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Sara L Russell Aug 2013
(A poem to be recited by actors)*

I

[Salome]

Jokanaan, such is my desire for thee,
The moon and stars hath turned away their face
I thirst to kiss thy sullen lips, softly,
I love thy lips, thine eyes that darkly gaze.

Fain would I strip thy garments all away
Replacing each with kisses to thy skin
Just as the dark of night becalms the day
Mine open arms shall gather thee within.

I burn to taste the kisses of thy lips
Just as the hummingbird sips from a rose
Stealing thy nectar with such tender sips
As melt thy sternest aspect, till it goes.

O let me taste thy kisses, holy man,
And quench desire as only woman can.


II

[John The Baptist]

Depart from me, daughter of Babylon,
That look'st on me with such covetous gaze!
Siren of *****'s mire, harlot, begone!
Away with thee and all thy wanton ways!

How canst thou speak with such depravity
Addressed unto a holy man of God?
How canst thou dance in merry liberty
Where our forefathers, seers and sages trod?

Look not upon me with thine eyes of lust,
With salivating, ravenous desire!
Love's purity shall outlive mortal dust
When thy dark soul burneth in Hades' fire!

Harlot of Babylon, strumpet, begone!
I am not thine to crudely gaze upon.


III

[King Herod]

Salome dances, circling the hall,
Gold lamplight shimmers in her dove-like eyes;
Her flame-red chiffon swirls with each footfall,
She glides like a bright bird of paradise.

Behold, she throws a veil onto the floor,
Exposing but a fleeting glimpse of breast;
Allowing but a small promise of more,
Another veil she throws, at my behest.

She sinuously sways her slender hips
And not one moment do her eyes leave mine;
She dances closer, smiles play on her lips
Those lips that could be sweet as Muscat wine.

And still she dances, ravaging my sight,
This light-skinned girl with hair as black as night.


IV

[John The Baptist]

Behold! She dances now before the king,
Whose eyes are full of lust incestuous;
For *****'s daughter, wildly gyrating
Whose very presence here is blasphemous!

I hear the music from my dungeon cell
Her light footsteps, distracting me from prayer,
She dances like a dervish sprung from hell,
I reel with loathing, knowing she is there.

Beware thy sins, Herod, Herodias!
Thy fall from grace approacheth like a storm!
Beware daughter of *****! None shall pass
Beyond the pit, the flames, the locust swarm!

Thy kingdom shall be cast into the flames;
Thy souls struck from the book of living names!


V

[King Herod]

Ah! Now the last veil flutters to the floor,
Her body holds no secrets from mine eyes;
Like ripened fruit making me thirst for more,
But I have promised more than may be wise.

Now I make good my promise unto you,
Salome, fairer sister to the moon;
Come now, I am thy slave; what can I do,
Name thy reward, and thou shalt have it soon.

Come hither, precious girl, I wish to share,
Take from the riches offered up to thee;
Choose from the sweetest wines beyond compare,
The rarest rubies of my treasury.

From treasured gems to pleasures of the vine,
Pray name thy heart's desire; it shall be thine.


VI

[Salome]

My heart's desire cares nothing for my love
What jewel can ever love me in return?
My regal beauty's deemed as not enough
For Jokanaan. I see him, and I burn.

I spurn thy earthly treasures set in gold,
I yearn not for their dancing play of light
There was but one pleasure I could behold
And he regaileth me with words of spite.

Thy precious cellar brimming full of wine
All taste divine; yet never quite as sweet
As luscious lips of he who can't be mine
Whose savage beauty stings me like defeat!

Therefore I say, reward me if you can;
Bring me the severed head of Jokanaan!


VII

[Herod]

Salome, you have asked a dreadful thing,
Such monstrous words flame from thy pretty lips!
I offer thee my finest emerald ring
The choicest clipper from my fleet of ships;

Thou canst prevail upon me for my land
My fields and vineyards all lain at thy feet;
Stables of horses all at thy command,
All of these gifts might make thy joy complete.

But do not ask of me the baptist's head,
His eyes disturb me far enough in life;
I listened well to everything he said,
His death would be a curse; a flaying knife!

Salome, quell the anger in thy breast,
I beg thee, reconsider thy request.


IX

[Salome]

Thou shalt not swerve the purpose of my mind,
My mind is set, this action must be done.
There is no greater gift that thou might find
Than that Jokanaan's eyes forsake the sun.

I prithee, take that scurvy **** away,
His eyes stare so, his tongue derides my name;
Silence his prating tongue, he's had his say
Now he must suffer for his words of flame!

I shall not sleep with that voice in my ears,
Sever that head, that mask of insolence!
He rants of prophecies, preys on thy fears,
Now he must make his final recompense.

I danced for thee. Reward me like a man,
Bring me the severed head of Jokanaan!


X

[John The Baptist]

A famine on thy fields, monarch of shame!
Locusts shall take thy vineyards and thy corn!
Rivers of blood have stained thy royal name
Thou art forever doomed, thy kingdom torn!

Thy family are coiled like nesting snakes
Thy daughter whispers with thy feckless queen,
They die along with thee, when the earth quakes
And fall into the bottomless ravine!

I hear thy soldiers storming through the halls
Approaching now, to my decrepit cell;
I shiver at the sound of their footfalls,
Though I'll not be the one condemned to hell.

May God send Raphael down from the sky;
Take me to somewhere better when I die!


XI

[Salome]

Ah now, thine eyes that once held so much fire,
Forever hide their light of righteousness;
I almost miss that shiver of desire
I once felt in their presence, I confess.

Thy tongue is silent now, that once cried out
In shards of venom, wounding blades of words;
And I'm at liberty to pluck it out,
If I desire; and throw it to the birds.

Thy rosy lips, as sullen as thy brow,
Soft petals, rendered harmless in repose;
They spurned me once, but I shall kiss them now,
As easily as one might steal a rose.

Thou once dared to refuse me, holy man,
Now I will kiss thy dead lips, Jokanaan!



The End.
Bob B Oct 2016
As she danced before Herod and Herodias,
Salome waved her flowing veil,
Which fluttered and whirled through the air around her
And rippled like a silken sail.

"Ah, your daughter dances divinely,"
Said Herod to his calculating wife.
"She dances as though she's walking on air.
I've never seen so much grace in my life."

After a frenzied flurry and flash,
Salome stopped and bowed to the king.
"My dear," said Herod, "what may I give you?
Half of my kingdom? Anything!

"Tell me what your heart is set on.
I'll give you whatever you desire."
Salome looked at her mother, who
Smiled and nodded--her eyes on fire.

"Your incomparable kindness compels me
To answer simply to a king so great.
I ask for one thing only and that
Is John the Baptist's head on a plate."

Said; done. The executioner
Soon returned carrying John's head,
Which Salome gave to her bloodthirsty mother,
Who was delighted that he was dead.

What about those who keep on dancing
Salome's dance? They pivot and swirl,
Contemplating how to placate
The wishes of others while they twirl?

Do they conspire to perpetrate
Division and discord--not unity and peace?
Have love and kindness and thoughtfulness
Given way to heartless caprice?

Are they moved by seductive wiles
As if compassion does not matter?
Do they seek above all things
Vengeance on a silver platter?

- by Bob B
John F McCullagh Aug 2013
She danced for Herod shamelessly;
She smiled and flashed her *******.
Herod looked on, helpless not to,
as each veil dropped to join the rest.
The look of lust was in his eyes.
He wanted her in bed.
Salome wanted something else-
she wished the Baptist dead.
He was helpless to refuse her wish
so was the order given-
The Baptist's head upon a plate
as proof he'd left the living.

As she shared her trophy with her mom
I overheard what Salome said.
" You can say what you want about Herod,
but he always gives good head."
a tongue in cheek look at the tale from the Bible
Correctly he is John the Baptizer,
His birth was delayed up to late,
Late post menopausal age of his mother,
Elisabeth the wife of Zachariah the priest,
At the temple of the Jews in Palestine
During the regal time of Rome
As a world empire and a role model of tyranny,

Imagine conceiving after menopause,
During the nonagenarian ages
Of all the ages, in the nineties?
But she conceived John,
Was it true or mere sensationalism?
Or mere nerve chilling art style?
To hold the world audience a hostage?
I don’t know but  John was born
After his mother’s menopause,

He contrasts with Jesus
Born by a ****** Mary,
Imagine a Jewish ******
Without ****** *******
Became pregnant,
And gave birth to Jesus,
When Mary was pregnant
She socially visited Elisabeth
John’s fetus somersaulted,
Like a Chinese acrobat
Inside his mother’s tummy,
It was his baptism before birth,
But may be pregnancy of a ******
Has more strength than pregnancy
Of a post menopause octogenarian,

Hence the famous ode by Catholics;
In the name of Hail Mary
The mother of God
Most blessed above all women,

These post menopause pregnance
And ******‘s pregnancy without ***
Contrasts with Adam’s creation from clay
And Eve’s creation from Adam’s left rib,
Another super-sensational literature,
Or pataphorical art; Magical surrealism?

Let me not go dumb or mute
Like Zachariah when he believed not,
But no, I already believed ergo, my vocality,

Now why did John refuse to put on clothes?
Only to put on a skin of a goat,
Or was it a monkey Clobus,
The one which we in Africa
We are forced to ****
Before your father permits you
To face the circumcision knife,
John again refused to eat cooked foods,
He survived on raw honey and locusts,
Nuts, roots and raw fruits, dietician?

Or it was self denial or self immolation?
Like the one often displayed
by the Islamic statesmen aka terrorists
When committing suicide bombing?
No it began with the Japanese Kamikaze,
In preparation to bomb Pearl Habour,
I don’t know at all at all,

Now what of the howling in the wilderness,
Calling for people to baptism in water
At the riverbanks of polluted Jordan
And when he saw the Negroes
Among those who came for baptism
He called them the viper’s generation
Or were they Libyan Arabs?
And Jesus came, John went inferior,
He declined to baptize Jesus,
But Jesus pleaded for the service,
Then the dove opened the heaven
And came down to anoint Jesus,
Which heaven was opened?
Was the sky or the heaven?
This must be the writer’s Gnostics
Used to calling the sky as the heaven
Why the dove and why the heaven?

