... cloudy... like any weisserbier...
chirpsin'... 3 way conversation conspiracies...
until the lie stood on dwarf's legs rather than stilts...
and to think: no i wasn't thinking seriously about
getting into a relationship with her...
she tried to get me fired for "apparently" drinking
on the job! a person she just me...
neurotic ******* *****... it's good that i showed her
what she would never, ever... get...

the difference between men and women...
the shift finished... prior to finishing we already knew
that there was some major ****-up on the tube...
the signals went down...
no Circle line, no Hammersmith & city services...
no services on the District line
from East Ham to Earls Court...
ergo? you'd think there might be a northbound
service to Edgware Rd. from Putney Bridge...
nope... Earls Court is a 4 x 4 junction...
sure... there was the southbound service
from Putney Bridge to Wimbledon...
and whatever service that's a station after
Earls court toward Richmond and Ealing Broadway...
as i'm guessing from Upminster to East Ham
and from one station after Earls Court
to Edgware Rd....
this girl was supposed to come with me
to Stepney Bridge from either Romford or Chadwell
Heath for the shift...
i was 15 minutes late because i felt like getting some
tea and an almond croissant...
she was? an hour late...
by the end of the shift when the transport invonvenience
was building up we went for our debrief
and she was all irritated in the eyes
when she wanted to get an Uber to Hammersmith
or whether it was she thought about going
without telling me: where that would cost her £50+
quid...
                  so when i told her...
i'm not going down the Putney High Street rail connection
because: (a) look at the ******* congestion
of the crowd and (b) i don't need to go to *******
Waterloo because that's ******* south of the river...

mmm hmm mmm... what, should we do?
i told you... i'm either walking or getting the bus 220
to Hammersmith...
debriefing over: she stayed behind for banter
and all the things that hinder an extrovert,
esp. a female extrovert... un-decisive, fatalist,
everything just ******* happens by some whisper
from astrology...
    Aquarius said to Libra that the waters were
about to spill... i ****** off from the stadium
like a hart... shook hands with the managers
thank you goodnight... as i was walking out
toward Hammersmith some young stewards were
shuffling really quickly it all looked very much like
they might be scratching vinyl...
i asked... you heading to Hammersmith?
yes yes... see! that's i like to see!
male to male camaraderie...
we have this unconscious motif of: from *****
you came to ***** you shall return...
it's a bit senseless to go to war these days...
less senseless when you're trying to get from
point A to point B...
there was about 40 of us running for the bus...
amongst us? 1 woman...
***** AHOY!
   obviously i left this girl behind...
her other option was asking one of the managers
to giver her a lift... ******* free-loader...
by the time the manager would have clocked out
all the other parties i would have wasted an hour...
just to get a lift... and then what?
stranded with her? even though we weren't going
to the same point B?
   i left with the *****-mentality... happy too:
because i could read my poetry book in the prized
possession of solitude... and no solitude...
because given the hour... something freakish was
bound to happen on the train or tube...
and it did... some proper English boys talking about
not wanting to take a nightcap in Romford heading
all the way to Shenfield joked when this guy started running
down the train carriage...
and those SKANKS so drunk who were blocking
the doors: subsequently delaying us
subsequently not catching their train blah blah...

well... just as today happened: talking so freely to men,
boys, young men, first point of "concern" / conversation?
establishing "taboos" or habits...
you smoke? you drink? first time you got drunk...
when did you start smoking marijuana first?
and then a natural progression into...
so... what music do you like... just... so naturally?
with women? even with Francesca,
this butcher boy of a lesbian...
it's a cul de sac sort of conversation...
she only talks about herself,
even today i received a text from her...
i broke up with Natalie... broke up i.e. she met her
on Tinder... she stayed round her house
for three nights... Natalie made her lunch for
work one time... cooked dinner another time...
4 days and nights they dated... already broke up...
there you go... Tinder-dating-shoplifting hearts...
window-shopping romances...

free market capitalism? sure... but not when
capitalism overstretches its influence
and we're worse off than the despairing existentialist:
PHILOSOPHERS of the 19th... the precurosor
fabric... i'd say the 20th century existentialist
philosophers had it easier...
but anyone in the 21st century, thinking, even remotely:
would be hard pressed not to express something
of substance bugging all of us:
no great war, no great upheaval,
proxy wars, the Thespian dictatorship over all
the other arts (with the exception of pop music, perhaps)
and the journalistic juggernaut of the quickened
availability of almost anything and nothing...
the free market of capitalism having invested
in creating this... Frankenstein in pieces...
this IKEA ******* LEGO model of a Frankenstein:
but at least Frankenstein bothered to construct
the entire monster rather than creating this
shattered Pandora's box... left in pieces and in
some realisation of a Copernican West...
in a Copernican East... Copernican "west"?
there's a "west" without a setting sun?!
up in outer space?
                         capitalism all fine and dandy:
but not outside the realm of a couple worrying about
how many kettle and toasters sets they will
have to buy during the year or even the wardrobe
needs revisions, or whether it might be worthwile
to change the wallpaper in the living room,
or what movie to watch on a date night at the cinema...
all of that is gone when the free market made
us profile ourselves... with some of us being pushed
so far as to fake cubist like pictures of ourselves
and subsequently implement plastic surgery to
double-fake ourselves...

