Dedicated to stillborn fetuses, 99 cent Malt Liquor and Existentialism
1.
Nymphomaniac tree huggers
And overweight bisexual vegetarians
Swallowing phentermine poison to stay fit.

2.
Funky fresh *******  
throwing pigs at St. Augustine’s pear tree
and frolicking abortions over Moloch’s philoprogenitiveness,

3.
While sipping barbecue sauce dipped in Lipton tea,
dancing around adhesive bonfires
reciting memories of holocaust, the Kristallnacht nights
and beautiful words suffered by ancestors lost.

4.
Inhale chicken noodle soup, with a side of Lithium,
And prance to Literacy class to combat envisionment
With free association conceptual constructions,

5.
Computerized like Prometheus’ fire burning through SmartBoards
In classrooms where the poison of heterosexual history
Is fed to boys in skirts cursed by Adam’s apple,

6.
Baptized by social norms and locked away in hopeless closets
According to the Tautology of Leviticus…
until they cut their breath by the vein of soteriology;

7.
Misunderstanding of God’s words
Covets the innocent to early graves
In biblical paratactic irony…like God betting Satan for a Job.

8.
Rub fried chicken oil on Bartholomaeus Anglicus’ skin
and soil his white pride with ***** flavor,
for revenge  On the Properties of Things

9.
and howl out in glory of victory
over totes of  lickerish piper methysticum blunts
that beg the conundrum,
'What is the origin of this world?'
'Ether,' he replied.
But it is not ether!
Nor Datta. Dayadhvam. Damyata.
It is Dada. Dada. Dada!
  10.
For this is a record of the life stories of the greatest minds and geniuses of your generation,
written in boys and girls
who mimicked Basquiat’s genius and tagged bathroom walls with abstract philosophies like “Love is a prime number” and “ the weight of Duncan McDougall’s soul can only be found on the 15th of October”
who drank vampirish gulps of Vicodin while consoling themselves with aphorisms such as: “don’t rue the misses, you don’t need a Mrs. when you’re elevated by chemical kisses”
11.
Who stood naked in mirrors, weeping, for they were a mystery to themselves, but a great talent and soon to be legend to some.
Who lit cannabis in loneliness and waltzed naked with their ghosts, fantasizing about ****** tomatoes and Corpus Christi Mexican Jazz.
Who composed psychedelic anthems from dreams that were lost in ghettoes where virginities were lost for loaves of bread, for the hunger of bread.
12.
Who wrote suicide notes on a toilet seat, contemplating the texture of Marshall Mathers’ favorite underwear and whether the color green was an invention of **** Germany.
Who used to love their lovers in darkness and colored the streets of Manhattan with rainbows on June 24, 2011 to mark the date lady liberty finally bought a new pair of glasses.
13.
Who lost musical talents to a Wine-house and ended up in a whine-house where lobotomy was subsequently prescribed by the milligram.
Who indulged in pharmaceutical vices and when asked why replied simply, every recursively enumerable set is Diophantine.
Who diagnosed themselves with “start ****-itis” and self medicated by eating Fifinellas at the stroke of each midnight.
Who rubbed paraprosdokians on their skin and occupied Wall Street in search of a new euphemism for being American.
Who poured Alkalizer on a dead moose and kicked it while feasting on the divine question, “why does Rice play Texas?”
14.
who got bored with conventional relationships and bought the Origin of the World on street corners from vixens nicknamed “Jezebel” and climaxed atop of them screaming  “I’m in Babylon, the great Mother of ******!”
Who attempted suicides upon suicides upon suicides, in Oakland, until they were shipped away to private catholic universities in Rhode Island, where the history of Colossus was being taught.
15.
who serenaded love interests with four letter curse words at open bars where Kubla Khan was read and Tartars kings were licked all over like holy communion *****.
Who drove home with the spirits of wine and crashed on telephone poles where their obituaries were written in their prime, leaving their mothers weeping and calling congress to reconsider Prohibition.
16.
Who mixed Redbull with Propofol and drank the juxtaposition galore only to be woken up the next morning dead in their sleep.
Who tattooed rat poison packages with goodwill messages such as “****** divided by Water =6th day of creation” or “Seroquel + Brett Favre = St. Patrick”,
who went speedballing with Basquiat during autoscopy and woke up wondering the cost of Nautilus in Albuquerque.
17.
who took 33 hallelujah 1800 tequila jello shots and daydreamed about laying on Mithras’ grave, yelling, beetlejuice, beetlejuice…beetlejuice.
who found the truths of the Bible invalid by the miscalculation of Pi in 1 Kings 7, verse 3, and mailed death on anthrax letters to Reagan in protest.
18.
who sat empty bellied at breakfast tables wondering the temperature of satellites at Lagrangian points,  only to soon catch fire in their tongues and speak Labyrinth soliloquies that ended in
19.
Zion,
Where Google knows every answer.
In Zion
Where the youth, tomorrow’s future, quote a ***** named Hova better than they can quote Jehovah.
In Zion
Where *******’s art was used as weapon during the Cold war.
20.
In Zion
Where sartorial geniuses where no pants,
In Zion
Where David Kato Kisule is the secret hero of these words, for he was taken at a time
In Zion
Where we were supposed to be our ancestor’s sci-fi.

21.
In Zion,
Where the youth bear the scarlet letter X for they are a problem to tradition and hold no definition for the future, for they have discovered
In Zion
That the origin of this world is in their living eyes, and not in the dictionary of their ancestors who lived
In Zion
when the epitome of the literature of life ended in Revelation of Amen and Shantih shantih shantih;
this is a record of the greatest minds and geniuses there ever was, written
in Zion
where the meaninglessness and nothingness of Dada reigns, and the trinity of life now lives in the Subject, subjective and subjectivity.

Newdigate prize poem recited in the Sheldonian Theatre
Oxford June 26th, 1878.

To my friend George Fleming author of ‘The Nile Novel’
and ‘Mirage’

I.

A year ago I breathed the Italian air,—
And yet, methinks this northern Spring is fair,—
These fields made golden with the flower of March,
The throstle singing on the feathered larch,
The cawing rooks, the wood-doves fluttering by,
The little clouds that race across the sky;
And fair the violet’s gentle drooping head,
The primrose, pale for love uncomforted,
The rose that burgeons on the climbing briar,
The crocus-bed, (that seems a moon of fire
Round-girdled with a purple marriage-ring);
And all the flowers of our English Spring,
Fond snowdrops, and the bright-starred daffodil.
Up starts the lark beside the murmuring mill,
And breaks the gossamer-threads of early dew;
And down the river, like a flame of blue,
Keen as an arrow flies the water-king,
While the brown linnets in the greenwood sing.
A year ago!—it seems a little time
Since last I saw that lordly southern clime,
Where flower and fruit to purple radiance blow,
And like bright lamps the fabled apples glow.
Full Spring it was—and by rich flowering vines,
Dark olive-groves and noble forest-pines,
I rode at will; the moist glad air was sweet,
The white road rang beneath my horse’s feet,
And musing on Ravenna’s ancient name,
I watched the day till, marked with wounds of flame,
The turquoise sky to burnished gold was turned.

O how my heart with boyish passion burned,
When far away across the sedge and mere
I saw that Holy City rising clear,
Crowned with her crown of towers!—On and on
I galloped, racing with the setting sun,
And ere the crimson after-glow was passed,
I stood within Ravenna’s walls at last!

II.

How strangely still! no sound of life or joy
Startles the air; no laughing shepherd-boy
Pipes on his reed, nor ever through the day
Comes the glad sound of children at their play:
O sad, and sweet, and silent! surely here
A man might dwell apart from troublous fear,
Watching the tide of seasons as they flow
From amorous Spring to Winter’s rain and snow,
And have no thought of sorrow;—here, indeed,
Are Lethe’s waters, and that fatal ****
Which makes a man forget his fatherland.

Ay! amid lotus-meadows dost thou stand,
Like Proserpine, with poppy-laden head,
Guarding the holy ashes of the dead.
For though thy brood of warrior sons hath ceased,
Thy noble dead are with thee!—they at least
Are faithful to thine honour:—guard them well,
O childless city! for a mighty spell,
To wake men’s hearts to dreams of things sublime,
Are the lone tombs where rest the Great of Time.

III.


Yon lonely pillar, rising on the plain,
Marks where the bravest knight of France was slain,—
The Prince of chivalry, the Lord of war,
Gaston de Foix:  for some untimely star
Led him against thy city, and he fell,
As falls some forest-lion fighting well.
Taken from life while life and love were new,
He lies beneath God’s seamless veil of blue;
Tall lance-like reeds wave sadly o’er his head,
And oleanders bloom to deeper red,
Where his bright youth flowed crimson on the ground.

Look farther north unto that broken mound,—
There, prisoned now within a lordly tomb
Raised by a daughter’s hand, in lonely gloom,
Huge-limbed Theodoric, the Gothic king,
Sleeps after all his weary conquering.
Time hath not spared his ruin,—wind and rain
Have broken down his stronghold; and again
We see that Death is mighty lord of all,
And king and clown to ashen dust must fall

Mighty indeed their glory! yet to me
Barbaric king, or knight of chivalry,
Or the great queen herself, were poor and vain,
Beside the grave where Dante rests from pain.
His gilded shrine lies open to the air;
And cunning sculptor’s hands have carven there
The calm white brow, as calm as earliest morn,
The eyes that flashed with passionate love and scorn,
The lips that sang of Heaven and of Hell,
The almond-face which Giotto drew so well,
The weary face of Dante;—to this day,
Here in his place of resting, far away
From Arno’s yellow waters, rushing down
Through the wide bridges of that fairy town,
Where the tall tower of Giotto seems to rise
A marble lily under sapphire skies!

Alas! my Dante! thou hast known the pain
Of meaner lives,—the exile’s galling chain,
How steep the stairs within kings’ houses are,
And all the petty miseries which mar
Man’s nobler nature with the sense of wrong.
Yet this dull world is grateful for thy song;
Our nations do thee homage,—even she,
That cruel queen of vine-clad Tuscany,
Who bound with crown of thorns thy living brow,
Hath decked thine empty tomb with laurels now,
And begs in vain the ashes of her son.

O mightiest exile! all thy grief is done:
Thy soul walks now beside thy Beatrice;
Ravenna guards thine ashes:  sleep in peace.

IV.

How lone this palace is; how grey the walls!
No minstrel now wakes echoes in these halls.
The broken chain lies rusting on the door,
And noisome weeds have split the marble floor:
Here lurks the snake, and here the lizards run
By the stone lions blinking in the sun.
Byron dwelt here in love and revelry
For two long years—a second Anthony,
Who of the world another Actium made!
Yet suffered not his royal soul to fade,
Or lyre to break, or lance to grow less keen,
’Neath any wiles of an Egyptian queen.
For from the East there came a mighty cry,
And Greece stood up to fight for Liberty,
And called him from Ravenna:  never knight
Rode forth more nobly to wild scenes of fight!
None fell more bravely on ensanguined field,
Borne like a Spartan back upon his shield!
O Hellas!  Hellas! in thine hour of pride,
Thy day of might, remember him who died
To wrest from off thy limbs the trammelling chain:
O Salamis!  O lone Plataean plain!
O tossing waves of wild Euboean sea!
O wind-swept heights of lone Thermopylae!
He loved you well—ay, not alone in word,
Who freely gave to thee his lyre and sword,
Like AEschylos at well-fought Marathon:

And England, too, shall glory in her son,
Her warrior-poet, first in song and fight.
No longer now shall Slander’s venomed spite
Crawl like a snake across his perfect name,
Or mar the lordly scutcheon of his fame.

For as the olive-garland of the race,
Which lights with joy each eager runner’s face,
As the red cross which saveth men in war,
As a flame-bearded beacon seen from far
By mariners upon a storm-tossed sea,—
Such was his love for Greece and Liberty!

Byron, thy crowns are ever fresh and green:
Red leaves of rose from Sapphic Mitylene
Shall bind thy brows; the myrtle blooms for thee,
In hidden glades by lonely Castaly;
The laurels wait thy coming:  all are thine,
And round thy head one perfect wreath will twine.

V.

The pine-tops rocked before the evening breeze
With the hoarse murmur of the wintry seas,
And the tall stems were streaked with amber bright;—
I wandered through the wood in wild delight,
Some startled bird, with fluttering wings and fleet,
Made snow of all the blossoms; at my feet,
Like silver crowns, the pale narcissi lay,
And small birds sang on every twining spray.
O waving trees, O forest liberty!
Within your haunts at least a man is free,
And half forgets the weary world of strife:
The blood flows hotter, and a sense of life
Wakes i’ the quickening veins, while once again
The woods are filled with gods we fancied slain.
Long time I watched, and surely hoped to see
Some goat-foot Pan make merry minstrelsy
Amid the reeds! some startled Dryad-maid
In girlish flight! or lurking in the glade,
The soft brown limbs, the wanton treacherous face
Of woodland god! Queen Dian in the chase,
White-limbed and terrible, with look of pride,
And leash of boar-hounds leaping at her side!
Or Hylas mirrored in the perfect stream.

O idle heart!  O fond Hellenic dream!
Ere long, with melancholy rise and swell,
The evening chimes, the convent’s vesper bell,
Struck on mine ears amid the amorous flowers.
Alas! alas! these sweet and honied hours
Had whelmed my heart like some encroaching sea,
And drowned all thoughts of black Gethsemane.

VI.

O lone Ravenna! many a tale is told
Of thy great glories in the days of old:
Two thousand years have passed since thou didst see
Caesar ride forth to royal victory.
Mighty thy name when Rome’s lean eagles flew
From Britain’s isles to far Euphrates blue;
And of the peoples thou wast noble queen,
Till in thy streets the Goth and *** were seen.
Discrowned by man, deserted by the sea,
Thou sleepest, rocked in lonely misery!
No longer now upon thy swelling tide,
Pine-forest-like, thy myriad galleys ride!
For where the brass-beaked ships were wont to float,
The weary shepherd pipes his mournful note;
And the white sheep are free to come and go
Where Adria’s purple waters used to flow.

O fair!  O sad!  O Queen uncomforted!
In ruined loveliness thou liest dead,
Alone of all thy sisters; for at last
Italia’s royal warrior hath passed
Rome’s lordliest entrance, and hath worn his crown
In the high temples of the Eternal Town!
The Palatine hath welcomed back her king,
And with his name the seven mountains ring!

And Naples hath outlived her dream of pain,
And mocks her tyrant!  Venice lives again,
New risen from the waters! and the cry
Of Light and Truth, of Love and Liberty,
Is heard in lordly Genoa, and where
The marble spires of Milan wound the air,
Rings from the Alps to the Sicilian shore,
And Dante’s dream is now a dream no more.

But thou, Ravenna, better loved than all,
Thy ruined palaces are but a pall
That hides thy fallen greatness! and thy name
Burns like a grey and flickering candle-flame
Beneath the noonday splendour of the sun
Of new Italia! for the night is done,
The night of dark oppression, and the day
Hath dawned in passionate splendour:  far away
The Austrian hounds are hunted from the land,
Beyond those ice-crowned citadels which stand
Girdling the plain of royal Lombardy,
From the far West unto the Eastern sea.

I know, indeed, that sons of thine have died
In Lissa’s waters, by the mountain-side
Of Aspromonte, on Novara’s plain,—
Nor have thy children died for thee in vain:
And yet, methinks, thou hast not drunk this wine
From grapes new-crushed of Liberty divine,
Thou hast not followed that immortal Star
Which leads the people forth to deeds of war.
Weary of life, thou liest in silent sleep,
As one who marks the lengthening shadows creep,
Careless of all the hurrying hours that run,
Mourning some day of glory, for the sun
Of Freedom hath not shewn to thee his face,
And thou hast caught no flambeau in the race.

Yet wake not from thy slumbers,—rest thee well,
Amidst thy fields of amber asphodel,
Thy lily-sprinkled meadows,—rest thee there,
To mock all human greatness:  who would dare
To vent the paltry sorrows of his life
Before thy ruins, or to praise the strife
Of kings’ ambition, and the barren pride
Of warring nations! wert not thou the Bride
Of the wild Lord of Adria’s stormy sea!
The Queen of double Empires! and to thee
Were not the nations given as thy prey!
And now—thy gates lie open night and day,
The grass grows green on every tower and hall,
The ghastly fig hath cleft thy bastioned wall;
And where thy mailed warriors stood at rest
The midnight owl hath made her secret nest.
O fallen! fallen! from thy high estate,
O city trammelled in the toils of Fate,
Doth nought remain of all thy glorious days,
But a dull shield, a crown of withered bays!

Yet who beneath this night of wars and fears,
From tranquil tower can watch the coming years;
Who can foretell what joys the day shall bring,
Or why before the dawn the linnets sing?
Thou, even thou, mayst wake, as wakes the rose
To crimson splendour from its grave of snows;
As the rich corn-fields rise to red and gold
From these brown lands, now stiff with Winter’s cold;
As from the storm-rack comes a perfect star!

O much-loved city!  I have wandered far
From the wave-circled islands of my home;
Have seen the gloomy mystery of the Dome
Rise slowly from the drear Campagna’s way,
Clothed in the royal purple of the day:
I from the city of the violet crown
Have watched the sun by Corinth’s hill go down,
And marked the ‘myriad laughter’ of the sea
From starlit hills of flower-starred Arcady;
Yet back to thee returns my perfect love,
As to its forest-nest the evening dove.

O poet’s city! one who scarce has seen
Some twenty summers cast their doublets green
For Autumn’s livery, would seek in vain
To wake his lyre to sing a louder strain,
Or tell thy days of glory;—poor indeed
Is the low murmur of the shepherd’s reed,
Where the loud clarion’s blast should shake the sky,
And flame across the heavens! and to try
Such lofty themes were folly:  yet I know
That never felt my heart a nobler glow
Than when I woke the silence of thy street
With clamorous trampling of my horse’s feet,
And saw the city which now I try to sing,
After long days of weary travelling.

VII.

Adieu, Ravenna! but a year ago,
I stood and watched the crimson sunset glow
From the lone chapel on thy marshy plain:
The sky was as a shield that caught the stain
Of blood and battle from the dying sun,
And in the west the circling clouds had spun
A royal robe, which some great God might wear,
While into ocean-seas of purple air
Sank the gold galley of the Lord of Light.

Yet here the gentle stillness of the night
Brings back the swelling tide of memory,
And wakes again my passionate love for thee:
Now is the Spring of Love, yet soon will come
On meadow and tree the Summer’s lordly bloom;
And soon the grass with brighter flowers will blow,
And send up lilies for some boy to mow.
Then before long the Summer’s conqueror,
Rich Autumn-time, the season’s usurer,
Will lend his hoarded gold to all the trees,
And see it scattered by the spendthrift breeze;
And after that the Winter cold and drear.
So runs the perfect cycle of the year.
And so from youth to manhood do we go,
And fall to weary days and locks of snow.
Love only knows no winter; never dies:
Nor cares for frowning storms or leaden skies
And mine for thee shall never pass away,
Though my weak lips may falter in my lay.

Adieu!  Adieu! yon silent evening star,
The night’s ambassador, doth gleam afar,
And bid the shepherd bring his flocks to fold.
Perchance before our inland seas of gold
Are garnered by the reapers into sheaves,
Perchance before I see the Autumn leaves,
I may behold thy city; and lay down
Low at thy feet the poet’s laurel crown.

Adieu!  Adieu! yon silver lamp, the moon,
Which turns our midnight into perfect noon,
Doth surely light thy towers, guarding well
Where Dante sleeps, where Byron loved to dwell.

The Airn-Wanderer:

WÆPEN WUNDUM SUNDORGENGA

Waes Ah! Waes Ah, noo!
Beguid! an’ Greatly, unco Greatly Hye, IT!
Wi'in Abysmal-Deep Primal Fyre, IT!
Great Fair Thor's Orrah!
Lookin’ yondir! lookin’ yondir, noo!
Afore avidly, unco avidly
Drank hynne Ah! Great Warlike Orrah!
The Gowblat o’ Noble Precious Gowd Shimmerin':
Gleamin’ further, IT! Ane an' the Same, hynne!
Wi' the Verra Glare frae Bein' o' Power Supreme!
Gift Invincibly Purified IT, hynne!
Thad Enraged Wotan’s ain Verra Chalice o’ mine,
An’ Toast frae Hye-HEREHAND!
Great, in Fyre Ragin' noo, Ullr's Orrah!
Frae Noble Valhalla Rairan Deep
Wi’ ITS Metal Fiery Soul, hynne!
Orra Skye-Substance, orra Skye-Schorcin’ o’ mine!
Noo, verra unco! Core-Martially stylle grabbin’,
Wi’ Black Leather Glove
O’ Total Dazzlin’, an' Verra, Verra ​Core-Abysmal, IT!
Whyte-War, hynne!

ÞUNORE HWÍT CEALLA,

Fyre-Flowin’, the Verra Northumbrian Mead!  
Livin’, Tasty wi’ Pow’r, Great Warlike Orrah!
Niflheim-Watery, IT!

BEADWE, MĪN SWÆTAN,

Frae yon Ironclad Norþan-hymbre!
Frae Hel Itself Delicious,
Unco dyrinkin’, downe the hatch!
Hynne Ah,
My by-gone Days left orra Aflame:
Great Vision! Great Bellum! noo dyin’ o’ mine!
Whileas stylle waes hynne Ah!
Thro’ the Bare Highlands Dreary,
‘Yont South Ruins’ Bluish Burnan Wa,
Deep-Wanderin’,
In search for the Verra Lightnin’ Raed,
An' Flashin' Guide o' mine Devastatingly Immortal!

BĒOWES RĒADA FÝRTORR,

O’er Thae Cauld Moorlan Heights hynne,
Leisurely, implacably, Great Warlike Orrah!
Amyd Hye Rocky Smeddum all abowt me
Strollin’,
Intae the Verra Mirk Unfathomable,
Airn-Flesh o’ mine, hynne
Throwin’,
An' my Wise an’ Bold an’ Proud!
Sensual Noble Dame,
Gerðr galdrs Scho!

MĪN FÆÐMLICE OND BRYNIGE CWÝNE
SÉO HYGEÞRYMME ÁDRÍEGEÞ,

A' Oor Inflamed Naychts! Verra Wyntry Naychts!
Afore the Sacral Stane-Hearth:

WINTRES WÍDERFEORLIC HEORÐ,
HWÆR ÆFRE OND LÍGBRYNE
ÚSERE BRÆD GEMETEÞ,

Stylle deep-burnin',
Guid, Verra Guid Bleezan Orrah!
Scho unco weall! Scho unco weall! Ah say!
Rememberin',
In Lang Robes o' Deep Crimson Fyre, noo!
Her Superior Womanhood,
Full! An' divinely, orra divinely!
Thro' Her Glowin' Mystery Sinuous, o'er endowed!
Hynne stylle, unco ardently! in Primal Lowes, fully Sinuous!
Whare, Thys weall! weall! Scho unco knew!
Ah! Guid, Verra Guid Thundir's Orrah!
Used tae ay lose! nae abeigh!
Wi'in an Abyss Interminable an' Endless Contynent!
Ay, Great Guid Orrah! Masell!
An’ Verra Firey! sinuously Trowe! Verra Soul!
Unco tightly, wi' Norland Passion
Stylle profoundly Wemenlie o' Hers!
Shrouded,
Scho saw me! Scho orra saw me!
Noo, wi’ Courage Ablaze an’ unco Wreððe
Ascendin’
To orra desire! to orra possess,
To hae IT! To unco hae IT! back again!
Ah! LEOFLIC IREN HÁTAN!
The Lone Airn-Wanderer, SUNDORGENGA, Ah!
Frae yon Auld Götaland:

LAND GUMCYNNES GEAT-MÆCGUM,
BEADWE-HEARPENÆGLES EORÐRÍCE,

My ain Lost, the OVERMAN'S HIS-SEL!
Great, Great Mjölnir's Warlike Orrah!
Wi’ Bluish Skye-Gore, frae Thae Cauld Heights
Unco! Verra, Verra Guid O'erhuman,
Hynne, neist tae the Forgotten Firey Ruin!
Totally 'Yont-Human! The DAZZLIN' OVERMAN'S AIN!
Ah noo say! Ah noo tae the Moorlan Stormy Cluds yell! Orrah!
Skye-Imbued

Thundir-Bluid:

NORÐÞUNRES WÆLDRÉOR

Tae feel IT hynne! Tae unco feel IT:
Great Guid Warlike Orrah!
Total, unco Total, in Full New Skye-Gore IT!
Verra, Verra Thor-Hye!
Frae afarre! yet tae me Verra, Verra Skye-Close!
Rumblin' Skye-Destruction o’ mine!
Hynne Total Skye-Rebirth O'erhuman,
An' the Roaran', unco Skye-Roaran', IT!
Great Kvasir's Warlike Orrah!
Afore the Verra Disc o' the Full Mowne Murky,
Orra, unco, IT! in the East Dreary skye-risin', IT!
'Yont-Human, Great Jörð's Orrah!
Supreme Transformation!

WULFES GENIWUNG,

Wi' the New Skye-Knowledge Scorchin'
Owre, owre imbued!
An' in the Soarin' Zenith-Fyre
Deeply, deeply hawkan IT, hynne!
Thro' Thad Cauld Moorlan Secret
Ah am noo about to owre yell,
Frae the Thundir's yon Rumblin'
Verra, Verra Skye-Pride!
Intae my Veins Fiery
Fore’er an’ e’er, wi’ Ragin’ Skye-Bluish Hue
Noo flowin’,
Com on! Com on, hynne!
Dearest Mountayn-Thunderbolt o’ mine!
Taukin’ Ah noo am to ye stylle!
Struck me deep! struck me noo, Ah yell!
Great Fair Thor's Orrah! deep,

ÍSENSCÚR,

For fully Covered! orra Skye-Covered hynne!
In Feudal Skye-Airn Indestructible
Am Ah heare! for ye noo!
Tae attract hynne! out o' Thad Norland Verra Blue!
As the Skye-Magnet attracts the Rare Shinin' Metal,
Yer deadly Skye-Rage wpon Airn-Skynne o' mine!
Tae catalyze hynne yer loudly tellin',
Frae Yon Abysmal Distance! Lone Skye-Voice,

SCÍRHAM IC! BEADWE LÍGETUNG,

Whyle Ah stylle! intae Hye Lowes unco climb
Thad Cauld Rocky Soil,
Whyle Ah stylle unco tell
Thad Vision, most Solitarie o’ mine,
Whyle Ah stylle restlessly, implacably seek
My ain Lost Skye-Sel!
The Hye, Verra Hye! Adamantine Person o' the OVERMAN!

SUNSCÍNE SEOLF OND LINDGEBORGA,

Want Ah! truly unco, want Ah! owre want Ah, hynne!
Beguid an’ Great Guid! Hôm Loga Himna Orrah!
Noo, richte noo!
This kin Ah! still noo unco truly yell!
'Yont yon Whunstane Stronghold's Mirk Well!
Feel, unco o'erhumanly live, hynne!
Thad Continual Flashin’
Frae the Grayish Leaden Moorlan Cluds
Noo the Zenith-Sunne Invisible behynde
Hye-glorifyin’!
Thro’ the Verra Tundir Voice o'er an' o'er echoin,
In shape o’ Norland Hammer frae the Battle, IT!
Intae Veins Skye-Bluish o’ mine!

NORÐANWINDE! BLÓDWRACU OND FÆHÞ,

Next tae my Feudal Airn-Side noo still wounded
By Enemy an' Cowardly, tae Human, tae Cowardly!
Frae the Distance, hynne! shot at me!
Still Mortal Arrows!
Nae Fear, hynne! tae Earthly! tae Miserable,
Surpassingly Miserable, IT! unto the Verra Core!
To the Hye Fair-Haired Gods,
In Strang Norland Dignity an' Supreme Pow'r,
An' Skye-Vengeance frae Enraged Sacral Thule blowin'!
Noo! thro' Noble an' Future Skye-Gore o' mine schawe!
In my stylle the Verra Lightnin':

VICTORIAE SANGUINISQUE SIGNUM
OVERMAN

Noo implacably approachin'!
An’ ye! Sweyt an’ Scaur Enemies, not Quhone all ye!
Ye still cannae, cannae hear?
Yell an’ Furious Bellum, aye!
Frae Loud Thundir-Voice o’ mine?
Skye-Crash frae my Battle-Wounds IT:

MĪN HEORUDREÓR GLADAÞ,

Wi'in yer ignoble ears noo!
Wnto the Sacral Open Blue
Risin’ unco Freed!
Ye still want to *** to orra Heaven?
Hynne, heyre Ah am!
Com on! Com on! All ye Cowards!
Thys is whate Ah orra cam for!
Fecht me! Hand-to-Hand Strang!
Do signal the Attack!

ÞINE UNEARH GÚÐÞRACU OND GEWEALC,
ÞUNORRÁDE, MĪN HILDERÆS!

Glitterin’ Skye Axe-Blade o’ mine winna, IT
Cease to wait to orra shatter,
In a single Thundir-Blow, all yer Targes!
Com on! Com on hynne! ye Cowards!
Do noo hae the Warlike Verra Guts to taste
Gleamin' VARGS UNDA Alone o' mine!
O'er ye thys single Thundir-Blow pourin'!
Ye want still to unco give
Unto Enraged Airn o’ mine, Wonner IT, lo!
Yer Hand-to-Hand, hynne Feudal an’ Essential
Battle-Bluid?

HEOLFRE ANWIG,

Wha hynne want to be the First?
Wha hynne ready is noo to unco suffer
Frae my Verra Skye-Airn noo Skye-Flashin'!
Gunnþinga Called, IT!
Hys, alongside the Skye-Foreign, Nadir's ain!
Miserable, tae earthly, tae human orra Defeat?
Fecht Ah! for the Glare an’ Hye Glory O'erhuman
Frae Bein’ as Pow’r, Bluish-Firey IT!

