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Icarus M Jul 2013
Superimposing marks
On red, swollen lips
Bit and bled from chattering teeth
That tolls nervous as a cuckoo clock chirps.

A bumpy road with
Spidered cracks
Like a well dried jerky strip
Wrinkled, and tough.
Bit and chewed
With no bones underneath
And no guts to go forward.

Warning skies
Of red in the morning.
And thunderstorming nights
That flash with lighting so intense
You'd think an old-age photo party was commenced way up high.
And rain so furious
You'd think the clouds were tearing themselves to pieces.*
--------------------------------------------------------­-----------------------------------------------------------------­-------------

As a cloud,
I think I should add
That we aren't all fluffy and white
Nor scary and dark.

Our seasons do not come easily
For we undergo much
To make it "rain."

And even more to keep it calm.

Thunder is not a weathering crash,
It is yelling from another room.
And the lightning flash,
rage,
That leads to liquid pain.

The hard pressed wind that tosses your hair
Are witheld screams
until tolerance level reaches maximum,
And snaps. Like that old willow's trunk,
Wrenched from the earth,
Because the sky is powerful
And we are only along for the ride.

But, there is sunshine that warms our tops
While the bottoms are in shadow,
wrought in darkness that writhe along uneven surfaces.
But, there is moonlight that makes us gleam,
Like silver was sewn into sides.
But she is not always there,
And as her light fades
So
Do
We.
A work in progress, but I wanted to share what I already have. I hope you enjoy. Any tips are welcomed. © copy right protected
Leiak, omnipresent vague pneuma-dancing spirit, ductile pious water of epiphany and extraordinary example, lives on the water with his parasitic chin in the Vernarthian epigram; he is seen with his jocular back, breaking the lines of the swamps between muscles and silhouettes. Before the First station..., primitive of the three remaining nights before reaching the volcano of Patmos, its deluge begins. "

It bathes in the Davidian, Alexandrian, and Vernarthian rains. A little touched he is seen and insubordinate in the astragali that he has gained in his allegories, squeezing his chest, exactly for the good of a wonderful Hellenistic city statue of the Dyticá, where he imbibed Vernarth's putti, adhering to the hydric spheres that fell over the ceilings of the heavens that Eros himself and his crush, which struck the heart axis of Medea, totally extracted from Zefian's quiver, constricted in Borker's nanotechnological sub-mythology. From the comedy of Attica and in the superb speeches of endo-adverbial satire, he stigmatized verbal changes of creation, superimposing them on tops of excesses carried by heavy drops inside some amphorae brought from the eastern sunset, tracking happiness that arrived on the western shores, waiting letters of sigh and loneliness stretched out on the thalamus full of stretch marks. So Leiak expanded, where everyone made fun of him being a satyr by essence, but being unaware of it. Perhaps as a unitary gesture of shadows when going to dawn, before having the best light that they put in figures or pirouettes, without disgracing him as a satirical minority in the Epicurean doctrine, he is inquiring a happy life through the intelligent search of innate pleasures, the ataraxia and in apocalyptic friendships with Zefian, Borker, and Kaitelka.

Borker did not intend to heal himself of trifles at all; it will be a habit to venerate the revelations against polytheism, to then cling to an interiority that points to corroded execration from the root to the top of the fallen tree, with force blinded by the blindness of the Automaton, as far as it is concerned. By itself, of identical significance in the background; but with so-called change that he tends to totally eliminate the last trait of personification of the divine. From this dilemma, the values will be spikes in his hands, sheaves in both, and what he envisions of Hellenism will be the property of nano-technology, submitting under the lens of time dividers that have never been pieces of rest under the Duoverse-Universe., the lens will be your Iridium and the microbes that govern us will be the atomic force, to discover them. What atomistic world will there be between Borker and Leiak, if in this nanoworld; The nanometer is one-billionth of a meter ?, What will be enough to start being tiny in this great epic, which is called Vernarth intra-spaces and inter-Verthians of the universal macrocosm, which will now approach the microcosm of human consciousness, and the laboratory of Epicurean affabilities in Ataraxias decreasing the passionate intensity of the Hypothalamus, and the supra desires that can alter the mental-corporal balance, strengthening in misery that they reach said balance, and finally happiness, which is a meta-plane of Epicurean convergence that runs after the lost. Ataraxia is, therefore, tranquility, serenity, and imperturbability analogous to Vernarth's soul, reason and feelings in his dislocated world, and the hemispheres of himself that will be rationalized in their slightest longitudinal measure, in what fits and in the precarious!