Then john again began doubting
Very genuine doubt I m telling you,
You see john began spying on privacy of the king
Was he also a night runner? Maybe,
He spied on Herodias the mother of Salome
She was a chic for the king; Herod Antipas,
This stuff threw John into  a calaboose,
Then John began day dreaming
Like any other prisoner
For his freedom and bush foods
He really missed honey and locusts
And also the fruits; Quavas and mustaberries,

He thought Jesus would come running,
Panting like a cheetah to pull him out,
Out of colonial prison, Jesus never came
Hence Johns doubts;
If Jesus is the Messiah really,
Can’t he come to redeem me?
From these colonial prison Herod,
Look; we are all Jews
In fact blood related Jews
And it is a year he has never come,
To pay me a visit when am in prison
Is he the Messiah really?
Or we still have to wait for a true messiah?

But Jesus was a rude messiah
Or Jesus was jealousy? Envious?
Of John’s spiritual competence,
I think he was wrong, totally wrong
He should have saved john the Baptizer
From the Roman colonial prison,
For there is no need nor spiritual logic
For Jesus to heal the lepers, and the blind
To resurrect Jairus’s daughter
And command the devils out of a madman,
But he could rescue his cousin brother
From a colonial prison, was it detention?
Remember Mary and Elisabeth were sisters,

John was a victim of circumstance
Like those who now languish in torture,
Torture chambers of the quatanamo bay prison,
Detained and tortured inhumanly
Without hope of trial nor justice
For no other reason but faith and race,
John was a harbinger of Sadam Hussein,
Osama Bin Laden, Mummar Gaddafi,
Nelson Mandella, Luther King, Dedan Kimathi,
Elijah Masinde, Arap Manyei and Mugo wa Gatheru,
They fought tyranny with firmness
They underwent torture for the sake of humanity,
They suffered for no reason but folly that goes with tyranny.

And finally, Salome the poet,
Living by performing the spoken word,
And Proceeds of her mother’s adultery
And vampirizing on the blood of the righteous
She came and danced in artful wickedness
by gyrating her ***** satanically
In the usual wicked style of a *****’s daughter
Sending the male audience nerveless with ego
Only for to suggest her prize;
As John’s head on the platter,
John was grisly mattered in the cells
Then his head was delivered on a platter
To Salome the poet the daughter of Herodias,
It all happened when Jesus was aware
Amid the full wind of his wonders
On the crest of his fame as the messiah
Isn’t saving the prisoner good as resurrecting
Young damsels and healing the lepers’?

But anyway, it is stark culture of Europe
To chop off the heads
Of those who oppose their tyranny,
It is not only John the Baptist that have suffered,
Suffered like this in the hands of Europeans tyranny,
The list of such-like victims is endless;
Mugo wa Gatheru was buried alive in Kenya
He was ordered at a gun point
By the British colonial police,
To dig his own grave using a mattock
Then the British clobbered and buried him a live,
On this brutal burial of Mugo wa Gatheru,
The Queen of England promoted these policemen
That buried Mugo wa Gatheru,
Kotalel Arap Samoia of the Nandi Militia in Kenya
Was shot twice in the head by the British spy;
The spy chopped off Koitalel’s head
He took it to the queen in heroic dint
And the queen glorified the spy,
Anglo-American power chopped of sadam’s head
Anglo-American power killed Mummar Gaddafi,
Anglo-American power Killed Osama bin Laden
They perpetrated all these without trial,
I am tired of all these………………
Tammy Boehm Feb 2015
Perhaps it was the blasphemy of lovers and fools
This dalliance of ravens and necromancy
The brush of pomegranate mouths
Amaranthine against the backdrop of ochre and tintype
I dance the silent rhythm
Innate the rush of blood in veins
Salome
I am your feathered death on prism wings
Small consolation you cannot see the soul beneath the veil
Spin a legacy of heretics starry eyed and hungry
For flesh and soft skin
Spills the stain on pristine canvas
The palette of indiscretions
Peep show intimacies
Vibrant I am unfettered light
And you are blind
In black and white and gray
You twist this myth
Ropes coiled serpentine
Hungry eyed you feed on dreams
Cellulose crackling in the heat
Borne on desert winds
I rise to claim you
I am the moment
Pigment and poetry
Alive and fluid in your mind
Inescapable
Whisper my name
Salome
031113
Samantha LeRoy Feb 2016
with hands made of shrapnel,
i seal the door shut,
hide under the bed.
gunpowder perfume and gasoline showers,
when i was 13 i forced my way out.
i crawled back in,
driven by the sound of
cicadas dying.
theyre last will and testament sounding
too much like salome.
am i john?
summer is over,
the hush of fall falls down
like the last veil.
i am salome,
you are john.
head sitting heavy on a silver platter.
my body is jeweled,
the veils,
the color of violets,
flow, swirl, part.
i reveal myself to the king,
gold melting down his face
like saturated sacrilege.
Come in and enjoy the Night-Light Hotel
Where Pillows and Perfumes meet and relax
And Therapy takes either Bond or Belle
And Goldfish blow this Friday's Bubbly Sax
Here upon registry your Token awaits
The Flannel up-hook which you strip and wear
Then wait for your turn as your Number rebates
A little whilst knowing your Musk reeks there
I for one made this Malicious Decide
And tempt my ****** to swallow this Treat:
Upper-Lower Left; Upper-Lower Right
Then descend into Base - Heh! Heh! Heh! Heh!
Stud or Salome, let Conscience give choose
But trust me to say I am a Man too.
CAME the great Popinjay
Smelling his nosegay:
In cages like grots
The birds sang gavottes.
'Herodiade's flea
Was named sweet Amanda,
She danced like a lady
From here to Uganda.
Oh, what a dance was there!
Long-haired, the candle
Salome-like tossed her hair
To a dance tune by Handel.' . . .
Dance they still? Then came
Courtier Death,
Blew out the candle flame
With civet breath.
She that begs a little boon
  (Heel and toe! Heel and toe!)
Little gets--and nothing, soon.
  (No, no, no!  No, no, no!)
She that calls for costly things
Priceless finds her offerings--
What's impossible to kings?
  (Heel and toe! Heel and toe!)

Kings are shaped as other men.
  (Step and turn! Step and turn!)
Ask what none may ask again.
  (Will you learn?  Will you learn?)
Lovers whine, and kisses pall,
Jewels tarnish, kingdoms fall--
Death's the rarest prize of all!
  (Step and turn! Step and turn!)

Veils are woven to be dropped.
  (One, two, three! One, two, three!)
Aging eyes are slowest stopped.
  (Quietly! Quietly!)
She whose body's young and cool
Has no need of dancing-school--
Scratch a king and find a fool!
  (One, two, three! One, two, three!)
Michael Archer Mar 2017
The walls cry-out as they burn.
A tumult of roars wreathed in the crackle of blazing matter.
Which is louder?  
Perspective will tell.
The one who assaults,
Or the one assaulted?
The roar, or the crackle?
The giver, or the receiver?
Pleasure in two forms, two-faced gratification.
One hand for dispensation,
One mouth for sublimation.

And do we not all sublimate?
Base impulses, rank ideas,
On the surface, vindicate?
The residue of consequence
Brusquely scrub and expiate?
Perspective will tell.

We espy hedonism, unbridled delight,
And may envy those who bathe in these muddied pools,
Focusing our most ephemeral sense on dazzling cacophony,
Ignoring the estranged husband of hedonism,
Shunning the divorcée of delight.
Which is truly louder?  
Perspective will tell.

In Oscar Wilde’s Salome the moon is thus described:
“She is like a woman who is dead.  She moves very slowly.”
Pandemonium in the hall, the howling of wild beasts,
But she remains “a woman who is dead,”
And “she moves very slowly.”

The divorcée of delight,
A pitiful coming-down.
The remnant of misuse,
The scarring of abuse.
One reads on a stone:
The hardly-lovéd daughter of overuse.
And the one who gazes overlong is warned:  
“You look at her too much.  
It is dangerous to look at people in such fashion.
Something terrible may happen.”

The walls cry-out as they burn,
And they cry in desperation.
What we see is conflagration.
The light:  A brilliant exultation.
The crackle:  A herald of termination.
But when ash is blown in silence,
It is dangerous to look at what remains:
Scar tissue.
Slow death.
Residue.
The head of John.
The bones of Salome.
Broken glass.
Wilted flowers.
Cracked foundation on hollow cheeks.
Red lips the stain of blood on ivory cloth.
Festering flies.
The beating of vultures’ wings.
The snoring of satiated beasts.
The stumbling home.
Apologies.
Sublimation.
Conflation.
Expiation.

One’s well-mannered pause until the other’s end,
So that the one may pause…
And begin again.
Salomé Albrecht Aug 2014
Awake to your heart beating
      in your stomach, in your thoughts, in your skin,
wildly
      Awake to your fingers clasping your
own chin
     As what sounds like another man
but isn't, he's you
     screams aloud words you can't make out
Awake to your chest in a cold sweat

Only then,
Awake and
tell me
about your
so called
          nightmares

- salome albrecht
Bob B Oct 2016
Ol’ Jonah was looking pretty **** pale
After three days and three nights in a whale—
Or giant fish (according to translation).
Whatever the case, it was no vacation
For Jonah, who had to be pretty smelly,
Spending seventy-two hours in that belly,
Fending off digestive juices
And other secretions that a body produces.
He didn’t agree with the creature, no doubt,
Because the animal spat him out.
If Jonah had early on followed directions,
This story would NOT be in our collections;
And he wouldn’t have taken that trip
And found himself being thrown from a ship.
 
