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Rachel Morris Dec 2014
Chandler smiles
like the world depends on the warmth it emits
Chandler laughs
like today is the last day he will have to chuckle
Chandler says my name
over and over
like he will never have another chance to say it
over and over
my name forms in the back of your throat and
rolls up to the back of your tongue
Rachel
Chandler is nineteen
Diagnosed with Cerebral Palsy
Trapped in a body he cannot control
Like prison walls around his muscles
He is unable to move most of them
He uses what he can
He raises his good hand, waves, and flashes a smile
that screams flirtation  
Chandler winks
Knowing he can make any girl swoon
Chandler says my name
Even when I am not there
Chandler’s hand may not fit perfectly with mine
But I will make the puzzle pieces fit
Chandler is somebody I know I will outlive
And the thought terrifies me
Knowing already that he may not make it past twenty
And while the clock is ticking
We will make the most of every moment
I kiss his forehead
He causes my heart to smile
and we shall live every moment to its limit
as if the world depends on it
The phone rang almost off the hook
But I got to it in time,
‘You’d better come here and take a look!’
Said the voice of Esther Clyne.
I shook my head, rolled over in bed,
And said, ‘It’s after one!
It’s after one in the morning, Ess!’
She said, ‘You’d better come!’

Ess was an ornithologist
And she lived in Chandler’s Wood,
She’d never been an apologist
But demanded, when she could,
‘It’s pretty late,’ I tried to state,
‘Can it wait until I’m free?’
Her voice came rattling down the line,
‘Not now, just come and see!’

I dropped the phone with a silent curse
As I scrambled out of bed,
And wondered which of her feathered friends
Had disturbed the woman’s head.
She’d called me out for a frigatebird
That she’d spotted from her snug,
And many a rare and crested tern,
And even a vagrant dove.

I wore a hat and a leather coat
It was getting cold outside,
Grabbed me a pair of driving gloves
And I took the four wheel drive,
The track was sticky in Chandler’s Wood
It had rained the day before,
And headed in through the Maple trees
To the house she called ‘Jackdaw’.

I pulled up by her verandah, she
Had been waiting there for me,
Handed over a walking stick,
‘To beat them off, you’ll see!’
We walked together towards the lake
And there we saw old Jack,
The poor old guy was about to die,
Was lying flat on his back.

He seemed to have lost a lot of blood
It was streaked all over his face,
His shirt was tattered his trousers torn
There was blood all over the place,
And round him gathered the strangest group
That  ever I’ve seen, no lies!
For there was a couple of hundred owls
And one had pecked out his eyes.

I started to raise the walking stick
‘Shall I beat them off with this?’
She said she didn’t know what to do,
The ornithologist!
‘The stick is just to protect yourself
Should they suddenly attack,
Owls are nocturnal hunting birds,
We don’t want to end like Jack!’

There were Tawny Owls and scrawny owls
And a Snowy Owl or two,
A couple of hundred Barn Owls
Up in the trees for a better view,
The Moon was reflected in their eyes
As they sat and stared us down,
Perched in the trees around us and
A-blink, not making a sound.

Esther motioned to come away,
‘We can’t do anything here,
We’ll come again in the morning when
The ground and the trees are clear.’
So we edged away and we got to pray
But neither would turn our back,
We knew if we tried to run away
We’d end up as dead as Jack.

No sooner back at the house, ‘Jackdaw’
We locked the shutters in place,
Bolted the front and laundry doors
And blocked the chimney piece,
Esther put on the kettle, thinking
To make a *** of tea,
But outside there was a whirring sound
So we both looked out to see.

The owls were perched on the hand rail
On the verandah, all in a line,
They stared at the house unblinking
Being so patient, biding their time,
They pecked their way through the telephone line,
We couldn’t call out by phone,
And then they set up a screeching that
Sent chills through me to the bone.

I knew all about the Hoot Owl
But I’d never have heard them screech,
If Esther hadn’t have called me up
When I should have been asleep.
The screeching rattled the window panes
Then Esther let out a howl,
And suddenly they all flew away,
There wasn’t a single owl!

They found her out in the woods today
I can’t say I was surprised,
They said it must be a bird of prey
Attacked, and pecked out her eyes.
I’ve never been back to Chandler’s Wood
Since I got that late night call,
But don’t want to end like Esther, so
I keep a gun on the wall.

David Lewis Paget
Amanda Edmonson Jan 2011
Have you ever dreamed about that one guy?
the popular guy in school.
The cute 6'4, ***** blonde
who plays baseball, parties and drives.
The guy who dated the blonde cheerleader.
The guy who walks the halls
head up, books on side, black hat on, laughing as he walks.
he looks so fun and happy.
If you had the chance to read his mind,
would you?
He's the guy every girl wants.
Don't you really wanna know what he thinks.
I mean....
He's Blake Chandler.
Blake chandler...
adorably cute popular guy at school.
grumpy thumb Jan 2016
He made beeswax
from honeycomb caps
scraped,
distilled,
filtered
through a fine muslin sack.
Seeped liquid gathered
dark honey stays there
pure wax floats and cools in a layer
on top.
Removed with care
for the melting ***.

Cotton wick
best braided flat
cut to length the strip
for the hot vat.
Dip
by timely
dip
dressed
a veil,
a shroud,
a cloak.
The chandler's
pale golden coat.
--To Elizabeth Robins Pennell


'O mes cheres Mille et Une Nuits!'--Fantasio.

Once on a time
There was a little boy:  a master-mage
By virtue of a Book
Of magic--O, so magical it filled
His life with visionary pomps
Processional!  And Powers
Passed with him where he passed.  And Thrones
And Dominations, glaived and plumed and mailed,
Thronged in the criss-cross streets,
The palaces pell-mell with playing-fields,
Domes, cloisters, dungeons, caverns, tents, arcades,
Of the unseen, silent City, in his soul
Pavilioned jealously, and hid
As in the dusk, profound,
Green stillnesses of some enchanted mere.--

I shut mine eyes . . . And lo!
A flickering ****** of memory that floats
Upon the face of a pool of darkness five
And thirty dead years deep,
Antic in girlish broideries
And skirts and silly shoes with straps
And a broad-ribanded leghorn, he walks
Plain in the shadow of a church
(St. Michael's:  in whose brazen call
To curfew his first wails of wrath were whelmed),
Sedate for all his haste
To be at home; and, nestled in his arm,
Inciting still to quiet and solitude,
Boarded in sober drab,
With small, square, agitating cuts
Let in a-top of the double-columned, close,
Quakerlike print, a Book! . . .
What but that blessed brief
Of what is gallantest and best
In all the full-shelved Libraries of Romance?
The Book of rocs,
Sandalwood, ivory, turbans, ambergris,
Cream-tarts, and lettered apes, and calendars,
And ghouls, and genies--O, so huge
They might have overed the tall Minster Tower
Hands down, as schoolboys take a post!
In truth, the Book of Camaralzaman,
Schemselnihar and Sindbad, Scheherezade
The peerless, Bedreddin, Badroulbadour,
Cairo and Serendib and Candahar,
And Caspian, and the dim, terrific bulk--
Ice-ribbed, fiend-visited, isled in spells and storms--
Of Kaf! . . . That centre of miracles,
The sole, unparalleled Arabian Nights!

Old friends I had a-many--kindly and grim
Familiars, cronies quaint
And goblin!  Never a Wood but housed
Some morrice of dainty dapperlings.  No Brook
But had his nunnery
Of green-haired, silvry-curving sprites,
To cabin in his grots, and pace
His lilied margents.  Every lone Hillside
Might open upon Elf-Land.  Every Stalk
That curled about a Bean-stick was of the breed
Of that live ladder by whose delicate rungs
You climbed beyond the clouds, and found
The Farm-House where the Ogre, gorged
And drowsy, from his great oak chair,
Among the flitches and pewters at the fire,
Called for his Faery Harp.  And in it flew,
And, perching on the kitchen table, sang
Jocund and jubilant, with a sound
Of those gay, golden-vowered madrigals
The shy thrush at mid-May
Flutes from wet orchards flushed with the triumphing dawn;
Or blackbirds rioting as they listened still,
In old-world woodlands rapt with an old-world spring,
For Pan's own whistle, savage and rich and lewd,
And mocked him call for call!

I could not pass
The half-door where the cobbler sat in view
Nor figure me the wizen Leprechaun,
In square-cut, faded reds and buckle-shoes,
Bent at his work in the hedge-side, and know
Just how he tapped his brogue, and twitched
His wax-end this and that way, both with wrists
And elbows.  In the rich June fields,
Where the ripe clover drew the bees,
And the tall quakers trembled, and the West Wind
Lolled his half-holiday away
Beside me lolling and lounging through my own,
'Twas good to follow the Miller's Youngest Son
On his white horse along the leafy lanes;
For at his stirrup linked and ran,
Not cynical and trapesing, as he loped
From wall to wall above the espaliers,
But in the bravest tops
That market-town, a town of tops, could show:
Bold, subtle, adventurous, his tail
A banner flaunted in disdain
Of human stratagems and shifts:
King over All the Catlands, present and past
And future, that moustached
Artificer of fortunes, ****-in-Boots!
Or Bluebeard's Closet, with its plenishing
Of meat-hooks, sawdust, blood,
And wives that hung like fresh-dressed carcases--
Odd-fangled, most a butcher's, part
A faery chamber hazily seen
And hazily figured--on dark afternoons
And windy nights was visiting of the best.
Then, too, the pelt of hoofs
Out in the roaring darkness told
Of Herne the Hunter in his antlered helm
Galloping, as with despatches from the Pit,
Between his hell-born Hounds.
And Rip Van Winkle . . . often I lurked to hear,
Outside the long, low timbered, tarry wall,
The mutter and rumble of the trolling bowls
Down the lean plank, before they fluttered the pins;
For, listening, I could help him play
His wonderful game,
In those blue, booming hills, with Mariners
Refreshed from kegs not coopered in this our world.

But what were these so near,
So neighbourly fancies to the spell that brought
The run of Ali Baba's Cave
Just for the saying 'Open Sesame,'
With gold to measure, peck by peck,
In round, brown wooden stoups
You borrowed at the chandler's? . . . Or one time
Made you Aladdin's friend at school,
Free of his Garden of Jewels, Ring and Lamp
In perfect trim? . . . Or Ladies, fair
For all the embrowning scars in their white *******
Went labouring under some dread ordinance,
Which made them whip, and bitterly cry the while,
Strange Curs that cried as they,
Till there was never a Black ***** of all
Your consorting but might have gone
Spell-driven miserably for crimes
Done in the pride of womanhood and desire . . .
Or at the ghostliest altitudes of night,
While you lay wondering and acold,
Your sense was fearfully purged; and soon
Queen Labe, abominable and dear,
Rose from your side, opened the Box of Doom,
Scattered the yellow powder (which I saw
Like sulphur at the Docks in bulk),
And muttered certain words you could not hear;
And there! a living stream,
The brook you bathed in, with its weeds and flags
And cresses, glittered and sang
Out of the hearthrug over the nakedness,
Fair-scrubbed and decent, of your bedroom floor! . . .

I was--how many a time!--
That Second Calendar, Son of a King,
On whom 'twas vehemently enjoined,
Pausing at one mysterious door,
To pry no closer, but content his soul
With his kind Forty.  Yet I could not rest
For idleness and ungovernable Fate.
And the Black Horse, which fed on sesame
(That wonder-working word!),
Vouchsafed his back to me, and spread his vans,
And soaring, soaring on
From air to air, came charging to the ground
Sheer, like a lark from the midsummer clouds,
And, shaking me out of the saddle, where I sprawled
Flicked at me with his tail,
And left me blinded, miserable, distraught
(Even as I was in deed,
When doctors came, and odious things were done
On my poor tortured eyes
With lancets; or some evil acid stung
And wrung them like hot sand,
And desperately from room to room
Fumble I must my dark, disconsolate way),
To get to Bagdad how I might.  But there
I met with Merry Ladies.  O you three--
Safie, Amine, Zobeide--when my heart
Forgets you all shall be forgot!
And so we supped, we and the rest,
On wine and roasted lamb, rose-water, dates,
Almonds, pistachios, citrons.  And Haroun
Laughed out of his lordly beard
On Giaffar and Mesrour (I knew the Three
For all their Mossoul habits).  And outside
The Tigris, flowing swift
Like Severn bend for bend, twinkled and gleamed
With broken and wavering shapes of stranger stars;
The vast, blue night
Was murmurous with peris' plumes
And the leathern wings of genies; words of power
Were whispering; and old fishermen,
Casting their nets with prayer, might draw to shore
Dead loveliness:  or a prodigy in scales
Worth in the Caliph's Kitchen pieces of gold:
Or copper vessels, stopped with lead,
Wherein some Squire of Eblis watched and railed,
In durance under potent charactry
Graven by the seal of Solomon the King . . .

Then, as the Book was glassed
In Life as in some olden mirror's quaint,
Bewildering angles, so would Life
Flash light on light back on the Book; and both
Were changed.  Once in a house decayed
From better days, harbouring an errant show
(For all its stories of dry-rot
Were filled with gruesome visitants in wax,
Inhuman, hushed, ghastly with Painted Eyes),
I wandered; and no living soul
Was nearer than the pay-box; and I stared
Upon them staring--staring.  Till at last,
Three sets of rafters from the streets,
I strayed upon a mildewed, rat-run room,
With the two Dancers, horrible and obscene,
Guarding the door:  and there, in a bedroom-set,
Behind a fence of faded crimson cords,
With an aspect of frills
And dimities and dishonoured privacy
That made you hanker and hesitate to look,
A Woman with her litter of Babes--all slain,
All in their nightgowns, all with Painted Eyes
Staring--still staring; so that I turned and ran
As for my neck, but in the street
Took breath.  The same, it seemed,
And yet not all the same, I was to find,
As I went up!  For afterwards,
Whenas I went my round alone--
All day alone--in long, stern, silent streets,
Where I might stretch my hand and take
Whatever I would:  still there were Shapes of Stone,
Motionless, lifelike, frightening--for the Wrath
Had smitten them; but they watched,
This by her melons and figs, that by his rings
And chains and watches, with the hideous gaze,
The Painted Eyes insufferable,
Now, of those grisly images; and I
Pursued my best-beloved quest,
Thrilled with a novel and delicious fear.
So the night fell--with never a lamplighter;
And through the Palace of the King
I groped among the echoes, and I felt
That they were there,
Dreadfully there, the Painted staring Eyes,
Hall after hall . . . Till lo! from far
A Voice!  And in a little while
Two tapers burning!  And the Voice,
Heard in the wondrous Word of God, was--whose?
Whose but Zobeide's,
The lady of my heart, like me
A True Believer, and like me
An outcast thousands of leagues beyond the pale! . . .

Or, sailing to the Isles
Of Khaledan, I spied one evenfall
A black blotch in the sunset; and it grew
Swiftly . . . and grew.  Tearing their beards,
The sailors wept and prayed; but the grave ship,
Deep laden with spiceries and pearls, went mad,
Wrenched the long tiller out of the steersman's hand,
And, turning broadside on,
As the most iron would, was haled and ******
Nearer, and nearer yet;
And, all awash, with horrible lurching leaps
Rushed at that Portent, casting a shadow now
That swallowed sea and sky; and then,
Anchors and nails and bolts
Flew screaming out of her, and with clang on clang,
A noise of fifty stithies, caught at the sides
Of the Magnetic Mountain; and she lay,
A broken bundle of firewood, strown piecemeal
About the waters; and her crew
Passed shrieking, one by one; and I was left
To drown.  All the long night I swam;
But in the morning, O, the smiling coast
Tufted with date-trees, meadowlike,
Skirted with shelving sands!  And a great wave
Cast me ashore; and I was saved alive.
So, giving thanks to God, I dried my clothes,
And, faring inland, in a desert place
I stumbled on an iron ring--
The fellow of fifty built into the Quays:
When, scenting a trap-door,
I dug, and dug; until my biggest blade
Stuck into wood.  And then,
The flight of smooth-hewn, easy-falling stairs,
Sunk in the naked rock!  The cool, clean vault,
So neat with niche on niche it might have been
Our beer-cellar but for the rows
Of brazen urns (like monstrous chemist's jars)
Full to the wide, squat throats
With gold-dust, but a-top
A layer of pickled-walnut-looking things
I knew for olives!  And far, O, far away,
The Princess of China languished!  Far away
Was marriage, with a Vizier and a Chief
Of Eunuchs and the privilege
Of going out at night
To play--unkenned, majestical, secure--
Where the old, brown, friendly river shaped
Like Tigris shore for shore!  Haply a Ghoul
Sat in the churchyard under a frightened moon,
A thighbone in his fist, and glared
At supper with a Lady:  she who took
Her rice with tweezers grain by grain.
Or you might stumble--there by the iron gates
Of the Pump Room--underneath the limes--
Upon Bedreddin in his shirt and drawers,
Just as the civil Genie laid him down.
Or those red-curtained panes,
Whence a tame cornet tenored it throatily
Of beer-pots and spittoons and new long pipes,
Might turn a caravansery's, wherein
You found Noureddin Ali, loftily drunk,
And that fair Persian, bathed in tears,
You'd not have given away
For all the diamonds in the Vale Perilous
You had that dark and disleaved afternoon
Escaped on a roc's claw,
Disguised like Sindbad--but in Christmas beef!
And all the blissful while
The schoolboy satchel at your hip
Was such a bulse of gems as should amaze
Grey-whiskered chapmen drawn
From over Caspian:  yea, the Chief Jewellers
Of Tartary and the bazaars,
Seething with traffic, of enormous Ind.--

Thus cried, thus called aloud, to the child heart
The magian East:  thus the child eyes
Spelled out the wizard message by the light
Of the sober, workaday hours
They saw, week in week out, pass, and still pass
In the sleepy Minster City, folded kind
In ancient Severn's arm,
Amongst her water-meadows and her docks,
Whose floating populace of ships--
Galliots and luggers, light-heeled brigantines,
Bluff barques and rake-hell fore-and-afters--brought
To her very doorsteps and geraniums
The scents of the World's End; the calls
That may not be gainsaid to rise and ride
Like fire on some high errand of the race;
The irresistible appeals
For comradeship that sound
Steadily from the irresistible sea.
Thus the East laughed and whispered, and the tale,
Telling itself anew
In terms of living, labouring life,
Took on the colours, busked it in the wear
Of life that lived and laboured; and Romance,
The Angel-Playmate, raining down
His golden influences
On all I saw, and all I dreamed and did,
Walked with me arm in arm,
Or left me, as one bediademed with straws
And bits of glass, to gladden at my heart
Who had the gift to seek and feel and find
His fiery-hearted presence everywhere.
Even so dear Hesper, bringer of all good things,
Sends the same silver dews
Of happiness down her dim, delighted skies
On some poor collier-hamlet--(mound on mound
Of sifted squalor; here a soot-throated stalk
Sullenly smoking over a row
Of flat-faced hovels; black in the gritty air
A web of rails and wheels and beams; with strings
Of hurtling, tipping trams)--
As on the amorous nightingales
And roses of Shiraz, or the walls and towers
Of Samarcand--the Ineffable--whence you espy
The splendour of Ginnistan's embattled spears,
Like listed lightnings.
Samarcand!
That name of names!  That star-vaned belvedere
Builded against the Chambers of the South!
That outpost on the Infinite!
And behold!
Questing therefrom, you knew not what wild tide
Might overtake you:  for one fringe,
One suburb, is stablished on firm earth; but one
Floats founded vague
In lubberlands delectable--isles of palm
And lotus, fortunate mains, far-shimmering seas,
The promise of wistful hills--
The shining, shifting Sovranties of Dream.
blank Feb 2023
INT. CENTRAL PERK - DAY

The Friends are all sitting on the couch, chatting and sipping their coffee. Joey bursts in, holding a large box.