ÞUNORES HAMOR,

Hynne heyre glowran at ye Ah unco stand!
Wi’ Great Clan-Vermillion Wyld Wraith o’ mine
Hye, Norland-Fair, an’ orra Warlike!
Wi’ Battle-Axe o’ mine gleamin’,
Unner yon War-Glare, ne’er, ne’er settin’,
An’ the Sunne’s ain Disc Refulgent,

BLŌDE ANWEALD, HWÍTE HEAÐUSIGEL,

Wnto deep the Wanwordie World, Mirk hynne, IT!
Richte, orra Ancestral an' Warlike Richte!
Greatly, unco greatly! Flamin'-Firey an' Zenith-Supreme, IT!
Verra Iron-Curse Blindin'!
An’ He cam! the Thunderbolt at length
Unto me He orra cam!
Thus struck waes Ah!
My Flesh, an' Bluid, an' Spirit!
Intae Thor's ain Skye-Force
At once turnin'
Tae greatly, tae unco! Verra Guid Orrah! see
Thro' Nyow Total Skye-Blindness O'erhuman o' mine!
Altogether hynne noo, Great Guid Saxon Orrah!
The Forerunnin’ Presence noo Devastatin’
Wnto me, stick-an-stowe, noo orra IT! comin',

IRSERN-SCÉAWERE IC,
CWIOFYRES BURHWEARD,
BÆLÞRACE OND BRYNEWIELMA GEBORGA,

Frae thowa, IT! in Primal Wreððe

Skye-Essences
Or
Twæȝe Strang Sunnes

Hwenne! Beguid an’ Great, Great Warlike Orrah!
Out-owre Hye Mountayn Glade, sic unco Wide:
The Cauld Vitrified Fort  
Wha's Sharp Surroundin' Gleamin' Wa
Thro' Hye Heat Monumental generated!
TAP O' NOTH waes:

FÆRBRYNE GLÆSFÆTES STANWEORC,

In Thundir-Bluid an’ Frame,
An' further unco Skye-Imbued Ah!
Wi' the Earthly Unidentified Energy
Frae thad Towerin' Verra Steid,
Noo still walkin’,
At length thare surveyed hynne Ah!
Wi’ Fyre-Sight, Deep-Penetratin’ IT,
An’ Auldfarran, Lucid Reason o’ mine,
The Heaven’s Blue Verra Vault:
Proud Storm-Shrine, Dearest o’ mine!
Ane wi’ my Skye-Rage Hye,  
An’ the Atmosphere, waes IT, waes IT,
Intolerably close, yet unco Potent, Heimdall-Divine!
Hynne beheld Ah, lo!
TWA ESSENCES O’ FYRE!

BRYNEWIELMUM CAMPWUDA,

Intangible, Untouchable, Impenetrable, baith Thay,
O’er the Whole Uranic Skye-Arch,
Their Skye-Dominion an’ Primordial Skye-Dignity
Unco haudin’:
The Essence o’ the ΛOΓΟΣ an’ the Essence o’ the REAL, Thay:

STĪELENRA-HEÁÐUSIGELA FÝRBÆREAN
GÆDERSCYPE OND GLÉDEGESA
ÞĀ HLŪDE BECWÆDON,

Twa! Tangible, Visible MICHTY SRANG SUNNES!
Twa, hynne! Let me stylle noo distinctly remember!
Unco Martially an' Norland Colourful!
Great Orrah! Rotatin', Thay A'! Thay A'!
Great Lone Sight o' mine!
Splintered nae! Round Shields o' War Dazzlin':
Ský Skǫglar frae the Auld Wondie Hólmganga, Thay!
Frae Auld! Verra, indeed Verra primevaly Auld!
Thro' Deep the Firey Tyme Conquerin', an' Ruthless,
An' towardis the Fleysche, Fallacious hynne Mortal, unforgivin'!
Crucial Gory Soil in yon 537 A.D. CAMLANN called
Thad haes bin, IT! a Witness tae my ain Shed Battle-Bluid!

BRYTENCYNING,
IC WIÞGEHÆFTE HINE, BLÁCAN ÁNWÍGE,
EFENLÍCAN GÚÐHERE BLÆDE,

Meany, Meany Kingdomes, an' Onslaughts,
A' Bluish-Ironclad Thay, ago!   
Hynne noo, whileas Ah stylle speak, Immortal am, an' waes awready!
Yet Thad nae, nae enough IT proved
Afore the Presence Devastatin' o' the OVERMAN!
Stylle, Ah knew, HE noo in waitin'!
HE WHA! HE WHA! HE WHA unco:
The Verra ENS! thro' the Dazzlin' Skye-Bluish Revenge o' HYS,  
Hynne Mine!
Tae the Yieldin' Ground o'ershadows! an' in an Ultimate Whyte War
Flashin' tae Fathomless Eternity, in Gore Shinin' defeats!
Intense Meanin' Primordial o' Battle Fierce baith Thae!
Hynne unco embodyin',
Afore thys, thro’ Verra Lowe penetratin’,
An’ wi’ Hye, Verra, Verra Skye-Hye!
Thundir-Bluid Thunderous
Awa, awa flowin’ IT, orra!
Loneliest Vision o’ mine:

GEBYLD,

When, Great Thundir’s Orrah!
Wi’ a speed Wicked yet Prodigious, lo! Sublime,
Closer, closer, wi’ the Impetus frae Twa Skye-Rams Wyld
They orra cam!
An’ in a Common Skye-Embrace!
Their Dazzlin’ Blades o’ Vibrant Steel!
Hynne crossin’,
Thus unco, owre imbued waes, waes Ah!
Wi' Thad Verra Hye Steel-Glare, Ah!
Wi' Thad intae Deep Fyre afore Wounded Step o' Mine meltin',
Feudal, unco Feudal Skye-Knowledge, an' Airn-Revenge!
An' advanced wi' Firm Martial Gait hynne, towardis
The Lonely Gleamin', Flashingly Firey,
Rewb-Gem o' Moorlan War Forgotten,
Thro' ITS Sheer Inner Foirce hynne unco Reddenin'!

HERECIRME, RÉOD GIMCYNN,

Whileas the Stellar Wynde silently ensued
Frae Thad Last Titanic Encounter an’ Battle,
Wi’ unco deafenin’ Core-Clash,
Frae Thor’s His-sel, again,
The Whispered Warlike Voice!
Hynne intae Ane Nucleus Whyte
At length blendin’, afore wnto me
Noo orra comin’ IT:

The Shield-Blinding:

DÆGSCIELD GEBLENDAÞ

For rendered orra, orra sightless!
Waes Ah noo,
Yet still able to distinctly behold,
An’ e’en deeper, unco deeper! Great Warlike Orrah!
The Verra Dazzlin’ Core, IT!
Wi’ Verra Bluish Flash, an’ the Skye-Gore
Frae Thundir-Eyes noo o’ mine
Sheer Sharp, IT!
For Thad Sudden Thundir-Blindin’ o’ Mine!
Ah am noo taukin’ abowt,
Great Dunnottar’s an’ Tantallon’s Orrah!
Gift Supreme frae Hye the Zenith-Skye!
Orra Skye-Generous hynne, IT!
Intae an All-Powerful, unco All-Powerful, Ah say!
An’ All-Seein’ Thundir-Force
Thundir-O’erhuman, hynne frae the Thundir ‘Yont-Human!
IT, in Hye Fyre! Skye-turned,
An’ New Unknown Fiery Demons IT
Orra, orra! unveiled:

ÁGLÆCAN WUNDORSÉON,

Athwart Noble Airn-Person o’ mine,
Thro’ the Cauld Blast frae Thad Moorlan Wynde
O’er an’ o’er fallin’,
For the Verra Skye-Vision o’ the OVERMAN,
Guid Orrah! Great Warlike Thundir’s Orrah!
Unco Profound IT waes!
An’ unco killed IT the Unprepared,
For waes IT for nae Unworthy Skellum  
To Feud an’ Sword Foreign!
An’ the Whole Wnivers, in a Verra Flash,
Thro’ the Same Auld an’ New Thunderbolt
Ah waes lookin’ for,
Penetrated IT orra waes:
THE HERACLITEAN, DEVASTATINGLY PROPHETIC, IT!
FIERY SKYE-FORCE!
FRAE THE VERRA AIRN-PERSON
STEEL-CONCRETE, IT!
DAZZLINGLY 'YONT-TELLURIAN AN' SKYE-CENTRAL!
O' THE OVERMAN:
THE 'YONT-HUMAN HYNNE NAE HUMAN!
THAD LIKE CONQUERIN', RAGIN' WHYTE-FYRE,
WI'IN THE YIELDIN' MURKY MIRK VOID SHINES!
INCANDESCENT O'ERHUMAN VERRA BODY!
THAD MINE AIN, AH KNEW,
SUNE AN' SYNE! UPON THAE BENS DREARY,
IT SHALL, GREAT GUID ORRAH! BE!
AN' WHA'S NOBLE AN' SOLEMN NAIM
HYE! HYE! THE ETHER'S AIN SKYE-SUBSTANCE
INTAE ALL-FERVID LOWES AN' METALLIC BRILLIANCY
TURNIN'

ΥΠΕΡ-ΚΕΡΑΥΝOΣ

WAES! THUNDIR-CONSCIOUS, AN’ DIRECTIN’,
THUNDIR-DESTROYIN’, HYNNE CRAETIN',
O’ER ALL THUNDIR-DOMINATIN’,
TO THE INFINITE UNCO THUNDIR-GROWIN’,
MINE AIN BLUISH MOORLAN BLUID
TO THE INFINITE ORRA THUNDIR-FEEDIN’,
Together hynne wi’ my Arteries o’ Skye-Blue
In Baith Spirit an’ the Verra Flow,
When orra struck again waes Ah!
Wnto Verra Death, an’ e’en ‘yont! waur e’en waur!
Skye-Waur, Great Warlike Orrah!
Towardis the Verra Dazzlin’
Skye-Weregild o’ Gowd:

GOLDWEARDA FORNÉÐAN,

For the Loneliest Vision o’ mine
To in Fyre, still unco blinded Ah!
Distinctly behold,
At bein’ hynne, Great Warlike Orrah!
The Sole Ironclad Witness
O’ my by-gone Path Aflame,
Intae ‘Yont-Human Will o’ mine!
Noo unco forged, Great Hye Orrah!
Wnto the Auld Bluid-Rock o’ Rebel Sacrifice
Far awa! in the Snowy Caucasus
Nae longer IT chained!

HRINGUM SWEORCAN,

Meanwhile, lo! At my Mirk Cloaked Back,
Behold ye! Another Identical Skye-Fusion!
For Twa Dazzlin’ Whyte Glows,
Symmetrical Unco Mirrors They,
As if frae Myrddin’s ain Magic,
To View o’ mine orra appeared:
Perfect Pow’r o’ Infinite Reflection, They!
Mine ain Past, my ain Future!
Baith embodyin’,
An’ waes stylle Ah!
Intae the Verra Middle o’ the Glare
Standin’
Wi’ Gleamin’ Claymore drawn, Dearest o’ mine!
Thundir-Hurt stylle, afore noo the

Destroyer of the Past:

ÍSIGE CWYLMING

An’ noo, Guid, Verra, Verra Guid o’ Gowd
Warlike Orrah!
Thus willed Ah! the OVERMAN!

BISENE WRECEND,

Freish an’ Auld! Airn-Feudal an’ Strang!

DUGUÞMIHTUM OND HEORUSWENGE,
ĒACEN BIÞ ŌFER-MANN,

Wi’ Michty Inner Energy o’ mine
Great Feudal Orrah! unco Alone!
Wha's Sole Hye Naim Firey OVERWILL!
IT unco, oan the Gory Battlefield, Ah weall knew IT waes!
Frae the Verra Skye-Dragun! A' Destroyin' hynne HE!
Intae the Deep Fyre, wi' HYS Beastly Wings thus orra spread,
Unco, prodigiously o'er A' HE hoverin',
Towardis the Past allwayes Dreadful e'en, hynne!
Wi’ HYS Scales o’ Enraged Gowd,
The Shinin’ Horror wi’in the Skye, IT!

FÝRDRACAN GLÆD GRYREBRÓGA
SÉ FORÞGEWITENNESSE UNWYRCÐ,

Skye-Perfect! intae the Mirror-Glare Image o' mine, HE!
The OVERMAN o' Deep Fyre,
Th'gither wi' my ain Reflected Bluid, hynne!
Noo, in Feudal Tartane-War stylle thundir-flowin'!
More intensely! o'er an' o'er in Steel hynne,
HYS Supreme Presence greatly tae the Infinite!
Orra skye-increasing!
Intae the noo Unleashed Skye-Pow’r!
Unto my Wounded Spirit o'er an' o'er
Hynne HE skye-returnin’!
As ane wi’ the Moorlan Rumblin’ Thunderbolt
Ah waes lookin’ for,
The Sacral Dazzlin’ Chain Mail Ablaze:

SCÉAWERE-HRÉOH,

In the Skye-Identity e'en most Skye-Asolute IT!
My ain! HE orra, unco flashingly wearin’,
Thus willed Ah! Past o’ mine back IT!
In Feudal Person o’ HYS, my ain! empowered:
GORY GHAIST! by-gone Immortal o’ mine IT!
Still orra Alive an’ Fiery!
Flowin’ an’ flashin’
Thad not Identical unto ITSELF IT waes!
Hynne unto ITSELF most identical!
Quhenne! in Feudal Airn-Flesh o’ HYS,
Great Warlike Orrah!
Thro’ Ragin’ Skye an’ Earthly Pride at once IT,
Most fleshily, intae Hye Fyre Purifin’
Waes incarnated,
Thus willed Ah, Future o’ mine, tae, hynne!
Wi’ the Iyce Cross o’er Moorlan Coat o’ Arms,
Frae Noble Dundarg’s Hye Wa,
In Feudal Steel, Greater, unco Greater IT!
Shimmerin’,
For the Past lived in the Verra Bluid o’ HYS,
Thynce thro' Hye Firey Gore Immortal:  

FULMINE VICTOR
MAGNUS INVICTUSQUE
OVERMAN

Let me Thys, NOBLE GLAMIS’ GREAT ORRAH!
Truly, unco truly yell! waes IT potentiated,
An’ sae waes the Future, stylle my Verra, Verra Ain!
Wnto Dazzlin’ Airn-***** o’ mine  
Wi’ Increasin’ Ocean’s Rage Tempestuous
Fore’er returnin’,

CRÆFTUM OND RÝNE STÍELE!
BEADUWÆPEN,

Intae Single Will O’erhuman
An’ Unforgivin’ Continuum, as Ane,
Whare Ye! Dearest Hye Thundir o’ mine!
At the Verra Skye-Zenith,
Still silently dwell!  
Hynne willed Ah! my ain Image
Frae the Past! Frae the Future! wi’ unco Force,
At once IT emergin’,
Towardis the Past! Towardis the Future! wi’ orra Dignity,
At once IT rushin’,
Intae the Implacable Spiral o’ Becomin’
Thad Ane wi’ the Verra Vortex o’ Return
IT! Great Warlike Orrah! waes,
The Past burnin’, the Future hynne IT affirmin’,
An’ unto the Verra Skye-Core!
GREAT HÖÐR’S AN’ WOTAN’S ORRAH!
Directed,
Noo afore my ain wi’ Fyre Wounded Eyes,
Thro’ each Revolution, ITS unco Strength,
Great Warlike Norland Orrah!
Unto the Fathomless Fiery Infinite
Increasin’:
The Verra Mountayn Thunderbolt!
Ah waes lookin’ for,
For the Increase o’ Pow’r ne’er Identical
Unto itself IT waes,
Hynne waes unto Itself most identical!
As noo met wi’ Ah

THE DESTROYER O’ THE PAST,
THE CREATOR O’ THE FUTURE,
O’ LYFE FORE’ER CHANGIN’
THE GREAT AFFIRMATOR,
HYE SKYE-VEINS O’ HYS
O’ERHUMAN, MY AIN!
THE IRONCLAD INCARNATOR
AN’ THE FEUDAL WITNESS!
O’ MY BURNAN MOUNTAYN-PATH
DYIN’:
THUNDIR-FRAME O’ MINE, HE!
STRONGER! STRONGER!
O’ER AN’ O’ER,
UNTO MY BY-GONE DAYS BLEEZAN,
AN’ THE ROARAN’ FUTURE!
AS MOLTEN SKYE-GOWD INCORRUPTIBLE
NOO RETURNIN’,
WHAR IMMORTALITY ITSELF HYNNE,
IN FORE’ER INCRESIN’
HYE FYRE AN’ BATTLE-GORE,
O’ERSHADOWED IT WAES,  
INTAE DEEP THE WHYTE SPIRAL,
SKYE-RECURRENCE INCANDESCENT, IT!
ANE WI’ THE LONE IRONCLAD IMAGE
UNTO VERRA, VERRA PERFECTION!
SKYE-SPECULAR O' MINE!
SCORCHIN' AN' SHININ' AN' UNCO TANGIBLE, HE!
THE CLOAKED SKYE-FIGURE
THAD WAES NOO
'YONT THAD AULD FORGOTTEN WA,
MY BLEEDIN' SKYE-COURAGE
IN WARLIKE SILENCE AWAITIN',
FRAE THE DEPTHS O' THE ROTATIN’ SKYE-ENERGY,

WEALHFÆRELDES DÆGWÓMA,

PROUDLY AN' INVINCIBLY SKYE-STANDIN'!
WHAR, GUID SKYE ORRAH!
FIERY WOE INTAE FEUDAL STEEL MELTIN',
DEEPER AN' NOBLER IT PROVED!
AN’ WI’ DAZZLIN' SKYE-REVENGE
O'ER AN' O'ER, GREAT THOR'S ORRAH!
IT SUPREMELY, IN BLUISH NORLAND AIRN FLASHED!

For, lo! the Verra Blank frae the Past
Together wi’ ITS Inevitable Feud-Foreign Woe
Hauntin’
Thad cannae be avoided hynne!
Mirk an’ Invisible, IT!
It nae longer existed! It nae longer existed!
For unco filled noo IT waes
By the Devourin’ Lone Lowe an’ the Verra Frame:
The Chain-Mailed, Heated in Airn War-Wame
O’ THE OVERMAN! HE:
WILL, AS THE VERRA INNER ENERGY!
VIGOUR, AS THE VERRA INNER WILL!
FRAE THE PAST, FRAE THE FUTURE!
TANGIBLE, VISIBLE, INCARNATED,
NOBLE WYLD DRAGON,
SKYE-BEAST O’ MINE,

GRYREBRÓGA OND FÆRGRYRE,
WUNDORA WYRM! ÚHT-SCEAÞA HÉ!

FYRE-WOUNDED IN NAE GOWD-CAGE, HE!
O'ER SKYE-SPIRIT O' MINE,
HE! HYNNE, UNCO SKYE-FLYIN'!
WI’ HYS SKYE-GORE O’ER THE BARS INVISIBLE
TRULY MINE AIN! GREAT GUID ORRAH!
DOWNE, DOWNE! NOO
LIKE THE PUREST RHODIUM
WI' THE FYRE-BLUISH
SKYE-ARTERIES O' THE LONE THUNDERBOLT
AH WAES LOOKIN' FOR
AGAIN UNCO BLENDIN',
Unto at Braemar the Verra Battle-Gore,
Afore the Lang Hour, in Kyng Eochaid’s
Martial Hidden Lore,
By the Force o’ Flowin’ Lava
Frae the Cauld an’ Dreary Highlands Implacable
Echoin’
Thad Becomin’ as Increase in Pow’r
IT, Great, Great Orrah! waes,
Backwards intae Tyme! Intae the Future hynne!
For the OVERWILL kan IT!
Destroye the Feud-Foreign Gory Bygane!
When o’er the Gleamin’ Skye-Cuirass
O’ the HYE OVERMAN ALONE!
IT lies visible an’ yieldin’ an’ razed an’ burnin'!
When o’er the New Soil o’ Dazzlin’ Alabaster
Conquerin’
Intae Deep the Future, thro’ Renewed Rage
An' yon Incandescent Skye-Thundir!
Ah waes lookin' for,
HE! My Specular Skye-Incarnation!
Fore'er orra creates!
Whileas thae words, in Roaran’ Wreððe,
Flame-Wounded,
Ah still loudly whisper,
But lo! Great Warlike Orrah!
THE IYCE CROSS FIREY
O’er Mirk War-Tartan, Dearest o’ mine!
Next to Dundarg’s Hye Wa, Ah well remember!
Embroidered,
Close to my Ruby Brooch strangely IT,
Unco strangely, like a Verra Premonition
Gleamed, afore noo

The Mirror-Fusion:

WĒOHES MELTAN

When, lo! Airn an’ Thundir!
Great Immortal Warlike Orrah!
Thro’ the Loud Whisper o’ the Thundir
Ah waes lookin’ for,  
The Image o’ the OVERMAN
Detached ITSELF, lo!
Frae baith the Surfaces in the Twa Opposed Mirrors:
Frae baith thae Reflectin' Skye-Furnaces Gleamin'!
Afore Noble Feudal Person o' mine,
Unco Sightless! Still unco Skye-Sightless!
E'en more! noo unco Sightless!
HE hynne, orra Ah beheld cam!
Wha’s Supreme Hieland Emanatin’ Force
Frae the Directin’ Skye-Lightnin’, IT!
Ah waes lookin’ for,
Na orra, orra Prodigious Sight!
Nae e’en Vör’s, or Heimdallur’s, or Snotra’s Ain!
If nae in Thundir Skye-Blinded as noo Mine!
Cuid, cuid IT! humanly, still tae humanly!  
This noo Ah! in Thad Skye-Fyre ‘Yont-Human!
Soarin’ heare in Dignity o’er Tap o’ Noth’s
Black Vitreous Smeddum an’ Cauld Martial Sand,
Cannae, cannae doubt!
Thro’ Thad Flashin’ Skye-Reflection withstand,
Frae the Past! frae the Future, hynne!
Great Warlike Orrah!
To encounter Spirit Ablaze o’ mine,
To Unleash Wyld Beast Immortal
Thad My Verra Mountayn Path  
Guarded still,
Some Bluish Bluid Stains IT leavin’
O’er the Michty an’ Pure Glass still:
My ain! frae the Clash o’ Life,  
An’ noo! Great, Great Warlike Orrah!
A LIGHNIN’-SHADE IRONCLAD!
Unto me, ITS Skye-Bluish Garb o’ Hye Skye-War!
In an Identity an’ Heat, e’en the Most Absolute!
To Verra Perfection reflectin',
Towardis Feudal Person o’ mine IT noo!
Wi’ Slow Skye-Gait,
Devastatingly, IT advanced,
An’ when afore me at length
IT standin’,
Thro’ the Loud Sound o’ the Thundir, lo!
Ah waes still lookin’ for,
In a Great Whoosh an’ Roaran’ Rumble
Non-Human Deep Voice, IT!
Frae the Past! Frae the Future!
Frae the Verra Brunan’ Throat
O’ the LIGHTNIN’ HIS-SEL!
Ah waes still looking for,
Wi’ Spiral Exhalations unner the Form, schorcin’ IT!
O’ Just Anger frae Primeval hynne Most Real
Forgotten Feudal Lore
The Hand-to-hand Wapin-Storm Harsh!
An’ Skye-Revenge, still Mine Ain!
Unco an’ owre loaded,
As Maddenin’ Heated-Airn, IT again!
Unto the Cauld Blue Vault o’ the Verra Skye
Wi’ orra, orra Dignity
Lonely risin’,  
Thae Verra Syllables!
The VERRA SKYE-INCARNATOR O'ERHUMAN!
Intae Deep noo, Great Orrah!
The Abysmal Skye-Core Bluish-Aflame, IT! o' the

Total Specular Skye-Force:

BRYNEWELMES WORDHLÉOÐOR

The Skye-Conscience, Víðarr-Hye o’ mine!
Most distinctly! Great Warlike Orrah!
HE, THE BLUISH INCARNATION HYE
O' THE HYE LIGHTNIN' ITSELF!
Ah waes lookin' for,
Wi' a Skye-Cowntenance Storm-Hidden
Flashin’ frae Deep the Obscured Skye-Mirk
Thro’ a Battle-Scar intae the Fyre gleamin'
O'er HYS left Sword-Offended Cheek:
Thys cuid Ah! unco Blinded, see!
Intae Deep the Skye-Unknown,
Still, Great Guid Glamis’ Orrah!
Stick-an-stowe a Wonner, Mine Ain!
Thro' HYS remarkably Echoin',
Non-human, hynne 'Yont human!
VERRA SKYE-RUMBLIN'!
Noo unco earthily uttered:

YE, WOLF-WOUNDED!
AN’ PROUD, IN BLACK TARTAN O’ WAR
MUFFLED,
KEEK AT ME! KEEK AT ME NOO!
IN NAE TAE EARTHLY TOWMOND!
DO NOO HYNNE LISTEN TAE ME!
YE, NOO FYRE-IRONCLAD WOUNDED!
THE HYE NORLAND GODS INTAE OWRE FYRE
STYLLE HYNNE HONORIN'!
BETTYR BIDE AN' DIE OAN THE NOBLE BATTLEFIELD GORY,
AN' STYLLE, 'YONT BAITH LIEFES AN' DEATH,
FORE'ER ALIVE HYNNE BE!
THEYNE BIDE A MISERABLE LIEFES!

WULFE BLŌDGA HEONAN!
ÞŪ BLADESUNGA OND LÉOMENA HEOFONFYR,
WACA BYRNSWEORDES WIÐ GEHATUM!

FOR DAINGEROUS! VERRA, INTAE THE FEUDAL FYRE DEEP, IT! DAINGEROUS!
MUST TREOWE IDEAS, IN VERRA HYE LOWES, BE!
FOR THE VERRA MICHTY, WHYTE ZENITH-SUNNE
AN' THE ALLWAYES UNKOWN MIRK DEATH!
THE SAME THAY! GREAT THOR'S NORLAND ORRAH! ARE,
FOR THE SELECTED FEUDAL MAN, IRONCLAD HE!
AS YE, IN THAE HYE LOWES, UNCO ARE!
NOO AFORE ME! INTAE THE AULD LONE TARGE-REFLECTION
THAD IS, WAES, AN' SHALL IT BE, THINE!
HYNNE, HEARE AH AM! FOR FRAE THE AULD SHIELD-MIRROR YER RICHTE SKYE-VENGENCE!
FOR YER AIN SKYE-FORM AFORE YE HATH RISEN NOO!
FOR FREISH VALUES ARE NOO OWRE NEEDED!
WI'IN DEEP PRIMAL SKYE-FYRE UNCO SKYE-LIVED!
SAE, SKYE-LIVE THAIM! UNCO DRAM THAIM A’!
WHATE'ER THE RISK INFERNAL, AN' MOORLAN AMBUSH!