Passionate laboratories were magnetized every time Leiak walked on its extension, and his hands went beyond his fingers, touching the Constellation of Aorion, to indicate that the longitudinal metric of man is measured beyond the fingers of the Duoverse, where it appears the Extra-Cosmos in the proximal of a nano-scale is a submultiple of the conferred means of the Saint John the Apostle pattern. The scientific notation will be the safeguard of the magisterial scientist exponentiated brain; 10.1 mm = 10-3., the kilometer or km, is the opposite equivalent in what submultiples of the meter are called a micrometer: 1 μm = 10-6 m. In this scale we find bacteria, which constitute the main group of microbes, hence the name of the submultiple between observation scales of the macro and micro world of this being of Holographic Lux called Leiak, having the composition between this nanoscale, and the opposite of 1 μm = 10-6 m. projected onto a bacterium, which in turn is ten times larger than a viral body. Sizing enough to balance the biosphere that will surround the Automaton Mandragoron.
Leiak's world is an outpatient virtual laboratory, as it is valid in colloquial language, adhering to measures that differ by the conception of transliteration or decimal mathematical positioning. The letters and lines have been interpreted by Leiak, they are Vernarthian Parapsychologies that oscillate gaps of mismatch of billionths of wasted knowledge, in displays of ghostly reigns and in no-man's-land. This nanoscale makes us nano-poetize themes of ultra interference of the Epicurian decree, of tranquility, serenity, and imperturbability, with the meagerness that we know of the enlightened after a thousand moons writing under the stars:
"Woman when you touched my life with the grace of your fingers, I could see how the kind nights closed my eyes, caressing the entire Universe." This is undoubtedly Epicurean Nano Poetry, but the Author is Tagore "

The exponential oscillates in the parameter of the outstanding Astronomer of the divine verb and poetic thinking, in the most intimate and dynamic Hindu techno-language. Quantum mechanics here is the debit of the iconic remnant reached, by parameters not achieved below the average intelligence, providing lost data far from collecting and storing. Tagore's logic is nano-poetry, which balances billionths that are not achieved by occupying the Corporal Dytiká (poetic sunset) and the synchronic soul, rather the material simultaneity of the fifth element of will, emotional and objective desire, condensing into matter already conferred consciousness, in gaps in fit at all times, but linking it to her divinity as intelligence never before out of date; V.G. The Mashiach is always linked to the vertebral and communicational axon of the plasma nano-particles by grasping its infinite numinosity, making this scale it's one billionth, and being within the Eras that will be the largest average of the macrocosm, in the quantum itself of the Christian Era and in other Quantum worlds.

Strictly speaking, the molecules are angels without a will, but the dispensers are the consciousness of Leiak, which transfers hybrid consciousness, for purposes of regulating and shaping the ravings of intelligence and atheistic consciousness, and for purposes of the great remnant always present and active in the emergency. Spirituality of the Mashiach-revolutionized. The by-product will be Zefian's Tetra Sagita with its ergonomic tip, opening up doubts and tracing the future of a rewritten bible in the same character and fidelity, but with the omnipresent Mashiach of a Scientific Eucharist.

Leiak walked through minefields, and in some, he saw universes come out that exploded in livid colors, among them Vernarth, who had been recovering from malaria, and who helped him create a culture composed of a great artifice of immutability, for those who are close to his Greek spirit. Overwhelming those who lack the will, clarifying where the great art galleries of the world will be, not because of their current works but because of those they will have to exhibit? From the rushing philosophical delta, germs of dominance were trickling, distinguishing properties that did not germinate under his feet. Bread and water of the hundredfold fruit of all the lesser forces that resist on the thirty and nine with fever, more than the narrow borders to be discovered, in democracies that will prosper in the hands of kind tyrants, and not in the unitary Ecumene. Vernarth did not denationalize from his grass crops, he was Hetairoi more than all the commanders of Alexander the Great because his native country never sank next to him, he only prospered in centuries where he had to rise again silenced and prostrate oblivion.