JOEY: Hey, guys! Check it out! I got a new entertainment system!

MONICA: (sarcastically) Oh, great. Another giant box to clutter up our tiny apartments.

JOEY: (ignoring her) I need your help setting it up. Who's in?

Chandler, Phoebe, and Ross all raise their hands, but Rachel and Monica look hesitant.

RACHEL: (doubtfully) I don't know, Joey. This sounds like a lot of work.

JOEY: (encouragingly) Come on, Rach. It'll be fun! And I'll even order us a pizza.

MONICA: (smiling) Okay, I'm in.

Rachel reluctantly agrees, and the Friends start setting up the entertainment system. Joey pulls out a large instruction manual and starts reading out loud.

JOEY: (confused) Okay, it says we need to connect the yellow cord to the blue input, but I don't see a blue input.

CHANDLER: (sarcastically) Well, Joey, have you tried turning it off and on again?

PHOEBE: (jokingly) Maybe you need to sacrifice a chicken to the technology gods.

Ross, Monica, and Joey start arguing over the proper way to set up the system, while Chandler and Phoebe start making up ridiculous solutions. Rachel sits off to the side, looking amused but uninterested.

RACHEL: (smiling) You know, I have an idea. Let's just call the Geek Squad and let them deal with it.

JOEY: (defeated) Yeah, I guess you're right. I'll call them tomorrow.

MONICA: (frustrated) Ugh, I can't believe we wasted all this time on nothing.

PHOEBE: (smiling) Well, at least we got to spend time together.

CHANDLER: (nodding) And we'll always have the memories of that time Joey accidentally shocked himself with the power cord.

Joey looks embarrassed as the Friends all laugh, and the camera fades out on their good-natured teasing and banter.
I feel like I discovered gold!
Tim Knight Apr 2015
we stared at it for a good five minutes,
children around a rope swing body too afraid of the drop, so he jumped.
One of us poked at it, jabbed it 'til its petals fell off:
thrown flowers from the overpass above,
lightly dropped, not a touchdown distance here,
well,
whoever misplaced them was distant, over horizon line, past Joey joke,
they were stumbling upon well written blurbs of people
rendering all reading pointless, we're all the same, these flowers don't matter,
or they'd seen their other tired and said
please hide your luggage, dear, it's slowing us down
then stormed out and off, flowers in tow, Elizabeth's got her Way, let's leave everything here.

For this show of all things cute and affordable from Clintons
was an IMAX, Nolan Cameron's *** crack screen-shot of despair,
another pop at the small guy
kick him whilst he's up,
don't let that year 2000 pip of pulp sitting hammock in his stomach fool you,
that's perfectly normal,
carry on,
a meal for one in a **** themed restaurant,
this evening's more pointless than a mortgage on a salami,
sharpie on whale skin, what's the point in that,
probably something.

We weren't a we, but we should've been,
that would've been fun, something to talk about later on.
from coffeeshoppoems.com
JJ Hutton Apr 2014
Hayley Fienne scattered herself a year ago today. A hammer. A trigger. I sent flowers to a funeral home in Chandler, OK. I called. Said, "I can't imagine what you are going through" and something about how time turns the past into a form of fiction. DeLillo wrote that, I think.

Her mom said, "That's not true. That's not true."

And I wouldn't have said it if I hadn't known Hayley like I knew Hayley. She used to do these oil paintings on the nights she knew she wasn't going to class in the morning. I've a layman's knowledge of visual art but even I could tell her work was real. As opposed to what? I don't know. You just felt it. It kicked you in the gut, left you spinning around the room, asking every ******* in tweed, "Can I get some water?"

There was one large canvas in particular that stuck out. She called it "Dissolution."

The work depicted a seemingly amorphous spiral of headlight blues and star whites against the murky black of space. In the dead center of the piece she painted the face of a young man, broken into quadrants. The face was nothing more than a faint veil. If you scanned the canvas, you'd miss it.

When she showed the piece at a gallery event, featuring the work of outgoing seniors, I asked her who the man was.

"It's Jesus."

"You gave him a shave."

"It's actual Jesus. It's 'I'm thinking of converting to Buddhism' Jesus. It's lonely, masturbatory Jesus. It's the Jesus who stares at a ceiling fan wondering why Peter won't text him back," she said. "And above all, it's the Jesus God asks a little too much of, the Jesus that calls in sick."

I said I was unaware such a Jesus existed.

"Exists. Dealing with impossible quotas, he has to shave."

"I think your Jesus looks like you."

"He is."



Now it's a year later. I find comfort in the painting, allowing the erratic brush strokes, both fleeing and advancing, to lull me to--what? Just lull, I grant, aimless and asking answerless questions.

I think about her at the end, at her end-- but not the violence of it all. No, I think of the release.

No intended romance. I simply wonder how she would have wanted that final let-go in life's calendar marked by letting-goes to wrap. I imagine her body separating from her mind, her mind separating from her memories, her memories separating from her name. I think of her matter fractured and dispersed, directed where the universe, in its imperialistic expanse, requires.

I call her mom. Say, "I can't believe it's been a year" and something about how outer space makes me think of Hayley.

Her mom says, "I don't understand."



After I hang up I look at the painting. I look at Hayley's Jesus. And I think in memories, memories that may or may not have happened, I think of them in my chest--not my head. I think about mercy. I think about the infinite. And is there a place where they intersect?
These city lights look for all the world to me
like some spellbound amnesty
but in reality
they are the building blocks that bring the nights
so I can see
what is to come and what will be.

Like ships at sea that head to port
we're caught
and cast upon the waves like bread to be dispersed
saved ,reborn and nursed by those well versed
in maritime and chandler's stores and sending those back through revolving doors to drown again,
and how the night pours down on me
slipping quickly through the city light where the building blocks become another knock,a twist of fate,and being cruel would stand and wait,while I, the traveller stand and hesitate
to go on
to stay?
an end to an end or a beginning that would send me some hope,no pope here to bless me or you,just another city night to fight and fit tightly through until the morning comes and runs my fears away.

I stay and am obliged to those contributors,interlocutors who saw me,spoke, and watched me as I broke upon the morning shore,
score one to me and city nil
until tonight
when we will fight again.
Timothy hill Mar 2017
Riding chandlers in your home who would have guessed thoe.

Keep up with the time wow.

Lights flee for the city.

Isn't it just a tez tree.

With a angel above looking near the ceiling.
Random
Poetic T Jul 2015
"Where are they, I only need one,

The crystalized woods were a sight to be seen
During the moonlight
Refracted of the shaded leafs, and a
thousand night rainbows bounced,
Leapt from each. Like light sewn into each branch it was
A sight to behold.

"Where are they, I can't be late the moon still shines,

This was the only time to catch one, to bestow
My need, but they were as fragile as
Fall's pilgrimage
When the woods were a dangerous place.
But worth to others the time, as the leafs passed their
Moment and fell shattering into shards upon the floor
To capture the essence that spilled upon the bladed grass
That where the splinters of leaves now fallen.
Not rigid and sharp as before but now descended
They were like silk upon the floor.

"I see you,
"At last so many falls I have waited,
"Where is my net,*

I delicately wonder, footsteps gently hide my approach,
It flies with trials of evanescent light,
Hypnotic in its short trails,
But when so many flutter before my eyes
Pictures emerge as if knowing my minds thoughts.

"It cant be they show me her,
"She is cold, so cold,
"I only need one,
"I call out regrettably,

Drop what was meant for one,
They scatter into the chandler of leaves
But there one stays I approach.

I talk softly to it out of reach.

"She entered during the falling,
"She never knew of the dangers of what descended,
"But upon skin she did graze,
"Her skin now translucent,
"The forest calls for here,
"Now the crystal makes her blood cold,

I look in silence, as it trails upon fresh breezes,
Then a few approach a crystal glistens behind each,
One lands upon my soft palm.

I feel its light penetrate warmth upon my appendages,
As I was filled with a warmth.
It turns as if to usher me too grasp upon its light,
I gently turn, as if it were paper the crystal fly
Becomes like ash tears then with trials following
It's lost fading, waning into the wind,

"I never knew,
"An existence any life lost,
"Even for a noble cause,
"I will remember this moment in word,

I ran through the forest of crystalized light,
My heart pounding against my ribs
As if to tell me to go faster,
I reach the home of a love missed.
  
"Darling I am home,

I call out in urgency.

"Is she still with us,
"Were my troubles in vain,

"No she waits with treads of breath left,
"The forest calls here stronger now,

I glance off the walls, steps like water splash
Upon each footstep, I reach the door

"She is their,
"She is nearly lost,
"She is my love,

I put the essence of what lived, but now in the winds.
Lips caress its warmth and it falls like a stone
In a well, I wait hesitantly on my breath,
I speak,

"Please life given restore what is nearly lost,
Please,
Please,
Ple.....

As what was translucent, pigment
Became once more. Where breath was a trail of light
Like a cold mornings breath,
Now fading into night.
She had come back to me,
I told her the moments that had secured her life,
And a single tear fell,
But not a normal one birthed from regret,
As it danced on the floor.

"What is this that descended a single tears shell,
"It is a crystal tear egg,

We walked in the day time days had pasted,
Taking this tear egg pulsing since once fell.

"Here my love where life gave you a chance of breath,

In to the flowing crystal cloth grass it was set,
As it wrapped, entangled upon it,
Then a light shone for a moment.
A tiny light floated up, and new life was birthed,
New light now graced this forest of crystal.

"Life had given us life,
"Now essence was returned,

We walked away, glancing back once,
As a shimmer of trails took in that lonely light.

**This is a story of what unfolded, what was marked
In ink to be remembered as a moment where even
The smallest gesture, can mean so much.
David Dec 2014
Add
Add
Add
my
Addictions.
dictions (diction's) lost
my addiction's dictions (diction's) lost conviction
excuse that last part, it was intrinsically self-involved
because advertisements
tell me to want.
everything.

Add
Add
Add
all my addictions
then divide by whats left.

Chandler says you can't divide by nothing.
Word Study #3
Nissa Arsenic Sep 2016
The blinds were shut, but the moon
still shined through the thin cracks, falling
on the rising dust,
dancing like blue smoke, in the distance
of two clumsy, sleeping lovers.

It took him three hours
to finally shut up and fall asleep.

his breath, warm, hitting against my neck
I can still taste the wine in his exhales
It stings just a little.

after I kissed him he told me I had turned him to stone
I wish I could say I know every beat his heart
makes, I dont.
but I know that it does
JB Claywell Jan 2016
Acquainted with Mark,
I walk to the bookshop;
not the one with the *****,
instead the neon green nightmare
where there’s nothing good to read.

It’s not so much that I’m searching
for anything in particular, but the sun
has gone down and there’s a need in me
to get out of the house and walk around
someplace that feels like someplace.

Walking past the skateboards,
(Why the **** are there skateboards here?)
I start looking for Mark.
“He doesn’t live here” they say, “He never has.”
No, he doesn’t, I gather.

The King does though,
and if I wanted to fall in love
with a vampire there, I certainly could.
But, Mark is nowhere to be found.

The Laureate of Drunkards has a room
there, but he hasn’t moved in and the
staff cannot remember the last time they
saw him.

Dr. Lovecraft and Chitulu have been known to set
up a lemonade stand now and again, but they never
stick around very long, their product is too sour
for palettes around these parts.

Regardless of this, my search continues.
Mark is not here today, but Robert Parker
has rented some space and is rooming with
Ray Chandler, down the hall from Larry Block,
sometimes they cook up some pasta and mussels
in white wine, with good bread.

Sometimes they pan fry steaks, and make home fries
drinking rye until it’s all medium rare.

It’s mysterious, how Mark became an afterthought
and we all hope he hasn’t been murdered, kidnapped,
or met with some other form of foul play.
It’s poetic really,
how Mark will come around now and again
he’s not lost or forgotten,
he’ll be waiting for me when I get home.

We’ll sit in the dark, under the lamp,
together well read his poem titled: “Poem”
and I’ll tell him that he’s better at this noir stuff
than all those other hacks.

But, for now, Mark remains…Stranded.
*

-JBClaywell

©2016 P&ZPublications
My poetic homage to Mark Strand (April 11, 1934 – November 29, 2014).
His work is a new discovery and very inspiring, but for a moment he was lost and it took a minute or so of hanging out with some pulp noir authors to find him.
Elle McAulay Nov 2024
I'm scared, okay?
I'm scared I'll never be loved,
I'm scared I'll never be held,
I'm scared I'll never be wanted.

I don't know how to change this.
I'm not one of feelings,
I can't express them.

I'm scared my thoughts will push you away
I'm scared my bones won't hold me straight
I'm scared I'll never find a way to
be loved.

"Can I interest you in a sarcastic comment?"
is something like Chandler would say
But what if I can't even make my own
defense mechanism protect me?
What if you don't like my jokes;
the only thing that might be good in me?
But that's not even the problem, is it?
I can't even find strengths to tell'em out loud
I can't even let you decide if you'll laugh or leave
I can't even

I'm scared, okay?
I'm scared that no one will ever know me,
will never want to know me
I'm scared I'll never find the words to fool you,
to make you think I might be interesting
I'm scared no one will ever think I'm worthed
of spending their whole life with
Why would they?
I'm just a quiet dull girl

I'm scared, okay?
Because
I love myself, okay?
I do.
I'm scared I won't ever find anyone else
that will love me as much as I do
I'm scared that's all that's left for me
Keep being one thing only:
unlovable
as I've always been
If you've ever felt worthy of love, if you're a hopeless romantic, if you love love, but never having been loved makes you question it, this poem is for you. And you ARE worthy of love, happiness and anything you dream of, and will find it someday. Don't lose hope, and remember you're not alone! I hope this makes you feel seen and heard, because I know I struggle with it, and you might too.
Love,
El
Gerard M May 2021
I found them cause of music or YouTube

Some of them I knew who they were

But didn't care about them when I was younger

They're the ones who I say "Top Of The Morning To Ya Laddies" or "Where's The Black Smith" with

Or instead sing Oh Miss Believer or Thnks Fr Th Mmrs with

Most of them I consider my best friends

Some of them are Patrick, Pete, Joe, and Andy

Others are Jimmy, Chris, Chandler, and Karl

They're there for me when any actual people aren't

They're the ones who don't care about the fact that I'm LGBTQ+

They just see me as another human being that's a fan of their music or channel

I try to remind myself about the Fall Out Boy lyric "You Are What You Love Not Who Loves You"

And tell myself that I'll be like Frank Iero and JackSepticEye

Some of them are the reason why I'm going to be a youtuber

I ask myself all the time how in the world did they somehow wind up being someone I consider friends
preface: this isn't cohesive, and it's mostly a side effect of having too much free time while stuck in traffic - lots of thoughts can pop into your half-awake head when you choose to start your 1 hour, 45 minute commute at 5:30 every morning and 6:30 every night.

these are some of those thoughts:

how many car accidents and concussions will it take for me to just move closer to where i work? apparently, more than five.

driving on a california freeway, especially in the rain, is like getting a free ride on the world's most dangerous slip n slide. or like playing roulette and praying you and your precious car you have had since high school don't fall victim to the misfortune of a collision or sink hole or only clear radio station being the one that won't stop playing adele songs that compel you to hit up your ex boyfriend again.

but you're a smart driver who doesn't text on the road or date men from new jersey anymore.

i like to map out new ways to tell my family that i'm actually kind of really gay because they've been having a really hard time accepting that, despite the fact that i've tried to make it as blatantly obvious as i could by dressing like chandler bing from friends, dying my hair rainbow, and listening to more fleetwood mac than any straight girl should.