GÁSTCWALE HELRÚNENA FORNÉÐAN,

THRO’ HYE BLUISH SKYE-LOWES, SKYE-DESTROYIN’ THAY
WI’IN YER AIN LONE SKYE-VOICE IT NOO!
FRAE AFARRE! FRAE UNCO AFARRE RUMBLIN’,
FOR CURSED IS THE FLEETIN' HOUR!
AN' SAE MUST BE CONQUERED, IT! GREAT ORRAH! AYE!
IN YER SUPERIOR BLUID NOO O'ERHUMAN, MINE AIN!
FOR BRANDED HAE AH
RUDDY SKYE-FLESH O’ MINE
THAD WAES, IS, AN’ SHALL IT BE!
BY THYS VERRA, VERRA SKYE-IMAGE HYNNE,
YER AIN!
WI’ THE IYCE-CROSS FIERY
FRAE HYE THE THUNDIR’S LOUD VOICE,
IN NAE WHISPER DAMNABLE, NOR AIRN-FOREIGN!
AH NOO ORRA TELL:
YER SYMMETRICAL LONE SKYE-FORCE:
THE VERRA LONE THUNDIR-BLUID!
YER AIN LONE SKYE-WRAITH IRONCLAD!
THRO' ETERNAL SKYE-POW’R,
AN' OUT O’ THE BLUISH LONE SKYE-REVENGE
O’ER AN’ O’ER UNCO, O’ERHUMANLY MIRRORIN’!
TO YE HYNNE OWRE IN DEEP FYRE RETURNIN’,
YER AIN WANTIN’ SKYE-HALF, HYNNE!
TH'GITHER WI’ YER SKYE-SPIRIT!
IN HYE LOWES NOO UNTO THE CORE SKYE-DABBED!
A' THIS! A’ THIS! AH SAY! AH TRULY YELL!
TH'GITHER WI' THE LAST SKYE-PRIZE!
INTAE HYE THE SKYE-BLAZE,
THE HAIL ENEMY LAND HARSH NOO
FRAE CAULD HORIZON TO CAULD HORIZON
OWRE CROSSIN’,
A' THIS! A' THIS! AH ALLON, TRULY!
YER MIRROR SKYE-DOWBILL IMMORTAL!
THRO' STEEL CORE-METALLIC, IN HYE SKYE-FYRE AM!
ABYSMAL LAVA-BLUID O’ MINE!
FLOWIN’
FRAE HYE RED HEL, IT! THY LANE BEHOLD!
YER AIN!
INTAE DEEP THE FUSION-GLARE,
BLASTED SKYE-FURNACE IT!
UNREACHABLE, UNFATHOMABLE, MOST TANGIBLE, IT!
THE VERRA FRAME
LESURELY, NEXT TO YE IN BATTLE
STROLLIN’!
THE LONE INCARNATION
AN’ THE SKYE-ROAR
FRAE THE VERRA THUNDERBOLT
YE WERE LOOKIN’ FOR
HYNNE YER FUTURE, YER BYGANE:
NAE DIFFERENCE! THAA ARE MINE AIN!
INTAE THE HYE FYRE, FRAE YER TANGIBLE
SKYE-WILL! THAD AH NOO HEARE AM,
FOR SKYE-ENERGY CANNAE DERIVE FRAE NOTHINGNESS!
NOR UNTO NOTHINGNESS KIN IT RETURN!
HYNNE WILL, 'YONT DEATH,
THRO' THE LANG AN’ BLUISH
SKYE-LOWE
YE WERE LOOKIN’ FOR,
IMMORTAL AS CONQUERIN' PROVES,
STILL, WI'IN RAGIN' AN' VISCERAL
DEEP PRIMAL FYRE, YER AIN!
FOR YE SHALL STILL LIVE YER LIFE AGAIN,  
THIS TYME INTAE THE HYE SKYE-POW'R!
WI' ITS NEW ESSENCE SELF-OVERCOME,
HYNNE DO UNCO LIVE NOO!
THAD VERRA GORE HEARE,
FRAE MY BLEEZAN OPEN SCARS, YER AIN!
FOR THE WORN PAST DWELLS DEFEATED
IN THE FUTURE AS EMPOW'RED!
INTAE THE STEEL-BLUISH IMAGE AH HEARE AM!
NOO AFORE THINE SKYE-BLINDED EYES
THRO' THE LONE HYE LOWE WOUNDED,
THAD ARE ALSO MINE!
IN NAE SPECTRAL FYRE, HYNNE!
STICK-AN-STOWE, AN' VERRA VERRA SUNE!
YER AIN!
WI'IN THE HYE ZENITH-THUNDIR HYNNE,
YE WERE LOOKIN' FOR,
O'ER AN' O'ER FORE'ER LIVIN',  
AN' THRO' THE HIELAND FLOWIN 'LAVA:
THE BECOMIN' IN POW'R FORE'ER RENEWED
THRO' THAD SKYE-BLUID HYNNE!  
FLASHINGLY STREAMIN'
AS A CONQUERIN' WYLD FYRE-RIVER
FRAE NOBLE HYNNE SUPERIOR GORE,
DOWNE, DOWNE!
INTAE THE VERRA WHYTE CHASM, AN' FLASHIN' ABYSS!
FRAE YON SHARP AN' SHININ' AN' TOWERIN' MIRK ROCKS!
AN' THIS SACRIFICIAL BLUISH BLUID INCANDESCENT
FRAE O'ERHUMAN LIFE STILL WOUNDED, MINE!
WAES, AN' IS, AN' SHALL IT BE!
BEHOLD YE! UNCO SEE YE, NOO!
YE, O'ERHUMANLY BLINDED!
HE WHA! THE DREARY VOID O' DARKNESS
CANNAE, CANNAE! IN ANY MANNER NOO KNOW!
HYNNE IN HIELAND SKYE-RAGE,
AN' HYE! O'ER THE FEUDAL THRONE IMMORTAL,
AN' HEARE! OAN THE SURFACE O' THIS SKYE-MIRROR!
WAES, AN' IS, AN' SHALL IT BE!
WI'IN THE MELTIN' UNTO THE COSMIC CORE
SKYE-GLARE, YER AIN!
AN' NOO! DO ADVANCE!
DO TAKE A STROLL INTAE THE HYE SKYE-GORE!
GANG AYONT! GANG AYONT! AH SAY!
'YONT EVERYTHING! ‘YONT LIFE AN’ DEATH E’EN!
GANG AYONT!
AN' WHATE SHALL YE IN THE END SEE?
AT THE BOTTOM O' THE WHYTE CHASM FIERY?
YER FLASHIN' IN AIRN IMAGE ALONE!
THAD IS MINE AIN!
HEE HAW, HEE HAW ELSE, AH SAY!
WI’IN THE SPECULAR SKYE-POW'R INCARNATED,
THE VERRA SUM AN’ COMMUNION O’ THE ETERNAL TENSIONS
IN BECOMIN’ DWELLIN’ AH HEARE AM!
THRO’ THE LOUD SING FRAE THE THUNDIR HYNNE!
BY HYE SKYE-VENGEANCE FORE’ER INCREASIN',
O'ER AN' O'ER TO YER SPIRIT HYNNE RETURNIN',
YERS HYNNE MINE!

When noo, Great Warlike Orrah!
Upon thae Verra Words, thro’ my Ain
By noo Thundir-Voice!
In an' unco Skye-Rumblin',
Wi'in Thad O'erhuman Blaze wi' hye force condensin'
Intae a NEW THUNDIR-FRAME Skye-Concrete
In aspects o' PURE BLUISH HEAT!
HUMAN ALTOGETHER NAE LONGER, IT! tone,
Ah distinctly hearin’,
When noo, Guid Sundrum's Orrah!

The Fyre-Bringer:

FÝRHEARD HEREWULF OND HEREWÆÐA

A Thoosan Black Banners, in Hye Glorious Lowes,
Orra issuin’,
An’ wnto yon Whyte Chasm the Salute wavin’,
Wi’ the Hue o’ Red-Hel IT imbuin’,
HE, Hynne Ah: the Freish an’ Auld Titan
Far awa, far awa! wi'in the Dreary Caucasus!
Frae ayont yon Suthron, hynne!
Ah kin clearly see!
Rebel hynne Creator, HE!
HE, Creator hynne Rebel!
The OVERMAN! comin’ o’er, still approachin’,
Intae noo deep the Skye-Dance Everlastin’
Thro’ HYS AIN hynne MINE
Skye-Thunderous Sound
Ah waes lookin’ for,
Dominatin’,
Frae Thae Simmetrical Verra Fyre-Mirrors!
Still glarin’
Ne’er e’er to yield, the Twa Skye-Surfaces!
Nor in human, tae human!
Unco Gory Misery, nor Skye-Foreign Blasphemy,
Nor Damnable an' Cowardly Affront
To e'er wane!
At length thro' the Hye Vigour Supreme
Frae the Overwill Alone!
Dearest o’ Mine! Inner Energy Abysmal:
Still Uknown, IT!
An’ in Skye-Reverge freed!
A Thoosan Black Banners, in Fyre, Ah say!
HE, hynne Ah issuin’,
When noo, Great Guid Orrah!
The Skye-Bluid o' the OVERMAN:
Theis! oan Thae Countless Mirk Banners floatin'
In Hye Honour o' the Zenith-Sunne!
Wi'in abysmal whyte runes waes noo graven,
Hye Selective an' Skye-Supreme proved!
Nae, nae IT, for all!
For nae everybody is worth withstandin'
The Return o' Pow'r's Noble, an' Flashin'
Supreme Force, an' Infinite Speed, an' Spiral Revolution!

CÁFNES ÞRÝÞBORD,

Tae the Skye-Limitless fore’er,
In the Form o’ Hye Steel Feudal
Skye-soarin’,
ITS Verra Great, Verra Guid,
Great Guid Auld Carham’s Orrah!
Burnan Wheill o’ Universal Core-Energy
Skye-Central, Skye-Abysmal, IT!
Alongside the Rational Force frae the Thundir-Impetus
Thad waes, is, an’ shall IT be the OVERMAN’S AIN!
In Hye Lowes increasin’,
Tae the Skye-Infinite, hynne!
Most Renewed, most Identical,
Intae the Verra Spiral most Empowered!
The Worthy ENS, unco hynne Joyful, IT!
Immortal owre feastin’,
For intae Thae Rapid Coils o' Glorious Fyre hynne,
Frae Thys MICHTY TARGE O' SKYE-ENERGY PERENNIAL!
Nae for all! Immortality is solemnly worth
Thro' Thad Increasingly Growin'
Feudal Skye-Rebirth Steel-Mirrorin'!
Wnto ragefully Bluish-Ablaze an' Core-Feudal
Noble Hye Perfection!
An' in Eternal Steel Unconditional, IT!
Dwellin',
The Human, tae Human!
Gory Chains o’ Promethean Slavery
Bluish wi’ the Verra Reverberation
Frae the Lightnin’ O’erhuman
Ah waes lookin’ for,
They suddely becam!
An’ at length, Great Warlike Orrah!
The Lonesome Blindin’ Frame o’ Gowd,
Wha’s Sole Hye Thundir-Naim

Overman Skye:

SCEAWERES IREN-EALWEALDA

IT orra waes! Frae the Twa Dazzlin' Mirrors
In Perfect Symmetry emanated wi’in
The RETURN O’ POW’R!
Burnan’ Vortex-Event Universal, IT!
In Slender Lines o’ Whyte Fyre,
The Verra Core Heat
Reachin’,
Intae Infinite Reflections o’ Primordial Pow’r
Frae the Twa Lookin' Glasses, Blindin' They!
O’er All, Great, Great IT!
Njörður's ain Battle Orrah!
Limitless Dominion, an’ the Feudal Rule
Steel-haudin’,
WHILEAS WAES AH! WAES AH!
GUID, VERRA GUID EILEAN DONAN'S
WAR-TARTAN ORRAH!
STYLLE CHAINED IN BLUISH GORE, MY AIN!
HYNNE THE OVERMAN'S AIN, TAE!
WNTO THE AULD AN' HYE! VERRA SKYE-HYE, IT!
THUNDIR-GLEAMIN' BLUID-ROCK O' SKYE-SACRIFYCE:
NAE LONGER! NAE ORRA SKYE-LONGER!
An’ ITS central Rays an’ the Verra Lowes
Intae Ane Flashin’ Ironclad *****
Polarizin’,
A Thoosan Tymes Greater, Mightier hynne:
The OVERMAN!
O’er an’ o’er unto me returnin’,
‘Yont the Reddenin’ Pillars o’ Immortal
Skye-Renown!
‘Yont Death, the Mirk Unknown!
An’ ITS Feud-Foreign Fear,
Whyle, lo! the Steel-Vibration gleamin’
Frae Máni's ain Verra Crescent,
Dusky-Red, IT!
Waes, waes, in yon Murky West
Still IT unco risin',
Unfathomable, an' Potent, an' Dreary,
Unto the Stane Circles’ Builders
Wounded frae Life, at Skara Brae,
Appearin’,
At right angles to the Chain-Mailed *****
Noo orra descedin’
To cross the Region o’ the Heart:
Let IT fall intae the Verra Abyss!
Yet the Sceadewe! Great Wotan's Orrah!

ÓÐENES HÁLIGE CRAWE,

IT stylle leisurely stood,
In Hys Mirk Bluid Bleedin’,
Crossed hynne by the Verra Thunderbolt!
Ah waes lookin’ for,
An’ Hys, frae Kyng Rædwald the Gift!
Mask o’ War IT, lo!
Wi’ Black Fyre bleedin’,
Upon the Cauld Soil, together wi’ Hys Cloak,
Waes IT thrown,
Hynne Hys Mirk Warlike Self unveilin’,
Still Mine Ain!
Nae Gory Fear! tae owre hide:

SCEAD UNDER HELME HEARD BIÞ,
MĪN FORESCÝWA RÉADAÞ.

The wait is an eternity like a mailed message.  
The excitement of opening you up and reading every little text.  
Your darkened ink hair dripping on my hands and I love the way you leave a flowered scent on them.
I play my favorite songs and I think of you.
The similarities we share lets me know the world is not vacant of awakened people.
I keep you in mind.
I keep you in mind when I scroll past one of your social media quotes and Like it.
You deserve my love, my unconditional love, my wild and passionate love, my fighting love.
I'm a clumsy mess, a reckless greasy rocker, a psychedelic wanderer but I'd gladly give you my best.
Dance with me on top of rooftops, in drunken heavenly ecstasy.
Playing music and looking into your eyes, you would read my soul and I would read yours and you would never ever feel alone again.
Breath me in, inhale deep, get high of me, smile, laugh, your my source of beauty.
Truth be told I don't want perfection, it's boring, I want you.
I want you with me when the apocalypse strikes.
I want you in the morning and in the night.
I want your angry tantrums because I know Life
And I want to heal you when you have them.
Athena, Otherworldly Goddess, Femenista, Mujer Guerillera, Gaia of Earth, I am your poet and you this poem.*  
** - your secret admirer

You're a volcano in winter
Made when the Earth splintered
Tectonic plates shifted
And you were gifted

The frigid air outside is subzero
So you become my volcanic hero
When you scorch the cold
With your warmth so bold

I await an eruption
But there's a disruption
Dormant you remain
With suspicion engrained
But entering your main vent
Was not my main intent
Yet now that I'm in your magma chamber
I can see your anger
You're made of lava and ash
So you demand drama and cash
And violently explode in a flash

You've become my Krakatoa
When I wish I didn't know ya
Because of your grand magnitude
I question my aptitude
And insecurity ensues
As confidence I lose

I realize I've gone too far
When I feel your lava discharge
That pushes me into your crater
The pain I feel couldn't be greater
When all I see is an ashen cloud
And all I hear is your lashing growl

Inside of your volcano
There is a tornado
As sure as day glow
I feel I must lay low
And dodge the debris
While playing referee
As you're dissecting me
In your burning sea
That swirls in a cyclone maelstrom
Hell is where it was mailed from
I receive it
Reprieveless
I begin to drown in fire
And wish to retire

You think you're neat
Yet despite your heat
You're a cold blooded lizard
But outside there's a blizzard
So I get used to your volcano
I can't contain my disdain though

SLOWLY the Moon her banderoles of light
Unfurls upon the sky; her fingers drip
Pale, silvery tides; her armoured warriors
Leave Day's bright tents of azure and of gold,
Wherein they hid them, and in silence flock
Upon the solemn battlefield of Night
To try great issues with the blind old king,
The Titan Darkness, who great Pharoah fought
With groping hands, and conquered for a span.

The starry hosts with silver lances *****
The scarlet fringes of the tents of Day,
And turn their crystal shields upon their *******,
And point their radiant lances, and so wait
The stirring of the giant in his caves.

The solitary hills send long, sad sighs
As the blind Titan grasps their locks of pine
And trembling larch to drag him toward the sky,
That his wild-seeking hands may clutch the Moon
From her war-chariot, scythed and wheeled with light,
Crush bright-mailed stars, and so, a sightless king,
Reign in black desolation! Low-set vales
Weep under the black hollow of his foot,
While sobs the sea beneath his lashing hair
Of rolling mists, which, strong as iron cords,
Twine round tall masts and drag them to the reefs.

Swifter rolls up Astarte's light-scythed car;
Dense rise the jewelled lances, groves of light;
Red flouts Mars' banner in the voiceless war
(The mightiest combat is the tongueless one);
The silvery dartings of the lances *****
His fingers from the mountains, catch his locks
And toss them in black fragments to the winds,
Pierce the vast hollow of his misty foot,
Level their diamond tips against his breast,
And force him down to lair within his pit
And thro' its chinks ****** down his groping hands
To quicken Hell with horror-for the strength
That is not of the Heavens is of Hell.

(To Marcel Schwob in friendship and in admiration)

In a dim corner of my room for longer than
my fancy thinks
A beautiful and silent Sphinx has watched me
through the shifting gloom.

Inviolate and immobile she does not rise she
does not stir
For silver moons are naught to her and naught
to her the suns that reel.

Red follows grey across the air, the waves of
moonlight ebb and flow
But with the Dawn she does not go and in the
night-time she is there.

Dawn follows Dawn and Nights grow old and
all the while this curious cat
Lies couching on the Chinese mat with eyes of
satin rimmed with gold.

Upon the mat she lies and leers and on the
tawny throat of her
Flutters the soft and silky fur or ripples to her
pointed ears.

Come forth, my lovely seneschal! so somnolent,
so statuesque!
Come forth you exquisite grotesque! half woman
and half animal!

Come forth my lovely languorous Sphinx! and
put your head upon my knee!
And let me stroke your throat and see your
body spotted like the Lynx!

And let me touch those curving claws of yellow
ivory and grasp
The tail that like a monstrous Asp coils round
your heavy velvet paws!

A thousand weary centuries are thine
while I have hardly seen
Some twenty summers cast their green for
Autumn’s gaudy liveries.

But you can read the Hieroglyphs on the
great sandstone obelisks,
And you have talked with Basilisks, and you
have looked on Hippogriffs.

O tell me, were you standing by when Isis to
Osiris knelt?
And did you watch the Egyptian melt her union
for Antony

And drink the jewel-drunken wine and bend
her head in mimic awe
To see the huge proconsul draw the salted tunny
from the brine?

And did you mark the Cyprian kiss white Adon
on his catafalque?
And did you follow Amenalk, the God of
Heliopolis?

And did you talk with Thoth, and did you hear
the moon-horned Io weep?
And know the painted kings who sleep beneath
the wedge-shaped Pyramid?

Lift up your large black satin eyes which are
like cushions where one sinks!
Fawn at my feet, fantastic Sphinx! and sing me
all your memories!

Sing to me of the Jewish maid who wandered
with the Holy Child,
And how you led them through the wild, and
how they slept beneath your shade.

Sing to me of that odorous green eve when
crouching by the marge
You heard from Adrian’s gilded barge the
laughter of Antinous

And lapped the stream and fed your drouth and
watched with hot and hungry stare
The ivory body of that rare young slave with
his pomegranate mouth!

Sing to me of the Labyrinth in which the twi-
formed bull was stalled!
Sing to me of the night you crawled across the
temple’s granite plinth

When through the purple corridors the screaming
scarlet Ibis flew
In terror, and a horrid dew dripped from the
moaning Mandragores,

And the great torpid crocodile within the tank
shed slimy tears,
And tare the jewels from his ears and staggered
back into the Nile,

And the priests cursed you with shrill psalms as
in your claws you seized their snake
And crept away with it to slake your passion by
the shuddering palms.

Who were your lovers? who were they
who wrestled for you in the dust?
Which was the vessel of your Lust?  What
Leman had you, every day?

Did giant Lizards come and crouch before you
on the reedy banks?
Did Gryphons with great metal flanks leap on
you in your trampled couch?

Did monstrous hippopotami come sidling toward
you in the mist?
Did gilt-scaled dragons writhe and twist with
passion as you passed them by?

And from the brick-built Lycian tomb what
horrible Chimera came
With fearful heads and fearful flame to breed
new wonders from your womb?

Or had you shameful secret quests and did
you harry to your home
Some Nereid coiled in amber foam with curious
rock crystal *******?

Or did you treading through the froth call to
the brown Sidonian
For tidings of Leviathan, Leviathan or
Behemoth?

Or did you when the sun was set climb up the
cactus-covered *****
To meet your swarthy Ethiop whose body was
of polished jet?

Or did you while the earthen skiffs dropped
down the grey Nilotic flats
At twilight and the flickering bats flew round
the temple’s triple glyphs

Steal to the border of the bar and swim across
the silent lake
And slink into the vault and make the Pyramid
your lupanar

Till from each black sarcophagus rose up the
painted swathed dead?
Or did you lure unto your bed the ivory-horned
Tragelaphos?

Or did you love the god of flies who plagued
the Hebrews and was splashed
With wine unto the waist? or Pasht, who had
green beryls for her eyes?

Or that young god, the Tyrian, who was more
amorous than the dove
Of Ashtaroth? or did you love the god of the
Assyrian

Whose wings, like strange transparent talc, rose
high above his hawk-faced head,
Painted with silver and with red and ribbed with
rods of Oreichalch?

Or did huge Apis from his car leap down and
lay before your feet
Big blossoms of the honey-sweet and honey-
coloured nenuphar?

How subtle-secret is your smile!  Did you
love none then?  Nay, I know
Great Ammon was your bedfellow!  He lay with
you beside the Nile!

The river-horses in the slime trumpeted when
they saw him come
Odorous with Syrian galbanum and smeared with
spikenard and with thyme.

He came along the river bank like some tall
galley argent-sailed,
He strode across the waters, mailed in beauty,
and the waters sank.

He strode across the desert sand:  he reached
the valley where you lay:
He waited till the dawn of day:  then touched
your black ******* with his hand.

You kissed his mouth with mouths of flame:
you made the horned god your own:
You stood behind him on his throne:  you called
him by his secret name.

You whispered monstrous oracles into the
caverns of his ears:
With blood of goats and blood of steers you
taught him monstrous miracles.

White Ammon was your bedfellow!  Your
chamber was the steaming Nile!
And with your curved archaic smile you watched
his passion come and go.

With Syrian oils his brows were bright:
and wide-spread as a tent at noon
His marble limbs made pale the moon and lent
the day a larger light.

His long hair was nine cubits’ span and coloured
like that yellow gem
Which hidden in their garment’s hem the
merchants bring from Kurdistan.

His face was as the must that lies upon a vat of
new-made wine:
The seas could not insapphirine the perfect azure
of his eyes.

His thick soft throat was white as milk and
threaded with thin veins of blue:
And curious pearls like frozen dew were
broidered on his flowing silk.

On pearl and porphyry pedestalled he was
too bright to look upon:
For on his ivory breast there shone the wondrous
ocean-emerald,

That mystic moonlit jewel which some diver of
the Colchian caves
Had found beneath the blackening waves and
carried to the Colchian witch.

Before his gilded galiot ran naked vine-wreathed
corybants,
And lines of swaying elephants knelt down to
draw his chariot,

And lines of swarthy Nubians bare up his litter
as he rode
Down the great granite-paven road between the
nodding peacock-fans.

The merchants brought him steatite from Sidon
in their painted ships:
The meanest cup that touched his lips was
fashioned from a chrysolite.

The merchants brought him cedar chests of rich
apparel bound with cords:
His train was borne by Memphian lords:  young
kings were glad to be his guests.

Ten hundred shaven priests did bow to Ammon’s
altar day and night,
Ten hundred lamps did wave their light through
Ammon’s carven house—and now

Foul snake and speckled adder with their young
ones crawl from stone to stone
For ruined is the house and prone the great
rose-marble monolith!

Wild *** or trotting jackal comes and couches
in the mouldering gates:
Wild satyrs call unto their mates across the
fallen fluted drums.

And on the summit of the pile the blue-faced
ape of Horus sits
And gibbers while the fig-tree splits the pillars
of the peristyle

The god is scattered here and there:  deep
hidden in the windy sand
I saw his giant granite hand still clenched in
impotent despair.

And many a wandering caravan of stately
negroes silken-shawled,
Crossing the desert, halts appalled before the
neck that none can span.

And many a bearded Bedouin draws back his
yellow-striped burnous
To gaze upon the Titan thews of him who was
thy paladin.

Go, seek his fragments on the moor and
wash them in the evening dew,
And from their pieces make anew thy mutilated
paramour!

Go, seek them where they lie alone and from
their broken pieces make
Thy bruised bedfellow!  And wake mad passions
in the senseless stone!

Charm his dull ear with Syrian hymns! he loved
your body! oh, be kind,
Pour spikenard on his hair, and wind soft rolls
of linen round his limbs!

Wind round his head the figured coins! stain
with red fruits those pallid lips!
Weave purple for his shrunken hips! and purple
for his barren *****!

Away to Egypt!  Have no fear.  Only one
God has ever died.
Only one God has let His side be wounded by a
soldier’s spear.

But these, thy lovers, are not dead.  Still by the
hundred-cubit gate
Dog-faced Anubis sits in state with lotus-lilies
for thy head.

Still from his chair of porphyry gaunt Memnon
strains his lidless eyes
Across the empty land, and cries each yellow
morning unto thee.

And Nilus with his broken horn lies in his black
and oozy bed
And till thy coming will not spread his waters on
the withering corn.

Your lovers are not dead, I know.  They will
rise up and hear your voice
And clash their cymbals and rejoice and run to
kiss your mouth!  And so,

Set wings upon your argosies!  Set horses to
your ebon car!
Back to your Nile!  Or if you are grown sick of
dead divinities

Follow some roving lion’s spoor across the copper-
coloured plain,
Reach out and hale him by the mane and bid
him be your paramour!

Couch by his side upon the grass and set your
white teeth in his throat
And when you hear his dying note lash your
long flanks of polished brass

And take a tiger for your mate, whose amber
sides are flecked with black,
And ride upon his gilded back in triumph
through the Theban gate,

And toy with him in amorous jests, and when
he turns, and snarls, and gnaws,
O smite him with your jasper claws! and bruise
him with your agate *******!

Why are you tarrying?  Get hence!  I
weary of your sullen ways,
I weary of your steadfast gaze, your somnolent
magnificence.

Your horrible and heavy breath makes the light
flicker in the lamp,
And on my brow I feel the damp and dreadful
dews of night and death.

Your eyes are like fantastic moons that shiver
in some stagnant lake,
Your tongue is like a scarlet snake that dances
to fantastic tunes,

Your pulse makes poisonous melodies, and your
black throat is like the hole
Left by some torch or burning coal on Saracenic
tapestries.

Away!  The sulphur-coloured stars are hurrying
through the Western gate!
Away!  Or it may be too late to climb their silent
silver cars!

See, the dawn shivers round the grey gilt-dialled
towers, and the rain
Streams down each diamonded pane and blurs
with tears the wannish day.

What snake-tressed fury fresh from Hell, with
uncouth gestures and unclean,
Stole from the poppy-drowsy queen and led you
to a student’s cell?

What songless tongueless ghost of sin crept
through the curtains of the night,
And saw my taper burning bright, and knocked,
and bade you enter in?

Are there not others more accursed, whiter with
leprosies than I?
Are Abana and Pharphar dry that you come here
to slake your thirst?

Get hence, you loathsome mystery!  Hideous
animal, get hence!
You wake in me each ******* sense, you make me
what I would not be.

You make my creed a barren sham, you wake
foul dreams of sensual life,
And Atys with his blood-stained knife were
better than the thing I am.

False Sphinx!  False Sphinx!  By reedy Styx
old Charon, leaning on his oar,
Waits for my coin.  Go thou before, and leave
me to my crucifix,

Whose pallid burden, sick with pain, watches
the world with wearied eyes,
And weeps for every soul that dies, and weeps
for every soul in vain.

You are my secret love
would that it be other,
thus no mailed Valentine
to add to the clutter.

Nay, let us walk from fire unto fire,
From passionate pain to deadlier delight,—
I am too young to live without desire,
Too young art thou to waste this summer night
Asking those idle questions which of old
Man sought of seer and oracle, and no reply was told.

For, sweet, to feel is better than to know,
And wisdom is a childless heritage,
One pulse of passion—youth’s first fiery glow,—
Are worth the hoarded proverbs of the sage:
Vex not thy soul with dead philosophy,
Have we not lips to kiss with, hearts to love and eyes to see!

Dost thou not hear the murmuring nightingale,
Like water bubbling from a silver jar,
So soft she sings the envious moon is pale,
That high in heaven she is hung so far
She cannot hear that love-enraptured tune,—
Mark how she wreathes each horn with mist, yon late and labouring moon.

White lilies, in whose cups the gold bees dream,
The fallen snow of petals where the breeze
Scatters the chestnut blossom, or the gleam
Of boyish limbs in water,—are not these
Enough for thee, dost thou desire more?
Alas! the Gods will give nought else from their eternal store.

For our high Gods have sick and wearied grown
Of all our endless sins, our vain endeavour
For wasted days of youth to make atone
By pain or prayer or priest, and never, never,
Hearken they now to either good or ill,
But send their rain upon the just and the unjust at will.

They sit at ease, our Gods they sit at ease,
Strewing with leaves of rose their scented wine,
They sleep, they sleep, beneath the rocking trees
Where asphodel and yellow lotus twine,
Mourning the old glad days before they knew
What evil things the heart of man could dream, and dreaming do.

And far beneath the brazen floor they see
Like swarming flies the crowd of little men,
The bustle of small lives, then wearily
Back to their lotus-haunts they turn again
Kissing each others’ mouths, and mix more deep
The poppy-seeded draught which brings soft purple-lidded sleep.

There all day long the golden-vestured sun,
Their torch-bearer, stands with his torch ablaze,
And, when the gaudy web of noon is spun
By its twelve maidens, through the crimson haze
Fresh from Endymion’s arms comes forth the moon,
And the immortal Gods in toils of mortal passions swoon.

There walks Queen Juno through some dewy mead,
Her grand white feet flecked with the saffron dust
Of wind-stirred lilies, while young Ganymede
Leaps in the hot and amber-foaming must,
His curls all tossed, as when the eagle bare
The frightened boy from Ida through the blue Ionian air.

There in the green heart of some garden close
Queen Venus with the shepherd at her side,
Her warm soft body like the briar rose
Which would be white yet blushes at its pride,
Laughs low for love, till jealous Salmacis
Peers through the myrtle-leaves and sighs for pain of lonely bliss.

There never does that dreary north-wind blow
Which leaves our English forests bleak and bare,
Nor ever falls the swift white-feathered snow,
Nor ever doth the red-toothed lightning dare
To wake them in the silver-fretted night
When we lie weeping for some sweet sad sin, some dead delight.

Alas! they know the far Lethaean spring,
The violet-hidden waters well they know,
Where one whose feet with tired wandering
Are faint and broken may take heart and go,
And from those dark depths cool and crystalline
Drink, and draw balm, and sleep for sleepless souls, and anodyne.

But we oppress our natures, God or Fate
Is our enemy, we starve and feed
On vain repentance—O we are born too late!
What balm for us in bruised poppy seed
Who crowd into one finite pulse of time
The joy of infinite love and the fierce pain of infinite crime.

O we are wearied of this sense of guilt,
Wearied of pleasure’s paramour despair,
Wearied of every temple we have built,
Wearied of every right, unanswered prayer,
For man is weak; God sleeps:  and heaven is high:
One fiery-coloured moment:  one great love; and lo! we die.

Ah! but no ferry-man with labouring pole
Nears his black shallop to the flowerless strand,
No little coin of bronze can bring the soul
Over Death’s river to the sunless land,
Victim and wine and vow are all in vain,
The tomb is sealed; the soldiers watch; the dead rise not again.