Now Solomon they say was supposed to be wise,
Which is handy when certain situations arise,
Such as the “Judgment of Solomon,” which—
Luckily for him—went off without a hitch.
Solomon understood human behavior
And proved to be for one mom a savior.
Taking a chance, and entirely off the cuff,
He shrewdly called the false mother’s bluff.
It’s amazing it all worked out as it did;
Otherwise, there would have been a dead kid.
Back then could Solomon ever have guessed
The advantages of a DNA test?
 
Kind David’s son Absalom was handsome and charming;
His personality was rather disarming.
Ostentatious and debonair,
He was known for his huge mop of hair.
His thirst for power got so overblown
That he usurped his father’s throne.
So David and Absalom had to wage war;
Father and son had to settle a score.
At Ephraim’s Wood when trying to flee,
Absalom got his locks caught in a tree.
If he had kept his hair short and trim,
He wouldn’t have died on that blasted tree limb;
And his plans might not have fallen apart
As he hung from that tree with darts in his heart.
 
Salome loved to dance up a storm;
And apparently the lady had perfect form.
Her mother, Herodias, bore a deep grudge
Toward John the Baptist; and she wouldn’t budge.
Just imagine the trouble he was in
For having told her she was living in sin.
Unfortunately, he landed in jail
And languished there with no chance of bail.
When Herod’s birthday came around,
To get the merriment off the ground,
Herod asked Salome to dance for him.
He’d give her anything—whatever her whim.
She didn’t want gold or silver; instead,
She wanted John the Baptist’s head.
(Actually, for one reason or another
She wanted to give John’s head to her mother.)
If John had NOT insulted Herodias,
She wouldn’t have found him so odious.
And if Salome hadn’t been SO into dance,
The poor guy might have had a chance;
But since her dancing was so first rate,
His head ended up on a plate.
 
IF...THEN in retrospect
Makes us want to stop and reflect.
Actions and reactions both make up life
And sometimes bring happiness, sometimes strife.
Behave with wisdom and common sense,
And know that there’s ALWAYS a consequence.

- by Bob B
Annie Feb 2017
Salome*
The biblical histrionic
Herod’s bewitcher
Her charms proffered
Beneath the silk
Of seven veils.
The ****** of her belly
The rise of her *******
Makes an old mans knuckles
Long to knead her flesh.
Proselytized
Herod will give her a n y t h i n g
But John will never
Be hers.
His love is numinous
It transcends mere flesh
And so she is enraged.
And demands his head
On a silver platter.


Nothing worse
Than being told
You are loved equally
There was never a woman
Comforted by such words.
Tell your bride
On your wedding night
That you care for her
As much as you care for
Your mother
Your sister
And your aunt
And then while you skip
Into the bathroom
To search for your
Rubber accoutrements
She will be busy on the internet
Searching for your replacement
On Match.com.
And you won’t be able to call
Mother
Or Auntie
Or *****
for a hug.
Not while your ***** hangs limply
In its latex casing
It
would  
just
look
ODD.
Here in my heart I am Helen;
  I'm Aspasia and Hero, at least.
I'm Judith, and Jael, and Madame de Stael;
  I'm Salome, moon of the East.

Here in my soul I am Sappho;
  Lady Hamilton am I, as well.
In me Recamier vies with Kitty O'Shea,
  With Dido, and Eve, and poor Nell.

I'm of the glamorous ladies
  At whose beckoning history shook.
But you are a man, and see only my pan,
  So I stay at home with a book.
She knocks me
Locks me inside while outside her
The storm is still raging
She rocks me.

She makes me.
Takes me somewhere mysterious
In the dark so delirious
She shakes me.

She feeds me
Leads me to pastures so green
In dreams I never dream
She needs me.

But come the morning she'll float
In a boat she'll set sail
In the heart of beginnings
I wail.

Tonight she'll return
And with her fire she will burn me
With desire she will turn me
Into a wreck.
Camilla Peeters Aug 2018
he used to say he was speaking for an entire people
probably he meant that he understood the sheer veil of
not possessing the Owner yet cursing closed veins
and i can cut Narcissus' marron curls twice think about listing emotions regularly
unafraid some blood refuses to flow my way i feel deficient

behind the sheer-blue veils of eyes
and the water/the waves there is nothing more
than an unpoet
a piece of work
very much instead
a fool also
behind Narcissus is the unbending floor
i can see some gushing grey pieces of completely undusted power

his hands do not interfere with heated temperatures
when Narcissus touches my red-left-ear
without asking the rest of his body remaining same
steady
not even refreshing/refreshed anymore

he again and again clasps his shell hands around
my shoulders some sort of hug and i
freeze yet dissolve i am a watered down paradox
i do not know how to behave
i wish another Nemesis would clasp me that she
would put me into a bathtub my natural
habitat is water anyways
they are Rex and Regina and
i love how her hair remains darker, shorter
even after i cut his curls it does not matter what i do
they are powerful

meanwhile i am in the clouds all
blue all by myself i blurred my vision for
mountains of misunderstandings
those are my trophies i float and
scratch the tips of my fingers on all
the glowing god
awful drama i am a naked goddess the clouds
take me away
they shield me from lightning but not from darkness
i find myself fixated on the dark side of the moon for
scraps of paper it lulls for
individual letters it spits out
i wish i could stop being eighteen or nineteen or
twenty or twenty-two why do numbers come
for me algebra was never my forte i count
and count but my feelings never add up

and i finally feel grounded
into dirt Lupin closest to me our legs
line up without lights always
a little more wild
animal-like and
he kisses my back right where
i chose the moon to reside still it does not
phase me it does not change my desire
to dissect the muscles in his arms
leave the ones in his skull alone
doubt his feelings for me and my feelings for him and my feelings for me i lost my path and Lupin remains
third chasing me down dark chasms
consciously or pinned down we're always in bed
all of us pinned down by the heat by my pillows by the
lines on my neck
Lupin, i love it when you pin me down but you do not
keep me awake when
i've retreated into my bathtub

last blood moon made me bleed i am an
open wound still i am ******* holy/wholly
when you are conquered by me you will
scream for mercy

on middle grounds i shake the veils
around my waist that ground me minimally
i shake and shack them wishing to glue eyes next to
the garnets that garnish my see-
through dress i assess my desires again
i do not know about mildness i want
every star in the milky room every level in the crossed-out
game i want materials rough i want materially everyone on my list

you will never see through me even when
i open my chest there will be vaults of veils
Salome counted only seven but she was
a woman in the first century after men ****** up i
am intellectually miles ahead of her
i have sewn miles of veils together
a silky harness i shield myself with

my egotism is rising on a mountain of misunderstandings
in the milky room they all revolve around me my planets,
my moons crystal clear
my comets and you are dark energy Possessing me
everywhere yet persisting unveiled/unknown
not even your existence can be proven and i do not
ever want to see you/not see you
you are completely parallel to me

and i know my river sweetness is not over
me when he paints me i see his own
****** features through holes in my
face it pains me
how he still wishes we could
come together how he wouldn't
fall so far behind

you will never see through me
i twist the truth to be a diluted version of your thoughts which
i have read and despised i despise tongues and *****
still i dwell in wetness was this what i wanted to reach?
do i know? why do my eyes itch and i scratch until i bleed
never let it heal i want to be in pain

why do my eyes itch whenever i eat anything
itty bitty spicy risqué
why do i cry over four flights of stairs,
four flocks of friends,
four flights back home,
and the exit is wide wide open
Gabriel Aug 2020
Darling, please tell me which head you want on a platter,
and I’ll bring it to you. Don’t love him, please,
don’t love him, love me instead,
yes, I’ll decapitate myself if it means you’ll kiss my dead lips,
and please, love me until I die,
it’ll be an honour for a mouth like yours to mourn for me,
but please, don’t mourn for me.

I’m nothing in terms of you,
but I want you to remember me,
if only through the candles in the church,
from which my face burns in selfish wonder,
asking you if you’ve read my autobiography yet, and what you
thought of what I had to say,
don’t mourn for me.

Silver feels so sweet against my flesh,
so cool, like the pools of water
in which I sink myself,
waiting to drown like it’s the only thing that matters,
like all I can do is **** saltwater violently,
and I love you violently,
please, I love you,
but don’t mourn for me.

I wonder how you’ll cut my head off,
whether you’ll use a knife or a sword,
or the switchblade with dried blood that I showed you;
yes, I’m laying claim to this,
and yes, I’m begging you to use my own weapons against me,
but I’ll die anyway.
Let me have this,
but please,
don’t mourn for me.

Can I beg?
Can I ask you to **** me,
so that I can pretend it was my choice
to be lying here,
pale and emaciated,
kissing the knife against my neck,
calling you vampire,
calling you mine,
calling myself baptist, but lover,
don’t mourn for me.

I’ll call cool waters home,
I’ll think of the ocean,
and I’ll think of you,
and I’ll craft a manger from all of this dust,
because that’s all I’ll ever become
as long as you, Salome,
never mourn for me.
From a collection of poetry I wrote for a creative writing portfolio in second year of university, titled 'New Rugged Cross'.
Before the opening of the sky where three men sat
asking questions why,
of where the King of men would sit among the shepherds who could pit their wits against the wolves and worriers of sheep.

Asleep and yet in sleep I woke before the Oldest Magi spoke and talked to me in parables, as if I understood the riddles,being middle aged and hard of hearing.

In the clearing by the burning bush as hushed crowds looked on,with fish and bread and baptist John, a Rasta man from Birmingham, stood Salome daring me to take off veils so I could see
her nakedness and blood that dripped black off her hands,
These Holy lands,
this righteous band,these writers of a history that we delivered to the three.a triumphant trilogy that we become before the opening of another sky,another sun that burned names deeply on a cross of wood
and beggars in the hallways full of Baptist John,who with no head or eyes,could not imagine what was going on
but ripped out messages from the scriptures to paint pictures that he'd never see,while Salome intercoursed with Roman scribes and perfumed men and if to be as if she could,
When her name was carved into the wood,  as if another cross to bear would do more good and her screaming could be heard in prophecies by Galilee,as people gathered on street corners,to hear what they could never see and not believe,
and lepers grieved by river banks,their thanks and blessings washed away,their only ray of hope
hung out to dry
as three wise men sat and wondered why, the world moved on
Forgotten is The Baptist John,another prophet dead and gone and are we any better off for all of that?

