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Julius Jul 2011
Whirls of smoke have sidled our brains
Leaving emptiness
Nights of withering inconsequence
Tinted with ghastly strokes of melancholy wit
As we grasp for more, addicted
Believers in merriment, but to no end

Fooled. The past has gone
Ah! But we are stuck, bitter nostalgics
Laughing at the times past, when we strove
Happy, for entertainment,
And stumbled'pon narcotics
I feel I have seen the failures in our ways

We've no love like we did once
But you each remain
Staunch defenders, heads spinning  
Single minded in your quest
Sober you are morose, reticent
But what merriment is brought?

Why did I take this rending smoke?
For these tired looks, into nothingness
As we recede into bubbles of self-indulgence?
We disconnect, and throw away all reciprocity
As weeds paucity causes faces to turn yonder
Or to themselves in sadness.

Is it that we are dying?
Or will be be forever stuck, in this eternal stupor?

What can stir us from these technological wonders
That light our faces in our self-absorbed, transfixed stares?
With comfort paramount, and misery found
In repressed echoings of a warmer, better place, away
From the throes of competition fought with tooth and claw
For meaningless aspects

Far from the yelps of laughter
The endless, choked machinations
The giggles and dreams of helpless schoolboys
They are only found to us when **** is plentiful
Those days have receded, like us
Away from our sight and our thoughts

We don’t embrace the life we give eachother in company
As we could, no,
Stinginess and selfishness are first
We don’t create a sound
As much as we engulf others
In our stream of subtle consciousness
Is this what you wish for?
A world of these faces staring, cold, tired
Is this what you think of?
When you dream of some stoner’s Utopia?

Or does malice engulf us too much to look upon ourselves as we do others
With phased memories that act as barriers to progression
And our life.                                                            ­                                         My friend
Your flat face may turn from this to silent, personal mutterings
Of cursed levity
As you are cursed with a ghostly heart.
You should not utter a word of revile
Or turn yourself up in sneers

Trust in what I tell, with honest roused from my soul
And do not take it in passing
Like you so turgidly and heedlessly do all things
Crying hope shattered in these passing moments
With evil beyond compare,
Incarnate in your expression,

Do not, my friend
Look upon me with the icy malice of derisiveness
Nor with the shallow, empty eyes of hedonistic senselessness
No, brother, instead realize
With momentary individualism, the gravity, at least to me
Of these words. I speak morbid
Of my, our humanity, in our restless silence
And our uttered oaths and in our artifice of the tongue
And in all things that shiver my blood to even think of

If it is so that our acquaintance is founded on a passionate whim
On a fairy’s wing, on the smothered apparition of a dream
And not grounded in earthly brotherhood,
Reposed of efforts of the mind
Then this is the end for us, brother
For I will no longer cut my heart across this herb, turncoat
As you have, in its infirmity
And cold infer’nality
Mia Oct 2018
There's a sadness
and I always know when she's coming.
She's on the door, asking for some space
"I don't need a lot, just a little bit", she whispers.
No answers.
She starts to scream.

I'm always caught up trying to decide if I let her in or throw her out. She always catches me at this very point, when it's usually too late: I'm back in the grave.

It's a ocean of feelings, of nostalgics old times, of who I was, who I want to be and who I'm becoming. It's slowly making me float at the same station: Me.

She caught me. I'm hers.
I'm trying to be healthy and happy and wish happiness for everyone... But this bravery, my dear... How could I?

It turns out that, night falls like this I  don't seem to have the strength to fight it. There's just sadness. She caught me. I'm hers again.
badwords Apr 26
Chapter 1: Red Dust and Neon Ghosts

Mars had been humanity’s first dream of escape.
By 2133, it was little more than a cosmic cul-de-sac — a cracked monument to ambition, left to collect dust and bad poetry.

The Youngston Gate had changed everything. Now ships skimmed the edges of the solar system in days, not years. Stars called louder than Mars ever could. The Red Planet, once sacred, became a punchline.

Mann’s Olympus Casino and Hotel clung to the slopes of Olympus Mons like a bad tattoo nobody could laser off, buzzing defiantly under a layer of drifting rust.

Named after Robert J. Mann — a man whose ego once rivaled the mountain itself — the casino was now a hospice for broken dreams. Its letters flickered in and out: “M _ _ N’S OL _ _ P _ _”, blinking like tired eyelids trying to stay awake during a boring sermon.