We are resolved into the supreme air,
We are made one with what we touch and see,
With our heart’s blood each crimson sun is fair,
With our young lives each spring-impassioned tree
Flames into green, the wildest beasts that range
The moor our kinsmen are, all life is one, and all is change.

With beat of systole and of diastole
One grand great life throbs through earth’s giant heart,
And mighty waves of single Being roll
From nerveless germ to man, for we are part
Of every rock and bird and beast and hill,
One with the things that prey on us, and one with what we ****.

From lower cells of waking life we pass
To full perfection; thus the world grows old:
We who are godlike now were once a mass
Of quivering purple flecked with bars of gold,
Unsentient or of joy or misery,
And tossed in terrible tangles of some wild and wind-swept sea.

This hot hard flame with which our bodies burn
Will make some meadow blaze with daffodil,
Ay! and those argent ******* of thine will turn
To water-lilies; the brown fields men till
Will be more fruitful for our love to-night,
Nothing is lost in nature, all things live in Death’s despite.

The boy’s first kiss, the hyacinth’s first bell,
The man’s last passion, and the last red spear
That from the lily leaps, the asphodel
Which will not let its blossoms blow for fear
Of too much beauty, and the timid shame
Of the young bridegroom at his lover’s eyes,—these with the same

One sacrament are consecrate, the earth
Not we alone hath passions hymeneal,
The yellow buttercups that shake for mirth
At daybreak know a pleasure not less real
Than we do, when in some fresh-blossoming wood,
We draw the spring into our hearts, and feel that life is good.

So when men bury us beneath the yew
Thy crimson-stained mouth a rose will be,
And thy soft eyes lush bluebells dimmed with dew,
And when the white narcissus wantonly
Kisses the wind its playmate some faint joy
Will thrill our dust, and we will be again fond maid and boy.

And thus without life’s conscious torturing pain
In some sweet flower we will feel the sun,
And from the linnet’s throat will sing again,
And as two gorgeous-mailed snakes will run
Over our graves, or as two tigers creep
Through the hot jungle where the yellow-eyed huge lions sleep

And give them battle!  How my heart leaps up
To think of that grand living after death
In beast and bird and flower, when this cup,
Being filled too full of spirit, bursts for breath,
And with the pale leaves of some autumn day
The soul earth’s earliest conqueror becomes earth’s last great prey.

O think of it!  We shall inform ourselves
Into all sensuous life, the goat-foot Faun,
The Centaur, or the merry bright-eyed Elves
That leave their dancing rings to spite the dawn
Upon the meadows, shall not be more near
Than you and I to nature’s mysteries, for we shall hear

The thrush’s heart beat, and the daisies grow,
And the wan snowdrop sighing for the sun
On sunless days in winter, we shall know
By whom the silver gossamer is spun,
Who paints the diapered fritillaries,
On what wide wings from shivering pine to pine the eagle flies.

Ay! had we never loved at all, who knows
If yonder daffodil had lured the bee
Into its gilded womb, or any rose
Had hung with crimson lamps its little tree!
Methinks no leaf would ever bud in spring,
But for the lovers’ lips that kiss, the poets’ lips that sing.

Is the light vanished from our golden sun,
Or is this daedal-fashioned earth less fair,
That we are nature’s heritors, and one
With every pulse of life that beats the air?
Rather new suns across the sky shall pass,
New splendour come unto the flower, new glory to the grass.

And we two lovers shall not sit afar,
Critics of nature, but the joyous sea
Shall be our raiment, and the bearded star
Shoot arrows at our pleasure!  We shall be
Part of the mighty universal whole,
And through all aeons mix and mingle with the Kosmic Soul!

We shall be notes in that great Symphony
Whose cadence circles through the rhythmic spheres,
And all the live World’s throbbing heart shall be
One with our heart; the stealthy creeping years
Have lost their terrors now, we shall not die,
The Universe itself shall be our Immortality.

Online Greetings e-mailed Promised Meetings
Five minute friends Leave Fleetingly

The happy medium tea astrologer
Her tea leaves Google her anytime
Tea leaves of her poems

Another divine tea party just ask
Her lady of the Queen-dom
The fee for fun I'm in with
the mad crowd tea on the run
The tea party is getting loud
Eating those bonbons dreams
start to steep and stir he had his
overflow the house of Bel Air
Meet the Prince passionate
purple rain

Your cake and tea lips became a pain
You couldn't get a wink of the full
body flavor sleep

She’s the Subrosa tea worshipper

TEA TOUCH HER
TEACUP 1/2 TEARS
Her power not to push her moving
away from all the fears and years
Did the cat get your tongue?

He watches her in her sleep
He sees her tea eyes awake
All women stalk and tea talk
So much to write with tea poem

In France dark roast coffee
the secret competition was
my tea blend the winner raffle
It is au fond to be gratefully
Please don’t bottle Snapple
Remember you have the potential all
green money
but your eyes doorway he walks out
with your money? ahh

“Alltheformores” Tea tree lady calories
O-MY-God!

Mr.Tea toucher agent man
He keeps his right-hand
driving and the other hands Mmm…
Eyes ahead and hands on my tea
The green Emmy with poison ivy
She is the cherry pie of the black
cherry tea lie

How sneakily she buttered our cups that
butterscotch
How the seducer reducer tea she ******
up to him.

That secret’s its written in junk
buy one exotic hot-shot blend of
tea has her wits and
character and *****
So you don't stink like a rat pack
Eyes like an old tea bag
On a plane getting jet lag
smelling like a skunk

The green bull-eyes  army combat
trained always complains when
tea attention no baby blues
the green envy eyes
twice a week
tantalizing tea flavor vanilla
Godiva
On the Orient Express
Her tough exterior like a boss
not to cross
get involved with her assistant

She never brings the secret
flavor coffee on time and my tea is
Like a fortune cookie in rhymes
what tea business show business
homes ((Madhouse Paparazzi))
Eating hot sauce Ronzoni  half- Gothic
Sensual tea blend **** Bill ******
wouldn’t want to be anywhere
close to her dreams twice
Like a flower the subject Rosa
a petal of her tea

How can anyone see
through her spectrum
of colors scaring her face?
  That Madonna rebel heart of teas
Papa starts to
preach our teas
confessions
How did we touch tea leaf nerve?

Heres exactly what you deserve

Don’t we have an hour?
Tea demonstration of women's
hot boiling teas how the men
go down on their knees
When she wiped the steam off
she could see his face tea leaves

MADLY TEA PARTY OF SECRETS

Like those Rebel of Robin bird hearts
teacup of more tears
Going to the Spa that sauna
really drenched her
she was thinking of him.

How many secrets can we reveal?
Let’s not worry how we see through
peoples face as they stir their spicy tea
We all get a chance to take our last sip
of your lover’s tea

Tea Victorian could flower petal anyone's
thoughts hot-headed or over
Her iced ways or flaming her name
Ginger honey bear deeper the love affair
Her spiritual awakening transformation
Teavana or tea mint just another secret

TEA TOUCH HER TEACUP

1/2 hearts new start
She got mad but kept her cool to blush
her moving away from all the fears
who cares when we have the tea
forming to tears
it shows how we really are

She loved the shades of Japanese garden
So green suited her tree-lined block
Her pink sofa with such greenery
as her visions came strong he was there
All the time in her musical blend song

Whats in my drink, see her face
anxiously, what awaits, see her
through an ****** painting,
how it drips in a
Native-land Naples Italy
Those teacup puppies and French skirt
She narrow's anyone street you cannot
get anyone
To taste her tea for the couple beat
The museum addictions like an art
Colesium  the built for speed of teas
/Medium Astrologers/**** sipping
Watching the beauty of the statue's
Micheal Angelo, the musician playing
his Cello at least her teas weren't that
wiggly green jello

So Iced Queen tea spice
Romeo
Hello-Poetry
The exotic tiger Bengal teas
she roars in her jungle
poet clean mint tea
healthy gals
antioxidant
Green planet rocker leather
how his pants spread to the tip of
the shining armor book
she kept tight-lipped on you

She felt dragged how you were tied
secretly fit into her teacup
engraved ankle

Lips got damped tea flavors all limited
needed to give him
my special pampering all tramps
and tea thieves green shimmering
blend her best teas
Chai teas cinnamon girly

And the others Green 50+++ shades
deeper body vibe
Became mermaid blowfish tribe
Where like the Italian made
leash warriors
Roman empire ordered
a death wish

Tea secrets now or present
too smitten kitten tea gloves
and he was saying
I must have an heir,

Could fool anyone’s millionaire *** plan
became the butler’s on the deep-end
Madly tea taking the bad stick
such a plea
another scorching Porshe wrong coffee
tongue those mermaids turned the darkness
Grunge black side of their tea

Madly have eyes for you wilderness of
hearts deliciously
exposed
The pinball got caught too many sticky buns
they bit into___?

Those butler quarters was he going
to improve
all her secret’s wave of tiredness,
too much nickel and dime tea shops
She tried to subdue her situation
Barhops tea sips and she had away
by stirring her lips
Would she pay for her sins later?

Surfing the computer emailed or tea for two
mailed in a compromising tea imported love
what about tomorrow tea tears of sorrow

Let’s not focus too much on secrets
of forgotten yesterday

All her troubles so far away from Ireland
Or Liverpool London every tea bag
went nowhere
Yesterday song went everywhere imported
like her foreign exchange trade of teas
a mad tea party
no Alice Odd Moms invited


Tea Toucher ruling the world with magic

What’s really ringing, on the surface,
those terrible two teenagers? Something they
lost became tragic
Sage Tea-lady of Mount Fiji spice
Those greener then life mountain
tops to climb

How she opened his horizon to fan him on

over the media tea seduction escorted

Impression’s of intoxicating herbs imported
mermaids too many tails to slam
Strawberry field black tea forever with Beatles
Robin Bird of “ROOBUS, she was red devil blend
let’s trade  or swap some ****** teas for a tease

That madly kind of seduction
She has it all in her, patch sachet smells,
of ****** pleasure spices up words.
What is the reason for all this?
We never beg they gave
her a poem with a tea hug

Ech day me comëth tydinges thre
Middle English lyric, circa the 13th to 14th century AD
loose translation/interpretation by Michael R. Burch

Each day I’m plagued by three doles,
These gargantuan weights on my soul:
First, that I must somehow exit this fen.
Second, that I cannot know when.
And yet it’s the third that torments me so,
Because there’s no way to know where the hell I will go!

Ech day me comëth tydinges thre,
For wel swithë sore ben he:
The on is that Ich shal hennë,
That other that Ich not whennë,
The thriddë is my mestë carë,
That Ich not whider Ich shal farë.



These are Medieval poetry translations of poems written in Old English (i.e., Anglo-Saxon English) and Middle English.



Wulf and Eadwacer
(Old English poem circa 960-990 AD)      
loose translation by Michael R. Burch

To my people, he's prey, a pariah.
They'll rip him apart if he approaches their pack.
We are so different!

Wulf's on one island; I'm on another.
His island's a fortress, surrounded by fens.
Here, bloodthirsty men roam this island.
They'll rip him apart if he approaches their pack.
We are so different!

My thoughts pursued Wulf like panting hounds.
Whenever it rained, while I wept,
the bold warrior came; he took me in his arms:
good feelings for him, but the end was loathsome!
Wulf, O, my Wulf, my ache for you
has made me sick; your infrequent visits
have left me famished, deprived of real meat!
Do you hear, Eadwacer? A wolf has borne
our wretched whelp to the woods.
One can easily sever what never was one:
our song together.



Cædmon's Hymn
(Old English poem circa 658-680 AD)          
loose translation by Michael R. Burch

Now let us honour heaven-kingdom's Guardian,
the might of the Architect and his mind-plans,
the work of the Glory-Father.
First he, the Eternal Lord,
established the foundation of wonders.
Then he, the First Poet,
created heaven as a roof
for the sons of men, Holy Creator,
Maker of mankind.
Then he, the eternal Lord,
afterwards made men middle-earth: Master almighty!



How Long the Night
Middle English poem circa 13th century AD      
loose translation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song...
but now I feel the northern wind's blast—
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong
now grieve, mourn and fast.



Pity Mary
Middle English Lyric, circa early 13th century AD    
loose translation by Michael R. Burch

Now the sun passes under the wood:
I rue, Mary, thy face—fair, good.
Now the sun passes under the tree:
I rue, Mary, thy son and thee.



Fowles in the Frith
Medieval English Lyric, circa 13th-14th century AD
loose translation by Michael R. Burch

The fowls in the forest,
the fishes in the flood
and I must go mad:
such sorrow I've had
for beasts of bone and blood!



I am of Ireland
Medieval Irish Lyric, circa 13th-14th century AD
loose translation by Michael R. Burch

I am of Ireland,
and of the holy realm of Ireland.
Gentlefolk, I pray thee:
for the sake of holy charity,
come dance with me
in Ireland.



Sweet Rose of Virtue
by William Dunbar [1460-1525]
loose translation by Michael R. Burch

Sweet rose of virtue and of gentleness,
delightful lily of youthful wantonness,
richest in bounty and in beauty clear
and in every virtue that is held most dear―
except only that you are merciless.

Into your garden, today, I followed you;
there I saw flowers of freshest hue,
both white and red, delightful to see,
and wholesome herbs, waving resplendently―
yet everywhere, no odor but rue.

I fear that March with his last arctic blast
has slain my fair rose of pallid and gentle cast,
whose piteous death does my heart such pain
that, if I could, I would compose her roots again―
so comforting her bowering leaves have been.



Now skruketh rose and lylie flour
Medieval English Lyric, circa 11th century AD
loose translation by Michael R. Burch

Now skyward the rose and the lily flower,
That will bear for awhile that sweet savor:
In summer, that sweet tide;
There is no queen so stark in her power
Nor no lady so bright in her bower
That dead shall not glide by:
Whoever will forgo lust,
in heavenly bliss will abide
With his thoughts on Jesus anon,
thralled at his side.



IN LIBRARIOS
by Thomas Campion

Impressionum plurium librum laudat
Librarius; scortum nec non minus leno.

Novelties
loose translation by Michael R. Burch

Booksellers laud authors for novel editions
as pimps praise their ****** for exotic positions.



Brut
(circa 1100 AD, written by Layamon, an excerpt)          
loose translation by Michael R. Burch

Now he stands on a hill overlooking the Avon,
seeing steel fishes girded with swords in the stream,
their swimming days done,
their scales a-gleam like gold-plated shields,
their fish-spines floating like shattered spears.

Layamon's Brut is a 32,000-line poem composed in Middle English that shows a strong Anglo-Saxon influence and contains the first known reference to King Arthur in English.



The Maiden's Song aka The Bridal Morn
anonymous Medieval lyric
loose translation/interpretation by Michael R. Burch

The maidens came to my mother's bower.
I had all I would, that hour.

  The bailey beareth the bell away;
  The lily, the rose, the rose I lay.

Now silver is white, red is the gold;
The robes they lay in fold.

  The bailey beareth the bell away;
  The lily, the rose, the rose I lay.

Still through the window shines the sun.
How should I love, yet be so young?

  The bailey beareth the bell away;
  The lily, the rose, the rose I lay.



Westron Wynde
Middle English lyric, circa 1530 AD
loose translation/interpretation by Michael R. Burch

Western wind, when will you blow,
bringing the drizzling rain?
Christ, that my love were in my arms,
and I in my bed again!

The original poem has 'the smalle rayne down can rayne' which suggests a drizzle or mist.



This World's Joy
(Middle English lyric, circa early 14th century AD)  
loose translation/interpretation by Michael R. Burch

Winter awakens all my care
as leafless trees grow bare.
For now my sighs are fraught
whenever it enters my thought:
regarding this world's joy,
how everything comes to naught.



I Have Labored Sore
(anonymous medieval lyric circa the fifteenth century)  
loose translation/interpretation by Michael R. Burch

I have labored sore          and suffered death,
so now I rest           and catch my breath.
But I shall come      and call right soon
heaven and earth          and hell to doom.
Then all shall know           both devil and man
just who I was               and what I am.



A Lyke-Wake Dirge
(anonymous medieval lyric circa the 16th century AD)  
loose translation/interpretation by Michael R. Burch

The Lie-Awake Dirge is 'the night watch kept over a corpse.'

This one night, this one night,
every night and all;
fire and sleet and candlelight,
and Christ receive thy soul.

When from this earthly life you pass
every night and all,
to confront your past you must come at last,
and Christ receive thy soul.

If you ever donated socks and shoes,
every night and all,
sit right down and slip yours on,
and Christ receive thy soul.

But if you never helped your brother,
every night and all,
walk barefoot through the flames of hell,
and Christ receive thy soul.

If ever you shared your food and drink,
every night and all,
the fire will never make you shrink,
and Christ receive thy soul.

But if you never helped your brother,
every night and all,
walk starving through the black abyss,
and Christ receive thy soul.

This one night, this one night,
every night and all;
fire and sleet and candlelight,
and Christ receive thy soul.



Excerpt from 'Ubi Sunt Qui Ante Nos Fuerunt? '
(anonymous Middle English poem, circa 1275)  
loose translation/interpretation by Michael R. Burch

Where are the men who came before us,
who led hounds and hawks to the hunt,
who commanded fields and woods?
Where are the elegant ladies in their boudoirs
who braided gold through their hair
and had such fair complexions?

Once eating and drinking gladdened their hearts;
they enjoyed their games;
men bowed before them;
they bore themselves loftily …
But then, in an eye's twinkling,
they were gone.

Where now are their songs and their laughter,
the trains of their dresses,
the arrogance of their entrances and exits,
their hawks and their hounds?
All their joy has vanished;
their 'well' has come to 'oh, well'
and to many dark days …



Is this the oldest carpe diem poem in the English language?

Whan the turuf is thy tour
(anonymous Middle English lyric, circa the 13th century AD)  
loose translation/interpretation by Michael R. Burch

1.
When the turf is your tower
and the pit is your bower,
your pale white skin and throat
shall be sullen worms' to note.
What help to you, then,
was all your worldly hope?

2.
When the turf is your tower
and the grave is your bower,
your pale white throat and skin
worm-eaten from within …
what hope of my help then?

The second translation leans more to the 'lover's complaint' and carpe diem genres, with the poet pointing out to his prospective lover that by denying him her favors she make take her virtue to the grave where worms will end her virginity in macabre fashion. This poem may be an ancient precursor of poems like Andrew Marvell's 'To His Coy Mistress.'



Ich have y-don al myn youth
(Middle English lyric, circa the 13th century AD)  
loose translation/interpretation by Michael R. Burch

I have done it all my youth:
Often, often, and often!
I have loved long and yearned zealously …
And oh what grief it has brought me!

Ich have y-don al myn youth,
Oftë, ofte, and ofte;
Longe y-loved and yerne y-beden -
Ful dere it is y-bought!



GEOFFREY CHAUCER

Three Roundels by Geoffrey Chaucer

I. Merciles Beaute ('Merciless Beauty')  
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Your eyes slay me suddenly;
their beauty I cannot sustain,
they wound me so, through my heart keen.

Unless your words heal me hastily,
my heart's wound will remain green;
for your eyes slay me suddenly;
their beauty I cannot sustain.

By all truth, I tell you faithfully
that you are of life and death my queen;
for at my death this truth shall be seen:
your eyes slay me suddenly;
their beauty I cannot sustain,
they wound me so, through my heart keen.



II. Rejection
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Your beauty from your heart has so erased
Pity, that it's useless to complain;
For Pride now holds your mercy by a chain.

I'm guiltless, yet my sentence has been cast.
I tell you truly, needless now to feign, —
Your beauty from your heart has so erased
Pity, that it's useless to complain.

Alas, that Nature in your face compassed
Such beauty, that no man may hope attain
To mercy, though he perish from the pain;
Your beauty from your heart has so erased
Pity, that it's useless to complain;
For Pride now holds your mercy by a chain.



III. Escape
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Since I'm escaped from Love and yet still fat,
I never plan to be in his prison lean;
Since I am free, I count it not a bean.

He may question me and counter this and that;
I care not: I will answer just as I mean.
Since I'm escaped from Love and yet still fat,
I never plan to be in his prison lean.

Love strikes me from his roster, short and flat,
And he is struck from my books, just as clean,
Forevermore; there is no other mean.
Since I'm escaped from Love and yet still fat,
I never plan to be in his prison lean;
Since I am free, I count it not a bean.



Welcome, Summer
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Now welcome, Summer, with your sun so soft,
since you've banished Winter with her icy weather
and driven away her long nights' frosts.
Saint Valentine, in the heavens aloft,
the songbirds sing your praises together!

Now welcome, Summer, with your sun so soft,
since you've banished Winter with her icy weather.

We have good cause to rejoice, not scoff,
since love's in the air, and also in the heather,
whenever we find such blissful warmth, together.

Now welcome, Summer, with your sun so soft,
since you've banished Winter with her icy weather
and driven away her long nights' frosts.



CHARLES D'ORLEANS

Rondel: Your Smiling Mouth
by Charles d'Orleans (c.1394-1465)  
loose translation/interpretation by Michael R. Burch

Your smiling mouth and laughing eyes, bright gray,
Your ample ******* and slender arms' twin chains,
Your hands so smooth, each finger straight and plain,
Your little feet—please, what more can I say?

It is my fetish when you're far away
To muse on these and thus to soothe my pain—
Your smiling mouth and laughing eyes, bright gray,
Your ample ******* and slender arms' twin chains.

So would I beg you, if I only may,
To see such sights as I before have seen,
Because my fetish pleases me. Obscene?
I'll be obsessed until my dying day
By your sweet smiling mouth and eyes, bright gray,
Your ample ******* and slender arms' twin chains!



Spring
by Charles d'Orleans (c.1394-1465)  
loose translation/interpretation by Michael R. Burch

Young lovers,
greeting the spring
fling themselves downhill,
making cobblestones ring
with their wild leaps and arcs,
like ecstatic sparks
struck from coal.

What is their brazen goal?

They grab at whatever passes,
so we can only hazard guesses.
But they rear like prancing steeds
raked by brilliant spurs of need,
Young lovers.



Oft in My Thought
by Charles d'Orleans (c.1394-1465)  
loose translation/interpretation by Michael R. Burch

So often in my busy mind I sought,
    Around the advent of the fledgling year,
For something pretty that I really ought
    To give my lady dear;
    But that sweet thought's been wrested from me, clear,
        Since death, alas, has sealed her under clay
    And robbed the world of all that's precious here―
         God keep her soul, I can no better say.

For me to keep my manner and my thought
    Acceptable, as suits my age's hour?
While proving that I never once forgot
    Her worth? It tests my power!
    I serve her now with masses and with prayer;
        For it would be a shame for me to stray
    Far from my faith, when my time's drawing near—
         God keep her soul, I can no better say.

Now earthly profits fail, since all is lost
    And the cost of everything became so dear;
Therefore, O Lord, who rules the higher host,
    Take my good deeds, as many as there are,
    And crown her, Lord, above in your bright sphere,
        As heaven's truest maid! And may I say:
    Most good, most fair, most likely to bring cheer—
         God keep her soul, I can no better say.

When I praise her, or hear her praises raised,
I recall how recently she brought me pleasure;
    Then my heart floods like an overflowing bay
And makes me wish to dress for my own bier—
    God keep her soul, I can no better say.



Winter has cast his cloak away
by Charles d'Orleans (c.1394-1465)  
loose translation/interpretation by Michael R. Burch

Winter has cast his cloak away
of wind and cold and chilling rain
to dress in embroidered light again:
the light of day—bright, festive, gay!
Each bird and beast, without delay,
in its own tongue, sings this refrain:
'Winter has cast his cloak away! '
Brooks, fountains, rivers, streams at play,
wear, with their summer livery,
bright beads of silver jewelry.
All the Earth has a new and fresh display:
Winter has cast his cloak away!

This rondeau was set to music by Debussy in his Trois chansons de France.



The year lays down his mantle cold
by Charles d'Orleans (1394-1465)  
loose translation/interpretation by Michael R. Burch

The year lays down his mantle cold
of wind, chill rain and bitter air,
and now goes clad in clothes of gold
of smiling suns and seasons fair,
while birds and beasts of wood and fold
now with each cry and song declare:
'The year lays down his mantle cold! '
All brooks, springs, rivers, seaward rolled,
now pleasant summer livery wear
with silver beads embroidered where
the world puts off its raiment old.
The year lays down his mantle cold.



SIR THOMAS WYATT

Whoso List to Hunt ('Whoever Longs to Hunt')  
by Sir Thomas Wyatt
loose translation/interpretation/modernization by Michael R. Burch

Whoever longs to hunt, I know the deer;
but as for me, alas! , I may no more.
This vain pursuit has left me so bone-sore
I'm one of those who falters, at the rear.
Yet friend, how can I draw my anguished mind
away from the doe?
                               Thus, as she flees before
me, fainting I follow.
                                I must leave off, therefore,
since in a net I seek to hold the wind.

Whoever seeks her out,
                                     I relieve of any doubt,
that he, like me, must spend his time in vain.
For graven with diamonds, set in letters plain,
these words appear, her fair neck ringed about:
Touch me not, for Caesar's I am,
And wild to hold, though I seem tame.



In the next poem the Welsh 'dd' is pronounced 'th.'
Cynddylan is pronounced KahN-THIHL-aeN.

Stafell Gynddylan ('The Hall of Cynddylan')  
Welsh englynion circa 1382-1410
translation/interpretation by Michael R. Burch

The hall of Cynddylan lies dark tonight.
Lacking fire and a bed,
I will weep awhile then lapse into silence.

The hall of Cynddylan lies dark tonight.
Lacking fire or a candle,
save God, who will preserve my sanity?

The hall of Cynddylan lies dark tonight.
Lacking fire, lacking light,
grief for you overwhelms me!

The hall of Cynddylan's roof is dark.
After the blessed assembly,
still little the good that comes of it.

Hall of Cynddylan, you have become shapeless, amorphous.
Your shield lies in the grave.
While he lived, no one breached these gates.

The hall of Cynddylan mourns tonight,
mourns for its lost protector.
Alas death, why did you spare me?

The hall of Cynddylan trembles tonight,
atop the shivering rock,
lacking lord, lacking liege, lacking protector.

The hall of Cynddylan lies dark tonight.
Lacking fire, lacking mirth, lacking songs.
My cheeks are eroded by tears.

The hall of Cynddylan lies dark tonight.
Lacking fire, lacking heroes, lacking a warband.
Abundant, my tears' rains.

The hall of Cynddylan offends my eyes,
lacking roof, lacking fire.
My lord lies dead, and yet I still live?

The hall of Cynddylan lies shattered tonight,
without her steadfast warriors,
Elfan, and gold-torqued Cynddylan.

The hall of Cynddylan lies desolate tonight,
no longer respected
without the men and women who maintained it.

The hall of Cynddylan lies quiet tonight,
stunned to silence by losing its lord.
Merciful God, what must I do?

The hall of Cynddylan's roof is dark,
after the Saxons destroyed
shining Cynddylan and Elfan of Powys.

The hall of Cynddylan lies dark tonight:
lost, the race of the Cyndrwyn,
of Cynon and Gwion and Gwyn.

Hall of Cynddylan, you wound me, hourly,
having lost that great company
who once warmed hands at your hearth.



A Proverb from Winfred's Time
anonymous Old English poem, circa 757-786 AD
loose translation/interpretation by Michael R. Burch

1.
The procrastinator puts off purpose,
never initiates anything marvelous,
never succeeds, dies dead alone.

2.
The late-deed-doer delays glory-striving,
never indulges daring dreams,
never succeeds, dies dead alone.

3.
Often the deed-dodger avoids ventures,
never succeeds, dies dead alone.

Winfrid or Wynfrith is better known as Saint Boniface (c. 675-754 AD). This may be the second-oldest English poem, after 'Caedmon's Hymn.'



Franks Casket Runes
anonymous Old English poems, circa 700 AD
loose translation/interpretation by Michael R. Burch

The fish flooded the shore-cliffs;
the sea-king wept when he swam onto the shingle:
whale's bone.

Romulus and Remus, twin brothers weaned in Rome
by a she-wolf, far from their native land.



'The Leiden Riddle' is an Old English translation of Aldhelm's Latin riddle Lorica ('Corselet') .

The Leiden Riddle
anonymous Old English riddle poem, circa 700 AD
loose translation/interpretation by Michael R. Burch

The dank earth birthed me from her icy womb.
I know I was not fashioned from woolen fleeces;
nor was I skillfully spun from skeins;
I have neither warp nor weft;
no thread thrums through me in the thrashing loom;
nor do whirring shuttles rattle me;
nor does the weaver's rod assail me;
nor did silkworms spin me like skillfull fates
into curious golden embroidery.
And yet heroes still call me an excellent coat.
Nor do I fear the dread arrows' flights,
however eagerly they leap from their quivers.

Solution: a coat of mail.



If you see a busker singing for tips, you're seeing someone carrying on an Anglo-Saxon tradition that goes back to the days of Beowulf …

He sits with his harp at his thane's feet,
Earning his hire, his rewards of rings,
Sweeping the strings with his skillful nail;
Hall-thanes smile at the sweet song he sings.
—'Fortunes of Men' loose translation by Michael R. Burch



Here's one of the first Old English/Anglo-Saxon poems to employ a refrain:

Deor's Lament
(Anglo Saxon poem, circa 10th century AD)  
loose translation/interpretation by Michael R. Burch

Weland knew the agony of exile.
That indomitable smith was wracked by grief.
He endured countless troubles:
sorrows were his only companions
in his frozen island dungeon
after Nithad had fettered him,
many strong-but-supple sinew-bonds
binding the better man.
   That passed away; this also may.

Beadohild mourned her brothers' deaths
but even more, her own sad state
once she discovered herself with child.
She predicted nothing good could come of it.
   That passed away; this also may.