i have even walked up to my mother and outright asked her, "hey, what's it like having a gay daughter?" (not that it should be any different than having any other kind of daughter), and she said, "i don't have a gay daughter", and i'm like, "oh my god, mom. yes, you do. she's 5'8", looks just like me, and is constantly talking about how gay she is."

a lot of people have given me unwarranted "advice" on how to make myself more appealing for jobs or romance, and i'll mull it over in the car, but not for too long because women aren't empty suggestion boxes just waiting for your input.

if anything, i'm more like the receptionist at the DMV. i'm only listening to you a third of the time, and the other 2/3, i wish you weren't there to bore me with your problems because it's not my fault that you need to pay off a ticket you got for texting your ex boyfriend from jersey.

people in college frequently asked me "what are you?" and i never really knew how to respond because i wasn't clear or pleased about the question's context or purpose. i would half-seriously respond with "i'm a sophomore" or "i'm a capricorn" or "i'm a sociology major who just realized gender isn't binary and taco tuesdays are a real and exciting thing".

i knew that being ethnically ambiguous meant i would be subjected to guessing games, but i thought if people didn't know what you were, you could dodge judgment and racism. but no, i actually just found myself treated like an ice cream flavour people had never heard of or tried before and weren't sure how they felt about it.

and i, myself, had been in this phase of dating exclusively white men for years, and it only recently occurred to me that that was probably because subconsciously i knew: "this is the closest i'll ever be to having white privilege".

then, i started working in schools where almost all the students were black and brown, and for the first time in my life, i saw myself in people around me.

small people, people in progress, with big brown eyes and clenched fists that i would spend months prying open

with love.

enough love to raise a hand,
hold a pencil,
braid my hair on days when it was so frizzy
- "oh my god, miss sangha, let me do it"

up until then, i had never chosen to be brown or queer or a woman. not until my students demanded i learn spanish because i already got the skin tone, now i just need to learn the language. not until my students asked me why the school made them line up boy girl, and one of them started the third line with pride that took me nearly a decade to find myself. not until i stopped letting people label me an angry ***** just because they lacked the vocabulary to say "wow, jaswin, you have really assertive leadership skills and i'm going to respect you and the space you take up and not at all be threatened or bothered by the fact that you have two X chromosomes to the point of harassing you to make my insecure self feel better."

i became someone who got "do it for the kids" tattooed on the left side vein that leads to her heart, someone who chooses her students every day to the extent of being terrified of having her own kid one day because if she can love someone else's child that much, her heart might just burst from locking eyes with someone whose existence she is actually directly responsible for.

clearly, i'm not going to let a little traffic slow down that kind of radical love.
Johnny Noiπ Jan 2019
Viva's Saber (in Spanish: L Awaller)                                                   [1...]
In 1798,                                                 the Spanish artist Francisco Goya
drowned in a canal.                             Today it takes place in the Lazaros
Museum in Galadiano, Madrid.
It was purchased in 1798 with five other paintings
relating to the wise duke and Osvan. [2...]   ||      Viva Sabers (Spanish: L Awaller) [1 ...]
                                                 In 1798, the Spanish artist Francisco Goya.
                            Drowned in a channel that today takes place in Lazaros.
Galadiano Museum, Madrid.
It was bought in 1798 with five other paintings.
Connected to duo knowingly and with Osvan. [2 ...]
Due to the capture of secret images,                the duchess was responsible
                     only      for the duchess, but she did not know
                    if it was finished or not.
[2b] In the twentieth century, painting.
It was bought by businessman José Lázaro Galdiano,
And his death was transferred to the state of Spain.
On Saturday there is a handwritten light.
Like a goat captured during the baroque desert period,
With a blanket of boys and magicians.
The goats have large horns and are decorated with oak leaves.
The old salesman had a baby in his hand.
Satan seems to be working
as a priest at the opening ceremony of the child,
although sometimes the belief in superstition
It is often the whip,                     and the vessels of the people who feed on it.
                       You can see two guys cheating.
One on the left,                                 the other on the crown facing the center.
                                      Established office clothes picked up a touch of earth,
Satan was a cassock. [2, 5]                                         Therefore, beards [2. 6];
                 The silhouettes act like poverty and the body cavity of the mouth, keep applauding and applauding. It's a medium
As you can see,                              and with respect to Moloch's abomination,
                            dirt without form at the same time
The Canaanites, to have a Kircher illuminated 1652.
[In 27 schools]                        Before the court stayed too often as a woman,
especially if they derive from Cowin Woonderfull.
[28] The other form of terror brought arcs;
                        His head had to be watched
          while the patient breathed with fear.
There are women in the history of art,                writes Brian McQuade,
"subgroup of men gathered
and this is mainly due to wild idiopathic stars. "
[29] of his absolute power that women compare.
                                 with King Carl Jung, in 1815, near the Philippines;
There are many specific chauvinist influences,
fear of power [3] and women, young and old,
And similar characteristics, but the rope and the nerves at work are ...
in the atmosphere of Perkins' tone,
I created Luis Vives during the fourth Gomarrah,
Ribera and Jusepe; It is this fact, however,
who are using changes from each one of you,
And in the dark, he was an admirer.
From the chiaroscuro of Caravaggio.
Chamber Orchestra; and the steps,
that are used in obedience still known
for the things that were given to him,
And the same sources,                   as well as Rembrandt.    
[30]                   the devil in the form of a goat,
Surrounded by the flock of the crescent moon.
From the prey of the Covina pig,                          it illuminated Món Barril.
he conquered the crown of oak leaves and goat horns,
You will have a wide range of closed transactions,
It must be picked up in the child's hand.
Near the body, the children are dead.
when a bird was flying over the night of the head.    Substrate with seven arc
                       waves 1789 -
Goy images of witchcraft,                                 they saw the fear of a robbery,
Political gain and half of age of the people.                                           [31 ...]
                                 An old woman sitting to the right of the goat;       I'll see
Nobody hides his face,
And half of the white man is the copy.
Of the hooded head and habit habit.
I sat to the right of the bottles and the axis region.
   If Judge Robert Hughes is wonderful,
"And witchcraft and the filters of evil".
[32] With all the eyes of the characters.
They are full of white paint [33] in which the two main figures -.
The goat and the extreme right in recession.
The woman was separated from the group,
      You can hear what is happening at Covina's request.
[32] These two kings, and probable lover, good maiden.
Perky in his industry, Leocadia Weiss [2 ../ 5],
The image appears throughout the fill in the same series.
                                                                ­   [33]

It is less than the black passenger.
Solve the problems of Perkins,    painted in blue, brown,
gray, serious and serious blows.                  Sometimes they went to the place
                                        where they were staying, where the dark black was.
           Of course, they are in the form of a girl,
This is the pain, given the feelings of the devil.
Like other works in the series,
take a week after work,
net shots [34]                     The thickness of the black carbon chalk is applied
                                                    to the underground wash with a white pencil
    Because of the capture of secret images,                                    the duchess
                 was responsible for the Duchess,
but she did not know whether it was finished or unfinished.
[2b]                                     In the 20th century, the painting
was bought by businessman José Lazaro Galdiano,
and his death was transferred to the state of Spain.
On Saturday, handwritten light appears
as a goat captured during the baroque period of the desert,
with a blanket of young boys and old wizards.
Goats have large horns and are decorated with oak leaves. |
The old seller had a baby in his hand. ||
Satan seems to work as a priest during the child's opening ceremony, although sometimes belief in superstition
is often the whip and goggles of people who feed.
You can see two guys cheating.
One on the left, the other on the crown in the center in front.
Wear clerical established picked up a mound of earth,
Satan was an cassock. [2, 5] Hence, the beards             [2. 6];
       Silhouettes act like poverty and body cavity of the mouth,
and a heavy, described clapping.                              It is a form,
as can be seen, and as for Molech the abomination,
of the filthiness out of shape at the same time
the Canaanites,                                  to have a 1652
                                                    Kircher are enlightened;
                                           [He holds 27 school positions]
before the court sat around too often as women,
especially if they derive from Cowin                                      Woonderfull.
[28]          The other form of terror carried bows;
his head to observe as the patient inhales in awe.
There are ladies of art history,                                 writes Brian McQuade,
                                    "sub-group of men gathered
and which is due mainly to the wild, idiotic stars."
[29] of its absolute power that women compare
with King Carl Jung, in 1815,
near the Philippines;
|   there are many specific charisma's influence,
power fear. [3] and women, young and old mix,
and similar features,                             but the job's sad cord and nerves are...
                      in the atmosphere of Perkins' tone,
used to create Luis' Vivas in the fourth Gomarrah,
   Ribera, and Jusepe; it is this fact, however,
that the use as of the changes of all of thee,
and in the darkness was an admirer
of de Caravaggio as chiaroscuro.
Chamber Orchestra;                                                       ­    and the steps,
which are used in yet learned obedience
                                            by the things which were delivered to him,
and out of the same sources, as well as Rembrandt.                        [30...]
the devil in the form of a goat,
surrounded by the rising moon flock
of loathsome Covina carrying,                              illuminated World barren.
conquered the crown of oak leaves and goat horns,
has a wide range. it will be a closed transactions &
should be taken up in a child's hand ordained inside.
Located near the body, some children died
when a bird flying over head night.                        Seven bow wave substrate
                                                          1789 -
Goy images of witchcraft,                       who saw fears of a robbery,
and half of people's ages political gain.                                       [31 ...]
An old woman sitting to the right of the goat; see.
There is no one hiding the face thereof,
                                           and the half of the white man is the copy
of his hooded head, and of wearing of the habit of.
He sits on the right of the bottles and the shaft region.
If Judge Robert Hughes is wonderful,
                                           "and witchcraft and philtres diabolical".
[32] With all the eyes of the figures
are lined with white paint [33]
in which the two major figures -.
The female goat,                       and the far right - in a recession.
The woman was separated from the group,
one can hear what is going on in demand Covina.                  [32] These two kings,                                          and probable lover happy maid
Perky in her industry Leocadia Weiss [25+],
whose image appears on the length of filler in the same series.              [33]

                                      ­               That is less than the black sooted passenger
solving problems Perkins, painted in colors of blue,            brown, gray, wide serious blow. At times,                                    they went into the place & left,
                                                                ­            where there is the dark black,
it is clear that they are in the form                                        of a girl,
this is grief given the feelings of the devil.
                    Like other works in the series,
carrying a week after he worked,
slashing strokes. [34]           The thickness of the plaster carbon
black paint applied to the field underlain wash
with a white pencil, color,                                                crystal glass of red
                      and blue in Dortmundi
crushed iron oxides,                               Orphic ointment, cover.        [35 ...]  
     It is not necessarily material is mixed. [23] Technical analysis indicates
                                                                ­ that the majority of Black Art began
with preparatory drawings.               This page was the exception last week
of the composition of the waves does not think
that there is no reverence,        portrayed    in stone.      muzki of the brand
seems to have critic Carl, Mark Licht
«clumsy, bulky and slow, 'it is not enough in comparison
with what went before the end of the work.
                What a thought of how much is a scam,
and they were unable to believe, being vainly Lit
          by their own feelings in the body,
the introduction of a human is doubtful.                                               [36]
The only thing for the series of the week, and the sagas have not changed significantly from the original work Perkins.                                       [34]
Function fantasy wizards, many characters.
The goat runs to the left of the child,                                             not the left,
and the moon stands in front of the canvas
in the upper left corner.                            [5]         In the middle of high land,
many brave warriors can see the speed
of moving backwards along the curves of Chris S. Chandler.

        When the religious clergyman puts an end to the monk,
he brings out a pile of earth that the devil can eat.
[25] Thus,                               the silhouette of a beard                               [26]
                                               works like poverty,
the body cavity, the womb,    the palms
and the palms.           It is a form, as you can see,
and Moloch has put the filth of dirt in the figure,
while the Canaanites,                                  to get illuminated 1652, Kircher.
                   [It took 27 seconds
                                                   before the courts became known as women,
especially if they came from Quinn and Wunderful.                               [28]
               The other form of terrorism takes its head
                                                   to control the patient's inhalation and terror.
There are women in the history of art,
he writes that Brian McQuaid is "a subset of people gathered,
mainly because of silence, because of the stars".              [29]
His absolute power is compared to that of women
with King Carl 1815, near the Philippines;                There are many effects of specific charisms, of fears of power. [3]
Women,                                           a mixture of young and old traits, similar,
                       but the task is nerves and rope. n    
                       The tone Perkins used to create Louis IV's Lives to the fourth
                 Gomorrah,                                                        ­     Riviera and Rio;
Jusepe. Saint-Tropez is a coastal town
on the French Riviera, in the Provence-Alpes-Côte d'Azur region
of southeastern France. Long popular with artists,
the town attracted the international
"jet set" in the 1960s, and remains known
for its beaches and nightlife. The cobblestone paved
La Ponche quarter recalls its past as a fishing village,
although yachts now outnumber fishing boats
in the Vieux Port (Old Port).           However, this is that the use of change
                                                    in everything,
and in the dark,                                                 was admired by Caravaggio
as a true one. Chamber Orchestra;
           the steps used in obedience
that have been won so far by the things
that have been given to him
and by the same sources,                     as well as by Rembrandt.
[30]                                          The devil, in the shape of a goat,
                         surrounded by the high moon of litigious cattle,
illuminates the arid world.                        The crown of crowns
ed oak leaves and goat horns have a wide range.
               The operations that will be carried out
in the hand of the child specified at home will be closed.
Located near the body,                       some children died
when a bird flew during the night.
Seven Substrate Rainbows,        1789 Joey,
magical images that have seen the fear of theft,        half gain political gains.
                                                                ­              [3, 1...]
An old woman standing to the right of the goats; watch.
Nobody hides his face,                   half of the white man is a shadow version,
usually hard.
It is located on the right side of the bottles
and the axis area.                                   If Judge Robert Hughes is wonderful
"and a witch and a demon".
With all eyes, the numbers
   fill with white paint [33] -
where the two main characters -.
The goat and the woman from the far right -
in a recession.          The women separated
from the group, you can hear what happens
with Covina's request. (32)                            These two kings, likely lovers and the complete maids of Perkins Leocadia Weiss,
[25] the image appears throughout the series.  [33]

This is less of a problem to solve
the Black,                                              Black Perkins problem of silkworms,
painted in blue, white, gray,                                and once serious and severe.
Sometimes they went to the left where the darkness is dark,
of course under this form is the sadness,
                                 taking into account the feelings of the devil.
Like other works in the series, it takes a week after working, cut.          
                                                  ­                                            [34 ...]
The thickness of the black carbon ice layer
is applied in the field below the surface by a white feather,
a color and a red and blue glass crystal
in iron oxides to the floor of Dortmund. [35]
The required material is not mixed. [23] Technical analysis shows that most of the black arts began with preparatory drawings.
                          This page was last week
except for the composition of the waves,           I do not think there is respect
                        for aesthetic photography.
The photo of the brand seems to be Karl's critic, Mark Licht,
"unfortunate, huge and slow",
it is not enough to compare it before the end of the work.
What he thinks about the amount of scam, he could not believe,
                      being unnecessary to his own feelings in the body,
the human introduction is questionable.                    [36]
The only one that has changed for the series of the week
                      or the epic of Perkins' original work. [3. 4]
Marvin Williams Aug 2016
We used to smoke **** together.
Partied with fellow co workers after work.
When it come to making money we never mix it with pleasure.

A good hearted dude.
A family man who took pride in his kids.
He did whatever to make them smile.
I miss my friend Chandler Pugh.

My heart broken in 40oz pieces.
Roll my pain up in sorrow.
Smoking thoughts blowing out memories.
Pondering why tomorrow is such a tease..

R.I.P to my fallen friend.
I pray I see you again.
With my memories of you I'ma rocking out to the end..

My fallen friend.....
#lost love ones #dearly miss
Jordan Resendes Mar 2014
Once in the darkness happily frog of a spiritual nature. Headaches, backsprains, cars, trains Collie flower external forces from within keeping sanity formed and misinformed to be performed subconsciously.

Raspberry weather, all that can be, is: Fire chocolate, rainbow water, scatter, skittle, settle, spatter, paintings in mausoleums and brush strokes on duck motes. Even thus can we free dumb consequences of restricted criteria, enforcing secluded measures of claustrophobia. Phoebe is Ross or Rash from a diaper is for there from the English Chandler over a river flames. What Radio is Fred Astaire or brave ***** Wonka? For how long it can procure the inadeptability of such a matter in which verbosity and vernacular are viscous and volatile while futile fusions ensue. Sad days continue before the end of the finish line which is really just the beginning of a midsummer nights mare or stallion? Which is washed and which watch blotch can stand out from under the table and dreaming?

Come to me quickly for my seagull is being engulfed by a Mexican oil spill taking up my drinking air craft carrier of water. This is the dawning of an age, the page, of an Aquarian agrarian humanitarian race against time and line and mind in space. There is no end. Only the lettuce that grows under the marriage of devil's advocate and illiterate angels flying above our beds.

What can be now. It is so. For today is merely a shadow revolving through light so tinged bright it can eliminate need for an incandescent city. Please save me. Be me. See me. D3. P.O. Box 34012101 I won! I...
I'd like to thank the academy.

SUR-REALISM                                                                              --


                                           ---

                                                                              -----manifesto
Utter and total nonsense? I'll leave that up to you. Oh Drama Program, you never cease to inspire me...
fraudelle May 2019
Some people are like a candle fire
After burning your candle wick
And desolate your melted wax
They'll vanish... like silhouette in dark

Some people are like candles stick
They keep holding fire even it cause harm
Uses their own wax to make tears
Resulting death to abide in peace
Depression  s*cks
Terry Collett Jul 2014
My old man
was always
neat and tidy.  