I put a penny in the hat that's passed around to keep the upkeep of some distant consecrated piece of ground I'll never see
but hedging bets is what we do,
and make lamb stew
because we're all wolves with appetites to match.
I ****** another bleating sheep
and keep my thoughts
silently
stewing.
Tilt,
another guilt
and
one more rosary
will finish me.

I've done with Salome,
she's the dancer
who knows me
too well.

Skipping out on my bond,
let the bondsman come find me
he'll find only Salome,
dressed in her veils.

The church bell
rings solemnly

I pray that eternity
is quieter
than this,
Salomé Albrecht Aug 2014
Tap, tap, and tap faster now
to the beat she’d exclaim

Her fingers would dance over black and white keys
as her expression screamed passionate
She held herself up with ease, dressed in love
Poise could very well be her middle name
Patience and respect dangled, I imagined
from her tousled brown hair
Laughter to be thankful for in her piano lesson

Clap, clap, and clap faster now
to the beat she’d exclaim

- salome albrecht
For my piano teacher.
Jeff Barbanell Jun 2014
Look down
From on high
Lord knows
How bleeds your sharp knife
Incisor
My pack fights tooth and nail
Our brood suckles hard
Gets our due from each ****
Renewable Romulus and Remus
Makes Mother happy
Her pups engaged
Zeus burst his brain making you
Jupiter’s irrational exuberance
Pumped up
Hear me now
Believe me later
We guttersnipes must contend
With your white largesse
**** on us trickler
At least give us jobs
Blown handy our daily ****
Rather eat ***
Off a silver platter
Served by Salome
Maggie Emmett Jan 2016
I’m just a lanky lass from Wycheproof
Born on the right side of the tracks
Law degree and a stint at Racing Vic
I’ve risen well above the backroom hacks

I’m revered
and I’m feared
I’m Tony’s confidante
I scream, I shout, I rant
Back benchers quake
Ministers shake
I’m an armoured tank
You know I outrank
any one in Coo-ee
of super-strong me

Chief of Staff to the PM
I’m the ultimate femme
Murdoch grumbled, tried to call me to heel
I’m never humbled, I’m totally real
I am the ‘she’ who must be obeyed
I am the piper who must be paid
I’m the gate-keeper
I’m the scythe-reaper

Tony knows who makes and butters his bread
I keep him happy, I keep him well fed
I am Salome, when I call for a head
a platter it’s given, my enemy dead.

I was top of my game and top of the list
of Helen McCabe’s ‘Women of Power’
I’ve never cowered, brown-nosed or ****-kissed
I stand tall, over midgets I tower
Natural-born killer exudes from my pores
I suffer no fools, I banish the bores
I mark my territory, a ******* dog
Clear dry is my vision, no room for fog
Some say I influence all decisions
I’m an enforcer of rigid divisions
There is only ‘us’ in the battle of wills
Ride on my side, for the endless high thrills
Of course I agree I’ve had an impact
It’s true without me, poor Tony can’t act
But sad to tell you, it’s still more than that
I’m in charge of the ball and even the bat
I know there are some who cannot like me
Though I control the national psyche
So come Malcolm, Julie and sad sack Joe
I will decide when it’s my time to go
No-one can challenge Abbot, my hero
I’ll zap them to ashes, to dust, to zero
I’ll huff and I’ll puff and blow their House down
Forever secure and wearing my crown
So don’t mess with me, you miserable crew
Just you crawl away in case I say, “Boo!”
I’m beautiful fearless, utterly bold
Remember, I serve revenge icy cold.

© M.L.Emmett
This is political satire. Peta Credlin was the Chief of Staff of Tony Abbott, Australia's most recently deposed (2015) Prime Minister. In 2015 she headed the Australian Women's Weekly (published monthly) 50 Women of Power. She stated in the presentation that she had got the government into power - such is her hubris!
Apologies to Jane Russell re- opening lines which mimic her song in 'Gentlemen Prefer Blondes'.
Vidya Jul 2011
alessandro
botticelli said
let there be venus
(said
let there be you.)

you
running your hands down your own curves
blind;
the mirrors are all broken here.

it doesn’t matter
if you want this.
i want this
dotted i
(crossed t)
wants this

****
is this, for instance.
a pear:
bruised
muscled like
holy breaststhighs
completely inmoving
(outmoving)
breathe—
celebrate
the words
going upward to the sky and the
strawberry-red hair cascading down
it hungers
(like you)
to touch my back
gently
curl around my shoulders like your cold fingers in January

**** not
skeletal.

let there be
me.

let there be—here is where
the words stop mattering to me—
let there be caramelchocolate skin of sunlit honey tint
melting into itself on the wooden floor
(we all
scream
for ice cream)

titian and
anadyomene me
wringing long wet
raven hair
my legs are covered in salt
sand
once the sea goes dry.

almond eyes
upturned
(angular)

marvel at your own geometry.

lips of salome
drawn upward into a not-yet-smile
(cherubic)

to the women who give their thin
pale bodies
to muscular men with perfect
arms to hold them down:
i am for you.

i
with my
******* that blossom at your winter touch
my thighs
scarred by ivory teeth—no.
i
with
******* in full bloom
(orchids)
thighs sculpted by
God himself
don’t you want to make love to me?
doesn’t the world
want to make
love?


love that tastes
more metallic than the blood behind my lips
don’t you want to bite it out?
taste the sweetness behind them?
run your hands over
the elysian fields of my thighs
and the valley between them
don’t you want
my legs slung over your shoulders
don’t you want
your tongue
on my vast skin
sweat made of sugar
and salt.
(bittersweet)

you want
lips crashed against yours like
w
a ves
eyelashes sweeping your cheeks
you want
don’t you want
me
**** with nothing to cover me but my
blanket of raven hair
for immodesty’s sake!

perhaps
i am (is) small.

but
the mirrors are all broke}n here
Karijinbba May 2019
My father's sister Salome crossed the rainbow bridge she was my French and native link to family root I found after 28 years appart
My daughter Rose drove us to a nearby ocean front to apeace
my grief, breathing in the gentle
sea breeze and sitting on the sand together
Other people enjoyed beach activities too
I had water in a paper cup
but no food remained in a bag,
when a crow unexpectedly landed alone by my side
no other raven/crow were seen.
perhaps attracted to my silvery long hair flying maybe from
my daughters house 1 mile away from Marina where I often fed crows and ravens cat food.
This raven/crow's feathers glistened in magestic dark bluish green hues. I'd caress its plumage but didn't not to ***** it
it wasn't my purring feline!
It deared trust me further  though pointing it's beak at my cup of water and it drank thirstily as I held it joyfully to its beak gently quietly as it drank;
then it pointed its beak
to the empty bag so I
appologized moved in regret
for no more food was in it.

My girl took photos of this awesome moment but she
never mentioned its greatness again my Rose simply said something unexpected to me
"don't feed crows in my home"
Jeff does't like them around!
and I felt her tongue's needle
also in my heart!
Such rare moment in time
a universe in itself!
time had stoped!
with a hungry raven/crow
this tender moment
lived only in my memory
without the pictures taken
untill now sharing one crow's gentle greatness and courage
to land close to one human
seeking food.
The graceful raven/crow's
encounter!
Rosie's own loving mom,
instantly reveared and
trusted BEST by a greatful intuitive trusting creature
a raven/crow!
How special it made me feel!
to choose me by the sea.
How deep my girl's comment
stung that since married
Rose behaves indifferent
where once tenderly moved!
wrongly misguided by
strange racist bad people 
Rosie"s hill billy superstitious
ignorant white trash in laws.
My evil ex's sister ugly snake
in every Mothers paradise
a "fat pig" she calls herself a Mansons advocate almost
turned me into a murdered pregnant Sharon Tate!
Lizz in the habit of arranging
calls to my three girls in laws, sons in law, my old boss at various employment
bussnessess a hate crime of old
saying my name and cursing them so I get fired then telling my girls nobody liked me at work either! brain washing them
and assassinating my character!
Lizzz since age 12 a drug user ******* to control rage in her brother two pees in a pod
my ex once told Lizz in a moment of lucidity;
"you'll never be half the
woman my Mexica-American beautiful wife is."
Since then my life is hell
No. I don't blame Lizz shes mad
I blame myself trusting her
hearless impotent brother
my grown girls are under their spell they mingle with vipers now
Surely even a courageous
greatful raven/cow has
more grace and common
sence to trust me Mom
to nourish and care for it.