We have heard that the Geat's moans for Matilda,
his lady, were limitless,
that his sorrowful love for her
robbed him of regretless sleep.
   That passed away; this also may.

For thirty winters Theodric ruled
the Mæring stronghold with an iron hand;
many knew this and moaned.
   That passed away; this also may.

We have also heard of Ermanaric's wolfish ways,
of how he held wide sway in the realm of the Goths.
He was a grim king! Many a warrior sat,
full of cares and maladies of the mind,
wishing constantly that his kingdom might be overthrown.
   That passed away; this also may.

If a man sits long enough, sorrowful and anxious,
bereft of joy, his mind constantly darkening,
soon it seems to him that his troubles are endless.
Then he must consider that the wise Lord
often moves through the earth
granting some men honor, glory and fame,
but others only shame and hardship.
This I will say for myself:
that for awhile I was the Heodeninga's scop,
dear to my lord. My name was Deor.
For many winters I held a fine office,
faithfully serving a just lord. But now Heorrenda
a man skilful in songs, has received the estate
the protector of warriors gave me.
   That passed away; this also may.



'The Wife's Lament' or 'The Wife's Complaint' is an Old English/Anglo Saxon poem found in the Exeter Book. It's generally considered to be an elegy in the manner of the German frauenlied, or 'woman's song, ' although there are other interpretations of the poem's genre and purpose. The Exeter Book has been dated to 960-990 AD, making it the oldest English poetry anthology, but of course the poem may have been written earlier.

The Wife's Lament
loose translation/interpretation by Michael R. Burch

I draw these words from deep wells of my grief,
care-worn, unutterably sad.
I can recount woes I've borne since birth,
present and past, never more than now.
I have won, from my exile-paths, only pain.

First, my lord forsook his folk, left,
crossed the seas' tumult, far from our people.
Since then, I've known
wrenching dawn-griefs, dark mournings … oh where,
where can he be?

Then I, too, left—a lonely, lordless refugee,
full of unaccountable desires!
But the man's kinsmen schemed secretly
to estrange us, divide us, keep us apart,
across earth's wide kingdom, and my heart broke.

Then my lord spoke:
'Take up residence here.'
I had few friends in this unknown, cheerless
region, none close.
Christ, I felt lost!

Then I thought I had found a well-matched man -
one meant for me,
but unfortunately he
was ill-starred and blind, with a devious mind,
full of murderous intentions, plotting some crime!

Before God we
vowed never to part, not till kingdom come, never!
But now that's all changed, forever -
our friendship done, severed.
I must hear, far and near, contempt for my husband.

So other men bade me, 'Go, live in the grove,
beneath the great oaks, in an earth-cave, alone.'
In this ancient cave-dwelling I am lost and oppressed -
the valleys are dark, the hills immense,
and this cruel-briared enclosure—an arid abode!

The injustice assails me—my lord's absence!
On earth there are lovers who share the same bed
while I pass through life dead in this dark abscess
where I wilt, summer days unable to rest
or forget the sorrows of my life's hard lot.

A young woman must always be
stern, hard-of-heart, unmoved,
opposing breast-cares and her heartaches' legions.
She must appear cheerful
even in a tumult of grief.

Like a criminal exiled to a far-off land,
moaning beneath insurmountable cliffs,
my weary-minded love, drenched by wild storms
and caught in the clutches of anguish,
is reminded constantly of our former happiness.

Woe be it to them who abide in longing.



'The Husband's Message' is another poem from the Exeter Book. It may or may not be a reply to 'The Wife's Lament.' The poem is generally considered to be an Anglo-Saxon riddle (I will provide the solution) , but its primary focus is on persuading a wife or pledged fiancée to join her husband or betrothed and fulfill her promises to him.

The Husband's Message
anonymous Old English poem, circa 960-990 AD
loose translation/interpretation by Michael R. Burch

See, I unseal myself for your eyes only!
I sprang from a seed to a sapling,
waxed great in a wood,
                           was given knowledge,
was ordered across saltstreams in ships
where I stiffened my spine, standing tall,
till, entering the halls of heroes,
                   I honored my manly Lord.

Now I stand here on this ship's deck,
an emissary ordered to inform you
of the love my Lord feels for you.
I have no fear forecasting his heart steadfast,
his honor bright, his word true.

He who bade me come carved this letter
and entreats you to recall, clad in your finery,
what you promised each other many years before,
mindful of his treasure-laden promises.

He reminds you how, in those distant days,
witty words were pledged by you both
in the mead-halls and homesteads:
how he would be Lord of the lands
you would inhabit together
while forging a lasting love.

Alas, a vendetta drove him far from his feuding tribe,
but now he instructs me to gladly give you notice
that when you hear the returning cuckoo's cry
cascading down warming coastal cliffs,
come over the sea! Let no man hinder your course.

He earnestly urges you: Out! To sea!
Away to the sea, when the circling gulls
hover over the ship that conveys you to him!

Board the ship that you meet there:
sail away seaward to seek your husband,
over the seagulls' range,
                          over the paths of foam.
For over the water, he awaits you.

He cannot conceive, he told me,
how any keener joy could comfort his heart,
nor any greater happiness gladden his soul,
than that a generous God should grant you both
to exchange rings, then give gifts to trusty liege-men,
golden armbands inlaid with gems to faithful followers.

The lands are his, his estates among strangers,
his new abode fair and his followers true,
all hardy heroes, since hence he was driven,
shoved off in his ship from these shore in distress,
steered straightway over the saltstreams, sped over the ocean,
a wave-tossed wanderer winging away.

But now the man has overcome his woes,
outpitted his perils, lives in plenty, lacks no luxury,
has a hoard and horses and friends in the mead-halls.

All the wealth of the earth's great earls
now belongs to my Lord …
                                             He only lacks you.

He would have everything within an earl's having,
if only my Lady will come home to him now,
if only she will do as she swore and honor her vow.



Are these the oldest rhyming poems in the English language? Reginald of Durham recorded four verses of Saint Godric's: they are the oldest songs in English for which the original musical settings survive.

Led By Christ and Mary
by Saint Godric of Finchale (1065-1170)  
loose translation/interpretation by Michael R. Burch

By Christ and Saint Mary I was so graciously led
that the earth never felt my bare foot's tread!

In the second poem, Godric puns on his name: godes riche means 'God's kingdom' and sounds like 'God is rich' …

A Cry to Mary
by Saint Godric of Finchale (1065-1170)  
loose translation/interpretation by Michael R. Burch

I.
Saintë Marië Virginë,
Mother of Jesus Christ the Nazarenë,
Welcome, shield and help thin Godric,
Fly him off to God's kingdom rich!

II.
Saintë Marië, Christ's bower,
****** among Maidens, Motherhood's flower,
Blot out my sin, fix where I'm flawed,
Elevate me to Bliss with God!

Godric also wrote a prayer to St. Nicholas:

Prayer to St. Nicholas
by Saint Godric of Finchale (1065-1170)  
loose translation/interpretation by Michael R. Burch

Saint Nicholas, beloved of God,
Build us a house that's bright and fair;
Watch over us from birth to bier,
Then, Saint Nicholas, bring us safely there!



Another candidate for the first rhyming English poem is actually called 'The Rhyming Poem' as well as 'The Riming Poem' and 'The Rhymed Poem.'

The Rhymed Poem aka The Rhyming Poem and The Riming Poem
anonymous Old English/Anglo-Saxon poem circa 990 AD
loose translation/interpretation by Michael R. Burch

He who granted me life created this sun
and graciously provided its radiant engine.
I was gladdened with glees, bathed in bright hues,
deluged with joy's blossoms, sunshine-infused.

Men admired me, feted me with banquet-courses;
we rejoiced in the good life. Gaily bedecked horses
carried me swiftly across plains on joyful rides,
delighting me with their long limbs' thunderous strides.
That world was quickened by earth's fruits and their flavors!
I cantered under pleasant skies, attended by troops of advisers.
Guests came and went, amusing me with their chatter
as I listened with delight to their witty palaver.

Well-appointed ships glided by in the distance;
when I sailed myself, I was never without guidance.
I was of the highest rank; I lacked for nothing in the hall;
nor did I lack for brave companions; warriors, all,
we strode through castle halls weighed down with gold
won from our service to thanes. We were proud men, and bold.
Wise men praised me; I was omnipotent in battle;
Fate smiled on and protected me; foes fled before me like cattle.
Thus I lived with joy indwelling; faithful retainers surrounded me;
I possessed vast estates; I commanded all my eyes could see;
the earth lay subdued before me; I sat on a princely throne;
the words I sang were charmed; old friendships did not wane …

Those were years rich in gifts and the sounds of happy harp-strings,
when a lasting peace dammed shut the rivers' sorrowings.
My servants were keen, their harps resonant;
their songs pealed, the sound loud but pleasant;
the music they made melodious, a continual delight;
the castle hall trembled and towered bright.
Courage increased, wealth waxed with my talent;
I gave wise counsel to great lords and enriched the valiant.

My spirit enlarged; my heart rejoiced;
good faith flourished; glory abounded; abundance increased.
I was lavishly supplied with gold; bright gems were circulated …
Till treasure led to treachery and the bonds of friendship constricted.

I was bold in my bright array, noble in my equipage,
my joy princely, my home a happy hermitage.
I protected and led my people;
for many years my life among them was regal;
I was devoted to them and they to me.

But now my heart is troubled, fearful of the fates I see;
disaster seems unavoidable. Someone dear departs in flight by night
who once before was bold. His soul has lost its light.
A secret disease in full growth blooms within his breast,
spreads in different directions. Hostility blossoms in his chest,
in his mind. Bottomless grief assaults the mind's nature
and when penned in, erupts in rupture,
burns eagerly for calamity, runs bitterly about.

The weary man suffers, begins a journey into doubt;
his pain is ceaseless; pain increases his sorrows, destroys his bliss;
his glory ceases; he loses his happiness;
he loses his craft; he no longer burns with desires.
Thus joys here perish, lordships expire;
men lose faith and descend into vice;
infirm faith degenerates into evil's curse;
faith feebly abandons its high seat and every hour grows worse.

So now the world changes; Fate leaves men lame;
Death pursues hatred and brings men to shame.
The happy clan perishes; the spear rends the marrow;
the evildoer brawls and poisons the arrow;
sorrow devours the city; old age castrates courage;
misery flourishes; wrath desecrates the peerage;
the abyss of sin widens; the treacherous path snakes;
resentment burrows, digs in, wrinkles, engraves;
artificial beauty grows foul;
the summer heat cools;
earthly wealth fails;
enmity rages, cruel, bold;
the might of the world ages, courage grows cold.
Fate wove itself for me and my sentence was given:
that I should dig a grave and seek that grim cavern
men cannot avoid when death comes, arrow-swift,
to seize their lives in his inevitable grasp.
Now night comes at last,
and the way stand clear
for Death to dispossesses me of my my abode here.

When my corpse lies interred and the worms eat my limbs,
whom will Death delight then, with his dark feast and hymns?
Let men's bones become one,
and then finally, none,
till there's nothing left here of the evil ones.
But men of good faith will not be destroyed;
the good man will rise, far beyond the Void,
who chastened himself, more often than not,
to avoid bitter sins and that final black Blot.
The good man has hope of a far better end
and remembers the promise of Heaven,
where he'll experience the mercies of God for his saints,
freed from all sins, dark and depraved,
defended from vices, gloriously saved,
where, happy at last before their cheerful Lord,
men may rejoice in his love forevermore.



aaa

Exeter Book Gnomic Verses or Maxims
loose translation/interpretation by Michael R. Burch

The dragon dwells under the dolmen,
wizened-wise, hoarding his treasure;
the fishes bring forth their finned kind;
the king in his halls distributes rings;
the bear stalks the heath, shaggy and malevolent.

Frost shall freeze,
fire feast on firs;
earth breed blizzards;
brazen ice bridge waters;
waters spawn shields;
oxen axe
frost's firm fetters,
freeing golden grain
from ice's imprisonment.

Winter shall wane,
warm weather return
as sun-warmed summer!

Kings shall win
wise queens with largesse,
with beakers and bracelets;
both must be
generous with their gifts.

Courage must create
war-lust in a lord
while his woman shows
kindness to her people,
delightful in dress,
interpreter of rune-words,
roomy-hearted
at hearth-sharing and horse-giving.

The deepest depths
hold seas' secrets the longest.

The ship must be neatly nailed,
the hull framed
from light linden.
But how loving
the Frisian wife's welcome
when, floating offshore,
the keel turns homeward!
She hymns homeward
her own husband,
till his hull lies at anchor!
Then she washes salt-stains
from his stiff shirt,
lays out new clothes
clean and fresh
for her exhausted sailor,
her beloved bread-winner,
love's needs well-met.



THE WANDERER

Please keep in mind that in ancient Anglo-Saxon poems like "The Ruin" and "The Wanderer" the Wyrdes function like the Fates of ancient Greek mythology, controlling men's destinies.

The Wanderer
ancient Anglo-Saxon poem, circa 990 AD
loose translation/interpretation by Michael R. Burch

"The one who wanders alone
longs for mercy, longs for grace,
knowing he must yet traverse
the whale-path's rime-cold waters,
stirring the waves with his hands & oars,
heartsick & troubled in spirit,
always bending his back to his exile-ways."

"Fate is inexorable."

Thus spoke the wanderer, the ancient earth-roamer
mindful of life's hardships,
of its cruel slaughters & deaths of dear kinsmen.

"Often I am driven, departing alone at daybreak,
to give my griefs utterance,
the muffled songs of a sick heart
sung to no listeners, to no living lord,
for now there are none left alive
to debate my innermost doubts.

Custom considers it noble indeed for a man
to harbor his thought-hoard,
keep it close to his chest,
slam the doors of his doubts shut,
bind sorrow to silence & be still.

But the weary-minded man cannot withstand Wyrdes,
nor may his shipwrecked heart welcome solace, nor any hope of healing.
Therefore those eager for fame often bind dark thoughts
& unwailed woes in their breast-coffers.

Thus, miserably sad, overcome by cares & separated from my homeland,
far from my noble kinsmen, I was forced to bind my thoughts with iron fetters,
to confine my breast-hoard to its cage of bone.

Long ago the dark earth covered my gold-lord & I was left alone,
winter-weary & wretched, to cross these winding waves friendless.

Saddened, I sought the hall of some new gold-giver,
someone who might take heed of me, welcome me,
hoping to find some friendly mead-hall
offering comfort to men left friendless by Fate.

Anyone left lordless, kinless & friendless
knows how bitter-cruel life becomes
to one bereft of protectors,
pale sorrows his only companions.

No one waits to welcome the wanderer!

His only rewards, cold nights & the frigid sea.

Only exile-paths await him,
not torques of twisted gold,
warm hearths & his lord's trust.

Only cold hearts' frozen feelings, not earthly glory.

Then he longingly remembers retainers, feasts & the receiving of treasure,
how in his youth his gold-friend recognized him at the table.

But now all pleasure has vanished & his dreams taste like dust!

The wanderer knows what it means to do without:
without the wise counsels of his beloved lord, kinsmen & friends.

The lone outcast, wandering the headlands alone,
where solitariness & sorrow sleep together!

Then the wretched solitary vagabond
remembers in his heart how he embraced & kissed his lord
& laid his hands & head upon his knee,
in those former days of grace at the gift-stool.

But the wanderer always awakes without friends.

Awakening, the friendless man confronts the murky waves,
the seabirds bathing, broadening out their feathers,
the ****-frost, harrowing hail & snow eternally falling…

Then his heart's wounds seem all the heavier for the loss of his beloved lord.

Thus his sorrow is renewed,
remembrance of his lost kinsmen troubles his mind,
& he greets their ghosts with exclamations of joy, but they merely swim away.

The floating ones never tarry.

Thus care is renewed for the one whose weary spirit rides the waves.

Therefore I cannot think why, surveying this world,
my mind should not contemplate its darkness.

When I consider the lives of earls & their retainers,
how at a stroke they departed their halls, those mood-proud thanes! ,
then I see how this middle-earth fails & falls, day after day…

Therefore no man becomes wise without his share of winters.

A wise man must be patient,
not hot-hearted, nor over-eager to speak,
nor weak-willed in battles & yet not reckless,
not unwitting nor wanting in forethought,
nor too greedy for gold & goods,
nor too fearful, nor too cheerful,
nor too hot, nor too mild,
nor too eager to boast before he's thought things through.

A wise man forbears boastmaking
until, stout-hearted, his mind sure & his will strong,
he can read the road where his travels & travails take him.

The wise man grasps how ghastly life will be
when all the world's wealth becomes waste,
even as middle-earth already is, in so many places
where walls stand weather-beaten by the wind,
crusted with cold rime, ruined dwellings snowbound,
wine-halls crumbling, their dead lords deprived of joy,
the once-hale host all perished beyond the walls.

Some war took, carried them off from their courses;
a bird bore one across the salt sea;
another the gray wolf delivered to Death;
one a sallow-cheeked earl buried in a bleak barrow.

Thus mankind's Maker laid waste to Middle Earth,
until the works of the giants stood idle,
all eerily silenced, the former joys of their halls."

The wise man contemplates these ruins,
considers this dark life soberly,
remembers the blood spilled here
in multitudes of battles,
then says:

"Where is the horse now? Where, its riders?
Where, the givers of gifts & treasure, the gold-friend?
Where, the banquet-seats? Where, the mead-halls' friendly uproars?

Gone, the bright cup! Gone, the mailed warrior!
Gone, the glory of princes! Time has slipped down
the night-dome, as if it never were!

Now all that remains is this wall, wondrous-high,
decorated with strange serpentine shapes,
these unreadable wormlike runes!

The strength of spears defeated the earls,
lances lusting for slaughter, some glorious victory!

Now storms rage against these rock-cliffs,
as swirling snows & sleet entomb the earth,
while wild winter howls its wrath
as the pale night-shadow descends.

The frigid north sends hailstones to harry warriors.

Hardships & struggles beset the children of men.

The shape of fate is twisted under the heavens
as the Wyrdes decree.

Life is on loan, wealth transitory, friendships fleeting,
man himself fleeting, everything transitory,
& earth's entire foundation stands empty."

Thus spoke the wanderer, wise-hearted, as he sat apart in thought.

Good is the man who keeps his word to the end.
Nor should a man manifest his breast-pangs before he knows their cure,
how to accomplish the remedy with courage.



The Dream of the Rood
anonymous Anglo-Saxon poem, circa the tenth century
loose translation/interpretation by Michael R. Burch

Listen! A dream descended upon me at deep midnight
when sleepers have sought their beds and sweet rest:
the dream of dreams, I declare it!

It seemed I saw the most wondrous tree,
raised heaven-high, wound 'round with light,
with beams of the brightest wood. A beacon
covered in overlapping gold and precious gems,
it stood fair at the earth's foot, with five gemstones
brightening its cross-beam. All heaven's angels
beheld it with wonder, for it was no felon's gallows…



Beowulf
Old English/Anglo-Saxon poem, circa 8th-10th century AD
loose translation/interpretation by Michael R. Burch

LO, praise the prowess of the Spear-Danes
whose clan-thanes ruled in days bygone,
possessed of dauntless courage and valor.

All have heard the honors the athelings won,
of Scyld Scefing, scourge of rebellious tribes,
wrecker of mead-benches, harrier of warriors,
awer of earls. He had come from afar,
first friendless, a foundling, till Fate intervened:
for he waxed under the welkin and persevered,
until folk, far and wide, on all coasts of the whale-path,
were forced to yield to him, bring him tribute.
A good king!

To him an heir was afterwards born,
a lad in his yards, a son in his halls,
sent by heaven to comfort the folk.
Knowing they'd lacked an earl a long while,
the Lord of Life, the Almighty, made him far-renowned.

Beowulf's fame flew far throughout the north,
the boast of him, this son of Scyld,
through Scandian lands.

…

Grendel was known of in Geatland, far-asea,
the horror of him.

…

Beowulf bade a seaworthy wave-cutter
be readied to bear him to Heorot,
over the swan's riding,
to defense of that good king, Hrothgar.

Wise men tried to dissuade him
because they held Beowulf dear,
but their warnings only whetted his war-lust.

Yet still he pondered the omens.

The resolute prince handpicked his men,
the fiercest of his folk, to assist him:
fourteen men sea-wise, stout-hearted,
battle-tested. Led them to the land's edge.

Hardened warriors hauled bright mail-coats,
well-wrought war gear, to the foot of her mast.
At high tide she rode the waves, hard in by headland,
as they waved their last farewells, then departed.

Away she broke like a sea-bird, skimming the waves,
wind-borne, her curved prow plowing the ocean,
till on the second day the skyline of Geatland loomed.

…



In the following poem Finnsburuh means 'Finn's stronghold' and Finn was a Frisian king. This battle between Danes and Frisians is also mentioned in the epic Anglo-Saxon poem Beowulf. Hnaef and his 60 retainers were house-guests of Finn at the time of the battle.

The Finnesburg Fragment or The Fight at Finnsburg
Old English/Anglo-Saxon poem, circa 10th century AD
loose translation/interpretation by Michael R. Burch

Battle-bred Hnaef broke the silence:
'Are the eaves aflame, is there dawn in the east,
are there dragons aloft? No, only the flares of torches
borne on the night breeze. Evil is afoot. Soon the hoots of owls,
the weird wolf's howls, cries of the carrion crows, the arrow's screams,
and the shield's reply to the lance's shaft, shall be heard.
Heed the omens of the moon, that welkin-wanderer.
We shall soon feel in full this folk's fury for us.
Shake yourselves awake, soldiers! On your feet!
Who's with me? Grab your swords and shields. Loft your linden! '



'The Battle of Brunanburh' is the first poem to appear in the Anglo-Saxon Chronicle. Aethelstan and Edmund were the grandsons of King Alfred the Great.

The Battle of Brunanburh or The Battle of Brunanburgh
anonymous Old English/Anglo-Saxon poem, circa 937 AD
loose translation/interpretation by Michael R. Burch

Her Aethelstan cyning, / Aethelstan the King,
eorla dryhten, / Lord over earls,
beorna beag-giefa, / bracelet-bestower,
and his brothor eac, / and with him his brother,
Eadmund aetheling, / Edmund the Atheling,
ealdor-lange tir / earned unending glory:
geslogon aet saecce / glory they gained in battle
sweorda ecgum / as they slew with the sword's edge
ymbe Brunanburh. / many near Brunanburgh…



The Battle of Maldon
anonymous Old English/Anglo-Saxon poem, circa 991 AD or later
loose translation/interpretation by Michael R. Burch

…would be broken.

Then he bade each warrior unbridle his horse,
set it free, drive it away and advance onward afoot,
intent on deeds of arms and dauntless courage.

It was then that Offa's kinsman kenned
their Earl would not accept cowardice,
for he set his beloved falcon free, let it fly woods-ward,
then stepped forward to battle himself, nothing withheld.

By this his men understood their young Earl's will full well,
that he would not weaken when taking up weapons.

Eadric desired to serve his Earl,
his Captain in the battle to come; thus he also advanced forward,
his spear raised, his spirit strong,
boldly grasping buckler and broadsword,
ready to keep his vow to stand fast in the fight.

Byrhtnoth marshalled his men,
teaching each warrior his task:
how to stand, where to be stationed…



Adam Lay Ybounden
(anonymous Medieval English Lyric, circa early 15th century AD)  
loose translation/interpretation by Michael R. Burch

Adam lay bound, bound in a bond;
Four thousand winters, he thought, were not too long.
And all was for an apple, an apple that he took,
As clerics now find written in their book.
But had the apple not been taken, or had it never been,
We'd never have had our Lady, heaven's queen.
So blesséd be the time the apple was taken thus;
Therefore we sing, 'God is gracious! '

The poem has also been rendered as 'Adam lay i-bounden' and 'Adam lay i-bowndyn.'




I Sing of a Maiden
(anonymous Medieval English Lyric, circa early 15th century AD)  
loose translation/interpretation by Michael R. Burch

I sing of a maiden
That is matchless.
The King of all Kings
For her son she chose.

He came also as still
To his mother's breast
As April dew
Falling on the grass.

He came also as still
To his mother's bower
As April dew
Falling on the flower.

He came also as still
To where his mother lay
As April dew
Falling on the spray.

Mother and maiden?
Never one, but she!
Well may such a lady
God's mother be!



WIDSITH

Widsith, the 'wide-wanderer' or 'far-traveler, ' was a fictional poet and harper who claimed to have sung for everyone from Alexander the Great, Caesar and Attila, to the various kings of the Angles, Saxons and Vikings! The poem that bears his name is a thula, or recited list of historical and legendary figures, and an ancient version of, 'I've Been Everywhere, Man.'

Widsith, the Far-Traveler
anonymous Old English/Anglo-Saxon poem, circa 680-950 AD
loose translation/interpretation by Michael R. Burch

Widsith the wide-wanderer began to speak,
unlocked his word-hoard, manifested his memories,
he who had travelled earth's roads furthest
among the races of men—their tribes, peoples and lands.
He had often prospered in the mead-halls,
competing for precious stones with his tale-trove.
His ancestors hailed from among the Myrgings,
whence his lineage sprung, a scion of Ealhhild,
the fair peace-weaver. On his first journey, east of the Angles,
he had sought out the home of Eormanric,
the angry oath-breaker and betrayer of men.

Widsith, rich in recollections, began to share his wisdom thus:

I have learned much from mighty men, their tribes' mages,
and every prince must live according to his people's customs,
acting honorably, if he wishes to prosper upon his throne.

Hwala was the best, for awhile,
Alexander the mightiest, beyond compare,
his empire the most prosperous and powerful of all,
among all the races of men, as far as I have heard tell.

Attila ruled the Huns, Eormanric the Goths,
Becca the Banings, Gifica the Burgundians,
Caesar the Greeks, Caelic the Finns,
Hagena the Holmrigs, Heoden the Glomms,
Witta the Swæfings, Wada the Hælsings,
Meaca the Myrgings, Mearchealf the Hundings,
Theodric the Franks, Thyle the Rondings,
Breoca the Brondings, Billing the Wærns,
Oswine the Eowan, Gefwulf the Jutes,
Finn Folcwalding the Frisians,
Sigehere ruled the Sea-Danes for decades,
Hnæf the Hockings, Helm the Wulfings,
Wald the Woings, Wod the Thuringians,
Sæferth the Secgan, Ongendtheow the Swedes,
Sceafthere the Ymbers, Sceafa the Lombards,
*** the Hætwera, Holen the Wrosnas,
Hringweald was king of the Herefara.

Offa ruled the Angles, Alewih the Danes,
the bravest and boldest of men,
yet he never outdid Offa.
For Offa, while still a boy, won in battle the broadest of kingdoms.
No one as young was ever a worthier Earl!
With his stout sword he struck the boundary of the Myrgings,
fixed it at Fifeldor, where afterwards the Angles and Swæfings held it.

Hrothulf and Hrothgar, uncle and nephew,
for a long time kept a careful peace together
after they had driven away the Vikings' kinsmen,
vanquished Ingeld's spear-hordes,
and hewed down at Heorot the host of the Heathobards.

Thus I have traveled among many foreign lands,
crossing the earth's breadth,
experiencing both goodness and wickedness,
cut off from my kinsfolk, far from my family.

Thus I can speak and sing these tidings in the mead-halls,
of how how I was received by the most excellent kings.
Many were magnanimous to me!

I was among the Huns and the glorious Ostrogoths,
among the Swedes, the Geats, and the South-Danes,
among the Vandals, the Wærnas, and the Vikings,
among the Gefthas, the Wends, and the Gefflas,
among the Angles, the Swabians, and the Ænenas,
among the Saxons, the Secgan, and the Swordsmen,
among the Hronas, the Danes, and the Heathoreams,
among the Thuringians and the Throndheims,
also among the Burgundians, where I received an arm-ring;
Guthhere gave me a gleaming gem in return for my song.
He was no gem-hoarding king, slow to give!

I was among the Franks, the Frisians, and the Frumtings,
among the Rugas, the Glomms, and the Romans.

I was likewise in Italy with Ælfwine,
who had, as I'd heard, commendable hands,
fast to reward fame-winning deeds,
a generous sharer of rings and torques,
the noble son of Eadwine.

I was among the Saracens and also the Serings,
among the Greeks, the Finns, and also with Caesar,
the ruler of wine-rich cities and formidable fortresses,
of riches and rings and Roman domains.
He also controlled the kingdom of Wales.

I was among the Scots, the Picts and the Scrid-Finns,
among the Leons and Bretons and Lombards,
among the heathens and heroes and Huns,
among the Israelites and Assyrians,
among the Hebrews and Jews and Egyptians,
among the Medes and Persians and Myrgings,
and with the Mofdings against the Myrgings,
among the Amothings and the East-Thuringians,
among the Eolas, the Ista and the Idumings.

I was also with Eormanric for many years,
as long as the Goth-King availed me well,
that ruler of cities, who gave me gifts:
six hundred shillings of pure gold
beaten into a beautiful neck-ring!
This I gave to Eadgils, overlord of the Myrgings
and my keeper-protector, when I returned home,
a precious adornment for my beloved prince,
after which he awarded me my father's estates.

Ealhhild gave me another gift,
that shining lady, that majestic queen,
the glorious daughter of Eadwine.
I sang her praises in many lands,
lauded her name, increased her fame,
the fairest of all beneath the heavens,
that gold-adorned queen, glad gift-sharer!

Later, Scilling and I created a song for our war-lord,
my shining speech swelling to the sound of his harp,
our voices in unison, so that many hardened men, too proud for tears,
called it the most moving song they'd ever heard.