the shrapnel-shelving-of-self...
it's like people are a library with no alphabetical order:
free market on psychology, morphed beyond
any concern for dreams: if there were any
as the luxury of the Freudian rich...
this... what happened to historiology in the modern
sense as stressed by Heidegger?
a study of history of the people by the people
or at least by individuals... morphed into this grotesque
pop psychology: archeological mapping back
to the primordial Pharisee of Ape and Aping...
farce: Darwin's Curtain of History...
   will we ever remember the beauties and horrors
of centuries from the 16th to the 19th?
no... everything of said years is nil: null...
because the ape's origins quickly morphed into
the man hunched over a microwave adamant in his
belief that... the carbon footprint of producing
a kilogram of chicken meat somehow, somehow would
"save the planet" than producing a kilogram
of tomatoes... given that a kilogram of tomatoes would
only yield a fraction of the necessary calories
than a kilogram of meat... and still the growing
of one kilogram of chicken would cost the planet
less than growing a kilogram of tomatoes...
who needs tomatoes in winter?!
eat, your, ******* root vegetables! carrots boyo! carrots!
but chickens don't need solar energy, nor suntans,
nor greenhouses... chickens cluck just as much
in winter as in summer... and eggs are a year round
product... plus you only need a barn in winter
to keep chicken!
tomatoes rot... chickens? they grow old and die...
until they grow old they still produce eggs...
and when they die? you eat them...
you can't exactly call a chicken rotten if it isn't already
days X already dead, can you?
it might not be as fresh... but...
ugh... no wonder

Zbigniew Herbert: from mythology (of Rome) -

   in the end only the superstitious
neurasthenics carried in their pocket a little figurine
made from salt, resembling the god of irony;
since then there wasn't a greater god.

then the barbarians came, they too greatly prized
the idol of irony.
           they pounded it with their heels and sprinkled
it into their dishes.

no clay-monster of the Levant can intimidate
me now!
not armed with these words:
let us witness the great divorce of man from woman!
let us watch!
pray... let us be brothers and friends and
secretly wishing we were lovers:
in the thinning air... let us talk about the strange
glow above the Thames hanging over Kew Gardens
as if: as i said to him:
as if the sunset still claiming an eye
in the night...
      what woman? what woman could i share
this romantic conversation with?
my interaction with women is so blatant so cold
so forced to claim the male in me and the woman
in her that it's only ******...
oh sure... i was going to the brothel...
but i was coming home already late...
i had two pairs of socks on, drawers, trousers...
a tank-top a shirt gloves and a thick coat...
by the time i would get out of all those layers
and have a quick shower...
half an hour i would have paid for would have become
nothing more than 15 minutes...
not enough time to get a hard-on
of being in the mood...
i already had more than ***...
a conversation... and no woman has yet to actually
provide me with one...
perhaps we are not in the trenches...
but men have always managed without women...
for as long as time knows...

a shift prior... at West Ham... ******* guy with a bald
head and a face as endearing as a plump baby
we great with a handshake that turns into
a thumb against thumb contest and a hug
tells me that i should come and find him at Cavern Cottage
and he'll sort me out with some free food...
hey presto i go and find him
i get a free steak and ale pie...
i know it's a one off...
    we already get discounts for burgers from the burger
van... but it's nice to give a reminder when
being invited...

     we do our rounds in the park...
among the Pakistanis and the Bangladeshi who at first
thought i was British when asked:
oh no... i'm not British... an Anglo-Slav at best...
from that lineage of Anglo-Saxons...
the Saxons who came among post-Rome rule
Britain and mingled or not mingled
with the local Celtic and Welsh and Britton populace...
i'm the second wave that didn't make it
because the British Empire collapsed
and the eastern Europeans were not too dearly minded
in the history of the British Empire...
but they know that i'm from Poland
so when asked: where are you from? there...
and "there"... but i've been living here since i was
7 so there's no "born and bred" argumentation
with me and those in your ethnic stratum
concerning any anti-Pakistani villification
of those in the "upper-castes"... blah blah...
they know... while the three of us walked around
this 40 year old Yugoslav woman
who escaped the Yugoslavian collapse of
circa 1992... starts talking as i switch her around
so she can have a walk with us to warm up her legs
from standing stiff still...
where are you from? oh... here...
i'm not going to tell her what i told the boys...
not after she deflects my attraction to her
by paying more attention to the Pakistani boy
of 20... i'm closer to her age...
but... then she does this sick thing of asking
me to hold her empty cups of tea that
have an unused teabag in it and some dried milk...
oh... right? i'm going to be your waiting boy?