This is my life in the big
apple USA
who wants my script!?
it's up for sale!
povery is a *****! please hurry.
or I'll be famous after death!.
~~~~~~~~
By:Karijinbba
All Rights Reserved
Revised 4/2/19
(excerpt from my memoir!)
(AA/Bba/Asg. (proudly)
We all have snakes in our paradises
I am proud to make friends with raven/crows cats dogs poets and pietessess who read write and understand who is who and judge
not on greed the haves and have not i choose wisely between good evil criminal or victim I feel ballanced on the justice skale I am passionate stern but understanding forgiving and second chances appeal to me best.
Thanks for your time.
The moon last night
with clouds for veils
dancing like a gypsy maiden;
moving cross the waters deep,
Salome never looked so fine.
I composed this one night sitting on my porch watching the moon after a bottle of red wine.- From Poetry Jam (on Toast)
Salomé Albrecht Aug 2014
Six O’clock knocking on the shadow
of an older generation
He’s blind, imprisoned
after a lifetime of adventure
Screaming out loud
through his expression, motionless
Mr. Lovemore,
blind grey eyes capture me and leave me heartbroken
Fascinated by the walk of his past,
he’s a teacher , I’ll push him in a wheelchair
He can imagine I’m pushing him through Africa
Six O’clock, a listener
as I read out loud to him, old aged

- salome albrecht
I went to visit an old aged home a year or so ago where I ended up reading to Mr.Lovemore, a blind man. I wish I had gone back a couple more times, he had so many stories to tell me. Many more than I could read to him.
Johnny Noiπ Oct 2018
Getting involved with the impurities
of ****** abuse; He has the symptoms
enumerated in the company
setting, the symptoms of a sexually
transmitted disease referred to
as soccer executing sick calumnies;
Other ****** activity that does foxy
at least sensors; The boy, lest you go
away no matter how small the red holes
In what must be because so long
as you stand in HD,
HD is to the words;
This is your grandson's grandchild
living in Japan since they do not care;
wherein; Layla 1 found in London,
saying Gulf Road, she went to the Health
Center Area marker in young children
Surgeons,   Helga's profit, but to them;
and they shall not find
The names of the girls?

And there was the one they build;
which learned, But the need;
for 53 is the same; The feline, If both
yellow and green,The flowers
make them sick;   And what choice
Optional option is too complicated,
six It is easy to walk spare parts
3-Mixed; Until clean water; White House:
The condition can not be good
When we have waited for the judge
to graduate St. John High School
in English; These words were
the mistakes the people of Allah make,
the cause of women,Taking the young men
and the children who are available
for those persons; the examples
of the examples of samples to the 42;

Get involved in ****** misconduct
****** abuse; Symptoms
is listed, you have gone to society
symptoms referred to as sexually
transmitted diseases carry out illnesses,
abuse, abuse, ill; ****** foxy Salome,
which brings it at least to the sensors;
Boy Do not Go Out as small as red;
The holes, which are suitable stand
as long as HD, HD word; This is yours
grandchild, in Japan not caring which;
Layla found me in London, saying;
Gulf Road, Health Center is set
in area Children are too young for titles,
Helga's title is useful for them and we find it;
but the sacred names of girls?

He built the ground; in which we learned;
but, lack of; 53 The same;    The feline,
If you bear witness; yellow and green,
the flowers make her sick; as an option
optional option, it is very complicated;
Six spare parts; It's easy to walk In this
3-female; Unfortunately,     pure water,
White House;        The good condition
is impossible when you look it for fun;
Judge from high school St. John
is English;    These are the men called
mistakes of the people;   floor, ground
for women,          young men and boys
who are available for them as samples
of samples, samples at 42;

for kids, conversations online
of evening evening with white people,
blogs, blogs; There are players
with depression;  Here's a fool
and Miss India from the Indus,
Many; Black black black Manuela,
All *** is necessary to be saved;
Join the six;   Six levels of the Chaldean
identity, our work and our opportunities
are important to the head; It's the same
as with the bridegroom; it makes red red,
brown slurping deep plate; Six days
for a baby to learn? Within 3 or 4 minutes
of wickedness, men lust after foolishness;
Including the fire of their wounds
with an attempt to delete what you lost

or kids' online conversations,
White and evening and night
newspapers, blogs; there
are players with depression;
This is a fool's Music and India
from Indian big youth, valleys;
Black black black; As for all the ***
and health of many important things;
The two had six degrees
Identity of deserting, our job
and our opportunities are
Of the great importance to the head
of the same as the bridegroom,
Red is red; Slurping the deep things
brown brown; In six children
to learn? In 3 or 4 minutes
when they understand what is fool
for the heart, the desire of the man
from the House with damaged wounds deleted by admin
No, I was torn naked and bleeding from the mouth of a death star
and woke to find mountains laid bare by the sea.
In the shallows of blood baths and craters, where the crushers of garlic and the harlots all meet
and the stiflers of dreams, dream on (right up my street)
that's where you'll find me.

In the 'Benbow' with pirates and pieces of eight and with cords tied to timepieces
(don't want to be late)
and the show starts at nine
when after drinking two bottles of cheap German wine
Salome appears with a head in her lap
we clap
because that's what we do.
(Lost innocents are few and we ain't none of all that)

But the ship sailed at four carrying whalebones to Spain
to tighten the corsets
for those Senoritas
who put me to such shame.
What's in a name that it's spat on the floor
by crimson clad virgins
who won't leave the doorways of bodegas
and Degas paints on.

A shanty
a song and the night carries me along on a wave of cheap scent
where oft' I have spent a weeks earnings on unsatisfied
yearnings.

In the end someone will send me a typewritten note or a telegram
to let me know just who and what I am
until then
in the 'Benbow' 'til ten and the crows crow at midnight when the lights all go out.
Mateuš Conrad Jul 2016
i don't live outside my poetry,
                                                             i live me poetry,
i have five cigarettes in a packet
and about 3/4 of a bottle
of whiskey left: i haven't had a natural
falling asleep pattern to mind
with a 9-to-5 of tomorrow to mind
for, over, 9, years! i synthesise sleep!
not out of laziness - mind you, if i was in a wheelchair
i wouldn't be eager to fake-dance
or embrace swimming - limb or limbless
there's still Pistorius to mind,
doesn't mind a moth-on-fire to
apply Einstein's relativity to what
Socrates already said: apply
relativity to dichotomy and it all just
becomes an undecipherable monism
without a beyond to justify good and evil...
a... **** it... whatever! let's admire
Louis the XIV fireworks and wine!
but his brother, ooh! what a firecracker!
Chevalier de Lorraine was my hair too curly
they almost might - the intrigue decipher -er,
additions to a false spelling mishap -
or the proof of nobility, had the mother
begged otherwise and the daughter not
endangered the quest by seeking out
a scaffold -er's errand to guillotine the tulips
for a fragrant bouquet - here the admiration
for the stern heart of the east replaced
with the jealous heart of the west...
but Philippe! **** two horses and a cow!
i.e. *******! what a reworking of puppets...
in the hall of the crimson king... e -ing,
-ah ah-ah...
the rōnin purity, the pride,
a poet's wet-dream of fancy, best luck drunk,
bad luck sober - i wondered quiet a many times
whether i had ***** or just a ticklish farce of
fancy to roller-pin the protruding genitalia
into the constituency / obligation / necessity of marriage...
the same as Narcissus spoke without an **** partner -
the ****** rap of Louis the XIV courtroom
imitating behind curtain the head of Charles I
in clone chandelier the fate of John the Baptist and
the ****** of hate of Salome...
how the two combined, the export of Iraq met
in Egypt with likewise revision of the genital parts,
Iraq translated into Israel, the two combined...
why f.g.m. rose from yawned over m.g.m. because
of the harem of kings! Philippe though! what a king!
that standards shook, the banners quaked,
the muskets shot blanks for a deadly purpose,
and there was poor Louis with the armour of quote
and a ***** of power inherited: appearance is power -
likewise today, what appears powerful is indeed
powerful, but only in deception,
beside the deception there's is no power
except the innate purpose for symbolic hierarchies,
and look where that ends up, Sinatra singing a song
about pennies raining from heaven,
indeed pennies among the streets of paupers,
the crown easily *******-on from a pavement's perspective...
i'd ask you to sit on your laurels were you
emperors, but you are kings...
so why not sit on that thorny crown of yours?!
hey! pristine gold is worth more than a poet's anatomy!
that's the casual expression, if you sit on laurels you're being
lazy... a poet's Welsh longbow man's V salute against
the French emperors - but i'd like to see them sit on
that famous crown of thorns, or the seven gilded
pikes of Rome resurrecting Vlad and the villainous Turk;
sarcasm disarms all seriousness in attitude
toward rank, and in turn disarming itself as
placed in hierarchic demands of humour -
sarcasm competes outside of the hierarchy of humours,
outside of comedy, it's there to be a buckling
when authority becomes all too... ridiculous.
Samantha LeRoy Mar 2016
god is a woman
and she is angry.

her tongue is a serpent,
medusas mouth,
and her fists are vultures.

seven eyes,
seven horns,
seven doors.

the angels are women too
because only a woman
can weep so much.
someone unfurl her wings,
break the lock.
she is a dove and this
is her olive branch.

in the catholic church only men
can be priests.
but this church,
this gold and silver church,
was built from the bones
of sleek coated mares,
of birthing cows,
of cream skinned ladies in
veils and jewels and wine stains.

ask delilah of samson.
ask jezebel of ahab.
salome of john,
mary of joseph
and magdalene of jesus.

ask the moon of the sun.

ask god about her daughter,
the one still nailed to the cross,
still awaiting birth in bethlehem.
the carpenters daughter
with a wooden stake at her neck.

ask god about her other daughter,
the one in nazareth
still breathing desert air.

ask god about her sons,
sweet lazarus and wild lucifer,
stepping on hot coals
like summer asphalt.

ask god about the forget me nots
pressed to gravestones
in the heat of august.
ask god about the magnolias
wilted against gravestones
in the bite of december.

ask god about the lions,
the goats,
and the lambs.

ask about yourself,
if youd like.

god is a woman
and hell hath no fury
like a goddess scorned.
Oblatum - Magnus Volumine

John is defined in the Gospel of him as the disciple whom Jesus loved (cf. Jn 13:23). Thanks to the special signs of predilection that Jesus showed him at very significant moments in his life, John was closely linked to the History of Salvation. The first sign that showed him the great affection of Jesus was that he was called to be his disciple along with Andrew, Peter's brother, through John the Baptist who baptized in the Jordan River and of whom they were already disciples.. In fact, as Jesus passed by, the Baptist introduced him to him as "the Lamb of God" and they immediately followed him. John was so impressed by his personal encounter with Jesus that he never forgot that it was around four in the afternoon that Jesus invited them to follow him (cf. Jn 1:35-41). The second sign of predilection was having been a direct witness of some events in the life of Jesus, which he later reworked in the fourth gospel, in a theological way very different from the synoptic gospels (cf. Jn 21:24). And the third moment in which Jesus himself made him feel his friendship and his very particular brotherhood was when Jesus, about to give up his spirit (cf. Jn 19:30), wanted to associate it in a privileged way with the mystery of the Incarnation, expressly confiding it to his mother: "here is your son"; and expressly instructing his mother: "here is your mother." (cf. Jn 19:26-27).