Afterwards I wandered the Goths' homelands,
always seeking the halest and heartiest companions,
such as could be found within Eormanric's horde.
I sought Hethca, Beadeca and the Herelings,
Emerca, Fridlal and the Ostrogoths,
even the wise father of Unwen.
I sought Secca and Becca, Seafola and Theodric,
Heathoric and Sifeca, Hlithe and Ongentheow,
Eadwine and Elsa, Ægelmund and Hungar,
even the brave band of the Broad-Myrgings.
I sought Wulfhere and Wyrmhere where war seldom slackened,
when the forces of Hræda with hard-striking swords
had to defend their imperiled homestead
in the Wistla woods against Attila's hordes.

I sought Rædhere, Rondhere, Rumstan and Gislhere,
Withergield and Freotheric, Wudga and Hama,
never the worst companions although I named them last.
Often from this band flew shrill-whistling wooden shafts,
shrieking spears from this ferocious nation,
felling enemies because they wielded the wound gold,
those good leaders, Wudga and Hama.

I have always found this to be true in my far-venturing:
that the dearest man among earth-dwellers
is the one God gives to rule ably over others.

But the makar's weird is to be a wanderer. [maker's/minstrel's fate]

The minstrel travels far, from land to land,
singing his needs, speaking his grateful thanks,
whether in the sunny southlands or the frigid northlands,
measuring out his word-hoard to those unstingy of gifts,
to those rare elect rulers who understand art's effect on the multitudes,
to those open-handed lords who would have their fame spread,
via a new praise-verse, thus earning enduring reputations
under the heavens.



Lent is Come with Love to Town
anonymous Middle English poem, circa 1330
loose translation/interpretation by Michael R. Burch

Springtime comes with love to town,
With blossoms and with birdsong 'round,
Bringing all this bliss:
Daisies in the dales,
Sweet notes of nightingales.
Each bird contributes songs;
The thrush chides ancient wrongs.
Departed, winter's glowers;
The woodruff gayly flowers;
The birds create great noise
And warble of their joys,
Making all the woodlands ring!



'Cantus Troili' from Troilus and Criseide
by Petrarch
'If no love is, O God, what fele I so? ' translation by Geoffrey Chaucer
modernization by Michael R. Burch

If there's no love, O God, why then, so low?
And if love is, what thing, and which, is he?
If love is good, whence comes my dismal woe?
If wicked, love's a wonder unto me,
When every torment and adversity
That comes from him, persuades me not to think,
For the more I thirst, the more I itch to drink!

And if in my own lust I choose to burn,
From whence comes all my wailing and complaint?
If harm agrees with me, where can I turn?
I know not, all I do is feint and faint!
O quick death and sweet harm so pale and quaint,
How may there be in me such quantity
Of you, 'cept I consent to make us three?

And if I so consent, I wrongfully
Complain, I know. Thus pummeled to and fro,
All starless, lost and compassless, am I
Amidst the sea, between two rending winds,
That in diverse directions bid me, 'Go! '
Alas! What is this wondrous malady?
For heat of cold, for cold of heat, I die.



'Blow, northerne wind'
anonymous Middle English poem, circa late 13th century
loose translation/interpretation by Michael R. Burch

Blow, northern wind,
Send my love, my sweeting,
Blow, northern wind,
Blow, blow, blow,
Our love completing!



'What is he, this lordling, that cometh from the fight? '
by William Herebert, circa early 14th century
loose translation/interpretation by Michael R. Burch

Who is he, this lordling, who staggers from the fight,
with blood-red garb so grisly arrayed,
once appareled in lineaments white?
Once so seemly in sight?
Once so valiant a knight?

'It is I, it is I, who alone speaks right,
a champion to heal mankind in this fight.'

Why then are your clothes a ****** mess,
like one who has trod a winepress?

'I trod the winepress alone,
else mankind was done.'



'Thou wommon boute fere'
by William Herebert, circa early 14th century
loose translation/interpretation by Michael R. Burch

Woman without compare,
you bore your own father:
great the wonder
that one woman was mother
to her father and brother,
as no one else ever was.



'Marye, maide, milde and fre'
by William of Shoreham, circa early 14th century
loose translation/interpretation by Michael R. Burch

Mary, maid, mild and free,
Chamber of the Trinity,
This while, listen to me,
As I greet you with a song...



'My sang es in sihting'
by Richard Rolle, circa 14th century
loose translation/interpretation by Michael R. Burch

My song is in sighing,
My life is in longing,
Till I see thee, my King,
So fair in thy shining,
So fair in thy beauty,
Leading me into your light...



To Rosemounde: A Ballade
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Madame, you're a shrine to loveliness
And as world-encircling as trade's duties.
For your eyes shine like glorious crystals
And your round cheeks like rubies.
Therefore you're so merry and so jocund
That at a revel, when that I see you dance,
You become an ointment to my wound,
Though you offer me no dalliance.

For though I weep huge buckets of warm tears,
Still woe cannot confound my heart.
For your seemly voice, so delicately pronounced,
Make my thoughts abound with bliss, even apart.
So courteously I go, by your love bound,
So that I say to myself, in true penance,
'Suffer me to love you Rosemounde;
Though you offer me no dalliance.'

Never was a pike so sauce-immersed
As I, in love, am now emeshed and wounded.
For which I often, of myself, divine
That I am truly Tristam the Second.
My love may not grow cold, nor numb,
I burn in an amorous pleasance.
Do as you will, and I will be your thrall,
Though you offer me no dalliance.



A Lady without Paragon
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Hide, Absalom, your shining tresses;
Esther, veil your meekness;
Retract, Jonathan, your friendly caresses;
Penelope and Marcia Catoun?
Other wives hold no comparison;
Hide your beauties, Isolde and Helen;
My lady comes, all stars to outshine.

Thy body fair? Let it not appear,
Lavinia and Lucretia of Rome;
Nor Polyxena, who found love's cost so dear;
Nor Cleopatra, with all her passion.
Hide the truth of love and your renown;
And thou, Thisbe, who felt such pain;
My lady comes, all stars to outshine.

Hero, Dido, Laodamia, all fair,
And Phyllis, hanging for Demophon;
And Canace, dead by love's cruel spear;
And Hypsipyle, betrayed along with Jason;
Make of your truth neither boast nor swoon,
Nor Hypermnestra nor Adriane, ye twain;
My lady comes, all stars to outshine.



A hymn to Jesus
by Richard of Caistre, circa 1400
loose translation/interpretation by Michael R. Burch

Jesu, Lord that madest me
and with thy blessed blood hath bought,
forgive that I have grieved thee,
in word, work, will and thought.

Jesu, for thy wounds' hurt
of body, feet and hands too,
make me meek and low in heart,
and thee to love, as I should do...



In Praise of his Ugly Lady
by Thomas Hoccleve, early 15th century
loose translation/interpretation by Michael R. Burch

Of my lady? Well rejoice, I may!
Her golden forehead is full narrow and small;
Her brows are like dim, reed coral;
And her jet-black eyes glisten, aye.

Her bulging cheeks are soft as clay
with large jowls and substantial.

Her nose, an overhanging shady wall:
no rain in that mouth on a stormy day!

Her mouth is nothing scant with lips gray;
Her chin can scarcely be seen at all.

Her comely body is shaped like a football,
and she sings like a cawing jay.



Lament for Chaucer
by Thomas Hoccleve, early 15th century
loose translation/interpretation by Michael R. Burch

Alas, my worthy master, honorable,
The very treasure and riches of this land!
Death, by your death, has done irreparable
harm to us: her cruel and vengeful hand
has robbed our country of sweet rhetoric...



Holly and Ivy
anonymous Middle English poem, circa 15th century
loose translation/interpretation by Michael R. Burch

Nay! Ivy, nay!
It shall not be, like this:
Let Holy have the mastery,
As the manner is.

Holy stood in the hall
Fair to behold;
Ivy stood outside the door,
Lonely and cold.

Holy and his merry men
Commenced to dance and sing;
Ivy and her maidens
Were left outside to weep and wring.

Ivy has a chilblain,
She caght it with the cold.
So must they all have, aye,
Whom with Ivy hold.

Holly has berries
As red as any rose:
The foresters and hunters
Keep them from the does.

Ivy has berries
As black as any ill:
There comes the owl
To eat them as she will.

Holly has birds,
A full fair flock:
The nightingale, the poppyinjay,
The gentle lark.

Good Ivy, good Ivy,
What birds cling to you?
None but the owl
Who cries, 'Who? Who? '



Unkindness Has Killed Me
anonymous Middle English poem,15th century
loose translation/interpretation by Michael R. Burch

Grievous is my sorrow:
Both evening and morow;
Unto myself alone
Thus do I moan,
That unkindness has killed me
And put me to this pain.
Alas! what remedy
That I cannot refrain?



from The Testament of John Lydgate
15th century
loose translation/interpretation by Michael R. Burch

Behold, o man! lift up your eyes and see
What mortal pain I suffer for your trespass.
With piteous voice I cry and say to thee:
Behold my wounds, behold my ****** face,
Behold the rebukes that do me such menace,
Behold my enemies that do me so despise,
And how that I, to reform thee to grace,
Was like a lamb offred in sacrifice.



Vox ultima Crucis
from The Testament of John Lydgate,15th century
loose translation/interpretation by Michael R. Burch

TARRY no longer; toward thine heritage
Haste on thy way, and be of right good cheer.
Go each day onward on thy pilgrimage;
Think how short a time thou hast abided here.
Thy place is built above the stars clear,
No earthly palace wrought in such stately wise.
Come on, my friend, my brother must enter!
For thee I offered my blood in sacrifice.



Inordinate Love
anonymous Middle English poem, circa 15th century
loose translation/interpretation by Michael R. Burch

I shall say what inordinate love is:
The ferocity and singleness of mind,
An inextinguishable burning devoid of bliss,
A great hunger, too insatiable to decline,
A dulcet ill, an evil sweetness, blind,
A right wonderful, sugared, sweet error,
Without any rest, contrary to kind,
Without quiet, a riot of useless labor.



Besse Bunting
anonymous Middle English poem, circa 15th century
loose translation/interpretation by Michael R. Burch

In April and May
When hearts be all a-merry,
Bessie Bunting, the miller's girl,
With lips as red as cherries,
Cast aside remembrance
To pass her time in dalliance
And leave her misery to chance.
Right womanly arrayed
In petticoats of white,
She was undismayed
And her countenance was light.



The spring under a thorn
anonymous Middle English poem, circa 15th century
loose translation/interpretation by Michael R. Burch

At a wellspring, under a thorn,
the remedy for an ill was born.
There stood beside a maid
Full of love bound,
And whoso seeks true love,
In her it will be found.



The Complaint of Cresseid against Fate
Robert Henryson,15th century
loose translation/interpretation by Michael R. Burch

O sop of sorrow, sunken into care,
O wretched Cresseid, now and evermore
Gone is thy joy and all thy mirth on earth!
Stripped bare of blitheness and happiness,
No salve can save you from your sickness.
Fell is thy fortune, wicked thy fate.
All bliss banished and sorrow in bloom.
Would that I were buried under the earth
Where no one in Greece or Troy might hear it!



A lover left alone with his thoughts
anonymous Middle English poem, circa later 15th century
loose translation/interpretation by Michael R. Burch

Continuance
of remembrance,
without ending,
causes me penance
and great grievance,
for your parting.

You are so deeply
engraved in my heart,
God only knows
that always before me
I ever see you
in thoughts covert.

Though I do not explain
my woeful pain,
I bear it still,
although it seems vain
to speak against
Fortune's will.



Go, hert, hurt with adversity
anonymous Middle English poem, circa 15th century
loose translation/interpretation by Michael R. Burch

Go, heart, hurt with adversity,
and let my lady see thy wounds,
then say to her, as I say to thee:
'Farewell, my joy, and welcome pain,
till I see my lady again.'



I love a flower
by Thomas Phillipps, circa 1500
loose translation/interpretation by Michael R. Burch

'I love, I love, and whom love ye? '
'I love a flower of fresh beauty.'
'I love another as well as ye.'
'That shall be proved here, anon,
If we three
together can agree
thereon.'

'I love a flower of sweet odour.'
'Marigolds or lavender? '
'Columbine, golds of sweet flavor? '
'Nay! Nay! Let be:
It is none of them
that liketh me.'

(The argument continues...)  

'I love the rose, both red and white.'
'Is that your perfect appetite? '
'To talk of them is my delight.'
'Joyed may we be,
our Prince to see
and roses three.'

'Now we have loved and love will we,
this fair, fresh flower, full of beauty.'
'Most worthy it is, so thinketh me.'
'Then may it be proved here, anon,
that we three
did agree
as one.'



The sleeper hood-winked
by John Skelton, circa late 15th century
loose translation/interpretation by Michael R. Burch

With 'Lullay! Lullay! ' like a child,
Thou sleepest too long, thou art beguiled.

'My darling dear, my daisy flower,
let me, quoth he, 'lie in your lap.'
'Lie still, ' quoth she, 'my paramour, '
'Lie still, of course, and take a nap.'
His head was heavy, such was his hap!
All drowsy, dreaming, drowned in sleep,
That of his love he took no keep. [paid no notice]



The Corpus Christi Carol
anonymous Middle English poem, circa early 16th century
loose translation/interpretation by Michael R. Burch

He bore him up, he bore him down,
He bore him into an orchard brown.
Lully, lullay, lully, lullay!
The falcon has borne my mate away.

In that orchard there stood a hall
Hanged all over with purple and pall.
Lully, lullay, lully, lullay!
The falcon has borne my mate away.

And in that hall there stood a bed
hanged all over with gold so red.
Lully, lullay, lully, lullay!
The falcon has borne my mate away.

And in that bed there lies a knight,
His wounds all bleeding both day and night.
Lully, lullay, lully, lullay!
The falcon has borne my mate away.

By that bed's side there kneels a maid,
And she weeps both night and day.
Lully, lullay, lully, lullay!
The falcon has borne my mate away.

And by that bedside stands a stone,
'Corpus Christi' written thereon.
Lully, lullay, lully, lullay!
The falcon has borne my mate away.



Love ever green
attributed to King Henry VIII, circa 1515
loose translation/interpretation by Michael R. Burch

If Henry VIII wrote the poem, he didn't quite live up to it! - MRB

Green groweth the holly,
so doth the ivy.
Though winter's blasts blow never so high,
green groweth the holly.

As the holly groweth green
and never changeth hue,
so am I, and ever have been,
unto my lady true.

Adew! Mine own lady.
Adew! My special.
Who hath my heart truly,
Be sure, and ever shall.



Pleasure it is
by William Cornish, early 16th century
loose translation/interpretation by Michael R. Burch

Pleasure it is,
to her, indeed.
The birds sing;
the deer in the dale,
the sheep in the vale,
the new corn springing.
God's allowance
for sustenance,
his gifts to man.
Thus we always give him praise
and thank him, then.
And thank him, then.



My lute and I
by Sir Thomas Wyatt, circa early 16th century
loose translation/interpretation by Michael R. Burch

At most mischief
I suffer grief
Without relief
Since I have none;
My lute and I
Continually
Shall both apply
To sigh and moan.

Nought may prevail
To weep or wail;
Pity doth fail
In you, alas!
Mourning or moan,
Complaint, or none,
It is all one,
As in this case.

For cruelty,
Most that can be,
Hath sovereignty
Within your heart;
Which maketh bare
All my welfare:
Nought do you care
How sore I smart.

No tiger's heart
Is so perverse
Without desert
To wreak his ire;
And me? You ****
For my goodwill;
Lo, how I spill
For my desire!

There is no love
Your heart to move,
And I can prove
No other way;
Therefore I must
Restrain my lust,
Banish my trust
And wealth away.

Thus in mischief
I suffer grief,
Without relief
Since I have none,
My lute and I
Continually
Shall both apply
To sigh and moan.



What menethe this?
by Sir Thomas Wyatt, circa early 16th century
loose translation/interpretation by Michael R. Burch

WHAT meaneth this! when I lie alone
I toss, I turn, I sigh, I groan;
My bed seems near as hard as stone:
What means this?

I sigh, I plain continually;
The clothes that on my bed do lie,
Always, methinks, they lie awry;
What means this?

In slumbers oft for fear I quake;
For heat and cold I burn and shake;
For lack of sleep my head doth ache;
What means this?

At mornings then when I do rise,
I turn unto my wonted guise,
All day thereafter, muse and devise;
What means this?

And if perchance by me there pass,
She, unto whom I sue for grace,
The cold blood forsaketh my face;
What means this?

But if I sit with her nearby,
With a loud voice my heart doth cry,
And yet my mouth is dumb and dry;
What means this?

To ask for help, no heart I have;
My tongue doth fail what I should crave;
Yet inwardly I rage and rave;
What means this?

Thus I have passed many a year,
And many a day, though nought appear,
But most of that which I most I fear;
What means this?



Yet ons I was
by Sir Thomas Wyatt, circa early 16th century
loose translation/interpretation by Michael R. Burch

Once in your grace I know I was,
Even as well as now is he;
Though Fortune hath so turned my case
That I am down and he full high;
Yet once I was.

Once I was he that did you please
So well that nothing did I doubt,
And though today ye think it ease
To take him in and throw me out;
Yet once I was.

Once I was he, in times past.
That as your own ye did retain:
And though ye have me now out-cast,
Showing untruth in you to reign;
Yet once I was.

Once I was he that knit the knot
The which ye swore not to unknit,
And though ye feign it now forgot,
In using your newfangled wit;
Yet once I was.

Once I was he to whom ye said,
'Welcome, my joy, my whole delight! '
And though ye are now well repaid
Of me, your own, your claim seems slight;
Yet once I was.

Once I was he to whom ye spake,
'Have here my heart! It is thy own.'
And though these words ye now forsake,
Saying thereof my part is none;
Yet once I was.

Once I was he that led the cast,
But now am he that must needs die.
And though I die, yet, at the last,
In your remembrance let it lie,
That once I was.



The Vision of Piers Plowman
by William Langland, circa 1330-1400
loose translation/interpretation by Michael R. Burch

Incipit liber de Petro Plowman prologus

In a summer season when the sun shone soft,
I clothed myself in a cloak like a shepherd's,
In a habit like a hermit's unholy in works,
And went out into the wide world, wonders to hear.
Then on a May morning on Malvern hills,
A marvel befell me, of fairies, methought.
I was weary with wandering and went to rest
Under a broad bank, by a brook's side,
And as I lay, leaned over and looked on the waters,
I fell into a slumber, for it sounded so merry.
Soon I began to dream a marvellous dream:
That I was in a wilderness, I wist not where.
As I looked to the east, right into the sun,
I saw a tower on a knoll, worthily built,
With a deep dale beneath and a dungeon therein,
Full of deep, dark ditches and and dreadful to behold.
Then a fair field full of fond folk, I espied between,
Of all manner of men, both rich and poor,
Working and wandering, as the world demands.
Some put themselves to the plow, seldom playing,
But setting and sowing they sweated copiously
And won that which wasters destroyed by gluttony...



Pearl
anonymous Middle English poem, circa 1400
loose translation/interpretation by Michael R. Burch

Pearl, the pleasant prize of princes,
Chastely set in clear gold and cherished,
Out of the Orient, unequaled,
Precious jewel without peer,
So round, so rare, so radiant,
So small, so smooth, so seductive,
That whenever I judged glimmering gems,
I set her apart, unimpeachable, priceless.
Alas, I lost her in earth's green grass!
Long I searched for her in vain!
Now I languish alone, my heart gone cold.
For I lost my precious pearl without stain.



Johann Scheffler (1624-1677) , also known as Johann Angelus Silesius, was a German Catholic priest, physician, mystic and religious poet. He's a bit later than most of the other poets on this page, but seems to fit in …

Unholy Trinity
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Man has three enemies:
himself, the world, and the devil.
Of these the first is, by far,
the most irresistible evil.

True Wealth
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

There is more to being rich
than merely having;
the wealthiest man can lose
everything not worth saving.

The Rose
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

The rose merely blossoms
and never asks why:
heedless of her beauty,
careless of every eye.

The Rose
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

The rose lack 'reasons'
and merely sways with the seasons;
she has no ego
but whoever put on such a show?

Eternal Time
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Eternity is time,
time eternity,
except when we
are determined to 'see.'

Visions
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Our souls possess two eyes:
one examines time,
the other visions
eternal and sublime.

Godless
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

God is absolute Nothingness
beyond our sense of time and place;
the more we try to grasp Him,
The more He flees from our embrace.

The Source
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Water is pure and clean
when taken at the well-head:
but drink too far from the Source
and you may well end up dead.

Ceaseless Peace
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Unceasingly you seek
life's ceaseless wavelike motion;
I seek perpetual peace, all storms calmed.
Whose is the wiser notion?

Well Written
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Friend, cease!
Abandon all pretense!
You must yourself become
the Writing and the Sense.

Worm Food
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

No worm is buried
so deep within the soil
that God denies it food
as reward for its toil.

Mature Love
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

New love, like a sparkling wine, soon fizzes.
Mature love, calm and serene, abides.

God's Predicament
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

God cannot condemn those with whom he would dwell,
or He would have to join them in hell!

Clods
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

A ruby
is not lovelier
than a dirt clod,
nor an angel
more glorious
than a frog.



The original poem below is based on my teenage misinterpretation of a Latin prayer …

Elegy for a little girl, lost
by Michael R. Burch

… qui laetificat juventutem meam …
She was the joy of my youth,
and now she is gone.
… requiescat in pace …
May she rest in peace.
… amen …
Amen.

I was touched by this Latin prayer, which I discovered in a novel I read as a teenager. I later decided to incorporate it into a poem. From what I now understand, 'ad deum qui laetificat juventutem meam' means 'to the God who gives joy to my youth, ' but I am sticking with my original interpretation: a lament for a little girl at her funeral. The phrase can be traced back to Saint Jerome's translation of Psalm 42 in the Vulgate Latin Bible (circa 385 AD) .

Keywords/Tags: Middle English, rhyme, medieval, epigram, lament, complaint, weight, soul, burden, burdened, heaviness, plague, plagued, exit, death, manner, fen, torment, hell, when, where, how, why

and in my "hiatus" period of absence, circa 15th of April and 15th of December (minutes from a yesterday)... i've come to regret the Russians not having any... no... rather the bare minimum of orthography... surprise surprise! there's plenty to choose from! i had to return to a time when i was drilling greek into my head... naturally: a time for cyrillic was on the horizon... but... i couldn't do it with english alone... i need my mother tongue, a tongue that employs diacritical markers... again and again: english can do away with its j... it goes missing when raised to stand from a sitting position ȷ(J)... and it can cut the head off its I(standing)... ı(sitting)... to make an emphasis... i have been busy... drinking aside, have a look where i have been for the past... april, may, june, july, august, september, october, november, december:

ź = зь and ż = зъ

i'm drinking - and i am my most content - the world burns and goes about its usual wordly theatre... i'm huddling with a cameo role in the background... i am drinking content... my 3rd or 4th rejection letter! this time from : austin macauley publishers (london, cambridge, new york - sharjah - where the **** is sharjah?!) - i remember sending them a "manuscript" and a book already printed, bound... they said it would take them 6 weeks to reply... i didn't enclose an email address... i had to wait for the snailmail... my my... what lovely handwritting of my name and address... in the letter i did state: it's e(sch)lert... she omitted the (sch)... a rebecca crib admin assistant, of the editorial... 6 weeks though... hmm... i posted the letter and manuscript and the book way back prior to visiting my grandparents... circa 8th of september... it's a rejection letter... that much is true... but i'm drinking in celebration! i was making dinner in the afternoon and was asked: why are you so angry? i wasn't... i tried to figure out what i'd feel when enough of ms. amber was in me... i replied: i'm being apathetic... but now it's clear: i'm jovial! there's even a signature! an authentic signature... in all honesty... a rejection letter means something... if it is physically mailed... of course i'm celebrating! i exist! i exist outside the realm of getting spam snail-mail! of course i will reply... i'll tell them: destroy and recycle the manuscript - it really wasn't a manuscript to begin with... i pour my "efforts" on the manuscript canvas that's the html... but the already printed book? can you please not burn in... rather... keep it? i'd appreciate no 1933 Säuberung... and you know (kind reader) - i'll send this introspection to the same publisher... like it is... pop / pulp or whatever mongerel of style this has had to be... but a reply! i want to see how one might escape formal language, formal affairs, social affairs, esp. in letters - a dear ms. X / to whomever it might concern Y... kind regards / yours faithfuly Mr. Z... this has to be celebrated... given what's on the horizon... the norwegian novel viking a'comin'! the buldozer autobiography... the demand for a "death" of fiction... otherwise i'm still "here"... a "here" that truly is so distant that its distance allows my petty leeching and the world's grand fiasco theater of fire and smoke and mirrors! - after all... i'm not mad enough to be welcome to a cage if i'm a sparrow... a cage of rhyme, form and all those shackle devices / identifiers of "poetry"... the future is narrative... and the current narrative says? if you asked me to dress proper, for an opera... to don the shirt the tux and the bow (tie)... the well ironed trousers... perhaps... beside the point: air's in the head and i just wish i could heat it up... for a baloon of quasi-egoism effect... otherwise what is there... a former journalist becomes an isolationist essay-scribbler? all the best journalists retire from the profession and become essayists... polemicists... whatever... this "poet" says: no poet ever writes a novel... the real life is too fictive already... and most certain this "poet" adds: begone! lyricism and rhyme! i'll sing like the humming drone cleric of the hive of ambient refrigerator sounds at 2am when everything is sleeping...

capital: oh... so that's what it was... back circa 1990 - when inflation of currency was rife all over Poland? that's when foreign capital was flowing in: foreign money... the economy was flooded with pounds and dollars... and given the exchange rate: i remember a time when you could get circa 7zł for every 1 £ sterling... so why would a nation start to print its own money? well... because more foreign money is coming in - at the given exchange rate: apologies: i was born yesterday - i need to explain certain things, from scratch... as was once stated - there's only a finite amount of money in circulation... physical money... "apparently"... and no... if you were to materialise all the wealth in this world into either fiat or gold: there wouldn't be enough of it... but how else would inflation happen in a country like Poland circa 1992? foreign investement: the wild west of eastern europe when the soviet barricade fell... i do remember being asked a question as a child: which is more... these copper coins... or this piece of paper? on the piece of paper was written 5, 000, 000zł - i said the copper coins... i wasn't either right or wrong - the person asking the question laughed... i don't think it was a question of: there are more copper coins in the hand... than a single piece of paper... after all... perhaps i acted all trans-****-sapiens and became chimp and saw less zeros on the copper coins than on the piece of paper? how else does does a currency inflate - when foreign currency is poured into it... it's the opposite of foreign aid... you put £1 into an economy - with an exchange rate: currently you'd get circa 4, 50zł out of... so where is all this "excess" money to come from? the moment when foreign money is invested... is the moment you have to start printing your own money... imagine... if the word BLACK was worth more than CZERŃ (чернь): oh, we'd readily translate BLACK = CZERŃ... but we also need a sentence for that "to make sense"... and there i was... thinking that russian doesn't apply diacritical markers... oh... right... they're not as discrete with accents like some of us... notably? нь = ń... and so and likewise... wait wait... źródło (source)... in russian it would look, look: oh so ugly... зьрoьд-ł-ł-o... (wh)en (wh(en) but now i know this (w)oe: the soft sign (acute)... and the hard sign for... e.g. życzenia (wishes)... зъыченя (perhaps зъычениa) - point being: ź = зь and ż = зъ... now does language come to me...it never left me... but now ai appreciate the minor details... i see the english and their language and how they speak it... how they churn out metaphysics and how they call forthe help of **** similis to give history the rusty coating of: nothing between a today and tomorrow: there's only the hanging off a tree from a a tail that the chimpanze doesn't thave... everything is so very metaphysical: it's never orthographic! тe два: tak - тe: оба (there's a wikipedia mistake... U+0411 / U+0431... not o'bah... oo'b'ah...): щекaць: szczekać! to bark... eh... greek became too rigid... i could remember all the letters... always buckling on ζ (zETA) and ξ (11), upsilon (υ) and nu-nu-nu (ν)... and this is, practically nonsense to anyone with a base literacy knowledge... to exagerrate... who does mind such pedantic pleasures... when they could be somewhere else: skiing! but it's worthwhile to know how a nation's currency can be inflated... foreign money flows into the country - and whatever the exchange rate is... there is no such thing as a "grafitti compensation": then again, there is... perhaps literacy has been inflated... inflated for a second literacy of coding to be assured? otherwise? bypassing the orthodox print... bypassing orthodox editorial scrutiny... was... "nice"... until the moment when the mediator sought to see fit that the reader had more authority over the written word: having re(a)d it - over the person who had / has: written it! we do part our ways with the russians on the "debate" concerning the "cedilla" involving A(ą) and E(ę)... cedilla: yes yes... akin to garçon - waiter! waiter! please - that greek sigma at the end of a word: and all its ασπεκτς... aσpectς - that really is an orthographic statement... only Ssssssss'igma is a letter with "three dimensions" suited for it... a handwritten element... otherwise in the news this week? the apostrophe society is no more... like when you don't put a possessive article if the thing in "question" ends with an S, in english? e.g.? the colours' (sez sirs - alt. colours's sez sirs... ses-esses) imbued harmony... and that is a possesive article, isn't it? with an apostrophe: 's? it's not a plural identification - there would be no need for the apostrophe to begin with! pounds' worth: no... not a pound's worth - the worth of a pound... pounds' worth: the worth of pounds! - what's that german word... glücke! nein nein... etymological root: glück 'luck' (etymology is the new history... it bypasses journalism and serves some journalistic cousin that's powdered in dust of cremated bookworms) - and yes, a hypen can come to the fore: after a full-stop and the opening of a new sentence with a conjugation: - with disbelief / - and!

i'm not buying how the media narrative will turn Cymru into a "K-affair"... sim sim: similie or else... but these have been my greek buckles: ξ (oh... that's why i wrote 11... XI - ksi...) - it's rare to see ξ sometimes: esp. in philosophy books... rubric!