******* testing women... this woman is past her prime...
i know it she thinks she can "test" my patience
by me being her ******* pet-shop-boy?!
fine! fine...
the more and more i talk to women
the more i find them diametrically opposed
to any sort of psychologically asexual universalism of:
ecce ****...
                 women have: and will have to...
sexualize everything from Aristotle to Zeno...
there was once a maybe female version of Aristotle if
only the: give me the drill... i need a bigger hole to see through:
these eyes aren't large enough...
if only there wasn't an oppressive patriarchy...
the oppressive "patriarchy" of autistic geniuses?!
oh... that one... the sort of men cowering
from female sexuality?
  wow! how oppressive!
                    magnificently oppressive!
we all should be so magnificently oppressed by the man
who discovered the wheel by meditating
the O(micron) - what came first?
the wheel or the omega, or was it the sun?
if Prometheus brought down fire... by teaching man
that scratching flint against flint could illuminate
the cave and give man a second womb of poison-fire...
before the forests turned to ash...
before Pompeii's negative of a whiplash of history...

i tried loving women... i loved them for:
the many months i would rather not use
the fingers of both my hands for...
    absolutely un-relate-able creatures...
what *** beside that of female would whisper in
man's heart to leave their minds without
reason to stage the Trojan War
                        or bring architecture to kneel:
like Xerxes: but the madness of Xerxes was rather
beautiful wanting to lash the Aegean into submission
rather than that little Pharaoh ***** who might
have said: best to chisel down a rock face
and glue together sand with egg-whites and spit
into bricks and polish up a craggy mountain:
lest we forget: from a lineage of a people
that once said: let us "reinterpret" the mountains!
pyramids...
                at least the South American tribes invented
the pyramid as an altar... not a tomb...
but we're no smarter than they were dumber:
the myopic-vision strategy of the vantage point
of: what came prior... with hindsight...
but hindsight only works in reverse...
the unmistakeably irreversible past
within the confines of the motto: the terrible
has already happened!
  
                       and some variation of the historically
terrible isn't already happening,
on some microscopic level?
                           not if / not yet?!
                                             hardly...

poetry is air and not the prose of water...
i am stranded between wanting to breathe air
and at the same time more in need to drink water:
no wonder i cannot rest with merely breathing air...
if only i were to breathe air and leave my efforts
with so much nuance as to allow others to breathe
the same air... alas i am like that saying of Heraclitus...
i'll pour you a glass of water
i have prior to drank... leave it for you to drink a day
later: it will not be the same water that i have drank...
i wish i could write like these words might be air...
but it's... aqua post scriptum et plus aqua
post scriptum ad fluenta...

                    verschließen dein augen:
    sehen wieder... immer wieder:
                               bis: es gibt
                             nicht freude:
noch aufschub träumen...
                              kalt silber-rasierer
                                 schneiden auf
mondklären... nacht als auch wirklichkeitstoff.
Souleater Jan 2018
Wut macht sich in mir breit,
bin gewappnet, mach mich für den Kampf bereit
hab alles getan um uns zu schützen,
hab gemerkt das alles würde nichts nützen
Versteht nicht mal was ich fühle,
was für Gedanken ich mir mach und wie sehr ich mich bemühe

Stattdessen sitz ich hier,
wünschte einfach Flo wär bei mir,
den ihr hättet kennenlernen sollen,
doch es gibt wichtigeres, ihr *******das gar nicht richtig zu wollen
Hatte nach Mittwoch neue Hoffnung gefunden,
spielt keine Rolle, ihr seid frei und ungebunden
ich werde mich nicht weiter um Verständnis bemühen,
kein weiteres Gift versprühen,
werde mich einfach zurück ziehen und euch machen lassen,
versteh nicht wie ihr mich könnt hassen
hab doch alles für euch gegeben,
wollte noch so viel mit euch zusammen erleben


Weis nicht wie das weiter gehen soll,
spüre nur in mir steigt der Groll
vielleicht tut uns Abstand gut,
vielleicht geht dann auch die Wut

Kann nicht bleiben wie es ist,
denn bin dann nur noch mehr angepisst
tu alles damit es klappt,
aber egal was ich sag, ihr seid eingeschnappt

Hoffe wir werden mit der Zeit einen Weg finden,
die Zeit der Krise ohne weitere Schäden überwinden


Wollte morgen so viele Freuden mit euch teilen,
gemeinsam all unsere Wunden heilen
hab meine 100 Mauer endlich durchbrochen,
doch fühlt sich an als Brecht ihr mir jeden Knochen
hab meiner Familie von Flo erzählt,
wollte auch das ihr ihn auswählt
hatte mich tierisch auf morgen gefreut,
tief in mir gerade alles schreit und diese Entscheidung bereut