The sources from which the data on John's life as an apostle, as an evangelist and as "adopted son" of Mary have been extracted do not always coincide. Some sources are more convergent and others are more dubious or apocryphal. From the gospels we know that together with his brother James - who will also be an apostle - the two were fishermen originally from Galilee, from an area of Lake Tiberias, and that together they were nicknamed "the sons of thunder" (cf. Mark 3:17). ). His father was Zebedee and his mother Salome. We find John in the narrow circle of the apostles who accompanied Jesus when he performed some of the most important "signs" (cf. Jn 2:11) of his progressive revelation as a type of Messiah very different from the one that the people of Israel was expected (Lk 9, 54-55). In fact, when Jesus resurrected Jairus' daughter (cf. Lk 8:51), when he was transfigured on Mount Tabor (cf. Lk 9:28), and during the agony in Gethsemane (cf. Mk 14:33), Jesus tried to make them understand that they had to transform their mentality linked to hope into a violent Messiah, similar to Elijah because, on the other hand, he was the beloved Son of the Father (cf. Lk 9:35), he was the Messiah come from the heaven to communicate divine life in abundance (cf. Jn 10:10), and that he was also going to suffer rejection and injustice from the religious leaders of his people (cf. Mt 16:21). In the Gospel of John, Jesus appears as the Teacher who also tries, in vain, to make the Jews understand the paradoxical logic of the Kingdom of God (cf. Jn 8, 13-59). His disciples, on his behalf, are invited to be born again (cf. Jn 3:1-21) to worship the Father in Spirit and Truth (cf. Jn 4:23-24); Jesus prays for them so that they remain united by divine Love (cf. Jn 17:21) and that they are fed by the Bread of Life (cf. Jn 6:35).

During the Last Supper, John had leaned on Jesus' chest and asked him: Lord, who is the one who is going to betray you? (cf. Jn 21:20). John was the only one of the apostles who accompanied Jesus to the foot of the Cross with Mary (cf. Jn 19, 26-27). John was the first to believe the announcement of the resurrection of Jesus made by Mary Magdalene (cf. Mt 28, 8): he ran quickly to the empty tomb and let Peter enter first to respect his precedence (cf. Jn 20, 1-8). Tradition adds that some years later he moved with Mary to Ephesus, from where he evangelized Asia Minor. It also appears that he suffered persecution from Domitian and that he was banished to the island of Patmos. Finally, thanks to the advent of Nerva as emperor, he (96-98) returned to Ephesus to finish his days there as an ultracentenarian, around the year 104.

The Gospel attributed to John was named after Origen. It has also been called the "Spiritual Gospel" or "Gospel of the Logos." His style and literary genre are full of "signs", symbols and figures that should not be interpreted literally. In the prologue of his gospel, John uses refined theological language to show how at the beginning of the New creation, in the New beginning the divine "Logos" already pre-existed; logos meaning the eternal creative Word of the Father, which was later translated into Latin as "Verbum". In the prologue of the fourth gospel Jesus is presented as the "Divine Word", the "Light of life" and "the pre-existing Wisdom of God" (cf. Jn 1:1-18). This gospel invites us to accept, through a faith full of amazement and gratitude, the surprising revelation that the Word of God, which no one had seen, became flesh and has made his home among his people. (cf. Jn 1:14). For this reason, the word "believe" is repeated almost 100 times, because God wants all men to be saved (cf. 1Tim 2:4) and to have abundant life through faith in Jesus Christ, God made flesh (cf. Jn 11, 25).

The Gospel of John also presents us in two very emblematic episodes the identity of Mary and the special relationship of John as her "adopted son" to her: at the wedding at Cana and at Calvary. In the narration of the sign of the water transformed into the new Wine during the wedding at Cana, Mary is shown to us as the powerful intercessor who anticipates the hour of Jesus' revelation to his People (cf. Jn 2:1- 12). On Calvary, at the moment of the glorification of Christ, Mary is presented as the Woman who is transformed into the New Eve or Mother of the disciples of her Son (cf. Jn 19:25-27). If we consider the close filial relationship between John and Mary, it is not difficult to imagine that the revelation of the figure of the Messiah in the Gospel of John has also been nourished by the direct testimony of Mary, since she, better than anyone else, in her last years of loneliness, he collected in his heart and in his memories the "signs", the "signs" and the words of life of Jesus. It is therefore conceivable that the unique experiences that she preserved in her memory, she later shared with the disciples of Jesus, and in particular with John. Therefore, it can be considered that Mary herself also progressively welcomed and interpreted in faith the revelation that the Son of her womb was at the same time the eternal Son of the Father, (cf. Jn 10:30), the only Bread. of life (cf. Jn 6:34), the Light of the world (cf. Jn 8:12), the Door (cf. Jn 10:7), the Good Shepherd (cf. Jn 10:11), the Resurrection and life (cf. Jn 11:24), the true Vine (cf. Jn 15:1) and the Way, the Truth and the Life (cf. Jn 14:6).

The three "letters" are attributed to the tradition of the disciples of John, which also have the flavor of brief homilies. The Apocalypse is a canonical book, recognized as inspired, that was born in the environments of the churches of the Johannine tradition that suffered the attacks of Gnostic doctrines. This, which is the last book of the Bible, uses a literary genre similar to that of some prophetic books of the Old Testament, such as the book of Daniel (cf. Dan 7), Ezekiel or Zechariah. The word apocalypse is the transcription of a Greek term that means revelation and not destruction, as is sometimes thought. John addresses seven letters to the seven churches (cf. Rev 1-3) to transmit to us, through very fascinating characters and symbols, a very concrete message of hope in which the slain Lamb (cf. Rev 5:12), i.e., Christ the Savior will triumph over all persecutions and oppositions of the forces of evil to the Kingdom of God and will make all things new. This will happen when God will establish his Kingdom of justice, love and peace at the end of time. In this book it is shown, with numerous and suggestive symbols, such as the seven seals (cf. Rev 6-8, 1), the seven trumpets (cf. Rev 8, 6-11, 19), the seven angels with the seven bowls (cf. Rev 15, 5-16, 21), the tiring path and the struggle that believers of all times have to face so that one day the building of the New Jerusalem will be carried out (cf. Rev 21-22), today we would say the Civilization of Love, brotherhood and care for life, when Jesus, the Alpha and Omega (cf. Rev 22:13), returns at the end of time. In this sense, the Apocalypse is also a prophetic book that interprets God's action in history, ensuring that the faithful and truthful Witness (cf. Rev 3:14) will return soon (cf. Rev 22:20) and will definitively conquer. to evil, pain, and death (cf. Rev 22:1-5).


Dedicavit

This manuscript is dedicated to Sauter Bernardino Edmundo Carreño Troncoso “ Primum Coniugem Alexandri Magnis ” of the first of the Gamelion of Dionysius of Leneo, to his Adelphos of Etrestles of Kalavrita, to Alexander III of Macedonia, known as Alexander the Great (July 21, 356 BC - June 10 or 11, 323 BC), Leonidas of Epirus, Lysimachus of Acarnania, Aristotle, Bucephalus, of the sixth of Hecatombeon, the month in which the Macedonians called him with the paelative Loios, the same day as the temple of Diana in Ephesus was burned; As Hegesias of Magnesia makes occasion for a presumption, Cassander, Ptolemy, and Hephaestion would become his lifelong companions and generals in his army. Callisthenes, another friend, was Aristotle's nephew. Dedicated to the dignity of Raeder of Kalymnos; son of Etrestles of Kalavrita, especially to Saint John the Apostle, distinguished relatives of the Transverse Valleys of Horcodndising and Sudpichi. Finally to my parents Luccica and Bernardolipo Monarchs of Horcondising. And all the characters who will live eternally in this colossal Magnus Volumine. “Gratias Ago Tibi Propter Heroismum Tuum Vernarth, Et Doce Nos Viam Messiae” Thank you for your heroism Vernarth, and teaching us the way of the Messiah!

“I must tell you of my great admiration for my steed Alikantus, with which I will come to visit you soon, also to Kanti who have been a great precursor to take you to Athens, Thessaly, Delphi and Lefkandi. You can see that Bucephalus has joined our fight; where the “Sons of Iaveh, have eyes like a flame of fire or Aish, and feet like to go burnishing the chaff of bronze towards Patmos”, which will instigate you for the contrition of Thyatira, under the trick of my Rabbi Saint John the Apostle”


Thyatira

City rebuilt at the beginning of the 3rd century BC. E.C. by Seleucus Nicátor, one of Alexander the Great's generals. It was located about 60 km from the Aegean coast, on the banks of a tributary of the Gediz (ancient Hermos River), in the western Asia Minor. The Christian congregation of Thyatira received a message written by the apostle John as revealed to them by the Lord Jesus Christ. (Revelation 1:11) “which said: I am the Alpha and the Omega, the first and the last. Write in a book what you see, and send it to the seven churches that are in Asia: to Ephesus, Smyrna, Pergamum, Thyatira, Sardis, Philadelphia and Laodicea.

In this regard, the Lord declared in a reproving tone: “You tolerate that woman Jezebel, who calls herself a prophetess, and she teaches and leads my slaves astray to commit fornication and eat things sacrificed to idols.” This “woman” was probably named Jezebel because of her wicked behavior similar to that of Ahab's wife and her stubborn refusal to repent. However, it appears that only a minority of the members of the Thyatira congregation approved of this Jezebel influence, as the message continues to address “the rest of you who are in Thyatira, to all who do not have this teaching, to the very same ones who did not come to know the 'deep things of Satan'." (Revelation 2:18-29).

“ Children of Iaveh, you have “Eyes like a flame of fire or Aish, and feet like burnishing the chaff of bronze” toward Patmos that has freed me from your Xorki, how to say and what not to say to you; that my voice has stammered, making me feel that once I flee, I must adhere to the Eternal fire of the Mayim, children of Iaveh, the Mayim of Hydor and saint of water, the Windmill and its sad Myloi, fall on my face ”


Magnus Volumine I    