The chaos of an absence accuses a majority of sadness that greets the Celtic Gauls for the axon of the anointed cosmos of the divine autarkic world. But not in seditious wars devoid of bread and water that does not support them, nor by papyrus did nets that do not contain them either, in the spiral retransform the land of all, as a plural work done here, by the Mandragoron Áullos Kósmos, intends. The male rectors will trust their works in the widespread Greek language, called koine (common). A language that writes has its own feet to write new divisions, and ordinal paragraphs to fulfill in proskínesis or obeisances in those who have golden knees or not! They will continue to make separate book stores or libraries for Filososfia or science sub-themes that will tackle the top of Profitis Ilias. For all large cities and nations, it will only be Leiak's legacy, of having large spaces for dialogues where no one can resist his man-made preaching, holographic rain forest, and times that not even in billionths will make him melt spaces of ignorance, diverge from the juxtaposed principle of unpopulated urban schools do not deserve.

Says Leiak: “Every time it is more intense to turn the dislocated nature of man, my literary idylls are at the end of everything with his genre works. Life and it's agitated think idyllic of removing the talus, which is not swayed in my chest by the Metelmi..., but by my breath of death! "
Dyticá Leiak's twilight
Nat Lipstadt Jul 2020
Hazy Day
————-

rose at 3:30am, anticipating an aria of glorious
thoughts needy of capture, encryption, preservation,
three hours later, an empty vessel rides high on the empty
white screen waters of the Bay of Zero, fed by Nada River,
emptying into the Atlantic Ocean, where microscopic is ordinary,
my, my, not~noteworthy contribution, noted for its worthlessness.

delivered the coffee at 7:00am, put on the music,
climbed onto a fresh sheeted mattress, yawning, yearning,
seeking to recover the lost hours and instantly tumbler-in,
inundating random notions, hazardous thoughts,
dispatched to keep me awake, as I trajectory into sleepyville,
each one an angel, coming down Jacob’s ladder for to wrestle
me home, even as the daylight reveled~reveals that a newborn
baby, will be new hot, dangerous, burning hazy day.


                                                    <!>

Hazardous Thoughts
—————————-

                                
“It is easier to give love than to accept it.” (Walter W Hoelbling)

Walter, Walter, what an accursed blessing you’ve given me!

This simple declarative is a racking, wrecking, symphonic
synopsis of this man’s life, crying out for une écriture monumental,
that somewhere in a hidden recess has commenced composition,
know not the where or when of it, but the why is a tightening noose,
squeezing my brain, choking my neck, impounding the heart beating,
because with succinct brevity betrayed out loud, my essential secret.


                                                     <!>

Every night I sleep with a woman and a man; the woman, you need
not know, nameless is what you shall call her, but the man, instantly
recognizable as just Leonard, descendant of the priests in the Temple. Me and the baffled King composing our hallelujahs.

                                                  ­    <!>

Art doesn’t not imitate life. It plagiarizes, embellishes, improves, with
tinkered recombinant DNA, shamelessly swiped, for which we forgive the audacity of its thievery, for with each attempt comes a Confession, remorse, nobody cares, whatever. Art supersedes, supplanting and superimposing, by grafting new branches upon old works, even occasionally improving what was once brilliantly original.

                                                     ­ <!>

Note to self: Do not forget to wake ‘n take the garbage, the recycling, and the corrugated cardboard and all previous poems to the Town Dump, before they stink up the garage. Post Office, Pharmacy for local weekly newspaper, no candy.