Brylcreemed hair
(what was left),
smart suit,
shiny shoes,
brown brogues,
well trimmed moustache,
staring eyes.

Get your best shirt
and trousers on,
we're going to see
this new Jeff Chandler film,
Western, and put on
that bow-tie I bought you
and make sure
your shoes are shiny,
he said.

I went and got changed
and put on the bow-tie
he bought(how I hated
that thing) and shoes
buffed to a shine of sorts,
short trousers,
the next to best,
and I was ready,
kissing mother
on the way out.

We went in the cinema
a 1/3 of the way through
the first feature,
sat in the seats,
his eyes fixed
on the screen,
I looking around
to see who was in
and who was who.  

I looked at him
beside me;
the neat moustache,
well trimmed,
the eyes watching
the screen,
a cigarette between lips,
smoke rising.

I recalled the time
at another cinema,
another film,
another Western,
and we were ¾
the way through,
when he ups
and leaves
in a sudden rush.

I watched the screen
and chewed the popcorn,
thinking the old man
had gone to the bog,
an adult thing
or so I thought.

Then 5 minutes after
a young usherette
came and found me
and said:
your father's with the medics
in the foyer,
he had a choking fit.

Poor guy,
I thought,
him sat there
blue and white,
not having had a ****.
A BOY AND HIS FATHER AT A CINEMA IN 1950S LONDON.
Callie Greene Jan 2016
To Bailey, I know you as a baby blue in the way you were just a boy, but loved me more than any man could.  I thank you for giving me high standards of men, but now I am disappointed with everyone who doesn't love me as much as you.

To Sean, I know you as a navy blue, which is the starting color of a mood ring, you are always changing and each time getting more mysterious.  I thank for teaching me a basic crush and helping me learn it is okay to just be friends.  You were the first guy I was infactuated in.

To Austin, I know you as brown, your life was ***** and so were your grades, I was your maid.  You were more like a project and you treated me like the way you treated grades; a joke.  Thank you because I've blocked out everything good about you and can now only see your hand gliding across my face, from you I learned how to forgive without revenege.

To Parks. I know you as a traffic cone orange, simply saying WARNING: I AM TOXIC.  You were an outcast around me, but attempted to be someone you weren't around others.  I don't thank you for anything, you scarred me and I haven't been the same since you got what you wanted and told everyone I was lesbian when I realized you weren't what I wanted.  

To Jack, I know you as a cloudy, soft gray, you aren't always sad,  but you're not exactly happy either.  You taught me it was okay to be out of the norm and doing that won't crush my mom.  I thank you for realizing that love doesn't have to come out of the good times.  The bad parts sometimes give you the best people.

To Chandler, I know you as silver liquid, it took you no time to fill my veins and make me feel wanted.  Thank you for teaching me that if a guy is as smooth as you,  he doesn't really want me.  You gave me my first high school embarassment.  Cause of you, everyone calls me when they need a fix.

To Nate, I know you as a dark green, your opinion on me floated around like wind through the trees.  You wanted me life to be over and tried everything you could to ruin it.  Thank you for teaching me it is okay to be talked about because now you come over everyday and ask for me back.

To Jonah, I know you as a midnight black, the color I see when I look at memories.  I threw you away, just like you threw away my effort.  Your kind aren't made for girls like me, thank you for informing me.
Adeline Dean Apr 2013
The clock ticks on by,
Sitting in your carriage,
Full of endless excitement,
The ball is calling you.

Entering, you climb up those steps,
The steps you know,
Will make you ,
Or snap you in two.

The chandler is all lit,
Just for you,
They're all waiting for you,
Descend those steps.

Step, heel, toe,spin
You've been dancing all night ,
That you've simply forgotten,
You have to be home at 12.

You can't seem to stop ,
Has the dancing put you in a trance ?
Or was it that man?
That hasn't stopped smiling at you ?

You can't see his face,
Or anyone's ,
They're all covered,
In pretty little masks,
Unlike you.

To hide their real faces,
You cannot know what they've done,
But they can see you,
For what you've really done

Oh , what's this ,
The clock chimes 12,
You're too late,
No way to escape now.

So you'll spend the rest of your life ,
With step, heel, toe,spin
Forever in your mind,
Not other routine will do.

You'll spend each night dancing with someone new,
And only then will they reveal their masks,
And then you can finally see,
What I've really done.
Ross, chandler and joey are in central perk, when a girl  walks in,  they are all sitting on the orange sofa when they notice her. joey attempts the 'How you doin' catchphrase but sadly it doesnt work. The girl walk over to get a coffee  
and starts chatting to Gunther, the sliightly nervous bartender who is in love with Rachel Greene who has an on/off relationshup with Ross. Gunther starts to chat to the pretty woman. meanwhile the guys on the sofa start wondering why gunther suddenly is chatting women up when he couldnt talk to anyone in 10 years
this is not finished
Terry Collett Mar 2012
You sat with Fay that summer day
on the flat concrete roof
of the World War Two bomb shelter

down below the tall flats
where you both lived
and you said

do you want to go
to the movies with me?
she looked across

at the coal depot
with its trucks loading
and unloading

I don’t have no money
she replied
you looked at her

my dad’ll pay
you said
he’s always giving me money

for the movies
she shook her head
and you looked ahead

at the sun shining above
the rain tracks
over the coal depot

you had on your blue jeans
and white tee shirt
and she you noticed

turning your head
had a red and white dress
which came just over her knees

and she wore sandals
on bare feet
besides my mother wants me

so she can see me
Fay said with a sigh
she raised and lowered

her legs against
the concrete wall
her sandals making

tapping noises
as they hit the wall
and you noticed bruises

along her thigh
as she moved
and her dress rode higher

what are those bruises
on your leg?
you asked

she looked down
and stopped moving her legs
and pulled her dress hem

over her knees and thighs
I fell
she replied

down the stairs
you looked at her arms
where other fading bruises

blended into her skin
like worn-out badges
we can see a Western film

you said
I’m sure
there’s a Jeff Chandler film

so my dad tells me
but she shook her head
too violent

Mother says
Fay uttered looking away
but there’s kissing stuff too

you added
Fay looked at you
her blue eyes

moving over you
like a smoothing
palm of a hand

I’m not allowed
to go to the movies
Daddy says

its sinful and only
wicked people
go there

to be tempted
by the Devil
she sighed

and you both sat in silence
for a while
watching pigeons fly

in the blue summer sky
then she turned quickly
and kissed your cheek

and said
don’t have to go
to no movie

to see kissing
and you thought
of the boring bits in films

where the cowboy
gets kissed by the girl
after a gun shoot out

and having been kissed
by Fay
you were glad

and guessed that kissing
wasn’t at all
too bad.
AD ASTRA  

by

TOD HOWARD HAWKS


Chapter 1

I am Tod Howard Hawks. I was born on May 14, 1944 in Dallas, Texas. My father, Doral, was stationed there. My mother, Antoinette, was with him. When WWII ended, the family, which included my sister, Rae, returned home to Topeka, Kansas.

My father grew up in Oakland, known as the part of Topeka where poor white people lived. His father was a trolley-car conductor and a barber. Uneducated, he would allow only school books into his house. My father, the oldest of six children, had two paper routes--the morning one and the evening one. My father was extremely bright and determined. On his evening route, a wise, kind man had his own library and befriended my father. He loaned my father books that my father stuffed into his bag along with the newspapers. My father and his three brothers shared a single bed together, not vertically, but horizontally; and when everyone was asleep, my father would grab the book the wise and kind man had loaned him, grab a candle and matches, crawled under the bed, lit the candle, and began reading.

Now the bad and sad news:  one evening my father's father discovered his son had been smuggling these non-school books into his home. The two got into a fist-fight on the porch. Can you imagine fist-fighting your father?

A few years later, my father's father abandoned his family and moved to Atchinson. My father was the oldest of the children;  thus, he became the de facto father of the family. My father's mother wept for a day, then the next day she stopped crying and got to the Santa Fe Hospital and applied for a job. The job she got was to fill a bucket with warm, soapy water, grab a big, thick brush, get on her knees and began to brush all the floors clean. She did this for 35 years, never complained, and never cried again. To note, she had married at 15 and owned only one book, the Bible.  My father's mother remains one of my few heroes to this day.


Chapter 2

My parents had separate bedrooms. At the age of 5, I did not realize a married couple usually used one bedroom. It would be 18 years later when I would find out why my mother and my father slept in separate bedrooms.

When I was 5 and wanted to see my father, I would go to his room where he would lie on his bed and read books. My father called me "Captain." As he lay on his bed, he barked out "Hut, two, three, four! Hut, two three, four!" and I would march to his cadence through his room into the upstairs bathroom, through all the other rooms, down the long hallway, until I reentered his bedroom. No conversation, just marching.

As I grew a bit older, I asked my father one Sunday afternoon to go to Gage Park where there were several baseball diamonds. I was hoping he would pitch the ball to me and I would try to hit it. Only once during my childhood did we do this.

I attended Gage Elementary School. Darrell Chandler and I were in the same third-year class. Nobody liked Darrell because he was a bully and had a Mohawk haircut. During all recesses, our class emptied onto the playground. Members of our class regularly formed a group, except Darrell, and when Darrell ran toward the group, all members yelled and ran in different directions to avoid Darrell--everyone except me. I just turned to face Darrell and began walking slowly toward him. I don't know why I did what I did, but, in retrospect, I think I had been born that way. Finally, we were two feet away from each other. After a long pause, I said "Hi, Darrell. How ya doing?" After another long pause, Darrell said "I'm doing OK." "Good," I said. That confrontation began a friendship that lasted until I headed East my junior year in high school to attend Andover.

In fourth grade, I had three important things happen to me. The first important thing was I had one of the best teachers, Ms.Perrin, in my formal education through college.  And in her class, I found my second important  thing:  my first girlfriend, Virginia Bright (what a wonderful last name!). Every school day, we had a reading section. During this section, it became common for the student who had just finished reading to select her/his successor. Virginia and I befriended each other by beginning to choose each other. Moreover, I had a dream in which Virginia and I were sitting together on the steps of the State Capitol. When I woke up, I said to myself:  "Virginia is my girlfriend." What is more, Virginia invited me to go together every Sunday evening to her church to learn how to square dance. My father provided the transportation. This was a lot of fun. The third most important thing was on May Day, my mother cut branches from our lilac bushes and made a bouquet for me to give Virginia. My mother drove me to Virginia's home and I jumped out of our car and ran  up to her door, lay down the bouquet, rang the buzzer, then ran back to the car and took off. I was looking forward to seeing Virginia in the fall, but I found out in September that Virginia and her family had left in the summer to move to another town.

Bruce Patrick, my best friend in 4th grade, was smart. During the math section, the class was learning the multiplication tables. Ms. Perrin stood tn front of the students holding 3 x 5 inch cards with, for example, 6 x 7 shown to the class with the answer on the other side of the card. If any student knew the correct answer (42), she/he raised her/his arm straight into the air. Bruce and I raised our arms at the same time. But during the reading section, when Ms. Perrin handed out the same new book to every student and said "Begin reading," Bruce, who sat immediately to my right, and everyone else began reading the same time on page #1. As I was reading page #1, peripherally I could see he was already turning to page #2, while I was just halfway down page #1. Bruce was reading twice as fast as I was! It was 17 years later that I finally found out how and why this incongruity happened.

Another Bruce, Bruce McCollum, and I started a new game in 5th grade. When Spring's sky became dark, it was time for the game to begin. The campus of the world-renown Menninger Foundation was only a block from Bruce's and my home. Bruce and I met at our special meeting point and the game was on! Simply, our goal was for the two of us to begin our journey at the west end of the Foundation and make our way to the east end without being seen. There were, indeed, some people out for a stroll, so we had to be careful not to be seen. Often, Bruce and I would hide in the bushes to avoid detection. Occasionally, a guard would pass by, but most often we would not be seen. This game was exciting for Bruce and me, but more importantly, it would also be a harbinger for me.


Chapter 3

Mostly, I made straight-A's through grade school and junior high. I slowly began to realize it took me twice the time to finish my reading. First, though, I want to tell you about the first time I ever got scared.

Sometime in the Fifth Grade, I was upstairs at home and decided to come downstairs to watch TV in the living room. I heard voices coming from the adjacent bar, the voices of my father and my mother's father. They could not see me, nor I them;  but they were talking about me, about sending me away to Andover in ninth grade. I had never heard of a prep school, let alone the most prominent one in America. The longer I listened, the more afraid I got. I had listened too long. I turned around and ran upstairs.

My father never mentioned Andover again until I was in eighth grade. He told me next week he had to take me to Kansas City to take a test. He never told me what the test was for. Next week I spent about two hours with this man who posed a lot of questions to me and I answered them as well as I could. Several weeks after having taken those tests, my father pulled me aside and showed me only the last sentence of the letter he had received. The last sentence read:  "Who's pushing this boy?" My father should have known the answer. I certainly thought I knew, but said nothing.

During mid-winter, my father drove with me to see one of his Dallas naval  buddies. After a lovely dinner at my father's friend's home, we gathered in a large, comfortable room to chat, and out of nowhere, my father said, "Tod will be attending Andover next Fall." What?, I thought. I had not heard the word "Andover" since that clandestine conversation between my father and my grandfather when I was in Fifth Grade. I remember filling out no application to Andover. What the hell was going on?, I thought.

(It is at this juncture that I feel it is necessary to share with you pivotal information that changed my life forever. I did not find it out until I was 27.

(Every grade school year, my two sisters and I had an annual eye exam. During my exam, the doctor always said, "Tod, tell me when the ball [seen with my left eye] and the vertical line [seen with my right eye] meet." I'd told the doctor every year they did not meet and every year the doctor did not react. He said nothing. He just moved onto the next part of the exam. His non-response was tantamount to malpractice.

(When I was 27, I had coffee with my friend, Michelle, who had recently become a psychologist at Menninger's. She had just attended a workshop in Tulsa, OK with a nationally renown eye doctor who specialized in the eye dysfunction called "monocular vision." For 20 minutes or so, she spoke enthusiastically about what the doctor had shared with the antendees about monocular vision until I could not wait any longer:  "Michelle, you are talking about me!" I then explained all the symptoms of monocular vision I had had to deal without never knowing what was causing them:  4th grade and Bruce Patrick;  taking an IQ test in Kansas City and my father never telling me what the test was or for;  taking the PSAT twice and doing well on both except the reading sections on each;  my father sending me to Andover summer school twice (1959 and 1960) and doing well both summers thus being accepted for admission for Upper-Middler and Senior years without having to take the PSAT.

(Hearing what I told Michelle, she did not hesitate in telling me immediately to call the doctor in Tulsa and making an appointment to go see him, which I did. The doctor gave me three hours of tests. After the last one, the doctor hesitated and then said to me:  "Tod, I am surprised you can even read a book, let alone get through college." I sat there stunned.

(In retrospect, I feel my father was unconsciously trying to realize vicariously his dreams through me. In turn, I unconsciously and desperately wanted to garner his affection;  therefore, I was unconsciously my father's "good little boy" for the first 22 years of my life. Had I never entered therapy at Menningers, I never would have realized my real self, my greatest achievement.)


Chapter 4

My father had me apply to Andover in 8th grade to attend in 9th grade, but nobody knew then I suffered from monocular vision;  hence, my reading score eye was abysmal and I was not accepted. Without even asking me whether I would like to attend Andover summer school, my father had me apply regardless. My father had me take a three-day Greyhound bus ride from Topeka to Boston where I took a cab to Andover.

Andover (formally Phillips Academy, which is located in the town of Andover, Massachusetts) is the oldest prep school in America founded in 1778, two years after our nation was. George Washington's nephew sent his sons there. Paul Revere made the school's seal. George H. W. Bush and his son, George, a schoolmate of mine, (I voted for neither) went to Andover. The current admit rate is 13 out of every 100 applicants. Andover's campus is beautiful. It's endowment is 1.4 billion dollars. Andover now has a need-blind admission policy.

The first summer session I attended was academically rigorous and eight weeks long. I took four courses, two in English and two in math. One teacher was Alan Gillingham, who had his PhD from Oxford. He was not only brilliant, but also kind. My fondness for etymology I got from Dr. Gillingham. Also, he told me one day as we walked toward the Commons to eat lunch that I could do the work there. I will never forget what he told me.

I'm 80, but I still remember how elated I was after my last exam that summer. I flew down the steps of Samuel Phillips Hall and ran to the Andover Inn where my parents were staying. Finally, I thought, it's over. I'm going back to Topeka where my friends lived. Roosevelt Junior High School, here I come! We drove to Topeka, going through New York City, Gettysburg, Springfield, IL, Hannibal, MO, among other places. I was so happy to be home!

9th ninth grade at Roosevelt Jr. High was great! Our football team had a winning season. Ralph Sandmeyer, a good friend of mine, and I were elected co-captains. Our basketball team won the city junior high championship. John Grantham, the star of the team, and I were elected co-captains. And I had been elected by the whole school to be President of the Student Council.
But most importantly, I remember the Snow Ball, once held every year in winter for all ninth-graders. The dance was held in the gym on the basketball court. The evening of the dance, the group of girls stood in one corner, the boys in another, and in the third corner stood Patty all alone, ostracized, as she had always been every school day of each year.