Inside, the smell of old synthetic whiskey, burnt insulation, and Red Velvet opioids poisoned the recycled air. Gravity stuttered just enough to make every step feel like drunken prayer. The carpet peeled, the walls wept condensation, and the neon wept more quietly still.

Most of Mars' remaining human inhabitants weren’t here for the scenery.
They lingered like soggy parade confetti — forgotten, grimy, and too much trouble to sweep away.

The last act of the night was a woman whose name had once meant something —
Elaine Moon.

Chapter 2: Reflections in a Cracked Mirror

Elaine Moon sat backstage under a bank of vanity lights that buzzed like tired flies.
The mirror showed not a starlet, not even a relic — but something more stubborn.

She was fifty-something — she'd stopped counting when years became background radiation.
Her fingers ached with old betrayals: high kicks performed for half-interested audiences, songs mouthed for drunk nostalgics, bows for ghosts.

Once, when Mars still sold dreams, Elaine had been electric — breathing messy life into AI legends who had been programmed to shine but never sweat.
She had been a bridge, a mockery, a prayer disguised as a punchline.

But nostalgia rots faster than hope on a dying planet.

Tonight, staring into the cracked mirror, she realized something different.
Elaine Moon had been a necessary lie.

Beneath the layer of foundation and forced grins, the truth stirred:

Sarah Glover.

She wiped away the makeup — not neatly, not delicately. Just wiped. Like peeling away a dead skin.

Sarah.
Who once sang real songs in ***** crater bars, drunk on cheap wine and younger lungs.
Who once believed her voice could make the stars ache.

She had been buried beneath years of survival.
Not tonight.

Sarah Glover stood up from the chair.
No fanfare.
No safety net.

Just her own cracked voice waiting to be used honestly, one last time.

Chapter 3: The Last Song on Mars

The stage was a rectangle of failing light floating above a swamp of dim, unbothered shadows.
Gravity sighed at every step, pulling unevenly at her boots.
The air smelled like old plastics trying to pretend they were still new.

Sarah — not Elaine, never again Elaine — stepped into the wan spotlight.

No announcement.
No persona.

She leaned into the mic, rough and real:

"I'm Sarah."

A few heads lifted, blinking slowly as if trying to remember if they should care.

She keyed the battered synth, its panels held together by duct tape and stubborn hope.
It coughed out a C-major chord like a mechanical death rattle.

And Sarah sang.

Her voice cracked like dry riverbeds.
It floated unevenly, stuttering against the stale casino air.
But it was alive.

"Dust forgets the footprints it holds.
Stars bleed themselves dry for nothing.
And still, we sing."

Her fingers fumbled the bridge, and she laughed — a real, sharp, unsweetened laugh — before weaving her voice back into the crumbling melody.

The casino lights dimmed as she finished —
like dying fireflies giving up the fight.

A single clumsy clap echoed from somewhere in the back, colliding awkwardly with the silence.

Sarah bowed — not to the burnouts, not to the ruins, not to the drunk ghosts of memory —
but to the stubborn ember inside herself that had refused to go out.

Behind her, Elaine Moon crumbled like the dust she had always imitated.

Ahead of her, Mars stretched on — empty, tired, waiting for nothing.

Sarah Glover stepped into the neon-soaked dark, the hum of dying signs trailing behind her like a broken lullaby.

Somewhere beyond the Youngston Gate, humanity sprinted into new mistakes.
But here, on a broken rock under a leaking sky,
one true voice had risen, trembled, and vanished.

And for once,
that was enough.
"Even ruins deserve a second song."
— Old Martian Saying

Read the companion piece:
https://hellopoetry.com/poem/5044828/dust-forgets/
Amy Apr 2021
Just there after, the lights dim down to a nearly indiscriminate fade.

The hush falls on the crowd like a falling line of dominos.

It’s the same reaction every time it plays

The nostalgics movies’ nostalgic rerun

Where one might be able to separate the self

But the memory plays heavy none the less.



We are standing in the kitchen

And I can see the sun catching the horizon

Just above the mountains and just before

The sun slides into the night.

Water boiled rapidly on the stove and

The air was drenched in steam and shame.



I wonder if you think about saying that

Or even think of it at all

Replay it, dim the lights,

Replay it, quiet the noise,

Replay it, and find your answer.

Your words repeat in mind without fail



In sips of quiet spaces, in moves of loud pockets.

The movie reel continues on

But is never without the clip

The lid of the boiling ***

Idles between stable and not.

— The End —