Ihr stellt eine Frage,
die ist für euch schon eine Aussage
hattet alles für euch schön geplant,
doch in mir drin bereits etwas mich warnt.....
Fehler gibt es immer wieder,
Manchmal wenig manchmal viele
Manchmal große manchmal kleine
Mit Konsequenzen oder keine

manche werden schnell vergessen
während andere stattdessen
sich tief in deinen Kopf einbrenn´
und nie vergessen werden könn´.

und wenn man so ein ‘Fehler mal begeht
und erst im Nachhinein versteht
was für Folgen dieser hat.
gibt’s mehr als eine schlaflose Nacht.
Und man sich nur noch fragen kann
was wäre wenn… was wäre dann?

Doch was man tat das ist passiert
Und auch wenn man es oft probiert
Lässt sich ein Fehler nicht umkehren
Doch wird dich eines bessren lehren

Denn an der Zeit kann niemand drehen
Und auch wenn ewigkeiten vergehen
Muss man aus sein´ Fehlern lernen
Und zu etwas bessrem werden

Fehler sind zum denken da
Und somit auch nicht unbrauchbar
Manche klein und manche groß
Gibt jeder dir ein denkanstoß
Abel Dec 2024
In meinem Kopf, da haust ein Tier.
Ist schleimig und eklig, ist schrecklich und groß.
Fremde Augen tief in mir
Stelln mich vor mir selber bloß.

Will ich es lieben, hass ich es doch.
Bleibt es mir fern muss ich es suchen,
Und kommt es zu mir, dann lass ich es los,
Um es zärtlich zu verfluchen.

Ich will mich vor der Welt verstecken.
Will, dass niemand sieht und schaut,
Wie ich in meinen tiefsten Ecken
Mein Monster hab aus Angst gebaut.

Treten, schneiden, Ketten legen.
Hin und wieder brüllts in Wut.
Wills nicht lieben, wills nicht pflegen.
Geilt sich auf an meinem Blut.

Ich halt es fest und nochmal fester,
Dann stöhnt und schreits soviel es kann.
Mein einz´ger Freund, mein bester.
Es stöhnt und schreit in Stille dann.
Daniel Stoll Aug 2020
Du bist wichtig,
Remember that attempting language is the
Key to learning language.

Don't be like the rest,
English is not the only language of the future,
Nor was it the language of the past.

Let time not take you away,
But hold your differences close to your heart,
And know that life ist nicht tief.
Sokhn 3d
Die Liebe die sie wollte
Ist die Liebe die sie nie bekam
Sie suchte und kramte
Doch sie kramte sich zu tief rein
Und dann viel ihr ein:
Sie ist viel zu klein
Zu klein um gesehen zu werden
Malia Dec 2024
Wie heilt ein herz das nie wieder vertraut?
Wie hast du mir meinen  verstand geraubt?
Wie hast du mich immer so angeschaut?
Hast mir hoffnung gemacht und mich zum verlieben gebracht.
Ich hab gedacht da wäre was, doch du hast mich nur ausgelacht.
Mich so zum nachdenken gebracht das ich vorausehen konnte das es passiert aber ich habe es straight ignoriert.Nur in das beste in dir geglaubt doch da hab ich mich wohl getäuscht
Habe mich verloren in deinen wunderschönen braunen Augen,
Fand in ihrem Blick ein Heim, das ich nie mehr würde tauschen,
Die Stille zwischen uns sprach mehr als tausend Worte.
Was hätte ich gegeben, dir niemals zu begegnen,
Denn dann wäre niemals dieser schmerz in mir gewesen.
Du hast jetzt sie, und ich war nie genug  nicht hübsch genug, nicht schlau genug,
Und du wirst nie begreifen, wie tief meine Liebe für dich war, wie sehr ich dich suchte.
Nun steh ich hier, ohne dich, und nichts fühlt sich richtig an,
Ohne dich ist mein Herz leer, als ob alles zerbrach daran.
Ich weiß, ich werde niemals wirklich frei von dir sein,
Denn ohne dich kann mein Herz nie wieder wirklich glücklich
Theodor 5d
Das Leben kommt zurück,
der Tod verschwindet,
ewig wiederholt sich die Schleife des Lebens.

Das Licht so grün,
es erhellt das tote Dunkel,
welches uns erwartet,
ganz tief da unten.

Von hier oben fällt mein Blick,
auf das was bald grünt,
wies einst mal tat.

Noch ziert das braun des Todes den Grund,
doch bunt ist die Hoffnung auf das,
was ihr Licht uns verspricht,
während das Leben erwacht,
mit dem Gesang des Himmelsv

— The End —