I was standing in the boys group when I heard the music began to play on the intercom, then looked at Patty. Without thinking, I bolted from the boys group and began walking slowly toward her. No one else had begun to dance. When I was a few feet in front of her, I said, "Patty, would you like to dance?" She paused a moment, then said, "Yes." I then took her hand and escorted her to the center of the court. No one else had begun to dance. Patty and I began dancing. When the music ended, I said to Patty, "Would you like to dance again?" Again, she said, "Yes." Still no one but the two of us were dancing. We danced and danced. When the music was over, I took Patty's hand and escorted her back to where she had been standing alone. I said to her, "Thank you, Patty, for dancing with me." As I walked back across the court, I was saying silently to the rest of the class, "No one deserves to be treated this way, no one."

Without a discussion being had, my father had me again apply to Andover. I guess I was too scared to say anything. Once again, I took the PSAT Exam. Once again, I scored abysmally on the English section.  Once again, I was rejected by Andover. And once again, my father had me return to Andover summer school.

Another 8 weeks of academics. Once again, I did well, but once again, I had to spend twice the time reading. Was it just I who realized again that if I could take twice the time reading, I would score well on the written test? Summer was over. My father came to take me home, but first he wanted to speak to the Dean of Admissions. My father introduced himself. Then I said, "I'm Tod Hawks," at which point the Dean of Admissions said enthusiastically:  "You're already in!" The Dean meant I had already been accepted for the Upper-Year, probably because he had noticed how well I had done the past two summers. I just stood there in silence, though I did shake his hand. Not another application, not another PSAT. I was in.

Chapter 5

Terry Modlin, a friend of mine at Roosevelt, had called me one Sunday afternoon the previous Spring. "Tod," he said, "would you like to run for President of the Sophomore Class at Topeka High if I ran as your running mate?" I thought it over, then said to Terry, "Sure."

There were eight junior high schools in Topeka, and in the fall all graduates of all the junior highs attended Topeka High, making more than 800 new sophomores. All elections occurred in early fall. I had two formidable opponents. Both were highly regarded. I won, becoming president. Terry won and became vice-president. Looking back on my life, I consider this victory to be one of my most satisfying victories. Why do I say this? I do, because when you have 800 classmates deciding which one to vote for, word travels fast. If it gets out one of the candidates has a "blemish" on him, that insinuation is difficult to diminish, let alone erase, especially non-verbally. Whether dark or bright, it can make the deciding difference.

Joel Lawson and his girlfriend spoke to me one day early in the semester. They mentioned a friend of theirs, a 9th grader at Capper Junior High whose name was Sherry. The two thought I might be interested in meeting her, on a blind date, perhaps. I said, "Why not?"

The first date Sherry and I had was a "hay-rack" ride. She was absolutely beautiful. I was 15 at that time, she 14. When the "hay-rack" ride stopped, everybody got off the wagon and stood around a big camp fire. I sensed Sherry was getting cold, so I asked if she might like me to take off my leather jacket and put it over her shoulders. That was when I fell in love with her.

I dated Sherry almost my entire sophomore year. We went to see movies and go to some parties and dances, but generally my mother drove me most every Friday evening to Sherry's home and chatted with her mother for a while, then Sherry and I alone watched "The Twilight Zone." As it got later, we made out (hugs and kisses, nothing more). My mother picked me up no later than 11. Before going over to Sherry's Friday night, I sang in the shower Paul Anka's PUT YOUR HEAD ON MY SHOULDER.

I got A's in most of my classes, and lettered on Topeka High's varsity swim team.

Then in late spring word got out that Tod would be attending some prep school back East next year. I walked into Pizza Hut and saw my friend, John.
"Hey, Tod. I saw Sherry at the drive-in movie, but she wasn't with you." My heart was broken. I drove over to her home the next day and confronted her. She just turned her back to me and wouldn't say a thing. I spent the following month driving from home to town down and back listening to Brenda Lee on the car radio singing I'M SORRY, pretending it was Sherry singing it to me.

I learned something new about beauty. For a woman to be authentically beautiful, both her exterior and interior must be beautiful. Sherry had one, but not the other. It was a most painful lesson for me to learn.

Topeka High started their fall semester early in September. I remember standing alone on the golf course as a dark cloud filled my mind when I looked in the direction of where Topeka High was. I was deeply sad. I had lost my girlfriend. I was losing many of my friends. Most everyone to whom I spoke didn't know a **** thing about Andover. My mind knew about Andover. That's why it was growing dark.


Chapter 6

I worked my *** off for two more years. Frankly, I did not like Andover. There were no girls. I used to lie on my bed and slowly look through the New York Times Magazine gazing at the pretty models in the ads. I hadn't even begun to *******. When I wasn't sleeping, when I wasn't in a class, when I wasn't eating at the Commons, I was in the Oliver Wendell Holmes Library reading twice as long as my classmates. And I lived like this for two years. In a word, I was deeply depressed. When I did graduate, I made a silent and solemn promise that I would never set foot again on Andover's campus during my life.

During my six years of receiving the best formal education in the world, I got three (3) letters from my father with the word "love" typed three times. He signed "Dad" three times.

Attending Columbia was one of the best things I have ever experienced in my life. The Core Curriculum and New York City (a world within a city). I majored in American history. The competition was rigorous.  I met the best friends of my life. I'm 80 now, but Herb Hochman and Bill Roach remain my best friends.

Wonderful things happened to me. At the end of my freshman year, I was one of 15 out of 700 chosen to be a member of the Blue Key Society. That same Spring, I appeared in Esquire Magazine to model clothes. I read, slowly, a ton of books. At the end of my Junior year, I was chosen to be Head of Freshman Orientation in the coming Fall. I was "tapped" by both Nacoms and Sachems, both Senior societies, and chose the first, again one of 15 out of 700. My greatest honor was being elected by my classmates to be one of 15 Class Marshals to lead the graduation procession. I got what I believe was the best liberal arts education in the world.

My father had more dreams for me. He wanted me to attend law school, then get a MBA degree, then work on Wall Street, and then become exceedingly rich. I attended law school, but about mid-way into the first semester, I began having trouble sleeping, which only got worse until I couldn't sleep at all. At 5:30 Saturday morning (Topeka time), two days before finals were to begin, I called my mother and father and, for the first time, told them about my sleeping problems. We talked for several minutes during which I told them I was going to go to the Holiday Inn to try to get some sleep, then hung up. I did go to the motel, but couldn't sleep. At 11a.m., there was someone knocking on my door. I got out of bed and opened the door. There stood my father. He had flown to Chicago via Kansas City. He came into my room and the first thing he said was "Take your finals!" I knew if I took my finals, I would flunk all of them. When you can't sleep for several days, you probably can't function very well. When you increasingly have trouble getting to sleep, then simply you can't sleep at all, you are sick. My father kept saying, "Take your finals! "Take your finals!" He took me to a chicropractor. I didn't have any idea why I couldn't sleep at all, but a chicropractor?, I thought. My father left early that evening. By then, I knew what I was going to do. Monday morning, I was going to walk with my classmates across campus, but not to the building where exams were given, but to the building where the Dean had his office. I entered that building, walked up one flight of stairs, and walked into the Dean's office. The Dean was surprised to see me, but was cordial nonetheless. I introduced myself. The Dean said, "Please, have a seat." I did. Then I explained why I came to see him. "Dean, I have decided to attend Officers Candidate School, either the Navy or Air Force. (The Vietnam War was heating up.) The Dean, not surprisingly, was surprised. He said it would be a good idea for me to take my finals, so when my military duties were over, it would be easy for me to be accepted again. I said he was probably right, but I was resolute about getting my military service over first.
He wished me well and thanked him for his time, then left his office. As I returned to my dorm, I was elated. I did think the pressure would be off me  now and I would begin to sleep again.

Wednesday, I took the train to Topeka. That evening, my father was at the station to pick me up. He didn't say "Hello." He didn't say "How are you?"
He didn't say a word to me. He didn't say a single word to me all the way home.

Within two weeks, having gotten some sleep every night, I took first the Air Force test, which was six hours long, then a few days later, I took the Navy test, which was only an hour longer, but the more difficult of the two. I passed both. The Air Force recruiter told me my score was the highest ever at his recruiting station. The recruiter told me the Air Force wanted me to get a master's degree to become an aeronautical engineer.  He told me I would start school in September.  The Navy said I didn't have to report to Candidate School until September as well. It was now January, 1967. That meant I had eight months before I had to report to either service, but I soon decided on the Navy. Wow!, I thought. I have eight whole months for my sleeping problem to dissipate completely. Wow! That's what I thought, but I was wrong.


Chapter 7

After another week or so, my sleeping problems reappeared. As they reappeared, they grew worse. My father grew increasingly distant from me. One evening in mid-March, I decided to try to talk to my father. After dinner, my father always went into the living room to read the evening paper. I went into the living room, saw my father reading the evening paper in a stuffed chair, positioned myself directly in front of him, then dropped to my knees.
He held the paper wide-open so he could not see me, nor I he. Then I said to my father, "Dad, I'm sick." His wide-open paper didn't even quiver. He said, "If you're sick, go to the State Hospital." This man, my father, the same person who willingly spent a small fortune so I would receive the best education in the world, wouldn't even look at me. The world-famous Menninger Clinic, ironically, was a single block from our home, but he didn't even speak to me about getting help at Menninger's, the best psychiatric hospital in the world. This man, my father, I no longer knew.

About two weeks later in the early afternoon, I sat in another stuffed chair in the living room sobbing. My mother always took an afternoon nap in the afternoon, but on this afternoon as I continued to cry profusely, my mother stepped into the living room and saw me in the stuffed chair bawling non-stop, then immediately disappeared. About 15 minutes later, Dr. Cotter Hirschberg, the Associate Director of Southard School, Menninger's hospital for children, was standing in front of me. I knew Dr. Hirschberg. He was the father of one of my best friends, his daughter, Lea. I had been in his home many times. I couldn't believe it. There was Dr. Cotter Hirschberg, one of the wisest and kindest human beings I had ever met, standing directly in front of me. My mother, I later found out, had left the living room to go into the kitchen to use another phone to call the doctor in the middle of a workday afternoon to tell him about me. Bless his heart. Within minutes of speaking to my mother, he was standing in front of me in mid-afternoon during a work day. He spoke to me gently. I told him my dilemma. Dr. Hirschberg said he would speak to Dr. Otto Kernberg, another renown psychiatrist, and make an appointment for me to see him the next day. My mother saved my life that afternoon.

The next morning, I was in Dr. Kernberg's office. He was taking notes of what I was sharing with him. I was talking so rapidly that at a certain point. Dr. Kernberg's pen stopped in mid-air, then slowly descended like a helicopter onto the legal pad he was writing on. He said that tomorrow he would have to talk not only with me, but also with my mother and father.

The next morning, my mother and father joined me in Dr. Kernberg's office.
The doctor was terse. "If Tod doesn't get help soon, he will have a complete nervous breakdown. I think he needs to be in the hospital to be evaluated."
"How long will he need to be in the hospital," asked my father. "About two weeks," said Dr. Kernberg. The doctor was a wee bit off. I was in the hospital for a year.



Chapter 8

That same day, my mother and father and I met Dr. Horne, my house doctor. I liked him instantly. I know my father hated me being in a mental hospital instead of law school. It may sound odd, but I felt good for the first time in a year. Dr. Horne said I would not be on any medication. He wanted to see me "in the raw." The doctor had an aid escort me to my room. This was the first day of a long, long journey to my finding my real self, which, I believe, very few ever do.

Perhaps strangely, but I felt at home being an in-patient at Menninger's. My first realization was that my fellow patients, for the most part, seemed "real" unlike most of the people you meet day-to-day. No misunderstanding here:   I was extremely sick, but I could feel that Menninger's was my friend while my father wasn't. He didn't give a **** about me unless I was unconsciously living out his dreams.

So what was it like being a mental patient at Menninger's? Well, first, he (or she) was **** lucky to be a patient at the world's best (and one of the most expensive) mental hospital. Unlike the outside world, there was no ******* in  Menninger's. You didn't always like how another person was acting, but whatever he or she was doing was real, not *******.

All days except Sunday, you met with your house doctor for around twenty minutes. I learned an awful lot from Dr. Horne. A couple of months after you enter, you were assigned a therapist. Mine was Dr. Rosenstein, who was very good. My social worker was Mabel Remmers, a wonderful woman. My mother, my father, and I all had meetings with Mabel, sometimes singly, sometimes with both my mother and father, sometimes only with me. It was Mabel who told me about my parents, that when I was 4 1/2 years old, my father came home in the middle of the workday, which rarely ever did, walked up the stairs to their bedroom and opened the door. What he saw changed not only his life, but also that of everyone else. On their bed lay my naked mother in the arms of a naked man who my father had never seen until that moment that ruined the lives of everybody in the family. My mother wanted a divorce, but my father threatened her with his determined intent of making it legally impossible ever for her to see her children again. So that's why they had separate bedrooms, I thought. So that is why my mother was always depressed, and that's why my father treated me in an unloving way no loving father would ever do. It was Mabel who had found out these awful secrets of my mother and father and then told me. Jesus!

The theme that keeps running through my head is "NO *******."
Most people on Earth, I believe, unconsciously are afraid to become their real selves;  thus, they have to appear OK to others through false appearances.

For example, many feel a need to have "power," not to empower others, but to oppresss them. Accruing great wealth is another way, I believe, is to present a false image, hoping that it will impress others to think they are OK when they are not. The third way to compensate is fame. "If I'm famous, people will think I'm hot ****. They'll think I'm OK. They'll be impressed and never know the real me."

I believe one's greatest achievement in life is to become your real self. An exceptionally great therapist will help you discover your real self. It's just too scary for the vast majority of people even to contemplate the effort, even if they're lucky enough to find a great therapist. And I believe that is why our world is so ******-up.

It took me almost eight months before I could get into bed and sleep almost all night. At year's end, I left the hospital and entered one of the family's home selected by Menninger's. I lived with this family for more than a year. It was enlightening, even healing, to live with a family in which love flowed. I drove a cab for about a month, then worked on a ranch also for about a month, then landed a job for a year at the State Library in the State Capitol building. The State Librarian offered to pay me to attend Emporia State University to get my masters in Library Science, but I declined his offer because I did not want to become a professional librarian. What I did do was I got a job at the Topeka Public Library in its Fine Arts division.

After working several months in the Fine Arts division, I had a relapse in the summer. Coincidentally, in August I got a phone call at the tiny home I was renting. It was my father calling from the White Mountains in northern Arizona. The call lasted about a minute. My father told me that he would no longer pay for any psychiatric help for me, then hung up. I had just enough money to pay for a month as an in-patient at Menninger's. Toward the end of that month, a nurse came into my room and told me to call the State Hospital to tell them I would be coming there the 1st of December. Well, ****! My father, though much belatedly, got his way. A ******* one minute phone call.
Can you believe it?

Early in the morning of December 1st, My father and mother silently drove me from Menninger's about six blocks down 6th Street to the State Hospital. They pulled up beside the hill, at the bottom of which was the ward I would be staying in. Without a word being spoken, I opened the rear door of the car, got out, then slid down on the heavy snow to the bottom of the hill.

A nurse unlocked the door of the ward (yes, at the State Hospital, doors of each ward were locked). I followed the nurse into a room where several elderly women were sticking cloves into oranges to make decorations for the Christmas Tree. Then I followed her into the Day Room where a number of patients were watching a program on the TV. Then she led me down the corridor to my room that I was going to share with three other male patients. When the nurse left the room, I quickly lay face down spread-eagle of the mattress for the entire day. I was to do this every day for two weeks. When my doctor, whom I had not yet met, became aware of my depressed behavior, had the nurse lock the door of that room. Within several days the doctor said he would like to speak to me in his office that was just outside the ward. His name was Dr. Urduneta from Argentina. (Menninger's trained around sixty MDs from around the world each year to become certified psychiatrists. These MDs went either to the State Hospital or to the VA hospital.) The nurse unlocked the door for me to meet Dr. Urduneta in his office.

I liked Dr. Urduneta from the first time I met him. He already knew a lot about me. He knew I had been working at the Topeka Public Library, as well as a number of other things. After several minutes, he said, "Follow me." He unlocked the door of the ward, opened the door, and followed me into the ward.

"Tod," he said, "some patients spend the rest of their lives here. I don't want that for you. So this coming Monday morning (he knew I had a car), I want you to drive to the public library to begin work from 9 until noon."

"Oh Doctor, I can't do that. Maybe in six or seven months I could try, but not now. Maybe I can volunteer at the library here at the State Hospital," I said.

"Tod, I think you can work now half-days at the public library," said Dr. Urduneta calmly.

I couldn't believe what I was hearing, what he was saying. I couldn't even talk. After a long pause, Dr. Urduneta said, "It was good to meet you, Tod. I look forward to our next talk."

Monday morning came too soon. A nice nurse was helping me get dressed while I was crying. Then I walked up the hill to the parking lot and got into my car. I drove to the public library and parked my car. As I walked to the west entrance, I was thinking I had not let Cas Weinbaum--my boss and one of the nicest women I had ever met--know that I had had a relapse. I had no contact with her or anyone else at the library for several months. Why had I not been fired?, I thought.

As I opened the west door, I saw Cas and she saw me. She came waddling toward me with her arms wide open. I couldn't believe it. And then Cas gave me a long, long hug without saying a word. Finally, she told me I needed to glue the torn pieces of 16 millimeter film together. I was anxious as hell. I lasted 10 minutes. I told Cas I was at the State Hospital, that I had tried to work at the public library, but just couldn't do it. She hugged me again and said nothing. I left the library and drove back to the State Hospital.

When I got to the Day Room, I sat next to a Black woman and started talking to her. The more we talked, the more I liked her. Dr. Urduneta, I was to find out, usually came into the ward later in the day. Every time he came onto the ward, he was swarmed by the patients. I learned quickly that every patient on our ward loved Dr. Urduneta. I sat there for a couple of hours before Dr. Urduneta finally got to me. He was standing, I was sitting. I said, "Dr. Urduneta, I tried very hard to do my job, but I was so anxious I couldn't do it. I lasted ten minutes. I tried, but I just couldn't do it. I'm sorry.
"Dr. Urduneta said, "Tod, that's OK, because tomorrow you're going to try again."