- ζ
- ν
- υ (i can be forgiven, these two letters
are not suited for print... unless working
with a microscope) - unlike a roman Vv...
- ξ

but this is just the greek... if you ever read some modern... you'd think: and i just don't know, where they get their ideas from - with all those diacritical excesses that heidegger notes...

but now... for my cyrillic mini-adventure:

from Miньsk (Mazowieцki): with love

it might be said, that if i just the bare minimum -
if i even do not write anything at all -
but i have too many petty griefs during the day
to much else than the odd, occasional chore;
at the same time i do not want to sound
amused, bewildered, bored or un-used...
it's just that i find writing and drinking before
falling to my 343rd death -
my 343rd labour for mask and then exfoliated
in a dream: that might come...
or might not come...
unless a known audience... a wake sized nieche
privy... i find either unconscious or subconscious
struggles to warm up to an anonymous crowrd...
unless it was me being propped up on stage...
flooded by light... and the audience in the din:
with barely a shadow to scratch...
perhaps: then and only then...
but i've found that: it would be best that i sentence
the 2hs spare i have for merely drinking
and loitering from one video to another:
perchance something new in music is to emerge...
"coquettish" with a "something" that will never
have any realism-focus for me to undertake
a second's day carnality of the banal...
perhaps all this: "going out of my own way"
has been too much - or just enough...
to make me drink more and take more pharma
knock-out enzymes...
a naproxen and an amitriptyline...
perhaps the focus was elsewhere...
to stand frozen in awe...
when someone might "add": from one big void:
ex nihil a priori to... nihil a posteriori...
and all this cameo theatre in between!
mein gott... i can also convene to praise those
brutal breeders of sorts...
enough time to occupy two decades...
perhaps even three...
and then the grim reality of: should my child
die... or... some other worse:
the mortal should not be inflicted by...
"not reading into the genetic clues": properly:
"all at once"...
oh i would be so much happier to take this mind to sleep:
to not make some idle focus -
to entertain some eyes while i turn aside all things
hyper-inflated in purpose...
to die of a heart-attack in one's sleep...
but otherwise to simply focus on a welcome tomorrow...
that would be...
a gracious beginning to posit the day's slouching
zenith... or... i'm not sure whether this be a coming
zenith or a nadir...
but there's still that clear-cutting focus
regarding russian orthography...
cutting it with two tongues... slit at the tip...
with english the "placebo": no diacritical markers evident...
well: a TILDE over a ȷ is no more necessary...
than a "tittle" (not thai-tle... ty'ttle) over an ı...
to borrow the greek phrase: cut one head of hydra -
two emerge... cut the two heads...
i come toward the russian mish-mash of diacritical
application...
it's not be-au-ti-ful... it's messy... it's what it is...
but already i can see what this: cutting off the heads
of the english j-i hydra looks like...
it's not enough to simply enlarge them to state: CAP(I)TAL-(J)...
the knitty-gritty... why then the tilde atop of 'em?
prior "corrections": łen and when...
is not akin to... wrak or wreck... although these two words
have the same meaning...
unless: "partisan" V comes in...
very - weary... Cracow or Krakov?
a W = a Ł = a W = a V ≠ a Ł...
Ęwa and Ądam (e nosinė) are not covered by
Russian orthography...
the list is as follows:
ż (зъ) and... ć (ць), ń (нь), ó (oь), ś (сь), ź (зь)...
the graphemes? i'll call them graphemes for simplicity...
even though: they're not the smallests units...
as are vowels... or the syllables of consonants
in the latin choir of B'ee, C'ee... e'M... etc.
ж alternatively RZ (Ż) or Ž... otherwise the fwench:
je (suis)... this is nothing more than...
an encyclopedic evaluation...
a trainwreck proposal of: should i ever be stuck in
in russia... and i would have to: read... (ee'd - r'ah)...
chop off a TILDE off the torso of the english:  ȷ...
a crescent moon lying back emerges in the russian... й...
but it's not the english: jeep! it's an english: yeep!
or a  ȷeep! alternatively: yawn could be:  ȷawn...
but not if: it's jaws... coming into play: to chatter from
the siberian cold... how else to explain?
if not by... example?
then there's the "exploration" of the greek F...
as much as in english...
фoughts on θilosoφy...
good to know the russians only "borrowed"
one of the greek Fs... "culturally appropriated" or...
wasn't St. Cyrill born a greek?!
and away from greek we move...
since χ (chi): yep: perpleX... a Ks to a Ts
(note, revision found below)...
otherwise hidden... in non-vowel binding consonants...
like... ч- and -х (although... that's not quiet a Ch-ur-hC -
but sure... some altar for siц and... no... no siPS)...
cholera! which is not: SHow me the CHow mein...
for that we need CARONs...
that's when ч becomes CZ (in polish) or otherwise:
Č... long have i wanted the polish to adopt this version...
to hide the SZ and the CZ (es'zed, х'zed) respectively...
how else to write: szczekam?
a russian would write... щекaм...
out of a "simple" ш out pops out a щ (this letter...
is probably the only "etymological" route to bind russian
to the oddities of Ęva and Ądam (e nosinė)...
ш (š) becomes щ (šč) -
whoever was to undermine the old rules
of engagement when the ruling parties gave up
a monolopy of literacy? you can literally hide an entire
letter / meaning by using a hachek...
hook...
as i begin to wonder:
how much did the slavic tribes "appropriate" greek...
and how much did the two greek saints...
try to make sense of the slavic glagolitic script?
em... Ⱋ looks pretty intact if you cut off the body... E:
reclining...
but i do come from the western lands of the eastern
lands... hence? hardly any cyrilic influence...
but i too: with my own oddities... already mentioned...
come to think of it? the bulgars joined
the "party"?
beside that? what other, russian"oddities"?
orthographic - i.e. aesthetic dictations / rubrics...
ю really is a я... the russians have this english tendency
to stress their pronouns...
i this... i that! i walked up a street! and kicked a black
cat 13 times down the street to ease my luck!
you can talk in polish for days... and never stress the I / я
pronoun... really...
and ю is just a variation of я...
throw in the remaining vowels and you'd probably
come up with some "new" russian letters...
like ye... good point... i did make a "mistake"...
щэкaм! i'm barking!
unless... that's only an orthographic question...
notably? if you're going to: zerkać...
peer in / at "on and off"... casually...
зэркaць... em... it must be an orthographic question...
ergo? i wasn't exactly "wrong"...
just bad taste... зeркaць...
i've already shown the difference between (ъ) and (ь)
in a latin script: that uses more diacritical markers
than english "supposedly" escapes with focusing
on the rather pointless TILDE over the J and I...
this "oddity": ы... ɨ  clearly it's not exactly a ł...
minor details... like a mona lisa smiling...
best example of close proximity?
take a... no... that's a hollowed out "why"...
i know how it sounds... and there are no diacritical marks
needed for it... since there's a clear distinction
that i know of, between: I J Y...
tY... this little sucker is born from the fact that...
western slavs have a name for this letter...
iGREK... funny... the russians borrow more greek lettes...
and have to have...
ё (yo), e (ye), у (which they treat like a greek would U -
never mind the greeks themselves
making the following ref. Υγ / Γυ) -
and of course the я (ya)... so no wonder i see this
"letter" (ы) as an absolutely oddity...
i could stomach: ż (зъ) and ź (зь) differences...
well that's as far as i would come in learning russian...
spot the odd ones out... proper...
й (j) and ё... which is some german loan vowel with
that ******* umlaut... otherwise...
this poo'em was born from trying to **** the english
hydra of "orthography", with its mighty bounty
of the ȷ-ı TILDE! my my... what a ride!
come to think of it... now i think i can sleep.
- it hasn't been such a waste of an hour... drilling this in:
into my head...
after all... what did the professional clarinet player
say then asked about playing professionally
in a travelling orchestra? after 30 ******* years of
blowing hard into this thing...
guess what i still end up doing?
it's not so much learning... i'm still practising!

because this will not end like some sort of "summary"...
i will remember each letter if i weave it into
this latin letter by letter...

the refleξive (x)
in that one might have χeated (ch) -
again!
what it is about an ξ-ray that is also an
"χ"-ray? the "ex" k'ss k'ss cuss...
is this what james joyce's finnegans wake
should have looked like?
again!
the cruξ of the matter...
whenever a question was to be raised about:
any χoice to be had...

i have come to grips with russian orthography...
i'll repeat... the crescent moon over и ("e")
to state: this must be elongated: й ("y") stands outs...

best examples are given by sports commentators,
notably in ski jumping...
suffiξes of surnames...
akin to -cki endings...
yes... you're seeing what i'm seeing...
we'll need some russians to work this one
out... how a C is not an S...
and how it's not KK either...
-цки... hello wet drum-kit snare!

of course not: you're not seeing N:И...
let alone: нaйт (night...
evidently -igh- is a bit complicated...
with ref. to the surd in knight - kappa and
the gamma and the ha ha ha ha tetragrammaton
left arm... vowel catcher i'd be most inclined
to borrow from the hebrews...
whenever they're not busy actually using it...
and not being a bunch of 'ebrews -
electronic brewing of tea?)
сo дaрк (so dark)...

which is the equivalent of writting english
grafitti "backward"... how it sounds...
and not for: what's the formality?
i figured: take the small steps, the trickle...
burn the eyes out with incremental poppy-seed
acts of progress... like the grand Pilgrim Emeryk
from the Świętokrzyski region of Poland
(holy cross)...
each year the pilgrim shuffles to the top of
the mountain with a speed of:
a poppy-seed's worth of distance each year...
by the time he reaches the top of the mountain:
the end of the world will arrive...

am i the next Delmore Schwatrz?
no... i don't have a Lou Reed to contend with...
am i obsessed with Finnegans Wake?
well i didn't spot any "additions" to the letters...
i didn't see any diacritical markers...
a book that shouldn't be translated since...
it ignores... a worthwhile mention
of the concept of orthography -
which is my escape from any western vogue
of metaphysics... i hide behind the omniscient
niqab of orthography... my face can be forever
hidden... but my eyes need to be on... fire!
fire! i want you to burn!

so i went to see the russians having
left the greeks... about any "nuance" bound
to the... ****-naked english language
with its magic act of the disappearing heads
off of J and I...
as you do... you "forget them" and also have to:
somehow "remember" them to be used...

do i still enjoy drinking and listening to
teutonic chants in german?
god almighty! when wouldn't i not listen to german
medieval music... when drinking?!
is that such a terrible sin?

also? i finished the trilogy of H. Sienkiewicz...
and i read some Boris Pasternak...
there was Nietzsche in polish - paul's leash said:
he's more bearable in this language,
than in english...
and how could i forget! there was...
Knausgård... Karl, Ove... volumes 1 and 2
of mein kampf...

now a "summary": hmm... ż (зъ) and... ć (ць)...
could... now... hard sign (ъ) is not exactly worth
ascription if... or rarther: because...
you don't treat a caron over an S or a C...
to "hide the english H" or the Aesti Z when coupled...
there's no need to write чъ... since?
that's pretty much in-itself given č of the nature
of чeap...
ć / ць is different in that... you'd have to hear
it first...
however... the one exception of this "rule" is already
self-enclosed in ж... which is зъ... somehow...
but not зь... examples?

жart / зъart... żart (joke)...
зьrebi... well there's no 'ę' in russian
to name: źrebię - mustang colt...
is there?
so... i was "wrong"...
in that ź = зь and ż = зъ is true...
but? ź = зь and ż = зъ = ж...
so from a "quiet unique" perspective...
and: mein gott! who's to see, travel,
and subsequently marvel at the pyramids of giza...
i'm a different version of what's
considered to be "tourism"...

give me this sole equation:
ź = зь and ż = зъ = ж
and i'll be happy for a month.
as i have been...

oh i'm back... and things have taken
SPEC-TAC-U-LAR turns and twists!
****-naked english over 'ere is gonna make
a chariots of fire runner...
i bet it will... when it comes against a juggernaut
like me.

1.

I am thirty this November.
You are still small, in your fourth year.
We stand watching the yellow leaves go queer,
flapping in the winter rain.
falling flat and washed. And I remember
mostly the three autumns you did not live here.
They said I'd never get you back again.
I tell you what you'll never really know:
all the medical hypothesis
that explained my brain will never be as true as these
struck leaves letting go.

I, who chose two times
to **** myself, had said your nickname
the mewling mouths when you first came;
until a fever rattled
in your throat and I moved like a pantomine
above your head. Ugly angels spoke to me. The blame,
I heard them say, was mine. They tattled
like green witches in my head, letting doom
leak like a broken faucet;
as if doom had flooded my belly and filled your bassinet,
an old debt I must assume.

Death was simpler than I'd thought.
The day life made you well and whole
I let the witches take away my guilty soul.
I pretended I was dead
until the white men pumped the poison out,
putting me armless and washed through the rigamarole
of talking boxes and the electric bed.
I laughed to see the private iron in that hotel.
Today the yellow leaves
go queer. You ask me where they go I say today believed
in itself, or else it fell.

Today, my small child, Joyce,
love your self's self where it lives.
There is no special God to refer to; or if there is,
why did I let you grow
in another place. You did not know my voice
when I came back to call. All the superlatives
of tomorrow's white tree and mistletoe
will not help you know the holidays you had to miss.
The time I did not love
myself, I visited your shoveled walks; you held my glove.
There was new snow after this.

2.

They sent me letters with news
of you and I made moccasins that I would never use.
When I grew well enough to tolerate
myself, I lived with my mother, the witches said.
But I didn't leave. I had my portrait
done instead.

Part way back from Bedlam
I came to my mother's house in Gloucester,
Massachusetts. And this is how I came
to catch at her; and this is how I lost her.
I cannot forgive your suicide, my mother said.
And she never could. She had my portrait
done instead.

I lived like an angry guest,
like a partly mended thing, an outgrown child.
I remember my mother did her best.
She took me to Boston and had my hair restyled.
Your smile is like your mother's, the artist said.
I didn't seem to care. I had my portrait
done instead.

There was a church where I grew up
with its white cupboards where they locked us up,
row by row, like puritans or shipmates
singing together. My father passed the plate.
Too late to be forgiven now, the witches said.
I wasn't exactly forgiven. They had my portrait
done instead.

3.

All that summer sprinklers arched
over the seaside grass.
We talked of drought
while the salt-parched
field grew sweet again. To help time pass
I tried to mow the lawn
and in the morning I had my portrait done,
holding my smile in place, till it grew formal.
Once I mailed you a picture of a rabbit
and a postcard of Motif number one,
as if it were normal
to be a mother and be gone.

They hung my portrait in the chill
north light, matching
me to keep me well.
Only my mother grew ill.
She turned from me, as if death were catching,
as if death transferred,
as if my dying had eaten inside of her.
That August you were two, by I timed my days with doubt.
On the first of September she looked at me
and said I gave her cancer.
They carved her sweet hills out
and still I couldn't answer.

4.

That winter she came
part way back
from her sterile suite
of doctors, the seasick
cruise of the X-ray,
the cells' arithmetic
gone wild. Surgery incomplete,
the fat arm, the prognosis poor, I heard
them say.

During the sea blizzards
she had here
own portrait painted.
A cave of mirror
placed on the south wall;
matching smile, matching contour.
And you resembled me; unacquainted
with my face, you wore it. But you were mine
after all.

I wintered in Boston,
childless bride,
nothing sweet to spare
with witches at my side.
I missed your babyhood,
tried a second suicide,
tried the sealed hotel a second year.
On April Fool you fooled me. We laughed and this
was good.

5.

I checked out for the last time
on the first of May;
graduate of the mental cases,
with my analysts's okay,
my complete book of rhymes,
my typewriter and my suitcases.

All that summer I learned life
back into my own
seven rooms, visited the swan boats,
the market, answered the phone,
served cocktails as a wife
should, made love among my petticoats

and August tan. And you came each
weekend. But I lie.
You seldom came. I just pretended
you, small piglet, butterfly
girl with jelly bean cheeks,
disobedient three, my splendid

stranger. And I had to learn
why I would rather
die than love, how your innocence
would hurt and how I gather
guilt like a young intern
his symptons, his certain evidence.

That October day we went
to Gloucester the red hills
reminded me of the dry red fur fox
coat I played in as a child; stock still
like a bear or a tent,
like a great cave laughing or a red fur fox.

We drove past the hatchery,
the hut that sells bait,
past Pigeon Cove, past the Yacht Club, past Squall's
Hill, to the house that waits
still, on the top of the sea,
and two portraits hung on the opposite walls.

6.

In north light, my smile is held in place,
the shadow marks my bone.
What could I have been dreaming as I sat there,
all of me waiting in the eyes, the zone
of the smile, the young face,
the foxes' snare.

In south light, her smile is held in place,
her cheeks wilting like a dry
orchid; my mocking mirror, my overthrown
love, my first image. She eyes me from that face
that stony head of death
I had outgrown.

The artist caught us at the turning;
we smiled in our canvas home
before we chose our foreknown separate ways.
The dry redfur fox coat was made for burning.
I rot on the wall, my own
Dorian Gray.

And this was the cave of the mirror,
that double woman who stares
at herself, as if she were petrified
in time -- two ladies sitting in umber chairs.
You kissed your grandmother
and she cried.

7.

I could not get you back
except for weekends. You came
each time, clutching the picture of a rabbit
that I had sent you. For the last time I unpack
your things. We touch from habit.
The first visit you asked my name.
Now you will stay for good. I will forget
how we bumped away from each other like marionettes
on strings. It wasn't the same
as love, letting weekends contain
us. You scrape your knee. You learn my name,
wobbling up the sidewalk, calling and crying.
You can call me mother and I remember my mother again,
somewhere in greater Boston, dying.

I remember we named you Joyce
so we could call you Joy.
You came like an awkward guest
that first time, all wrapped and moist
and strange at my heavy breast.
I needed you. I didn't want a boy,
only a girl, a small milky mouse
of a girl, already loved, already loud in the house
of herself. We named you Joy.
I, who was never quite sure
about being a girl, needed another
life, another image to remind me.
And this was my worst guilt; you could not cure
or soothe it. I made you to find me.

--To Elizabeth Robins Pennell


'O mes cheres Mille et Une Nuits!'--Fantasio.

Once on a time
There was a little boy:  a master-mage
By virtue of a Book
Of magic--O, so magical it filled
His life with visionary pomps
Processional!  And Powers
Passed with him where he passed.  And Thrones
And Dominations, glaived and plumed and mailed,
Thronged in the criss-cross streets,
The palaces pell-mell with playing-fields,
Domes, cloisters, dungeons, caverns, tents, arcades,
Of the unseen, silent City, in his soul
Pavilioned jealously, and hid
As in the dusk, profound,
Green stillnesses of some enchanted mere.--

I shut mine eyes . . . And lo!
A flickering ****** of memory that floats
Upon the face of a pool of darkness five
And thirty dead years deep,
Antic in girlish broideries
And skirts and silly shoes with straps
And a broad-ribanded leghorn, he walks
Plain in the shadow of a church
(St. Michael's:  in whose brazen call
To curfew his first wails of wrath were whelmed),
Sedate for all his haste
To be at home; and, nestled in his arm,
Inciting still to quiet and solitude,
Boarded in sober drab,
With small, square, agitating cuts
Let in a-top of the double-columned, close,
Quakerlike print, a Book! . . .
What but that blessed brief
Of what is gallantest and best
In all the full-shelved Libraries of Romance?
The Book of rocs,
Sandalwood, ivory, turbans, ambergris,
Cream-tarts, and lettered apes, and calendars,
And ghouls, and genies--O, so huge
They might have overed the tall Minster Tower
Hands down, as schoolboys take a post!
In truth, the Book of Camaralzaman,
Schemselnihar and Sindbad, Scheherezade
The peerless, Bedreddin, Badroulbadour,
Cairo and Serendib and Candahar,
And Caspian, and the dim, terrific bulk--
Ice-ribbed, fiend-visited, isled in spells and storms--
Of Kaf! . . . That centre of miracles,
The sole, unparalleled Arabian Nights!

Old friends I had a-many--kindly and grim
Familiars, cronies quaint
And goblin!  Never a Wood but housed
Some morrice of dainty dapperlings.  No Brook
But had his nunnery
Of green-haired, silvry-curving sprites,
To cabin in his grots, and pace
His lilied margents.  Every lone Hillside
Might open upon Elf-Land.  Every Stalk
That curled about a Bean-stick was of the breed
Of that live ladder by whose delicate rungs
You climbed beyond the clouds, and found
The Farm-House where the Ogre, gorged
And drowsy, from his great oak chair,
Among the flitches and pewters at the fire,
Called for his Faery Harp.  And in it flew,
And, perching on the kitchen table, sang
Jocund and jubilant, with a sound
Of those gay, golden-vowered madrigals
The shy thrush at mid-May
Flutes from wet orchards flushed with the triumphing dawn;
Or blackbirds rioting as they listened still,
In old-world woodlands rapt with an old-world spring,
For Pan's own whistle, savage and rich and lewd,
And mocked him call for call!

I could not pass
The half-door where the cobbler sat in view
Nor figure me the wizen Leprechaun,
In square-cut, faded reds and buckle-shoes,
Bent at his work in the hedge-side, and know
Just how he tapped his brogue, and twitched
His wax-end this and that way, both with wrists
And elbows.  In the rich June fields,
Where the ripe clover drew the bees,
And the tall quakers trembled, and the West Wind
Lolled his half-holiday away
Beside me lolling and lounging through my own,
'Twas good to follow the Miller's Youngest Son
On his white horse along the leafy lanes;
For at his stirrup linked and ran,
Not cynical and trapesing, as he loped
From wall to wall above the espaliers,
But in the bravest tops
That market-town, a town of tops, could show:
Bold, subtle, adventurous, his tail
A banner flaunted in disdain
Of human stratagems and shifts:
King over All the Catlands, present and past
And future, that moustached
Artificer of fortunes, ****-in-Boots!
Or Bluebeard's Closet, with its plenishing
Of meat-hooks, sawdust, blood,
And wives that hung like fresh-dressed carcases--
Odd-fangled, most a butcher's, part
A faery chamber hazily seen
And hazily figured--on dark afternoons
And windy nights was visiting of the best.
Then, too, the pelt of hoofs
Out in the roaring darkness told
Of Herne the Hunter in his antlered helm
Galloping, as with despatches from the Pit,
Between his hell-born Hounds.
And Rip Van Winkle . . . often I lurked to hear,
Outside the long, low timbered, tarry wall,
The mutter and rumble of the trolling bowls
Down the lean plank, before they fluttered the pins;
For, listening, I could help him play
His wonderful game,
In those blue, booming hills, with Mariners
Refreshed from kegs not coopered in this our world.

But what were these so near,
So neighbourly fancies to the spell that brought
The run of Ali Baba's Cave
Just for the saying 'Open Sesame,'
With gold to measure, peck by peck,
In round, brown wooden stoups
You borrowed at the chandler's? . . . Or one time
Made you Aladdin's friend at school,
Free of his Garden of Jewels, Ring and Lamp
In perfect trim? . . . Or Ladies, fair
For all the embrowning scars in their white *******
Went labouring under some dread ordinance,
Which made them whip, and bitterly cry the while,
Strange Curs that cried as they,
Till there was never a Black ***** of all
Your consorting but might have gone
Spell-driven miserably for crimes
Done in the pride of womanhood and desire . . .
Or at the ghostliest altitudes of night,
While you lay wondering and acold,
Your sense was fearfully purged; and soon
Queen Labe, abominable and dear,
Rose from your side, opened the Box of Doom,
Scattered the yellow powder (which I saw
Like sulphur at the Docks in bulk),
And muttered certain words you could not hear;
And there! a living stream,
The brook you bathed in, with its weeds and flags
And cresses, glittered and sang
Out of the hearthrug over the nakedness,
Fair-scrubbed and decent, of your bedroom floor! . . .

I was--how many a time!--
That Second Calendar, Son of a King,
On whom 'twas vehemently enjoined,
Pausing at one mysterious door,
To pry no closer, but content his soul
With his kind Forty.  Yet I could not rest
For idleness and ungovernable Fate.
And the Black Horse, which fed on sesame
(That wonder-working word!),
Vouchsafed his back to me, and spread his vans,
And soaring, soaring on
From air to air, came charging to the ground
Sheer, like a lark from the midsummer clouds,
And, shaking me out of the saddle, where I sprawled
Flicked at me with his tail,
And left me blinded, miserable, distraught
(Even as I was in deed,
When doctors came, and odious things were done
On my poor tortured eyes
With lancets; or some evil acid stung
And wrung them like hot sand,
And desperately from room to room
Fumble I must my dark, disconsolate way),
To get to Bagdad how I might.  But there
I met with Merry Ladies.  O you three--
Safie, Amine, Zobeide--when my heart
Forgets you all shall be forgot!
And so we supped, we and the rest,
On wine and roasted lamb, rose-water, dates,
Almonds, pistachios, citrons.  And Haroun
Laughed out of his lordly beard
On Giaffar and Mesrour (I knew the Three
For all their Mossoul habits).  And outside
The Tigris, flowing swift
Like Severn bend for bend, twinkled and gleamed
With broken and wavering shapes of stranger stars;
The vast, blue night
Was murmurous with peris' plumes
And the leathern wings of genies; words of power
Were whispering; and old fishermen,
Casting their nets with prayer, might draw to shore
Dead loveliness:  or a prodigy in scales
Worth in the Caliph's Kitchen pieces of gold:
Or copper vessels, stopped with lead,
Wherein some Squire of Eblis watched and railed,
In durance under potent charactry
Graven by the seal of Solomon the King . . .

Then, as the Book was glassed
In Life as in some olden mirror's quaint,
Bewildering angles, so would Life
Flash light on light back on the Book; and both
Were changed.  Once in a house decayed
From better days, harbouring an errant show
(For all its stories of dry-rot
Were filled with gruesome visitants in wax,
Inhuman, hushed, ghastly with Painted Eyes),
I wandered; and no living soul
Was nearer than the pay-box; and I stared
Upon them staring--staring.  Till at last,
Three sets of rafters from the streets,
I strayed upon a mildewed, rat-run room,
With the two Dancers, horrible and obscene,
Guarding the door:  and there, in a bedroom-set,
Behind a fence of faded crimson cords,
With an aspect of frills
And dimities and dishonoured privacy
That made you hanker and hesitate to look,
A Woman with her litter of Babes--all slain,
All in their nightgowns, all with Painted Eyes
Staring--still staring; so that I turned and ran
As for my neck, but in the street
Took breath.  The same, it seemed,
And yet not all the same, I was to find,
As I went up!  For afterwards,
Whenas I went my round alone--
All day alone--in long, stern, silent streets,
Where I might stretch my hand and take
Whatever I would:  still there were Shapes of Stone,
Motionless, lifelike, frightening--for the Wrath
Had smitten them; but they watched,
This by her melons and figs, that by his rings
And chains and watches, with the hideous gaze,
The Painted Eyes insufferable,
Now, of those grisly images; and I
Pursued my best-beloved quest,
Thrilled with a novel and delicious fear.
So the night fell--with never a lamplighter;
And through the Palace of the King
I groped among the echoes, and I felt
That they were there,
Dreadfully there, the Painted staring Eyes,
Hall after hall . . . Till lo! from far
A Voice!  And in a little while
Two tapers burning!  And the Voice,
Heard in the wondrous Word of God, was--whose?
Whose but Zobeide's,
The lady of my heart, like me
A True Believer, and like me
An outcast thousands of leagues beyond the pale! . . .