The Vernarth's intensification of this prosopography as Prosopography Magistri Militum Strategos Typology; he has used the raffle of a History it was not known but it is Vernarth now introduces in Historiography as an auxiliary. The methodological fragment could be torn apart from its screens of a mind enslaved to having to worship a cycle that condemns it to surrender to its loved ones leaving it at the same time to be sectored from a condemnation, to prostrate itself to an Eternal Life its images nor Masterful Words that would have to distinguish the parasciences from subdividing their corporality into thousands of Othónes or Screens, in order to be able to sustain themselves from others that do not compose the knowledge of what is not History; but rather that what happens typical of prosopography allows to obtain visibility regarding the different sectors of society, and the possibilities of their members to access positions of a present that never leaves the power of the Space of a Strategoi, as Time-Space at levels of superior Intelligence subject to mandates of divine Power that oscillates in a mental power of the Militum that coexists with the Community of the Strategos, creating the entire Quantum Band of the antiquity as an omnipresent being par excellence. When its ****** envelope is reflected in its Purgation, it will trigger a presence that governs itself and leads in the trend of a "Duoverse that will only be built in its Unique unity"... given the trend of all crowds that bustle beyond the mass of their Villas or Cities that they inhabit, creating sensations and an unreal genetic world even that amalgamates a large number of generations that only increases its demography based on the autarkic mandate of a history that goes back for not knowing what to imagine of the past and of a future without present that is sustained in a Spiritual Intelligence.

The sociological mutations will be circular, and the retrograde since the collective of images will exceed everything that is sustained on a material floor and therefore it denies that what develops in an empty heart will be a specialized material of a periodicity, that does not spare New Universes that a pillar or support be added that tends to calligraphy better where imagery could prevail all the limits of common language. The grammar of ancient Greece will defend periods that are neither static nor finite, leaving free space for words that are engulfed by vast seas of stagnant bibliographical records never known never written nor destined for a secular record. The Submythology Potential is provided by the entire Belt that surrounds from South America to the Mediterranean as an infinite cord of Eternity to re-hold itself in a matriarchy in the societies of the past to recognize, that femininity is the real genesis of research from where a frequent human origin proceeds, so this it is the transcended in the Universality that transcends in the investigation of the sphere of Unknown History; pretending its ligament of prosopography, and the vivifying instance of Submythology as a unifying entity to summarize the condition of Strategos/Magister Militum we have taken into consideration the situation of our utter information in this existing prosopography works. Parapsychology is subject to a dimension closely linked to non-reflection to even the Primordial Quantum to governs, and governs everything just as this Magnus Volumeni I tries to express the independence of all literary expression if it is about Vernarth, rather it is a documentary space.

Afterward six years of knowing and introducing myself to the area of   Technology, and the Science in the Tourism industry, I made my presentation at Macromedia University, Berlin-Germany. Through this university management I had the option of presenting my concept and avant-garde projects, which condescended me to get to know the E-Tourism Perspectives area of the University of Svizzera Italian-Ticino. This allowed me to meet and join an independent study challenge with the slogan of deriving a full range of analysis, and dedicated study Heritage Sites of UNESCO. All thanks to the agreement that consecrated me at the Pantheon-Sorbonne Université, specifically Maria Gravari-Barbas, Directore de la Chaire UNESCO, Culture, Tourisme / Lorenzo Cantoni, professor at USI Universitá della Svizzera Italiana.

The university has had here in South America, in Chile an intrepid collaborator who has tried to interpret the postulates of the Sciences of Humanity exposing the nature of preserving, and keep investigating everything in the lost history of Europe, which has great significance for Culture that has branched out through the Tourism Technology, and its Digital transformation for this purpose of understanding public life in dissimilar fields that are still hidden in intangible archives, which deduce important material of study in areas of Science, Philosophy, History, Politics, Geography, Jurisprudence that would add to the world of the conservation of the ancestral peoples with all its courageous identity of the Prosopography, and the archaeological demography.

The United Nations Educational, Scientific & Cultural Organization, known for short, as UNESCO is a specialized agency of the United Nations. It was founded on November 16, 1945 with the aim of contributing to peace and security in the world through education, science, culture and communications. The constitution signed that day entered into force on November 4, 1946 ratified by twenty countries. In 1958 its main headquarters were inaugurated, in the VII district of Paris. Its general director is Audrey Azoulay the specialization and search for Culture, Education and Science is a way of contributing to humanity, peacefully granting security through the entire International community for this reason we believe that this work fulfills that prerogative narrowing organically, as been always it is here with the multidimensional epic narrative that is broken down with the prose, and parapsychology other than is a field closely linked to the intrinsic link of all the treasure that has been transmitted for thousands of years, leaving before our expectation what its ruins and works have wanted to demonstrate with their laudable dedication foundations, and expansion of multiple Sites in their musings that have traveled the history of diction of the science of culture, information, communication to create knowledge that this still remains with our reality of society that has the pattern of explosive generation of the current one. One of Vernarth's is the most important premises to create the roots of systematic knowledge, that is to say to provide platforms for their family trees, prosopography and the art of writing Submythological Prose whose the objective tends to occupy the expanded universal literature that has advanced for thousands of years on the other hand, Submythology is free of format cancels many aspects of the temporary format, and creates a relationship link between the academic and the secular attracting infinities of Cultures, historical landmarks, hybridity of languages, and above all merging and re-transforming existences of the post-Classical period; where the source and personal question does not daunt the distances of the inheritable that distanced us by geological-Historical periods, rather it makes the viability of an unexplored field up to now as Vernarth is the granting a hierarchical international value that will retransmit knowledge and skills.

In this way, agglutinating ourselves in those interstices that are not visible, qualifyable or quantifiable, only have to materialize when patrimonial beings are chosen by others who are already hereditary of an industrious will it occupies the supports of a platform of earthly inheritance, and later disseminate it throughout different sectors of the field of knowledge and the research, connoting that there are many variables that could help us interpret the foundations of the UNESCO heritage, today are far removed from communities that want to invest time in inquiring more deeply about them. For this reason, Central and Eastern Europe is at the forefront of generating multi-channels that can ensure the treatment of technological routes or flourishing that want to be found again, such as the Qhapac Ñan, or perhaps the Jacobean Route, perhaps the Route from Patmos to Judah pointing to Vernarth by demonstrating that hindsight could be perfective when visualizing facts that were not witnessed or written as they should be, VG the return to Galilee of Saint John the Apostle in the Hegira to Judah, relegated to Greece by Emperor Domitian. The amendment of such a well-deserved return confirms the wait for an immortal being in the Eclectic Portal for three months, who will mean the ordinary that rises up from the phenomenal investing in roles that many times, as indicated by the dogma of the baptistery indicating that we can be saints and apostles to preserve the patrimonies to educate and retransmit values to follow.

Vernarth Trilogy II at its end, is reiterated in deliberating that this work never ends because each chapter of Paraps, inaugurates a new infinite regressive dimension as it is in the case of Poielipsis; as it is a liquefaction of the parameter of Poiere, and the inverted Apocalypse to make changes after personalities that manage to impact the successive episodes of alteration of Life periods, as in this case Vernarth when he was legitimized to assist Gaugamela by the god Spílaiaus to make the support to Alexander the Great not only for winning the battles but for saving and winning the souls of the fallen Hoplites, generating in them an idyllic prose that promotes and sublimates the possession of the principles of an Apocalypse, that suggests protecting those who should believe without pain of what will await them later for an indefinite death. The Souls of Trouvere will stand out with the bulwark of enthronement of the state of energy that would mobilize Charles the Great by taking him to the platform of conquest of Europe crowned as emperor by Pope Leo III taking the lessons strongly rooted, and letters that would subscribe the cheers where nothing dies in the center of its own fear, because that is where the edge of a sword loses its value that it cannot use the other as an arbitrary neologism of only reigning without the sacrifice that every regime bets on, including the crown when Charlemagne assumed his great legacy at twenty years after expiring later at seventy-two. This is where fears die, not being able to hope or convalesce in concepts of Energeia that vitally moved from the similar aspect to Alexander the Great in the same even numeral but thirty-two, and letters that would be signed by cheers where nothing dies in the center of its own fear because that is where the edge of a sword loses its value that it cannot use the other as an arbitrary neologism of only reigning without the sacrifice that every regime bets on, even the crown when Charlemagne assumed his great legacy at twenty after later expiring at seventy-two.

In another topic, Vernarth after witnessing Stratonice's intermission decides to run at her bare feet for those who banish with their needs on the parental scale of their range, succeeded by Energeia's need for the impudent sense of being enraptured in possibilities, here insulting also the principle of quantum science with the spin of subatomic particles, alembicated in the timeless particles that could leave out of the nucleus the proportion of rotation of time that could be found, and rooting of memories in rectilinear lines of the imperturbable Hellenic mental axis. One could also amend here all the licentious action of Seleucus by Stratonice when she splits the gross threshold of her son Antiochus, and Antigonus I Monophthalmos referring to the father Stratonice of Macedonia for never marrying her to Seleucus. All this generates the Epistle addressed to Vernarth to solve the strident and impalpable of the warlike Diadocos that greatly affected the female descendants, confining them to their domestic avatars in disloyal empires, where these vilifications devastate the imperial partiality through the centuries of an oppressive strength, and disagreement in their moral wrongs. From this quality the coordinate of the Souls of Trouvere that remains in the present, always allying themselves in saviors of oppressed and abandoned peoples who strive in the neologism of the Epsilon or Vernarth's fifth dimension, and not restrict themselves as Aristotle affirms, investigating the entity towards a mono-meaning in this causal of such an alpha that says the paradoxical demonstrating diversity of optics. Prior to this diatribe, Vernarth decides his naturalness that he decides to promote the Souls that are part of both topics to alleviate the potentialities of the acts that are apprehended in the light of genius that coexists with both. What he judged us in the unfolding of his entity and will deliver it by divine intelligence so as not to reduce the free power of the Epsilon that was extracted in the welcoming the presence of Stratonice on the (substitute scale of Vernarth's relativistic emotions). There are few seconds that can be extended more from a selective argument of tendencies in ex-sheets that could be attributed to dimensions of the period of Trouvere's souls, lacking stillness in simulated biological environments.