Chapter 9

On Tuesday, I tried again.

I managed to work until 12 noon, but every second felt as if it weighed a thousand pounds. I didn't think I could do it, but I did. I have to give Dr. Urduneta a lot of credit. His manner, at once calm and forceful, empowered me. I continued to work at the library at those hours until early April. At the
beginning of May, I began working regular hours, but remained an in-patient until June.

I had to stay at the hospital during the Christmas holidays. One of those evenings, I left my room and turned left to go to the Day Room. After taking only a few steps, I could see on the counter in front of the nurses's station a platter heaped with Christmas cookies and two gallons of red punch with paper cups to pour the punch in to. That evening remains the kindest, most moving one I've ever experienced. Some anonymous person, or persons, thought of us. What they shared with all of us was love. That evening made such an indelible impression on me that I, often with a friend or my sisters, bought Christmas cookies and red punch. And after I got legal permission for all of us to hand them out, we visited the ward I had lived on. I personally handed Christmas cookies and red punch to every patient who wanted one or both. But I never bothered any patient who did not want to be approached.

On July 1, I shook Dr. Urduneta's hand, thanked him for his great help, and went to the public library and worked a full day. A good friend of mine had suggested that I meet Dr. Chotlos, a professor of psychology at KU. My friend had been in therapy with him for several years and thought I might want to work with him. My friend was right. Dr. Chotlos met his clients at his home in Topeka. I began to see him immediately. I had also rented an apartment. Dr. Urduneta had been right. It had taken me only seven months to recover.

After a little over six months, I had become friends with my co-workers in the Fine Arts department. Moreover, I had come warm friends with Cas whom I had come to respect greatly. My four co-workers were a pleasure to work with as well.

There were around eighty others who worked at the library, one of whom prepared the staff news report each month. I had had one of my poems published in one of the monthly reports. Mr. Marvin, the Head Librarian, had taken positive note of my poem. So when that fellow left for another job, Mr. Marvin suggested to the Staff Association President that I might be a good replacement, which was exactly what happened. I had been only a couple of months out of the State Hospital, so when I was asked to accept this position, I was somewhat nervous, I asked my girlfriend, Kathy, if I should accept the offer, she said I should. I thought it over for a bit more time because I had some new ideas for the monthly report. Frankly, I thought what my predecessor's product was boring. It had been only a number of sheets of paper 8 1/2 by 14 inches laid one on the others stapled once in the upper left corner. I thought if I took those same pieces of paper and folded them in their middle and stapled them twice there, I'd have a burgeoning magazine. Also, I'd give my magazine the title TALL WINDOWS, as I had been inspired by the tall windows in the reading room, windows as high as the ceiling and almost reached the carpet. Readers could see the outdoors through these windows, see the beautiful, tall trees, their leaves and limbs swaying in the breeze, and often the blue sky. Beautiful they were.

Initially, I printed only 80 TALL WINDOWS, one for each of the individuals working in the library, but over time, our patrons also took an interest in the magazine. Consequentially, I printed 320 magazines, 240 for those patrons who  enjoyed perusing TALL WINDOWS. The magazines were distributed freely. Cas suggested I write LIBRARY JOURNAL, AMERICAN LIBRARIES, and WILSON LIBRARY BULLETIN, the three national magazines read by virtually by all librarians who worked in public and academic libraries across the nation. AMERICAN LIBRARIES came to Topeka to photograph and interview me, then put both into one of their issues. Eventually, we had to ask readers outside of TOPEKA PUBLIC LIBRARY to subscribe, which is to pay a modest sum of money to receive TALL WINDOWS. I finally entitled this magazine, TALL WINDOWS, The National Public Magazine. In the end, we had more than 4.000 subscribers nationwide. Finally, TALL WINDOWS launched THE NATIONAL LIBRARY LITERARY REVIEW. In the inaugural issue, I published several essays/stories. This evolution took me six years, but I was proud of each step I had taken. I did all of this out of love, not to get rich. Wealth is not worth.

My mother had finally broken away from my father and moved to Scottsdale, Arizona. I decided to move to Arizona, too. So, in the spring of 1977, I gathered my belongings and my two dogs, Pooch and Susie, and managed to put everything into my car. Then I headed out. I was in no rush. I loved to travel through the mountains of Colorado, then across the northern part of Arizona, turning left at Flagstaff to drive to Phoenix where I rented an apartment.

I needed another job, so after a few days I drove to Phoenix Publishing Company. I had decided to see Emmitt Dover, the owner, without making an appointment. The secretary said he was busy just now, but would be able to see me a bit later, so I took a seat. I waited about an hour before Mr. Dover opened his office door, saw me, then invited me in. I introduced myself, shook hands, then gave him my resume. He read it and then asked me a number of pertinent questions. I found our meeting cordial. Mr. Dover had been pleased to meet me and would get back to me as soon as he was able.
I thanked him for his time, then left. Around 3:30 that afternoon, the phone rang. It was Mr. Dover calling me to tell me I had a new job, if I wanted it.
I would be a salesman for Phoenix Magazine and I accepted his offer on his terms. I thank him so much for this opportunity. Mr. Dover asked me if I could start tomorrow. I said I would start that night, if he needed me to. He said tomorrow morning would suffice and chuckled a bit. I also chuckled a bit and told him I so appreciated his hiring me. I said, "Mr. Dover, I'll see you tomorrow at 8:00 am."

I knew I could write well, but I had no knowledge of big-time publishing.
This is important to know, because I had a gigantic, nationwide art project in mind to undertake. In all my life, I've always felt comfortable with other people, probably because I enjoy meeting and talking with them so much. I worked for Phoenix Publishing for a year. Then it was time for me to quit, which I did. I had, indeed, learned a lot about big-time publishing, but it was now time to begin working full-time on my big-time project. The name of the national arts project was to be:  TALL WINDOWS:  The National Arts Annual. But before I began, I met Cara.

Cara was an intelligent, lovely young woman who attracted me. She didn't waste any time getting us into bed. In short order, I began spending every night with her. She worked as the personnel director of a large department store. I rented a small apartment to work on my project during the day, but we spent every evening together. After a year, she brought up marriage. I should have broken up with her at that time, but I didn't. I said I just wasn't ready to get married. We spent another year together, but during that time, I felt she was getting upset with me, then over more time, I felt she often was getting angry with me. I believe she was getting increasingly angry at me because she so much wanted to marry me, and I wasn't ready. The last time I suggested we should break up, Cara put her hand on my wrist and said "I need you." She said she would date other men, but would still honor our intimate agreement. We would still honor our ****** relationship, she said. Again I went against my intuition, which was dark and threatening. I capitulated again. I trusted her word. It was my fault that I didn't follow my intuition.

Sunday afternoon came. I said she should come over to my apartment for a swim. She did. But in drying off, when she lifted her left leg, I saw her ***** that had been bruised by some other man, not by me. I instantly repressed seeing her bruised *****. We went to the picnic, but Cara wanted to leave after just a half-hour. I drove her back to my apartment where she had parked her car. I kissed her good-bye, but it was the only time her kiss had ever been awkward. She got into her car and drove away. I got out of my car and began to walk to my apartment, but in trying to do so, I began to weave as I walked. That had never happened to me before. I finally got to the door of my apartment and opened it to get in. I entered my apartment and sat on my couch. When I looked up at the left corner of the ceiling, I instantly saw a dark, rectangular cloud in which rows of spirals were swirling in counter-clockwise rotation. Then this menacing cloud began to descend upon me. My hands became clammy. I didn't know what the hell was happening. I got off the couch and reached the phone. I called Cara. She answered and immediately said, "I wish you wanted to get married." I said "I saw your bruised *****. Did you sleep with another man?" I said, "I need to know!" She said she didn't want to talk about that and hung up. I called her back and said in an enraged voice I needed to know. She said she had already told me.
At that point, I saw, for the only time in my life, cores about five inches long of the brightest pure white light exit my brain through my eye sockets. At that instant, I went into shock. All I could say was "Cara, Cara, Cara." For a week after, all I could do was to spend the day walking and walking and walking around Scottsdale. All I could eat were cashews my mother had put into a glass bowl. I flew at the end of that week back to Topeka to see Dr. Chotlos. I will tell you after years of therapy the reason I was always reluctant to get married.



Chapter 10

I remained in shock for six weeks. It was, indeed, helpful to see Dr. Chotlos. When my shock ended, I began reliving what had happen with Cara. That was terrible. I began having what I would call mini-shocks every five minutes or so. Around the first of the new year, I also began having excruciating pain throughout my body. Things were getting worse, not better.
My older sister, Rae, was told by a friend of hers I might want to contact Dr. Pat Norris, who worked at Menninger's. Dr. Norris's specialty was bio-feedback. Her mother and step-father had invented bio-feedback. I found out that all three worked at Menninger's. When I first met Dr. Norris, I liked her a lot. We had tried using bio-feedback for a while, but it didn't work for me, so we began therapy. Therapy started to work. Dr. Norris soon became "Pat" to me. The therapy we used was the following:  we began each session by both of us closing our eyes. While keeping our eyes closed the whole session, Pat became, in imagery, my mother and I became her son. We started our therapy, always in imagery, with me being conceived and I was in her womb. Pat, in all our sessions, always asked me to share my feelings with her. I worked with Pat for 20 years. Working with Pat saved my life. If I shared with you all our sessions, it would take three more books to share all we did using imagery as mother and son. I needed to take a powerful pain medication for six years. At that time, I was living with a wonderful woman, Kristin. She had told me that for as long as she could remember, she had pain in her stomach every time she awoke. That registered on me, so I got medical approval to take the same medicine she had started taking. The new medication worked! Almost immediately, I could do many things now that I couldn't do since Cara.

At Menninger's, there was a psychiatrist who knew about kundalini and involuntary kundalini. I wanted to see him one time to discuss involuntary kundalini. I got permission from both doctors to do so. I told the psychiatrist about my experience seeing cores of extremely bright light about five inches long exiting my brain through my eye sockets. He knew a lot about involuntary kundalini, and he thought that's what I experienced. Involuntary kundalini was dangerous and at times could cause death of the person experiencing it. There was a book in the Menninger library about many different ways involuntary kundalini could affect you adversely. I read the book and could relate to more than 70% of the cases written about. This information was extremely helpful to me and Pat.

As I felt better, I was able to do things I enjoyed the most. For  example, I began to fly to New York City to visit Columbia and to meet administrators I most admired. I took the Dean of Admissions of Columbia College out for lunch. We had a cordial and informative conversation over our meals. About two weeks later, I was back in Topeka and the phone rang. It was the president of the Columbia College Board of Directors calling to ask if I would like to become a member of this organization. The president was asking me to become one of 25 members to the Board of Directors out of 40,000 alumni of Columbia College. I said "Yes" to him.

Back home, I decided to establish THE COLUMBIA UNIVERSITY CLUB OF KANSAS CITY. This club invited any Columbia alumnus living anywhere in Kansas and any Columbia alumnus living in the western half of Missouri to become a member of THE COLUMBIA UNIVERSITY CLUB OF KANSAS CITY. We had over 300 alumni join this club. I served two terms as the club's president.  I was beginning to regain my life.

Pat died of cancer many years ago. I moved to Boulder, Colorado. I found a new therapist whose name is Jeanne. She and I have been working together for 19 years. Let me remark how helpful working with an excellent therapist can be. A framed diploma hanging on the wall is no guarantee of being an "exceptional" therapist. An exceptional therapist in one who's ability transcends all the training. You certainly need to be trained, but the person you choose to be your therapist must have intuitive powers that are not academic. Before you make a final decision, you and the person who wants to become your therapist, need to meet a number of times for free to find out how well both of you relate to each other. A lot of people who think they are therapists are not. See enough therapists as you need to find the "exceptional" therapist. It is the quality that matters.

If I had not had a serious condition, which I did, I think I would have never seen a therapist. Most people sadly think people who are in therapy are a "sicko." The reality is that the vast majority of people all around the world need help, need an "exceptional" therapist. More than likely, the people who fear finding an "exceptional" therapist are unconsciously fearful of finding out who their real selves are. For me, the most valuable achievement one can realize is to find your real self. If you know who you really are, you never can defraud your real self or anyone else who enters your life. Most human beings, when they get around age 30, feel an understandable urge to "shape up," so those people may join a health club, or start jogging, or start swimming laps, to renew themselves. What I found out when I was required to enter therapy for quite some time, I began to realize that being in therapy with an "exceptional" therapist was not only the best way to keep in shape, but also the best way emotionally to keep your whole self functioning to keep you well for your whole life. Now, working with an "exceptional" therapist every week is the wisest thing a person can do.

I said I would tell you why I was "unmarried inclined." I've enjoined ****** ******* with more than 30 beautiful, smart women in my life. But, as I learned, when the issue of getting married arose, I unconsciously got scared. Why did this happen? This is the answer:  If I got married, my wife and I most likely would have children, and if we had children, we might have a son. My unconscious worry would always be, what if I treated my son the same way my father had treated me. This notion was so despicable to me, I unconsciously repressed it. That's how powerful emotions can be.