Or, sailing to the Isles
Of Khaledan, I spied one evenfall
A black blotch in the sunset; and it grew
Swiftly . . . and grew.  Tearing their beards,
The sailors wept and prayed; but the grave ship,
Deep laden with spiceries and pearls, went mad,
Wrenched the long tiller out of the steersman's hand,
And, turning broadside on,
As the most iron would, was haled and ******
Nearer, and nearer yet;
And, all awash, with horrible lurching leaps
Rushed at that Portent, casting a shadow now
That swallowed sea and sky; and then,
Anchors and nails and bolts
Flew screaming out of her, and with clang on clang,
A noise of fifty stithies, caught at the sides
Of the Magnetic Mountain; and she lay,
A broken bundle of firewood, strown piecemeal
About the waters; and her crew
Passed shrieking, one by one; and I was left
To drown.  All the long night I swam;
But in the morning, O, the smiling coast
Tufted with date-trees, meadowlike,
Skirted with shelving sands!  And a great wave
Cast me ashore; and I was saved alive.
So, giving thanks to God, I dried my clothes,
And, faring inland, in a desert place
I stumbled on an iron ring--
The fellow of fifty built into the Quays:
When, scenting a trap-door,
I dug, and dug; until my biggest blade
Stuck into wood.  And then,
The flight of smooth-hewn, easy-falling stairs,
Sunk in the naked rock!  The cool, clean vault,
So neat with niche on niche it might have been
Our beer-cellar but for the rows
Of brazen urns (like monstrous chemist's jars)
Full to the wide, squat throats
With gold-dust, but a-top
A layer of pickled-walnut-looking things
I knew for olives!  And far, O, far away,
The Princess of China languished!  Far away
Was marriage, with a Vizier and a Chief
Of Eunuchs and the privilege
Of going out at night
To play--unkenned, majestical, secure--
Where the old, brown, friendly river shaped
Like Tigris shore for shore!  Haply a Ghoul
Sat in the churchyard under a frightened moon,
A thighbone in his fist, and glared
At supper with a Lady:  she who took
Her rice with tweezers grain by grain.
Or you might stumble--there by the iron gates
Of the Pump Room--underneath the limes--
Upon Bedreddin in his shirt and drawers,
Just as the civil Genie laid him down.
Or those red-curtained panes,
Whence a tame cornet tenored it throatily
Of beer-pots and spittoons and new long pipes,
Might turn a caravansery's, wherein
You found Noureddin Ali, loftily drunk,
And that fair Persian, bathed in tears,
You'd not have given away
For all the diamonds in the Vale Perilous
You had that dark and disleaved afternoon
Escaped on a roc's claw,
Disguised like Sindbad--but in Christmas beef!
And all the blissful while
The schoolboy satchel at your hip
Was such a bulse of gems as should amaze
Grey-whiskered chapmen drawn
From over Caspian:  yea, the Chief Jewellers
Of Tartary and the bazaars,
Seething with traffic, of enormous Ind.--

Thus cried, thus called aloud, to the child heart
The magian East:  thus the child eyes
Spelled out the wizard message by the light
Of the sober, workaday hours
They saw, week in week out, pass, and still pass
In the sleepy Minster City, folded kind
In ancient Severn's arm,
Amongst her water-meadows and her docks,
Whose floating populace of ships--
Galliots and luggers, light-heeled brigantines,
Bluff barques and rake-hell fore-and-afters--brought
To her very doorsteps and geraniums
The scents of the World's End; the calls
That may not be gainsaid to rise and ride
Like fire on some high errand of the race;
The irresistible appeals
For comradeship that sound
Steadily from the irresistible sea.
Thus the East laughed and whispered, and the tale,
Telling itself anew
In terms of living, labouring life,
Took on the colours, busked it in the wear
Of life that lived and laboured; and Romance,
The Angel-Playmate, raining down
His golden influences
On all I saw, and all I dreamed and did,
Walked with me arm in arm,
Or left me, as one bediademed with straws
And bits of glass, to gladden at my heart
Who had the gift to seek and feel and find
His fiery-hearted presence everywhere.
Even so dear Hesper, bringer of all good things,
Sends the same silver dews
Of happiness down her dim, delighted skies
On some poor collier-hamlet--(mound on mound
Of sifted squalor; here a soot-throated stalk
Sullenly smoking over a row
Of flat-faced hovels; black in the gritty air
A web of rails and wheels and beams; with strings
Of hurtling, tipping trams)--
As on the amorous nightingales
And roses of Shiraz, or the walls and towers
Of Samarcand--the Ineffable--whence you espy
The splendour of Ginnistan's embattled spears,
Like listed lightnings.
Samarcand!
That name of names!  That star-vaned belvedere
Builded against the Chambers of the South!
That outpost on the Infinite!
And behold!
Questing therefrom, you knew not what wild tide
Might overtake you:  for one fringe,
One suburb, is stablished on firm earth; but one
Floats founded vague
In lubberlands delectable--isles of palm
And lotus, fortunate mains, far-shimmering seas,
The promise of wistful hills--
The shining, shifting Sovranties of Dream.

MESSENGER

Now at the Seventh Gate the seventh chief,
Thy proper mother's son, I will announce,
What fortune for this city, for himself,
With curses he invoketh:--on the walls
Ascending, heralded as king, to stand,
With paeans for their capture; then with thee
To fight, and either slaying near thee die,
Or thee, who wronged him, chasing forth alive,
Requite in kind his proper banishment.
Such words he shouts, and calls upon the gods
Who o'er his race preside and Fatherland,
With gracious eye to look upon his prayers.
A well-wrought buckler, newly forged, he bears,
With twofold blazon riveted thereon,
For there a woman leads, with sober mien,
A mailed warrior, enchased in gold;
Justice her style, and thus the legend speaks:--
'This man I will restore, and he shall hold
The city and his father's palace homes.'
Such the devices of the hostile chiefs.
'Tis for thyself to choose whom thou wilt send;
But never shalt thou blame my herald-words.
To guide the rudder of the State be thine!


ETEOCLES

O heaven-demented race of Oedipus,
My race, tear-fraught, detested of the gods!
Alas, our father's curses now bear fruit.
But it beseems not to lament or weep,
Lest lamentations sadder still be born.
For him, too truly Polyneikes named,--
What his device will work we soon shall know;
Whether his braggart words, with madness fraught,
Gold-blazoned on his shield, shall lead him back.
Hath Justice communed with, or claimed him hers,
Guided his deeds and thoughts, this might have been;
But neither when he fled the darksome womb,
Or in his childhood, or in youth's fair prime,
Or when the hair thick gathered on his chin,
Hath Justice communed with, or claimed him hers,
Nor in this outrage on his Fatherland
Deem I she now beside him deigns to stand.
For Justice would in sooth belie her name,
Did she with this all-daring man consort.
In these regards confiding will I go,
Myself will meet him. Who with better right?
Brother to brother, chieftain against chief,
Foeman to foe, I'll stand. Quick, bring my spear,
My greaves, and armor, bulwark against stones.

Yesterday my daughter e-mailed me again, asking why I didn't do something useful with my time.

"Like sitting around the pool and drinking wine is not a good thing?" I asked.

Talking about my  "doing-something-useful"  seems to be her favorite topic of conversation.

She was  "only thinking of me", she said and suggested that I go down to theSenior Center and hang out with the guys.

I did this and when I got home last night, I decided to play a prank on her.

I e-mailed her and told her that I had joined a Parachute Club.

She replied,  "Are you nuts?  You are 78 years old and now you're going to start jumping out of airplanes?"

I told her that I even got a Membership Card and e-mailed a copy to her.

She immediately telephoned me and yelled, "Good grief, Mom, where are your glasses?!






This is a Membership to a ******* Club, not a Parachute Club."

"Oh man, I'm in trouble again," I said, "I really don't know what to do. I signed up for five jumps a week!!"

The line went quiet and her friend picked up the phone and said that my daughter had fainted.

Life as a Senior Citizen is not getting any easier, but sometimes it can be fun

they really shouldn't have stressed their point
on education:
      i got educated... and so what?
i would have been happy working my way
up from in a supermarket -
         or any other faint job resembling robotics -
it's harder to get higher education
and start from the tomb-rock-bottom -
too much Disney got fused with your nerves -
and imagination isn't that powerful coupled
with consciousness to make yourself hallucinate
debilitating experiences - it's not that powerful,
however much those who think so argue the point -
i once said: i want to write poetry like Wordsworth -
not really, i want to write poetry like the Boss:
yep, Springsteen - i want to write the lyrics
that Bon Jovi and George Harrison wrote:
that's what should be potatoes (i.e. arable) in poetry:
the inability: the vouchsafed last:
                                                     a void attired to
a crowd: the conductor and the massed-up orchestra -
the magi wand: the larynx and the last breathed chord.
but in reality getting mail from U.C.L.
makes me think only one thing:
hey! i dropped out halfway through the semester!
i didn't go through the second periodic,
i wet mad, but you took my money anyway,
can i have those 3 thousand quids back?
no? well... that's my donation to your sporty-sports
gagging for money... ever hear Oxfam was a
country named in Africa... you're not donating
to starving infants... you're donating
to keep bureaucrats in their jobs -
all post-colonial nations invented charity organisations:
take the money, you have no honour,
or rap left in you -
all post-colonial nations invented charity organisations:
money is the easy way out:
namesake gambling or playing the lottery -
their shark-like-leeches: they prey on hopeless
old women - once again with the
Berber pirates: old age is a curse, rather than an
achievement: we'll never outlive the Galapagos
turtles: they're born with wrinkles and an
expectation to live beyond 100 years...
no, i don't feel anything having been achieved
with me receiving the Portico magazine from U.C.L.,
they shouldn't have hanged that carrot in my face
given my father is a roofer and a former
metal worker - they sniffed me out via their class
warfare jealousy - they sniffed out that i was
an avid reader and beyond comprehensively literate,
that ****** them off... i continued on my road
to demise, wishing it was truly a ding-****
resemblance of Sonny Clark... i shame the fates
invoking the furies that it wasn't the similar case
of lessened concerns - and death, or Samael -
like antoine de aaint-exupéry's little prince
in similar caste to understand: once more,
death the most curious of children -
for it is said: when born with weakness once
easily accepts it, and focuses on the beauty
beyond - but when weakness is forced upon you
without genetic explanation, as a crime:
one takes to kindred involvement with the cancerous
child, who, in his weakness, sought beyond
the immediate: the aesthetic at being so little
time to find so little beneath the potential:
as life firstly peppered with drink, woman and song,
to be later salted with drink (alcoholism), woman
(celibacy at best, or ****** and general abandonment),
and song: rain drools on the parapets like
angry gods, or friendly dogs.
and you think the winner of the english x-factor
2015 got a record contract? have you seen her lately?
they make the people already broken doubly broke...
elevation of ******* i think...
                  the karaoke tribunal and sentencing -
they are worse off than they were before,
    like me, being fed the lie of getting education,
becoming an educated chemist,
    not catching the fisherman's tackle of money
and suiting myself to the robot clause of entertaining
those that pay for waiters, doormen and shelf-stacking creeps,
  i should be there, not here, not writing these
poems: i should be there.
               i'm not even born to entertain,
   hence my precursor to meddle in shelved toothpaste.
          my best gambit joke?
           i've got nothing to lose -
unless it's a library of books and compact disks...
   beyond that... talk of honour and *****
  is pretty much tied to kingpins and stilettos -
        and life... well... i like the way it sounds:
  and lastly god: well, i don't blame the Utopian
fetishist on all the grief... i just like to turn people
into simple coordinates of pointing my finger:
                    nits                          nits
      and an old lady knitting a scarf to catch
                       a forgotten wind from the north:
that hushed the Eskimo into yawning -
             from breath a sculpture in the Arctic:
                                    an electron cloud,
  rigid dogmatic orbits elsewhere, and for some other fools;
            as i was once.

I dreamt that I wrote to you last night. I woke up with paper cuts in between my fingers, lemon juice that stained my bed a ****-yellow color, ink embedded underneath my fingernails,  and every time I reached down to scratch my ***** I left a shameful line of old black ink. I think I’d have mailed it to her if I knew that when she read it she would scream with a horrid realization. A realization of finally understanding the monster she use to sleep next to, before the **** sheets before the ink stained boxers. I’d have mailed it to her if it wasn't just in my dreams. I imagine that the lines in my letter were laced with layers of lucid logic that stringed together feelings that con-caved in on themselves. That ate themselves whole;  but instead of making them disappear entirely they grew twice their size and spilled over the pages and underneath my nails. The diction I imagine I would have chosen to write with would be read with a southern twang.  Slow and drawn out. She would have to read it with extra syllables that her tiny lungs could not possibly hold. It would make her choke, for the first time, on words that weren't her own. My words would finally fulfill the dreams of my hands; constantly wanting to ring around her neck like I was seven again on the playground and her name was Rosie. I wouldn't have rhymed in my subconscious, to me that always seems fake and I can’t really rhyme without having my voice break. I might, however; use from time to time red bold words laying in the middle of long paragraphs in hopes she would remember her red dress. Of how, before bed, it grazed over her slopping neck and slid off onto my floor. In my dream it’s still on my floor. I hope in my letter that I wrote out a picture of her seeing me seeing her put it on in front of our window the next morning and even though that dress was too short for autumn and she would wear it anyway. Because she knew it drove me crazy and because she wanted to remember me even after she walked out my front door. Mornings like that I begged her stay even if we had just fought over how much she snores, even if I had called her a **** one too many times the drunken night before. My letter, I think, would tell her that I wish she didn't have to bundle up and leave that she could instead cut up my bed sheets and make herself a new warmer dress. One that would have matched my pillow too perfectly for her to not lay her head on it and call it a hat. For her to pretend that my bed was the world outside the door. My letter would go like that. It would make her scream at first then make her remember that monsters can love too and knowing that; she would punch her new mattress and tear up her new pillows ones that I have never touched. She would scream, "*******!" preceding my name every time she landed a blow. She would say that so many times that she could never look at her new bed again without thinking of me, and of ****. When I dreamt last night I dreamt I wrote you a letter, but dreams don’t have hands that can hold pens. So I instead sent you my bed sheets, my boxers, I signed them with lemon juice and old black ink. Wear them, sleep with them, read them for what they are worth or toss them out because monsters with words like mine give you nightmares.

Do ye hear the children weeping, O my brothers,
Ere the sorrow comes with years?
They are leaning their young heads against their mothers,
And that cannot stop their tears.
The young lambs are bleating in the meadows,
The young birds are chirping in the nest,
The young fawns are playing with the shadows,
The young flowers are blowing toward the west—
But the young, young children, O my brothers,
They are weeping bitterly!
They are weeping in the playtime of the others,
In the country of the free.

Do you question the young children in their sorrow,
Why their tears are falling so?
The old man may weep for his tomorrow,
Which is lost in Long Ago;
The old tree is leafless in the forest,
The old year is ending in the frost,
The old wound, if stricken, is the sorest,
The old hope is hardest to be lost:
But the young, young children, O my brothers,
Do you ask them why they stand
Weeping sore before the bosoms of their mothers,
In our happy Fatherland?

They look up with their pale and sunken faces,
And their looks are sad to see,
For the man’s hoary anguish draws and presses
Down the cheeks of infancy;
“Your old earth,” they say, “is very dreary;
Our young feet,” they say, “are very weak!
Few paces have we taken, yet are weary—
Our grave-rest is very far to seek.
Ask the aged why they weep, and not the children,
For the outside earth is cold,
And we young ones stand without, in our bewildering,
And the graves are for the old.”

“True,” say the children, “it may happen
That we die before our time.
Little Alice died last year—her grave is shapen
Like a snowball, in the rime.
We looked into the pit prepared to take her:
Was no room for any work in the close clay!
From the sleep wherein she lieth none will wake her,
Crying ‘Get up, little Alice! it is day.’
If you listen by that grave, in sun and shower,
With your ear down, little Alice never cries;
Could we see her face, be sure we should not know her,
For the smile has time for growing in her eyes:
And merry go her moments, lulled and stilled in
The shroud by the kirk-chime.
It is good when it happens,” say the children,
“That we die before our time.”

Alas, alas, the children! They are seeking
Death in life, as best to have;
They are binding up their hearts away from breaking,
With a cerement from the grave.
Go out, children, from the mine and from the city,
Sing out, children, as the little thrushes do;
Pluck your handfuls of the meadow-cowslips pretty,
Laugh aloud, to feel your fingers let them through!
But they answer, “Are your cowslips of the meadows
Like our weeds anear the mine?
Leave us quiet in the dark of the coal-shadows,
From your pleasures fair and fine!

“For oh,” say the children, “we are weary,
And we cannot run or leap;
If we cared for any meadows, it were merely
To drop down in them and sleep.
Our knees tremble sorely in the stooping,
We fall upon our faces, trying to go;
And, underneath our heavy eyelids drooping,
The reddest flower would look as pale as snow.
For, all day, we drag our burden tiring
Through the coal-dark, underground;
Or, all day, we drive the wheels of iron
In the factories, round and round.

“For all day the wheels are droning, turning;
Their wind comes in our faces,—
Till our hearts turn, our heads with pulses burning,
And the walls turn in their places:
Turns the sky in the high window blank and reeling,
Turns the long light that drops adown the wall,
Turn the black flies that crawl along the ceiling,—
All are turning, all the day, and we with all.
And all day, the iron wheels are droning,
And sometimes we could pray,
‘O ye wheels,’ (breaking out in a mad moaning)
‘Stop! be silent for today!’ ”

Ay, be silent! Let them hear each other breathing
For a moment, mouth to mouth!
Let them touch each other’s hands, in a fresh wreathing
Of their tender human youth!
Let them feel that this cold metallic motion
Is not all the life God fashions or reveals:
Let them prove their living souls against the notion
That they live in you, or under you, O wheels!
Still, all day, the iron wheels go onward,
Grinding life down from its mark;
And the children’s souls, which God is calling sunward,
Spin on blindly in the dark.

Now tell the poor young children, O my brothers,
To look up to Him and pray;
So the blessed One, who blesseth all the others,
Will bless them another day.
They answer, “Who is God that He should hear us,
While the rushing of the iron wheels is stirred?
When we sob aloud, the human creatures near us
Pass by, hearing not, or answer not a word.
And we hear not (for the wheels in their resounding)
Strangers speaking at the door:
Is it likely God, with angels singing round Him,
Hears our weeping any more?

“Two words, indeed, of praying we remember,
And at midnight’s hour of harm,
‘Our Father,’ looking upward in the chamber,
We say softly for a charm.
We know no other words except ‘Our Father,’
And we think that, in some pause of angels’ song,
God may pluck them with the silence sweet to gather,
And hold both within His right hand which is strong.
‘Our Father!’ If He heard us, He would surely
(For they call Him good and mild)
Answer, smiling down the steep world very purely,
‘Come and rest with me, my child.’

“But, no!” say the children, weeping faster,
“He is speechless as a stone:
And they tell us, of His image is the master
Who commands us to work on.
Go to!” say the children,—”up in heaven,
Dark, wheel-like, turning clouds are all we find.
Do not mock us; grief has made us unbelieving—
We look up for God, but tears have made us blind.”
Do you hear the children weeping and disproving,
O my brothers, what ye preach?
For God’s possible is taught by His world’s loving,
And the children doubt of each.

And well may the children weep before you!
They are weary ere they run;
They have never seen the sunshine, nor the glory
Which is brighter than the sun.
They know the grief of man, without its wisdom;
They sink in man’s despair, without its calm,—
Are slaves, without the liberty in Christdom,—
Are martyrs, by the pang without the palm,—
Are worn as if with age, yet unretrievingly
The harvest of its memories cannot reap,—
Are orphans of the earthly love and heavenly.
Let them weep! let them weep!

They look up with their pale and sunken faces,
And their look is dread to see,
For they mind you of their angels in high places,
With eyes turned on Deity;—
“How long,” they say, “how long, O cruel nation,
Will you stand, to move the world, on a child’s heart,—
Stifle down with a mailed heel its palpitation,
And tread onward to your throne amid the mart?
Our blood splashes upward, O gold-heaper,
And its purple shows your path!
But the child’s sob in the silence curses deeper
Than the strong man in his wrath.”

As so many of you have had difficulty purchasing “We Walked in His Garden” here at HP, I have decided to post the book in its entirety at Poetfreak (www.poetfreak.com). I do alas have one final request to ask of you all. As this project was initially intended to benefit The Matthew Talbot Hostel, a homeless shelter that was very dear to Paddy’s heart, I would ask that you please consider making a small donation to this worthy cause. The amount is entirely up to you.

Checks in any currency may be made out to the Matthew Talbot Hostel and mailed to:

The Matthew Talbot Hostel
22 Matthew Talbot Place,
Woolloomooloo NSW 2011
Australia

If you managed to purchase the book here, I assure you that 100% of what you paid will soon be on its way to them.

Well, with this I must say goodbye for a while. I have some personal issues to attend that simply cannot wait any longer. You have all been wonderful throughout and have shown that although we may have very different ways of looking at the world, deep down, we are a family that truly cares about one another. When you think about it, there can be no greater honor to the memory of Paddy Martin than that.

Patrick

The horizons ring me like *******,
Tilted and disparate, and always unstable.
Touched by a match, they might warm me,
And their fine lines singe
The air to orange
Before the distances they pin evaporate,
Weighting the pale sky with a soldier color.
But they only dissolve and dissolve
Like a series of promises, as I step forward.

There is no life higher than the grasstops
Or the hearts of sheep, and the wind
Pours by like destiny, bending
Everything in one direction.
I can feel it trying
To funnel my heat away.
If I pay the roots of the heather
Too close attention, they will invite me
To whiten my bones among them.

The sheep know where they are,
Browsing in their ***** wool-clouds,
Gray as the weather.
The black slots of their pupils take me in.
It is like being mailed into space,
A thin, silly message.
They stand about in grandmotherly disguise,
All wig curls and yellow teeth
And hard, marbly baas.

I come to wheel ruts, and water
Limpid as the solitudes
That flee through my fingers.
Hollow doorsteps go from grass to grass;
Lintel and sill have unhinged themselves.
Of people and the air only
Remembers a few odd syllables.
It rehearses them moaningly:
Black stone, black stone.

The sky leans on me, me, the one upright
Among all horizontals.
The grass is beating its head distractedly.
It is too delicate
For a life in such company;
Darkness terrifies it.
Now, in valleys narrow
And black as purses, the house lights
Gleam like small change.

i met him in 1989 in a study hall class
and haven't forgotten him since.

a month ago,
i found out he had died in 2014.

the girls liked him
he'de tell me what was playing on his walkman
so i listened, learned, put a penny in an envelope
and mailed it off to columbia house

some weeks later i received my 12 cassette tapes.

i quit eating and got creative with eyeliner.
i memorized a lot of cure lyrics and went to study hall
prepared.

the semester ended and we weren't in the same
study hall class anymore. he ended up transferring to another school.

but i still had hope.
i had memorized so many lyrics.
i had gotten my hair cut into an inverted bob
and learned how to dye it black.

it felt like anything was possible
and it felt so good.

the next year
i transfered to the other school, but he wasn't there anymore.

the year after that
i transfered to an even worse school
he was there

finally.

soon after that,
emily became his girlfriend

one day, i ran into them at the park and ride
as i was getting off the bus

we spent the night on the sidewalk
outside of emily's dad's house.
none of us were allowed to go inside,
not even emily.

but emily managed to sneak inside
and stole a jug of homemade alcohol,
which we did not call moonshine.

emily fell asleep with her head in his lap
while we talked, smoked three packs of cigarettes (all mine), and drank the homemade alcohol that her dad had made.

emily wanted to be a fashion designer.
he really believed in emily and her drawings.

the sun came up

and i caught a bus home.

we both ended up
dropping out of highschool.

22.2
You mailed me a package with a note that said a person’s boots are the most intimate thing someone can own because they take the imprint of the body. On the other side you scribbled “Wherever I seat myself I die in exile”

15
Today I opened my email (well not really today, this was when my usernames still had words like ‘punk’ and ‘babe’ in them) and there was a little blond boy with the same gray eyes and a note that said “He looks nothing like me and everything like you – what a punishment.” The doorbell rang and I expected to find him at the door but this isn’t the movies and when I got back upstairs I realized I didn’t even know his name but my reply bounced back. I guess I never will and you won’t either.

11
You fed me ecstasy and popped my shoulder back in its socket so I wouldn’t have to go to the hospital. While I writhed on the floor you drove J’s truck into a church and punched a cop.

12
I got tired of competing over who could sleep with more of the other’s friends. ******* it even when I started ******* girls and doubled the pool from which I fished you got lazy and started on my ex-boyfriends and all I could think was “When did I start sleeping with gay guys?” But this was before we knew about more options than just gay or straight and I never thought about how maybe it was Freud who said we are all a little bisexual or pansexual or something like that

14
I was mad, both crazy and angry, when I saw the needles and the black and blue an association with T. D. J. W. W. sometimes hyphen R. produced. How pretentious to have that many names. Sometimes the explanation is worse than the action.

13
You broke into my (our) house in the middle of the night and these are the things you took: bedsheets, toilet paper, every flannel item on the second floor, grandma’s jewelry (mine, not yours, and she just died too) all the money in my piggy bank, *****, eggs, milk, cheese, actually all the food in the fridge, the **** you gave me for Christmas, the car keys but not the car, the prickly green welcome mat and one of the goldfish. Why wouldn’t you just take them both? The name Fishn Chips only works when they are both there, it doesn’t make sense with only one.

14.2
I think this was the first time I saw a grown man cry. How clichéd.

21
I don’t have to pretend to like coffee anymore and when I drink I inhale it deep until brown sludge threatens to invade my lungs. People say I look absolutely euphoric and once I said “Yeah it’s the only thing I learned from T” but that’s a lie because you also taught me how to pop security tags off clothes with a rubber band and what to do if you need to take certain things to or from Canada. Whenever I see a California area code I still don’t answer the phone. We haven’t spoken in years which I find remarkable considering how few I have accumulated and how few you have left. I saved the message you left me from the night you found that kid and I feel weird because the panic in your voice reminds me of when we got in trouble for things much less severe and it sort of makes me happy.

17
Oh how orange suits you (har har har). D says he thinks this will really straighten you out. This makes me laugh because I remember how you secretly like to sleep with the same boys as me. Then he leans over to a stranger, points to me, and says “That’s my only kid…a girl.” I don’t think we are coming to visit again.

10
The holler traps gasoline in the air and I imagine when coal trucks dominated these one lane roads it recycled dust the same way. You drank so much moonshine you swore you felt the mountainside breathing. Then you went blind for five days. When your eyes regained focus you drove my four-wheeler off the road and your leg burned pink and slick. A snake bit my left heel but no one noticed because they thought you would need skin graphs and you had such beautiful legs.

22
You sent a Christmas card to everyone and you were all the buzz at dinner even though I’m going to college and bought presents with my own money and J – forever your defender – says I should be comfortable in my achievements and you need a little more give and I made everyone at the table awkward when I told them that was exactly the sort of attitude that got you where you are now.

19
J and I went looking for you when you stopped calling for money. Two pounds for each inch we found your skin stretched tight over bones and while I coaxed the dirt from your hair you explained the proper way to tie an arm so a vein doesn’t burst. I can’t think of a single thing to tell anyone I know about you, so I don’t. I can think about all the speeches I would like to give to you – eloquent deliveries about what a selfish ******* you are. How you promised to pick me up and it was winter and I was so cold and embarrassed no one had come for me so I waited outside and walked to the store fifteen minutes away to use the pay phone and then walked back. Or how I insisted on saving my graduation ticket for you because you said you would come back to the state but then you never showed and called me ****** and still in California claiming it was February. I realized you were just like my dad and I cut all my hair off.

8
I was confused about how someone could live with us but not be related. When a birth certificate was just a piece of paper before you pushed me in front of a car but after you busted my face open – the definition of “taking it on the chin.” I still think you killed my cat.

No time for having

withdrawals_
All friendship
click
Lets 
 Click-bank it

Gratitude
so thanks

Just mail it
My mind
chocolate
clustered
Wounded
like a
bullet_
Postcard
Like
E- Allen Poe
related

Polluted by
Naked Gun
My heart was
fully loaded

"My Psyche"

Glossinidae so
****** "Red"

Women Wartime
she knits

Wildflowers
in her bed
He was more
worried
about the
postcard

Split Banana
personality
Plain Monkey
***
Crazy on Sunday

Sundae's
on Fridays
Yes we have no
bananas
Postcards laid
T-L-C cared for
cabana

But Gina
Loco?
Crazy bridge
Lollobrigida
Postcards
Just
Like Lazy
Susans
Georgiana
Or Brianna
Bella Bella

Leaving notes
with few
good men
Nicholsons
Nicole with
her Kidman

Construction
hard paper
Snip here
Pulled into his
psyche
All cliche's
The fondue
French talk
face to face
Jack snapped
beanstalk

In front, words
fingered
Her words
of roue'
Catch up with
Ketchup
Pretty but Petty
petticoats
"Billy Goats"
Titanic ships
Beguiled
by
him

Cottage home
bacon bits
of
Salad postcards
from
Egypt
The holy land of
Mohammid
Dancing like an
Egyptian

Rumi
of all
Gods
in vain
Your so
vain I betcha
you think
the
postcards
about ya

"Psyche Monday"
Coming to grips
(Girl Friday)
versus
(Man Friday)
with his lips,

The Postcard
postpartum
depression
((What Moves))
on my hips
Strawberry
jam and
my biscuit
"His Girl Scout"
recruit
Being pursued
shortcake
So ironed
longed for

Postcards
floating
through
"Spa dream"

Highlighted*
Crazy in love
hallucinating
being flirtatious

Oneself
But she doubted
therefore
My psyche
wanted more
(Danger=Hunger)
after you
Darling
Civil war
Loves don't finally
meet someone
They are in each other
all the time-----

Double crossed-Star

Trying to pass the bar

Fair lady or the
distinguished
Gentleman

"Aircraft"
Postcards came with
ownership
Bombs stay funds

So Psyche
The future
Be smart
"Smartphone"
Like a rope and
silvered computer
links
The chain- chain gang

The train blue-skying
Crazy skywriting
A strange device
(UFO) now BOO
requiem in a dream
Royal lips
A plus postcard
Deeply within
The hundred's
of lovers tongue
Going once but twice,
The Postman stamps
psychic
"Auction house
My postcard
Peanuts and
Charmed by Charlie
Brown
The Tarot elephant
pants
Double talk Parrot
Superbowl
the postcard
intellectual

"Hallucination Beware"
Strong accusation to
compare

An app "Activation"
Star Wars  may the force
be with you one and
only card
British fine tea guards

The love red tip
matches
The new
postcard
the
new black
Mary Mack
Stamped and
smacked
Smashbox eyes
like crazy lunatic

(Dora Explorer)
New Orleans
Nasty stickers
Richness of bourbon
Sweet Caroline
Graphic art turban
8 sides
of the moon
Such
consequences?

My hair
ponytailed
You mailed
words short
Styled pixieish

Dots.....crazy points

Oh! Gosh
The
Hoarder
of
postcards
Crazy Gorilla
Mozilla
"Queen of Sheba"
I rather walk my
Shiba Inu doggy

Miss baby jane shoes
French connection my
La Femme
Oh La La
Haha
Funnybone
I refuse to be
loved like
a postcard
Self-assurance
love is frozen
and stamina
Postcards back
in the future

((Wonder all drama))
Psyche ward she got
hammered
Stacks of postcard
Her wrist got cut
Cold cuts
Irish Spring soap
VIP Postcards RIP
Replacing her hip
Her crazy lips kissed
the postcard
her bodyguard
Those maneaters
and deadly hitters
Mega babes babysitters
To be so loved and read

Postcards speak to us
listen
Glisten
Crazy Bitch__ is in
The innie or outy
Paper towels Minny
Mouse
She cleans up
her postcards
When the postman rings
twice

Pass it on

Has it troubled you
papercut you
Was this postcard
meeting
your  card
expectation

All you?