The dynamics of this Poielípsis is to adorn the Voielípsis as an analogous addition of quantum causality and timeless Christianity, since it supports a conjugate mix deified by Saint Thomas Aquinas heading towards the mainstay in the mega absorption of Christian Aristotelian ideals. The souls will be residents of the indeterminate spiritual mechanics to put effects of the incredulous versatility on themselves, in sub-aquatic depths that coexist with the geological structure of the cavern of Saint John Apostle more than sub-earthly concomitance under the same axial of geological sustaining coordinate. Namely; they will live together while the temple is established except three hundred, and eight meters from its antipode in the underwater base of Prophytis Ilías.

The upholstery of the Pithya Herophile attacks the subtending of the flying buttress that was supported by the cavities of the volcanic rocks of Patmos, indicating its agreement with the Souls due to the disoriented cognitive dissonance that was generating paradigms, which tracked the stones that formulated Aquarian sounds in their dominant tonality due to the minuscule machine of light, more distant in the incommensurability that evaded its eclipsed in the resplendent major note that became monarchical due to the hypotenuse of the rectangle in three subdominant angles. This means that the Sybille was in the high point of observing her premonitions towards the creation that was born from another end to end in the recycling of creation in the dim light of clarity of the destinations that were going to present themselves as a song of remembrance of the Poielipsis, venturing the new restart or attempt of the Delphic oracular. The songs remain in the spell, and in the banal desires that would harm a mortal that will expand to the hypotenuse or line of the sentence that marked a step impelling in the misgivings and forgiveness of the banner of risk. Santiago of Compostela was going to Stratonice with his inclinations, like a geometric racconto subduing the fears that slip through the veil of the dogma of the arch where no philosophy can look higher if it is not allowed, typical of vegetating or freeing oneself from what revives in fears that do not shed light on eternal life, perhaps of a the Matematikoi himself who doubts an Ad finitas basis, and who finds out without the limits leading Pythagoras to the ground handcuffed from Crotona, always ignorant of the linguistic power that urges to rewind the spheres that still weave crossed angles placing themselves in trial, and error when considering a non-renewable past the soul of the Poielípsis adopted a Pythagorean conception in the halters of livid legions of Orpheus, as if it were his consecrated to the hypogeum where the level was to stir the embankment that will merge with Zefian's Arrows.

A diminutive atonal music possible existed in the molecules, and in trigonometric periods in which the measures were united in time as a stationary whole vivifying a great variety of fractional numbers as souls of the same numeral that finally appear to be Pythagorean digits. Vernarth's military of Phalanxes in this epic made the crucial oblique moment to break Dario's troops like a dozen Elegy that was going to re-flower what he knew of his already sub-treated destinations, other than will only be souls tired of keeping themselves alive in their morbidity, and the dissociated causal of immortality that will distance itself from the prohibited abstinences in libertarian exercises of any counting that ponders on the coming etymology of the Vita Pythagorae on the couch of joy, and serving his doctrine that saves himself that will save us in the Messiah for those who in their souls do not have the sacrifice of a lamb that feeds, nor a base that goes ahead in the centuries grazing what no one was capable of. In the second triad of Apollo the oracle of Apollo with the Souls that reveal Charles the Great to be his favorite for the protectorate of Compostela, and his spiritual regency the invitation to Charlemagne breaks out from Aachen after 33 consecutive years in the sword dispute stating that the Saxons never complied with the treaties and signed surrenders. Charlemagne put himself at the head of his army on several occasions to fight with his sword against the Saxon danger, also entrusting the troops to the counts when other matters required his presence in the second concave wasteland, and the straight ascending of the Trouvere Souls crowning Charlemagne emperor of Rome and Francos chosen by Leo III, predicted by the Apostle Santiago in defensive pontifical struggles, and defenders of Christianity. In this paradigm there is a deceased seep through of an elusive world that was joining from here in the vein of Poielípsis for the sake of some eras that came from the mutes, and anonymity that augured to link them to know within their endless intrinsically organic movement, also as a diligent active cosmos of the discovery of the Jacobean route longing to be a better region than the Dodecanese merged by the twelve apostles, and now the brother of the son of Zebedee; Santiago, brother of Saint John the Apostle, ennobled in the 778 AD tying it to Hispania. In ****** and constant fighting, Charlemagne besieged the Saxons, he entered Hispania crossing the Pyrenees as an anticipation of the aforementioned the Jacobean Route, everything worsened in this way witnessing the subjugated places in the jurisdictions of the Trouvers who were Pythagoric elite of soldiers who they had be bilocated in this Christian Era, preceded by this perfidious Basque in the woods subsisting separated right here from the progenitors of the Trouvers, who claimed to be the strongest to pursue them to Pamplona with Charlemagne. Everyone was escaping from Islam, and not a few Christians resented this affront in the dynamics that will reveal the Songs of the French Deed.

This previous paragraph exhibits the eloquence of how the interlining that Vernarth had to create a Brotherhood Code called "Raedus Codex" for the high nomination polished in the Infant Raeder as a twitch of the sacrifice of his young soul, who fought battles in pursuit of defenses pure and free with the freshly grown grass of the spring of the world in Genesis. The Souls in Trilogy III will be the compendium of the Codices that will enter the Wind Tunnel what will be governed by the warm Meltemi wind, and swirled by the winds of Eolonymy, ascending all those who should be admitted and not purging those in between who they enjoyed a pre-Christian heritage citing Pythagorean antiquity behind those who must have dressed it up as a Codex Calixtinus. From this arrangement Charlemagne will drive souls with antiphons, the Apostle Santiago will come lacerated to meet his brother Saint John the Apostle, his barge will be abandoned in the Strait of Gibraltar and then arrive at Santiago of Compostela from here he will make tributes of name to ascend to Patmos. Just as the end of Vernarth's Trilogy II is faithfully transcribed, also Stratonice, the Hexagonal Primogeniture, Alexander the Great, King David Elias, Malachi, Isaiah and all the acquirer flashed in Raeder and his Pelican Petrobus, as self-sustaining defenders of the Infantile Fantasies that they continued in this complex work after a finding that fed them up in Vernarth as well as everything related to their release and investiture to say that all roads lead to Patmos, as Locus Sanctus of all the shepherds who heal their sheep that do not belong to others that are populated with white souls, for the good of other shells 308 meters below the Prophytis Ilias with the consent of Stratonice who would be arriving in Macedonia where the pass of the centuries they would tell them about the Jacobean Route instructed in confrontations, and concordances with the airons of the Trouvere protected by a rectangle of three Pythagorean subdominant angles in dissipated darkness of the golden astrological ambiguity of Theoskepasti of the meridian of the Kimolos. He will go away saying explicitly that the darkness became visible mists where there was nothing to hide from Psathi Roadstead in Kimolos, until reaching the Agia or the Chapel of Theoskepasti that would become visible for the phenomenon of Faith, alluding to a portentous desire that everything was tied to the same sense of compression of which the image or sound of the creation at times to became invisible but precisely understandable, as it was when imagining palpable the reality of what allows the human eye to feel for an instant that everything is real imperceptible, more present of all what can be detected by superior senses more than humans, giving way next to the Raedus Codex more present of all what can be detected by superior senses more than humans.

From Ios or Nios, bordering on Psathi, the Trilogy is unleashed when the association of all the spaced Cyclades of Vernarth will come to every equinox to shine the careful nap of the villagers of the Cyclades, close to the torpor of Thira. It will raise each Hoplite that from the point of Nios drags them with its abandoned body that could never receive the roads that led to Chora in infinitesimal distances and in white spots of all the Cycladic ghosts, who try to exalt themselves and assimilate to the villagers of Psathi.

According to Plutarch, the name Ios or Nios is believed to derive from the ancient Greek word for the violets "Ία" (Ia) because they were commonly found on the island, and is the most accepted etymology. It is also postulated that the name is derived from the Phoenician word iion, which means, "pile of stones". It was called "Φοινίκη" (Phiniki) named after the Phoenicians in the 3rd century when the island joined the League of Islanders it was probably temporarily called Arsinoe after the wife of Ptolemy II. Today the inhabitants of the Cycladic Islands call Nio Island a name derived from the Byzantine era. The name Little Malta, found in traveler's texts during Ottoman rule, is related to the permanent presence of pirates on the island of Latin-script languages.
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Justin Aptaker Jan 2024
burn me down
like Babylon
consume my flesh with fire
unquenchable
Desire

Raze me to the ground
scatter every brick
To the four winds
bury me
like Osiris
divided
divine sectioning
seconding
Sacralizing

phallicizing
Pour your living waters
down my throat
into my belly
and up from beneath

holify me
gushing, rushing
Living Water
sacral ******* water

energize me
Wholify me
receive me
willingly, this sacrifice
please me
please me
pacify me

resurrect me
Holify me
living waters never quench
Holy fire
Lavafy me
Molten living metals
running through every channel
veins, arteries, capillaries, nadis

Open me
i, the channel, emptied
eradicate me
Split me up the middle
reverse my topology
Outside like the Inside
precisely as the Inside

I receive you
Open me, Penetrate me
lava flowing up Inside me

like the infinite Outside
show me
the unbounded Abyss within
mirror still
Lake Placid
reflecting
Perfectly
not a ripple
but still vibrating
Energy
forever on fire
Lake Salome
the gushing wet birth
of the twenty-four-sided Jerusalem
forever on fire

— The End —