Be all you can be:  be your real self.
Julian May 2023
THE ABORIGINAL FRAME OF REFERENCE OF HETEROCHRONY AND SIMULTAGNOSIA DEFINES THE PARALLAX OF URANOPLASTY BY CATALFALQUES AND ARCTICIANS WHO SASHAY THEIR GENTEEL NOBILITY IN THE FLUX OF ELLIPSOID DIMENSIONAL INTERFACES FOR GREENWICH MEAN TIME THAT IS OPERATIVE IN THE CONATION OF MATHESIS TO PLUCKY THORNY IMBROGLIOS OF TELEOLOGY OF LAND RUN SPECTRAL HOBGOBLIN BUGABOOS OF AN INDUSTRIAL WASTELAND GARNERING A QUERENCIA OF GRANNARY JOBBERNOWL JOCKOS OF  EMOLUMENT IN THE FESTIVITY OF THE MARCH OF MASONS ALL TOWARDS SINECURE OF SYNCLASTIC CLIFF DIVERS WHO SPELUNK IN FIRE EXTINGUISHER PLIGHT OF STREAMLINED COSMONAUTS BOLTROPES TO AN ABECEDARIAN TRILOGY OF CAMISOLES FOR CAMPANILE CAMARADERIE JOUSTING THE FLAVORS OF SAINT TROPEZ FOR ADMIRAL SENTINELS OF FAMIGERATION. THEN BECAUSE OF THIS THE SWASHBUCKLING CONNOSIEURS OF THE GUARDED JALOUSIES OF JEALOUSY CONGEALING REQUIEMS FOR DESOLATE DISSIPATION IN WITWANTON FUROR PRIMIGENIAL IN THE FORMATIVE THROES OF RAGTAGGER RETINUES OF VESTIGE AND THE PLUMBISM OF SOCKDOLAGER HIERARCHIES OF SAPROSTOMY BY RUDENTURE AND GALVANIZATION OF FUNERAL PYRE PONDSCUM RELIEFS ON CANVASS FOR THE CALVOUS PROSELYTISM WHEMMLING SUBVERSION AND STOMACHERS OF TESTUDO MANIFEST THE TESTIMONY OF THE BRONZE IMAGOS IMPRIMATURS OF THE SLOGMARCH OF PANTAGRUELIAN SCIAMACHIES FOR TRIBULOID CELLULOID ENGRAVED WITH THE GREATEST SPECIFICITY AGAINST THE MEDIA CONGLOMERATE COCARDENS SLANGWHANGING THEIR ALBATROSS STROKES OF THROMBOSIS AGAINST NUCLEOTIDES AGAINST THEIR PILGRIMMAGE MIGHT THEY FIND THE FOSSOR AT THE GRAVESTONE AN IMPERILED ONEIRODYNIA BECAUSE OF BERTHE CIRCLE BETHLEHEMS SQUARSONS ENVY AND SQUARE RECTITUDE AGAINST AS THE FORMIDABLE SPATHODEA IN THE INTERREGNUM OF KALIMKARI THAT THE TOKUGAWA ASPECTS OF MACH 3 TRIPWIRES SLINGSHOT INTO ORBIT AROUND MOONSHOT DIRIGISME OPERATIVE BY THE HEFT OF ENTELECHY IN SEFIROTH MIGHT THE DEMISE OF CATERCORNERED VULPECULAR SPITE SQUANDERING EVERY LIMESTONE LIMELIGHT OF SLAVISH INDELIBLE AVARICE GILDED BY THE SOLOMON EMPIRE STRIKING BACK AGAINST CATARRHINE HEBEPHRENIA SPATTEES OF INDIGENCE. THESE SPAR AGAINST WITH FOIBLED REMNANTS OF THE DYING GUARD OF VAURIENS IN VARIMAX STOCHASTICS OF THE DIVISION OF THE INDIVISIBLE INTO THE CATASTROPHISM OF ABAXIAL FOMENT SPUMID WITH LIVID AND LURID ONEIRODYNIA FILIBUSTERING WITH “TEACHERS” ENORMITY AGAINST THE TITANISM OF THOSE LATCHKEY YEGGS OF HENPECKED OWLERIES OF BOHEMIAN REPUTE BUT NEON ALPENGLOW IN THE CREMATION OF THE CAREWORN REPUBLIC HOARY WITH WIZENED ABSOLUTION IN APANAGE THAT GRILLAGE FOMENTS AGAINST THE GREAVES OF THE CHANDLER AND THE CARRACKS OF IMMENSE PANTOGRAPHS DERIVING FROM FUTURE TENSE A PRESENT SURREALISM OF DAYDREAMS OF EIRENICON THAT ARE PLASHY WITH THE PLAFONDS OF MIRRORED VERSAILLES REVANCHED TWICE AND BET ON THREE TIMES TO SALVAGE A WORLD BEYOND BENTHIC DEPTHS OF GILD ABOVE ARTHURIAN PEDIGREE IN THE SACK OF THE JARVEY OF EXASPERATED EMPIRES SWILLING WITH TITRATION AMONG MODERN CULPRITS FOR VAMPIRIC FEATS THE WELTER OF LAMBENT LIGHT TORCHIERS EMIT IN TIMELESS PRISTINE ELEGANCE OF HERCULEAN MIRACLES SLURRY SWANSONGS OF DOVETAILED INFAMY BECAUSE OF SERROWS OF OPPORTUNISM WORN FRAYED WITH REVOLUTE MARGINALIZATION OF PROSTITUTES OF TAXIDERMY AND TRAPEZES OF SCHOENABATIC SPORTIVE GAMBOLING NICCOLIC NIDAMENTAL BANDOBASTS OF RESIGNATION. THIS PANTHEON SECRETS BELONG IN BARRULETS BEYOND THE PRIVY EYES OF VANGERMYTES SIMULTANEOUS IN CHANTED LITURGIES OF GHOST DANCE CELEBRATIONS OF WOVEN EMISSARIES OF THE DEEPEST CHARNEL AND CATACOMB OF PHILOSOPHICAL ALTRUISM BROCKFACED WITH THE MYTHOS OF A THOUSAND TINY LIES BECOMING THE SUBURBAN MUSE OF MERITOCRACY MIXED WITH SUBVERSIVE PLEVISABLE CRYPTADIA THAT SPAWN THE HYLICISM OF THE HYLOZOIC CRETACEOUS SPARK PLUG INGENUITY OF FATHOMED TRAIPSES OF DESTINED APLOMB WELTERWEIGHTS BRAG ABOUT IN THEIR GROOMED ZENKIDU BENT IN KOWTOW TO TAJ MAHAL PEDIGREE BECAUSE OF EPHORIZED ZEKS OF XENON AND OTHER MERCURIAL SPRITES WELLSPRINGS ABSOLVE WITH ILASTICAL REPARTEE AS THE HYPE OF EVERYTHING IS THE ENMITY OF ANY QUALIA IMMISERATED IN ITS OWN SCURFY SCOWL OF JEALOUSY AT HOW POORLY THE GOOD SHEPHERD WHO PROVIDES LIFE IN ABUNDANCE IS BETRAYED BY THE CORDWAINERS OF A COMPANY HE VOUCHSAFED AS A DEMASSIFIED SECURITIZATION OF BIFFCO PLANS TO COLONIZE THE  REPARTEES OF MACROPICIDE IN WEALTH SUCH THAT THE STEVEDORE MEETS INCLEMENT CURGLAFF AND THE JASPERATED JESUITICAL RUDENTURE OF MEDIA CONGLOMERATES RUNS AMOK BECAUSE OF TRITE NECESSITARIAN BELLWETHER WELTERS THAT DESCRY THE “SIC SEMPER TYRANNIS” ZEITGEIST OF NARRISCHEIT IN FOOLHARDY KUNDLESROMAN. THE FINIFUGAL BINTURONGS OF SHANTUNG AND CHIFFON FROM RUMCHUNDER CAN BE THE PLEVISABLE CURTAIN OF WUNDERKINDS ALONE IN GINGLYMUS AROUND DEMASSIFIED PUBLICITY THAT GARNERS ANY GARISH ADVANTAGE TO THE POULTRY OF GAVELKIND BECAUSE OF THE SOPITERS OF WEALTH OVER THE MERIT OF SELECTION INTO THE FELLOWCRAFT OF BOLIDES ONLY KNOWN TO A FEW PARTICIPANTS OF RESONANCE IN IONIZATION AND DECRIED SCOUNDRELS OF AUSTRAL WANHOPE AND WANION OF WAPENTAKE BY THE CACOETHES OF THE ESCULENT EBRIOUS PERIBLEBSIS TO REVOKE THE STANCHIONS OF THEIR INTEGRITY TO PRESERVED STATURE EMBEDDED IN BARKENTINE ARISTOCRATIC ESTATES SUCH THAT THE BRIQUET STEALS THE ALMANAC BEFORE THE TITAN PRIMIPARA PROMACHOS CHAMPION OF ALL BRETEUIL THUNDERING APPLAUSE OF CANARDS BECOMING THE ROERICH ROORBACKS OF DIGNIFIED ACHIEVEMENTS IN THE ELOCUTION OF MEN PROSELYTIZED BY GALLANT GAPS AND VOLUMES OF ARMADA FILIBUSTERED BY STOKEHOLD SPODOMANCY IN SPODIUM BECAUSE OF CLADOGENESIS IN SUPREME MYTHS BELONGING TO NEOPHRONS THAT SCAVENGE THE PRECIPICE OF RAIDED TOMBS AND RUPESTRIAN DISCOVERIES FROM THE ANCIENTS TO THE COGNITIVE DELINQUENCY OF ENTHEATE ENCEPHALIZATION QUOTIENT DEMARCATIONS OF PATAPHYSICS DELIMITING THE PULCHRITUDE OF THE WELKIN AND WELLAWAY OF TITANS SUNKEN BENEATH THE PENDULUM OF GRANITE AND THE SANDSTONE OF NAXOS LAVEERING THE LAVADERO OF ANCIENT ODYSSEY FALTERING ON MISPLACED HISTORICITY MIGHT THE BARDS ASSUME THE COVERAGE OF ALL REGARDANT AFFAIRS OF FLAGRANT CHRISTIAN ROODS AND MISERICORDS LEADING TO A QUACKSALVER MONETIZATION OF LABROSE LABIOMANCY AMONG THE DEFEANED EARS OF BOSTON UNIVERSITY IN THE COVERT CHANNELS OF HALIFAX EXPLOSIONS LEADING TO APOGEES IN TRIAGE AND WHITTAWERS OF WILLOWISH DECADENCE DROOPING WITH LOURS AND LEARY SUBVERSION OF THE LEEWARD JAWS OF GREEN-EYED-LADY. THE FAVORS BETRAYED BY THE GAMESMANSHIP OF POLO PLAYERS RATHER THAN THE PANCRATIC ACCORD OF MARSHALED PEACE OUT OF THE HOUNDSTOOTH DONTOLESQUE FUMIDUCTS FUNNELING GRAVAMENS OF GRANNARY GRAVEYARDS THE PEDIGREE OF OLD MALABATHRUM IN THE ETERNAL APOLAUSTIC PURSUIT OF THE UMBRILS OF TRITE HACKNEYED IMITATION OF ONE HACKER WAY AND ITS DEVELOPMENTAL STAGGER FROM SEANCE TO MAUSOLEUM BECAUSE OF CREAKY CRUMBLING 226 BC CATACLYSM RAIDED BY ICONOCLASTS OF CRUSADING WARS TO HIDE THE VOGELHERD BURROWING SPEILBERGS THAT DIRECT WALDOLF-ASTORIA GRAVEROBBERS WHO ITCH AND YEUK FOR YARAKS OF YESTERTEMPEST TO BECOME A GULLYWASHER VARDLE IN OMBROPHILOUS CONFUSION BENIGHTED BY TRAGICOMIC VALIDATION OF CONFLAGRATION OF SHANGHAIED MENSURATIONS OF VASTATIONS AGAINST THE HEGEMONY OF RHEOTAXIS THAT MIGHT SPUR THE CABOTAGE OF THE CALCARIFEROUS COBALT OF PICTURESQUE LABILE AMADEUS VIOLINISTS SPORTIVE IN EVERY REGARD OF PATAPHYSICS LEARNED BY THE ALGORITHMS EMBEDDED IN GENERATIVE PRE-TRAINED TRANSFORMERS OF CONSCIENCE AND STATOLITHS OF THE ARABIC NOBILITY OF SHRINES SHROUDED ON OLYMPUS BEAMING WITH AGED LIGHT IN THE ALPENGLOW OF THE MEMORIAL OF THE PLASTERED PAINT PLASHY WITH PLAFONDS OF PLENARY RECONNAISSANCE OF RENAISSANCE ACUMINATION OF THE ATRABILIARY ORIGINS OF THE PLIGHT OF THE PLAGUED IN THE KNIGHTED ORDERS OF MALTA SALVAGING ELBA AND THE ALCATRAZ OF SENESCENCE. BUT BECAUSE OF EVASIVE TRUTINATIONS OF THE TUBIFACIENCE OF EAGER LEAPING TRUTHS OF NEW MADRID CLADOGENESIS IN COGITATED REALMS OF APOTHEGM LEADEN WITH PHEROMONES OF THE BRAGGING RIGHTS PREROGATIVES OF SLAPSTICK CAPREOLATE MINATORY FIFTH COLUMNISTS AND GUARDIANS OF ST. JOHN THAT MAYBE THE FLAGRANT STENCH OF RIGORS OF RIGMAROLE AND THE CORTEGES OF THE DEEPEST PLUMB IN THE 20,000 LEAGUES UNDER THE SEA TRAVESTY OF SANTAS MIRACULOUS NORAD PARADE FROM BUNKER HILL TO PROVIDENCE AND THE TEMBLORS OF CHARLESTON SPEAK TO THE EL PASO POWER PLANT IN ITS GRAVID GABBLE OF GAVELKIND FOR ISONOMY PROTECTED BY THE TREASURY OF SLOW-WAVE DISTORTIONS OF THE GEOCARPY OF GEITONOGAMY BECAUSE OF HARRIED TERRIES OF TESTUDO GUARDING THE THRONE AT THE EDGE OF GRACE BEYOND THE GOLDEN BRANCHES OF ZION AND THE DEPTHS WE FATHOM THE STRATHSPEY OF ENNOBLED GENTEEL BRISURES AT THE PARAPET. THE ARENAIDAN SECRETS AND ABSTERGED CASUALTIES OF THE WORST AMENDE OF TAMMANY JUSTICE AND THE BYWORDS OF HIS CANEZOU CANZONE PRIVILEGED UPON THE EARS OF ARISTOCRACY LIKE THE WILTED QUILT OF MARTIN LUTHER KING JR. CEREMONIALLY EXITING STAGE RIGHT THE PRECIPICE HE ENTERED BY THE ZEPHYRS OF CEFALONIA BARNSTORMING APACE OF CALIPACES OF NESSBERY NESTITHERAPIES AGAINST THE GRUFF GUIGNOL OF RHYPAROGRAPHY MIGHT THE AWAKENED ROOSTER HENPECK THE FLOCK OF GRASSY AVARICE LAUNCHED INTO ORBIT BY THE PIONEERS OF CEPHALIGATION TO THE PROMONTORY AT THE EDGE OF TOMORROW BUT THE FORTNIGHT OF YESTERDAY’S DIDACTIC LITURGY IN THE CATECHESIS OF CHRIST AND THE BESTOWED PROPHECIES OF PATRIARCHS OF MUHAMMAD THAT THE WORLD WE CARVE ETCHED IN TABLATURE FOR IMPRIMATUR BECAUSE OF RIVALRIES OF SYCOMANCY MIGHT WE ALL CONCORD UPON THE CONCOURSE OF THE LUNACY OF EQUIDISTANT PERJURY AND CORRUPTION TO THE THRONE OF GRACE AND THE OVAL THAT ENCIRCLES SO RAPID A DEGENERATION AND SO WIDE A CANVASS OF  ARTIFICE ABOVE THE FULMINATION OF THE CAULKED VAULTS OF WELKIN FOR WELLAWAY EUPHORIANTS FROGMARCHED BY JALEOS OF HANDSPIKE. THIS IS FOR BLASPHEMED DEGREES OF DECREE OF THE SACRED FIRE OF TEMPERANCE THAT THE MODESTY OF A MASON MAKES HIM THE SUN GOD OF HIS OWN MAYDAY PICARESQUE QUIXOTIC WHITE WATER THRILLS SCALING THE SCALARIFORM CORDWAINER CATALLACTICS AGAINST GRAMPUS IN TRUCIDATION RATHER THAN THE TRAULISM OF DUGONGS OF DURAMEN PREPARED TO THE DIGNITARIES OF MORONI AND THE CHRONOMANCY OF OBSCURE CAPITALIZATION FROM THE RANDOM DELLS AND VALLEYS AND THE TREASURY OF DOMINEERING MOUNTAINS CLIFFHANGING IN PERPETUAL INSOUCIANCE BUT RECALCITRANCE OF GRAVITY’S RAINBOW AGAINST THE RAINBOW PLEDGES OF THOSE THAT DEFY THE CREED OF THE PEOPLE OF THE BOOK AND THE BESTOWERS OF THE CHIMNEY OF INDUSTRIAL REVOLUTION SOOT OF EVOLUTIONARY CELERITY CATALYZED IN THE SPRAWLING URBACITY OF MOFUSSIL FOSSILS LAMINATED WITHOUT A HINT OF LANCINATION SUCH THAT TOURBILLONS OF LIONIZATION OF ALL THE OLD HAUNTS AND EVERY SNICKERING HISTORICAL IRONY MIGHT MEET DECLENSION BECAUSE OF OMPHALISM BUT THE BRUNT OF ALL BRONTEUMS OF KNOWLEDGE IS NOT MERELY KNOWING A DATE OR AN EXACT TIME OR AN EXACT NAME BALLOONING INTO THE SIMULTANEITY OF EAGER LAND RUSH APPLICANTS OF FORFENDED OPPORTUNISM AGAINST THE DEPREDATED PAST REPLACED WITH A POTICHOMANIA OF PRESENT CIRCUMSTANCE DESIGNED TO ENCAGE US IN A GREENWICH MEAN TIME CONTORTION OF TITANIC LOVELORN NECKLACES SUNKEN IN ZOOLATRY BECAUSE OF AGRIZOIATRY EMBEDDED IN “EMBERS AND ENVELOPES” REGINA AND MOBILIZED PURSUITS OF THE FUGACIOUS FATIDICAL INSIGHTS OF THE PAST. THIS INDELIBLE IMPRINT IS  CARVED FROM THE IMPEDIMENTA OF IATRALIPTIC IATROMATHEMATICS STEEPLY INCLINED INTO THE FULCRUM OF DESICCATION AND THE DIET OF WORMS THAT DEPARTED TOO MANY TRUCES AND BEYOND INDULGENCE REDEEMED A TORN HUMANITY FROM FRAY AFTER REVOLUTE HOARY FRAY OF FOAM AND FLICKER IN ALPENGLOW AND RINGLEADER SEDITION ABOVE MOUNTAINS SWANKY WITH NEVER A NEBBICH PALLOR NOR A RUBEFACTION OF SQUARSONS SNEERING AT THE REGISTRY OF  THE SHOT HEARD AROUND THE WORLD CHAMFRAINS GUILTY OF HIGHER PRESTIGE IN THE GAMMONS OF GAMINE AND GAMUT THAT THE GINGLYMUS OF FRATERNITY IN ZEAL TO THE NINE SISTERS GUARDING GIBRALTARS ROYAL ARCH AND COBBLED ARENA MIGHT THE GLADIATORIAL SPECTACLE CONVENE IN EVERY CONVENTICLE BECOMING ORTHODOX BY PURIFIED RAREFACTION SUCH THAT THE ALCHEMY OF EUHEMERISM INTO CHRISTIANITY MANIFESTS AGAINST THE JANISM AND CELTIC GILD OF VANDALIZED PETTIFOGGERY WE MIGHT SEE FROM AFAR THAT THE RUINS OF RUNES ARE IN FACT THE OMPHALOS OF EVERY READYMADE SCHOLAR FRACTIOUS IN DISPUTES OF PEDIGREE. THESE KENSPECKEL DISTORTIONS THE VISAGISTS HARBOR OF BANGTAIL OSTENTATION DECEASED BEFORE CELLULOID COULD MUTATE THE CULTURAL DNA OF CONTINUATION BY A SATURNINE GLOOM RATHER THAN AN ANABIOSIS OF RECTIFIED RECTISERIAL SUBSTRATOSE REFORMATORIES SKILLED IN STANDPIPES FOR STANNARIES BECAUSE OF STANJANT DESPITE JANSKY FOR JANIZARIES TO LEARN THE CRAFTS OF KRAFT AND BECOME THE AGENCY OF THE OPERATIVE DURESS OF DURAMEN FOR ACHARNE IN A RENEWED CENTURY OF GLOWERING BYWORDS OF NESSBERRIES OF NESTITHERAPY AND THE BIOLUMINESCENCE OF INTREPID NICCOLIC SWANK IN NIDAMENTAL DEFIANCE OF NIDOR BECAUSE OF A SIMULTANEOUS REJECTION OF NIDIFUGOUS MYTHOLOGY AND THE NEPIONIC ENSLAVEMENT OF DUALISM AND POLARITY THAT IS THE GRAVID IMPERTINENCE OF SOPHOMORIC ****** YEDDA AND YASHIKIS THAT DESIRE THE CULMINATION OF ALL BRAZEN MERCHANDISE BEYOND DERAILMENT BECAUSE OF RAILLERY AND THEREBY CENTURIONS OF THE TRUE GARBOLOGY THAT BECOMES THE MAINSAIL AND MAINSTAY OF CENTURIES OF SQUALLS ON HIGH SEAS OF COCARDEN BECAUSE OF SANDSTONE AND SANDMAN WHO WORK TOGETHER TO DEFEAT THE INCUBUS SUCH THAT ALL A MAN CAN DO IS CARVE HIS OWN STATUETTE AMONG THE PANTHEON OF THE GREATEST ACHIEVEMENTS FOR THE BROADEST OF BARMCLOTH OBJECTIONS TO JASPERATED JARVEYS OF BARTON IN PANMIXIA REGARDED BY SERRATED SECODONT SELACHOSTOMOUS REGALIA AS A MIGRANT SPECIES OF NOMADIC INSTINCT HARBORED BY THOSE WHO ONCE FATHOMED EVERYTHING. THE SERENDIPITY OF PRE-ELECTRIC OMPHALISM BUT NOW SYNERGIZE WITH SUCH CELERITY THAT MOONWALKER CARAPACE OF TESTUDO AND TREATISE BECOME DEMASSIFIED SO RAPIDLY A SPEEDY BRANNIGAN BECOMES A SPOILSPORT TO A MARAUDED WHIGGARCHY THAT DEMARCHES ALONG SERPENTINE ROUTES TO SALVATION BEYOND THE UMBRILS OF APOSTILS OF THE AGE BEFORE THE COMPLETION OF TIMES AND THE SEQUESTRATION OF SESQUIPEDALIAN HOLOBENTHIC IMMERGENCE BEAMING BEATIFICATION UPON THE AGGIORNAMENTO OF REVIVAL AND THE CALVER OF BOLAR BONCES AGAINST BONTBOKS FOR SPRINGALDS THAT BECOME WINTERBOURNE SO DEFIANTLY AGAINST THE LARGESSE OF TIME THAT THE STAGGERING ELITISM OF THE BRIQUET BECOMES A BYWORD FOR THE PARAPET OF PARAKEET BRISURES OF PERISTERONIC OBSERVATION OF STELLAR LUMINOSITY SUCH THAT THE PARASELENE IS SUDDENLY FLOGGED BY THE REVERENCE OF REVERENDS BECAUSE OF THE REVELATIONS OF PATMOS BEYOND THE MISLED SEPARATISM OF FLAKY NEVES OF NEVOSITY FREQUENT IN THE RECURRENCE OF LEGEND AND LORE BECAUSE PROMINENCE AND PREEMINENCE ARE ALWAYS TARGETED FOR POWELLISATION AFTER POTICHOMANIA SUCH THAT THE BARKENTINES HARVEST EVERY OOMANCY AND THE NOILS OF TIME FINESSE EVERY CRANNY AND NOOK OF THE BOLTROPES OF MODERNITY SUCH THAT THE CALCULUS OF BARYEICOIA MEETING STIFF SHARP GRAVITY OF SLENDERIZED BLADES OF SKELETONIZED FIGMENTS OF HOBGOBLIN AND SQUALOR BECOME REPARTEES FESTOONING LUKEWARM NATIVISM INTO A DARRAIGNED ACCORDION. THE WIDOWED MULIEBRITY OF AN UNEVEN HOUNDSTOOTH HYPOCRISY OF HIPPOCRATES IS AN OATH OF FIDELITY AND FEALTY TO THE LORD OF KINSHIP RATHER THAN THE TRAMONTANE RISCTENDER OF RHADAMANTHINE SUBVERSIVE ACTIVITIES OF A PRIVILEGED AND VOCAL MINORITY OF FULMINATION IN FAVORED REGARD AND FLASHBANG BANGTAIL OSTENTATION OF GUARDED GLEBES OF SALVATION AND SOTERIOLOGY THAT ARRIVES AT PORBEAGLE RETINACULUM REFRACTED THROUGH THE SEFIROTH OF HAMARCHY THAT SQUIREBELLS OF DIPLOMATIC RESURGENCE OF AUTOSOTERISM MET WITH REALISTIC PRAGMATIC SOLIPSISM IN MEANDERED HALLS OF VACANT CAVERNS THICK IN THE EVES OF CHIONABLEPSIA PRIMARILY BECAUSE OF THE STEEP CHIMINAGE LEADING TO RENEWABLES IN DELIVERANCE FOR AUTOMATONS OF THE FACTUAL FRICTION OF TAUT KNAVERY KEELHAULED BY THE JAILAGE OF PETEDORES AND STEVEDORES WIDOWED BY THE INDUSTRY OF PAPAVEROUS COQUELICOT SWERVES AGAINST THE “ANTI-GRAVITY LOVE” SONGS THAT ARE SUSPENDED IN THE “EMBERS AND ENVELOPES” ENCLAVE OF THE OLD GUARD OF SPAVINEDS THAT SIFFLEURS OF SUSSULTATORY REVELATION PARADE IN THE HALLMARKS OF CLAVATES AND CLAVIS OF CLEDOGENESIS. THE CUCULINE ANNOYANCE AND NOXIOUS FUMES OF A “FEEL GOOD INC” DISSOCIATION FROM PROVIDENCE IS ANTAGONISTIC TO ANTIGONUS BECAUSE THE CUNICULOUS SPIRIT OF OIKONISUS SHOULD BE CELEBRATED AS THE QUALITATIVE DEFINITION OF QUINTESSENTIAL PROTESTANT WORK ETHIC MET WITH CATHOLIC MAGNANIMITY INVITING MISERICORDS OF THE MOST LUCRATIVE ILASTICAL REFORMATIONS AGAINST THE OLD ENERGUMENS EXORCISED BY THE RENEWAL OF THE LIGHT OF CHRIST IN THE TRUE VINEYARD OF THE THIRST UNQUENCHED SATIATED BY PETER’S WIDE NETS SPRAWLING EVERY GENERATIVE PRE-TRAINED TRANSFORMERS THAT THE AUDISM THAT DERELICTS DELIBERATELY THE GARBOLOGY OF FLATULENT TASTE FOR THE CALLOW TALLOW CHANDLERS WANDERING AROUND GOLD MINE SLURRY IN A “BIFFCO” INTIMATION OF THE MOST BENIGN NATURE OF INDUSTRIALIZATION BECAUSE OF THE AUTOMOTIVE PROWESS AGAINST LITIGABLE OVERSIGHT THAT THE ELASTANE MIGHT ENLARGE THE GAMUT OF PISCIFAUNA BEYOND THE SACCHARINE GOSSYPINE JOCKOS OF LAZARET AND BONTBOKS NIVELLATING BEYOND THE REACH OF STANDPIPES A FAKE ALTRUISM IN COUNTERFOIL IN THE HEAT AND SWELTER OF MAGNALITIES OF MAINPERNORS OF COURTIERS OF COURTESANS RIDING COCARDEN ON A DESULTORY LURCH FORWARD IN TIME TO RECOGNIZE THE SERENDIPITY OF TIMES ORNATE DESIGNED EMBROIDERY. EMBLAZONRY DASHING THE DASHPOTS OF DEADSTOCK KILLCOWS BLACKGUARDING SOPHISTRY WITH COQUETRY FOR THE QUIXOTIC HERDERS AND HOARY HOARDERS OF STOWAWAY NOETICS OF ENNOMIC LOGIC ALREADY IMPLEMENTED IN THE FREER ENTELECHY OF NOMOTHETIC PARALLELISM FOR A GEOSELENIC ACCORD THAT ALWAYS REVS REVOLUTE FRAYS OF CORRUGATION TOWARDS REDACTION IN NEUTROSOPHY BALISAURS DETEST BECAUSE OF THEIR RUMCHUNDER RHUBARB CHATTER AND CHAVISH OF INFLATED HAUTEUR AND HAUNTED PEDIGREE LEAPFROGGING ABOVE DEFECT AND PROCTORING FARMED SYNCHRONICITY INVENTED BY TELESCOPIC INSIGHT. BECAUSE THIS IS TETHERED TO THE CENTRIFUGAL INGENUITY FROM THE OMPHALISM SINECURE OF VIRTUOSITY WALKING AROUND WHELKY SIDE STREETS SIDESTEPPING SIDELIGHTED SIDEROGNOST NIMIETY THAT THE CATHEXIS ENTRAPMENT OF THE HOBOHEMIA IS OVERCOME BY THE LARGESSE OF THE RAFFISH RICHES OF THE SKELDER ABOVE THE BARATHRUM UNCIAL IN EVERY “THERE WILL BE BLOOD” DENOUEMENT BECAUSE OF FOIBLES OF MELEAGRINE BRASSAGE AND BREVET OF REVALORIZATION THAT MAPS THE NOMOGENY OF TIME TO THE PURSUIT OF WHARFINGERS THAT FROLIC ON SPHACELATED METAPHORS SPIRALLING ABOVE SWAMP-LADEN SKIES SINKING THE DAYLIGHT BROOK OF TRIBUTARY EDDIES OF THE KEN OF TIME AND THE CRAPULENCE OF THE INDULGENCE OF THE RETICENT HEDONISM OF ALGEDONIC IMBALANCE REPUDIATED IN THE STRONGEST POSSIBLE MORAL RIGOR. THIS IS DEFINED BY THE PADUASOY RIGMAROLE OF JAPAN REFRACTED OPALESCENT BECAUSE OF VESTIGES OF CAVERNILOQUY THE TRUSTEE AND AMBASSADOR TO “NOWHERE MAN” BONANZAS OF JURISDICTION AND JURISPRUDENCE BEYOND THE SCOPE OF LENSED PIONEERS OF VANGUARD KNEADS CLAMORING FOR GAULEITERS WHO BROADSIDE THE TRIBULATION AGAINST THE CRUCIBLE OF RAMPARTS OF HYDROELECTRIC FILIBUSTERS SUCH THAT THE SPODOMANCY OF STOWAWAY SURVIVORS OF REDIVIVUS THE REVENANT MUSE OF THE NINE SISTERS OF THE PENNANT OF JOCKEYS RATHER THAN THE PROVINCE OF MACROPIDINE VASTATION IN THE VAUNTLAY OF PROXENETES THAT COGITATE UPON COGNOMEN BECAUSE OF COGNOSCENTI REVANCHES THAT DISCOVER THE GRAFT OF REGAL TRUCE BEYOND THE SNARES OF DEMIURGE ABOVE CREED AND CREDENDA. EVEN ABOVE VETANDA THAT STIGMATA INDELIBLE BY THE ENCROACHMENT OF APARTHEID UPON THE NYALA AND THE GOURMAND OF TIMELESS ARCHITECTONICS OF GIANT LEAPS FOR MANKIND CELEBRATED WITH THE YEASTIEST LIONIZATION RATHER THAN THE YAWNY REPUTE OF ZALKENGUR WITHOUT BATHOS AND BATHYMETRY BECAUSE OF THE PLEROMORPHY OF THE FULLY DEVELOPED STONEWALL DESTRUCTION OF INTERNECINE GAMBITS BY DERBIES OF RIVALRY RATHER THAN THE CACKLE OF THE ILLUMINATED BEYOND THE SNARES OF PEDESTRIAN CONCERN QUISQUILOUS BECAUSE OF QUODLIBETS ANSWERED ONLY BY QUIDCUNXES STRANDED IN DESICCATION EMINENT IN PROVIDENCE AND CONVALESCENT IN THE SPIRITUAL HEALTH AND VIGOR OF A CHRISTIAN FEDERATION OF REPUBLICS THE CULMINATION OF ALL FORMER CREEDS.  THE HISTORICITY OF ALL FUTURE REALIZATIONS OF ENTELECHY AGAINST THE DUALITY AND POLARIZATION OF ENTROPY NEGATED BY ITS OWN CONTRAPOSITIVE SUCH THAT A CORRUGATED FRAYED FABRIC OF WIZENED SITHCUNDMAN AND DOYENNES MIGHT BECOME CARDIMELECH AND CARDIOGNOST SUCH THAT THE CIRCULATORY SYSTEM OF THE SPIRITUAL RENEWAL THROUGH THE TRANSFIGURATION OF PRIORITY COGNIZANT OF THE DAYS WE SOLDIER AND FORD BEYOND THAT THE TEMPERANCE OF DAY MEETS THE PREGNANT CHALLENGE OF RHADAMANTHINE VETANDA OF GRAMPUS MET ONLY BY TRAULISM AND TROMOMETERS ARRAYED AROUND TRANSPONTINE FORESIGHT SERRATED BECAUSE OF HOBBLED DECLENSION SUCH THAT THE MAJESTY OF TIME IS ITS HIGHEST HEED OF DESIGNATION TO A SHAKESPEAREAN REVOLUTION THE DOCTORATE MAGISTRATE OF MANY AN AFFAIR AND NEVER A PHILANDER OF PHILONEISM GONE ASTRAY. THE STAGECRAFT OF PROACTIVE CONTUMELY INVENTED AGAINST SCRIVELLO BY MAHOUT BUT ALWAYS THE CLEPSYDRA OF THE SYRINXES BETWEEN BANGOR BAYS AND STREAKY PLUMAGE OF THE PENMANSHIP OF THE SKIES OF WELKIN WONDER ILLUMINATED BY THE LESSER PARAGONS OF THE FIRMAMENT GLISTENING IN ETERNAL LIGHT REVIVED BY THE ETHOS OF THE TAX COLLECTOR REFORMED BY MORAL PREROGATIVE AND PEREMPTORY CONSCIENCE TO TRAILBLAZE PROFICUOUS FRIGHT AGHAST AT THE TREMBLING TEMBLORS OF REJUVENATION IN THE HIGHEST REACHES OF THE THIRD HEAVEN ASCENDANT UPON A SERMON ON THE MOUNT ASSUMPTION OF MEEK BUT NEVER MILQUETOAST SERVITUDE TO THE MIRACLE OF ABUNDANCE FOR THE LIFE ABUNDANTLY LIVED. AMEN
Terry Collett Feb 2014
Janice said
she wanted to show me
how well she skipped
with her new skip rope

