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TC Mar 2013
Calcified age lines,
driftwood was once a shiny ship:
hallowed bow, curved spine, dead.

Jaundiced and gaunt didn’t appear
until after the fact,
break a bottle on its back
because I'm facedown,
dead drunk, waves of saliva breaking
desperately against the asphalt.
Tree branches grappling together in the wind
are handsome
like a handshake
in a bad poem
but they're just trees, just wood.
I am slowburning like an all natural cigarette.

Jaunt through the woods. Drinking spot.
Acrid friends.
Warm bonfire, I want it to be more like a movie.  
Davy Jones my sorrows. Sitting on a log.
Rock bottom and I’m sitting on a log.
Weird girl comes over, she’s artsy and dyslexic.
I hate that word. Artsy. *******.
She asks if I’m okay and I say yeah.

At home,
exhume pillowcase from *****,
futon forget-me-nots
some thick haired little boy
had curled up to die inside;

Post embrace.
Crashed; a solemnly sinking ship captain
with skin peeling like lottery tickets
too leather-faced to shout anything but
TEN THOUSAND THUNDERING TYPHOONS
as he goes down
with his cracked nymphal exoskeleton
wipes the fire off his brow
he is burning like an all natural cigarette
but phoenixes are not legends
they are metaphors,
and that is enough difference for me.

The sea is salty and stinging
and they say
a smooth one
never made a skillful sailor
but you cannot build a ship
out of driftwood,
just watch one deteriorate into it.

Maybe that’s the point.

For three years,
I found myself in an oozing freefall
base jumping as I carved through the air
like an anchor
parachute made of somber bottle twist
carved cork and microscope slide,
salt stained shoes,
brackish eyes
distort flashes of organic sunlight
thick necked forays into begging for fare
at deserted train stations
lashed out at friends with bullwhip arms
I couldn’t reach my own back
freefalling, base camp
welling up to greet me
from the depths of a tar pit
but the thing about rock bottoms is:
if they don’t destroy you
they give you something solid to stand on.

And if you leap back up, spread eagle
Like a petrified starfish, swim through that tar pit
that is ocean, the warm hovel of under the covers,
Bonfire, whiskey in the back of an old sailors throat,
All natural cigarette,
You can be born again. I promise.

Depression is not sadness, it is the absence of hope
And it is numb. Reduces us to ashes and drowns us all at once.
But it waxes and it wanes, burns itself out if you let it.

And from that flame, scattered splinters in the ocean,
The shedding of my cracked, nymphal exoskeleton,
I understood the impermanence and necessity of flailing tendrils
White hot curling up a mainmast like a handshake
Wet flesh in the womb of moment between sleep and wake,
Breath slipping away like low tide
Gasping for air until it’s easier to ****
Oxygen out of the saltwater in your lungs
Pain killed a boy and made a man

Watch a phoenix **** a baptism
Violently conjure steam into existence
Just for it to disappear, watch them smile.
You’ll understand.
Chante Hinsey Mar 2019
He was very much mentally exhausted from the three previous rounds of word play that we had. But I was very much still aroused.

I needed to grip on his large cranium as he inserted his think logophiled member into the creases of my cerebral.

I wanted him to feel my muscles tightening around his fingers as he caressed my mind.

I needed him to use his tongue to make my brain drip wet like a leaky faucet. I'm wondering if he lost it. Grip on my medulla and massage my grey plump jewel.

I could of done something else to stimulate my brain like reading a book about trains. But what fun would that be when my mate is by my side willing to start mentally ******* me.

I think I went overboard. He has his thinking cap on like the supreme overlord. Should I grab 100 words you never heard. Or just take my defeat and get back to the sheets.

Baby as the pendulum swings
We exist in moment that escapes time
Let my lips service your soul
with great rhetoric when i bend on my knees cause baby about to blow your mind

Should I make his toes curl by the vigorous word use I'm about to hurl.  No I'll just sit back and play defeated like the nymphal  bad girl.
Surfing mind's Sibylline midnight sea
in my pandemonial Promethean quay,
caught in a creamy host, this countenance floats
-off the teary coast of my briny thoughts.

Once she waded pale down a ghostly vale
    -kept a frozen stare from an elven tale.
Tossed to a tempest then this enchantress,
    -strewn to spray, sanity no fortress.

              "How she stalled the spumy steeds
                                  storming her cherub cheeks!"
              "How she fought kraken fears
                                  from the rifts to the peaks!"

Neptune nabbed in the nooks in nymphal eyes;
silent seagull-cries swim the rain-sodden skies.
A Bragolin gleam on a Mona Lisa meme;
hanging loose on the brim, succumbs to a stream.

Cast to the thalassic tides of this mystery,
        bobbing in memory's Venusian locks.
How this Seraphine gaze knocks in query-
        on the Lethean tyranny of clocks!

Locked in a bottle "in an Apollonian deluge,"
    truth on Pandoran shores shares no refuge.
Lost in a look "dabbed with a Babylonian gleam,"
    what she'd screamed to say, now nothing than a dream.

Tossed to a tempest in her Seraphine scream.
Home now Avalon, beyond the creamy rim.
Lost on a gaze in an Olympian gleam.
This silent scream in my Sirenic dream.

27/04/2025
Hirondelle
This is on a live, Bragolin version of Mona Lisa I saw and have ever been haunted with: a version with eyes pooling with anguish yet in a cryptic Seraphine chemistry. 'Bragolin eyes imbued with pain.' Yet, both serenity and desperate anguish which I have little idea as to why it was there pooling in the eyes had somehow managed to be in the same two pools altogether.

Ever since my curiosity had the better of me to steal a furtive glance at this person, who I knew wouldn't rather me to have seen them in the plight, I have been cast to a bitter mental tempest, rudderless, at the sporadic hauntings of the moment.

We were in a place with other people, and she was summoned to go out. When she came back, she went to her place as if wading in the blur of her eyes. Ignoring would have been unkind, yet seeing, not even watching, would have been heartbreaking. What would you have done? Walking out was not an option, either. You knew nothing -nothing more than you were the best person to help, but the last one to do so all the same.

My furtive millisecond glance was met with a steady poignant gaze, screaming volumes from across an unknown sea at me. It had been there for a time and I don't know how much it lingered afterwards. It was not meant to be seen but it was necessary all the same.

Not being able to help, my conscience has ever been in a bottle at a troubled sea with the deafening silence of the scream.

Human expressions are so subtle, or as far as we prefer to look at the world with blind imagination, they will always be poetic. The real question is about where we would rather live. Not in a rabbit’s hole, but not without emotions, either.

Some Cultural Notes about the Images I Used:
Giovanni Bragolin is the Italian painter famous for the haunting portraits of crying children he painted.
Venusian locks are inspired by Boticelli's iconic Greco-Roman painting of the Greek Aphrodite (the one born from sea foam) under a Roman name (Venus)
Apollo is referred to for his poetic prowess
Other mythological images include Sibylline for mystery, Promethean for the pain knowledge brings, Seraphine for angelic, Lethean for slipping into oblivion, Pandoran for chaos and destruction, Babylonian for forbidden nature of things, Olympian for divine qualities and Sirenic for troublesome nature of things.

— The End —