                                                     <!>

Dozy, sleepy. Sarcastic “great.”  I’ll never remember this poem;
**** these hazardous thoughts on a hot, dangerous, burning,
innocent hazy day.
note to self: dreamt yesterday in the early morn;, composed in the afternoon, listening to Jonas Kaufmann, edited, posted at 3:30 AM Friday listening to Kris Kristofferson and Janis Joplin.
3:35AM Fri Jul 24.

the precedent predecessor:

https://hellopoetry.com/poem/3096449/every-poem-is-a-test-of-character/
Hal Loyd Denton Jan 2012
Inglorious light

To strand light from darkness the greatest victory Jesus said I am the light of the world it was fixed and
Sure no dividing nothing to confuse but then man’s desires arose as in all instances when he would
Dismiss God’s sovereign authority honesty is missing they don’t say initially the truth spoke thusly no
They craft well their superimposing disfigured light it has to appeal it must have the essence of
Misrepresentation with this you will be enlightened and thankfully you can do it by a measure that you
Can control you will be god and have the authority see all the lights draw them together into a super
Beam they are outer bold strokes of genius variable dreams exists in this bright coexistence with
Darkness you can blatantly satisfy all manner of appetites and keep you heart from alarm you are
Walking in light there is a supreme being and he too is known as the angel of light that is filled with all
The arts of deceit he will dazzle and from his inner light you will fall from heavenly heights the same as
He there is no end to your trouble nor his but what a ride to control thoughts and destines of others that
Innocently trust your words the breach know the true word was abridged to fit a morality that didn’t fit
Into true and right nobility no matter substitute your own please make it glowing the greatest
Subterfuge must look closely like the original we are speaking of eternal verities fine tune the sphere it
Must pass the acid test for the casual adherent only the best divisible means must be employed you are
Substituting bedrock truth with the illusion of truth never say the devil won’t give you your do even he
Plays fair to a point you are giving up a kingdom your right as an heir not to mention love will be changed
To murderous intent the death of a soul is not a minor undertaking you laid the ground work so expertly
Now to keep up the pretense it’s not really like its hard we are all rebels just play into the general feeling
That is maximized when you add the poison of deceit its the drug that will never fail love be dammed see
You in Hell
Onoma Apr 2018
hands out, in a walk
of sleep--caressing
a planet
delicate as a baby's head.
her tutelary spirits
reading my palms.
drifting over intersecting
timelines, looks of
emphasis rippling the
mind's eye at key points.
the perfection sliding
impersonal tears down
wisps of web.
tremulous suspense in
fields of glorious collapse--
the art of detail superimposing
over ends justified.
how idiosyncratic to be
walked, and met with caution
that precedes itself.
as to regulate such a vast intuition.
Don Bouchard Feb 2022
Scripture seems to be clear about the permanence
Of hell's torment, yet we finite human beings insist upon
Superimposing our imaginative emendations
Upon Scriptural descriptions.

Why do we do this?
Perhaps our love for those we suspect
Have gone to eternal damnation,
Or the fear that we ourselves may not
Make it to eternal bliss
Motivates us to create
Heavens and Hells,
Multiverses.

I believe that I am finite,
That I am created,
That my planning and conniving are incapable
Of changing the Eternal plans.
I have no power to create alternate realities;
No temporal holds upon supernal.
Thinking
Alijan Ozkiral Apr 2018
Superimposing
My soul onto another's --
It's not ***; it's love.
Mateuš Conrad Nov 2017
compare the onslaught of the black plague
by superimposing it onto the map
of recent islamic terror attacks...
                                            what emerges?
a region in europe, immune,
       mind you, after the nazis
                          after the communists,
islam would have a hard time in poland;
it's mightily odd to have a black
plague immunity -
                 and an immunity toward islam;
to me, the ******* are still trying to sell
me persian rugs, falafel, and
      a fashion statement that might make
sense to a beekeeper;
just waiting for the oil to dry out...
   just waiting for the oil baby...
         just waiting for the oil to dry out.
Hoa Luu Apr 23
beneath the veil,
behind the bark,
beyond the horizon
streteches shadows
afraid of light

a faint glint wanders through
split contrasts of
blending bands from bellowing and chaotic boistering immaturity
of aged adolesences
too old to live
never alive to try

a tree sits alone
in open fields of endless nowhere
where dead things go to wake
as light blends prismatic hues
superimposing afterimage bounds of light curves
to obscure unipolar lineararity
painting space as time.

— The End —