I watched
as her small hands
held the wooden ends
and her arms

circled like windmills
and her feet
lifted from the ground
in an odd dance

the rope going over
and under
over and under
have a go

she said
no it's OK
I said
let me show you

how good I can draw
my new gun
from my holster
I said

tapping
the toy gun
at my side
a brown hat

(an uncle's trilby)
plonked
on my head
she watched me

her red beret
on her head
the lemon dress
I liked her in

the black plimsolls
touching toes
I took out the gun
and spun it

around my finger
like I’d seen
in the Jeff Chandler films
my old man

took me to see
my other hand
spaced at my side
I put the gun back

in the holster
and on the count of
1-2-3
I drew the gun

in the blink
of her lovely blue eyes
as 1-2-3
bad cowboys

(invisible to her)
fell and died
can I have a go?
she asked

sure you can
I said
so undid the belt
and holster and gun

and handed them
to her
to put on
which she did

in clumsy fashion
all fingers and thumbs
once she was ready
(at her own

female pace)
she said
count me in
so I said ok

and counted 1-2-3
and she went
for the gun
and sent it

spinning
through the air
catching sun light
on the silvery parts

as it fell
to the ground
with a clattering
spark flying

cap banging
sound.
A BOY AND GIRL IN 1950S LONDON.
Anna Aug 2020
"Burn me beautiful,
burn me lovely,
burn me righteous,
burn me holy.
I want to be tried by fire,
only to be purified."
Donall Dempsey Jan 2016
GETTING 22

A  glance
told me all

I needed to
know.

The room had been
Chandlerised.

A bishop was kicking a hole
in a stained glass window

whilst eating a pearl onion
on a banana split

but not the angel cake 'cos
it had a tarantula on it.

Everywhere there were
kangaroos in dinner jackets.

Somehow Raymond's words
had escaped the constructs

of the language
&

similes and metaphors
had become real

realer than real.

I kept walking
in ordinary prose

each footstep
a boring report.

trying not to break
into a metaphor

or smile in simile
or anything similar.

I made it to
the last page

and dived into the dark hole
that opened at my feet

into
THE END.

I had managed to make it
through these mean pages

( it's hard being a linguistic
private **** in one's mind )

when one is falling
asleep and

the Chandler
( the studied text )

fall out of
the too tired hand

but oh no
I had somehow entered

the realms of one
Dashiell Hammett.

Me...I  
felt like somebody

"...had taken the lid off life

let me see
the works."

"The problem with putting..."
( I thought to myself )
"...two and two together..."

"...is that sometimes you
get four

& sometimes you get
twenty two."
***

Sometimes study and sleep don't mix and I tell myself: "If you don't leave, I'll get somebody who will." These were just some of the quotes from Mr. C and Mr. H that were floating about in the old noggin as sleep and study fought to a stalemate for the mind of this poor student.

“The problem with putting two and two together is that sometimes you get four, and sometimes you get twenty-two.”
― Dashiell Hammett, The Thin Man

“He felt like somebody had taken the lid off life and let him see the works.”
― Dashiell Hammett, The Maltese Falcon

"It was a blonde. A blonde to make a bishop kick a hole in a stained glass window."--Farewell, My Lovely (Chapter 13)

“He looked about as inconspicuous as a tarantula on a slice of angel food cake.”
--Farewell, My Lovely (Chapter 1)

“There was nothing to it. The Super Chief was on time, as it almost always is, and the subject was as easy to spot as a kangaroo in a dinner jacket.”
― Raymond Chandler, Playback

“I belonged in Idle Valley like a pearl onion on a banana split.”
― Raymond Chandler, The Long Goodbye
Andrew T Hannah Mar 2013
I knew I would miss you
But I guess I never really thought
About how much I trusted you
How much you helped me through
Now I'm stuck again
Tongue tied and alone
The world keeps on spinning
And when I fall your not there
To help me up.

I guess it's good for me
To try to hold up my own
But with you I was a person
Left behind the monster I'd become

Now here I am with reality crashing down
Like a chandler over my head
You were my shield
Protecting me from words
Now they just hit me
And I haven't armor to deflect them

Never know how much
I clung onto you

But now I see what I had dragged you to
And I'll miss you.

— The End —