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Throned in splendor, immortal Aphrodite!
Child of Zeus, Enchantress, I implore thee
Slay me not in this distress and anguish,
Lady of beauty.

Hither come as once before thou camest,
When from afar thou heard'st my voice lamenting,
Heard'st and camest, leaving thy glorious father's Palace golden,

Yoking thy chariot. Fair the doves that bore thee;
Swift to the darksome earth their course directing,
Waving their thick wings from the highest heaven
Down through the ether.

Quickly they came. Then thou, O blessed goddess,
All in smiling wreathed thy face immortal,
Bade me tell thee the cause of all my suffering,
Why now I called thee;

What for my maddened heart I most was longing.
"Whom," thou criest, "dost wish that sweet Persuasion
Now win over and lead to thy love, my Sappho?
Who is it wrongs thee?

"For, though now he flies, he soon shall follow,
Soon shall be giving gifts who now rejects them.
Even though now he love not, soon shall he love thee
Even though thou wouldst not."

Come then now, dear goddess, and release me
From my anguish. All my heart's desiring
Grant thou now. Now too again as aforetime,
Be thou my ally.
Faint as a climate-changing bird that flies
All night across the darkness, and at dawn
Falls on the threshold of her native land,
And can no more, thou camest, O my child,
Led upward by the God of ghosts and dreams,
Who laid thee at Eleusis, dazed and dumb,
With passing thro' at once from state to state,
Until I brought thee hither, that the day,
When here thy hands let fall the gather'd flower,
Might break thro' clouded memories once again
On thy lost self. A sudden nightingale
Saw thee, and flash'd into a frolic of song
And welcome; and a gleam as of the moon,
When first she peers along the tremulous deep,
Fled wavering o'er thy face, and chased away
That shadow of a likeness to the king
Of shadows, thy dark mate. Persephone!
Queen of the dead no more--my child! Thine eyes
Again were human-godlike, and the Sun
Burst from a swimming fleece of winter gray,
And robed thee in his day from head to feet--
"Mother!" and I was folded in thine arms.

Child, those imperial, disimpassion'd eyes
Awed even me at first, thy mother--eyes
That oft had seen the serpent-wanded power
Draw downward into Hades with his drift
Of fickering spectres, lighted from below
By the red race of fiery Phlegethon;
But when before have Gods or men beheld
The Life that had descended re-arise,
And lighted from above him by the Sun?
So mighty was the mother's childless cry,
A cry that ran thro' Hades, Earth, and Heaven!

So in this pleasant vale we stand again,
The field of Enna, now once more ablaze
With flowers that brighten as thy footstep falls,
All flowers--but for one black blur of earth
Left by that closing chasm, thro' which the car
Of dark Aidoneus rising rapt thee hence.
And here, my child, tho' folded in thine arms,
I feel the deathless heart of motherhood
Within me shudder, lest the naked glebe
Should yawn once more into the gulf, and thence
The shrilly whinnyings of the team of Hell,
Ascending, pierce the glad and songful air,
And all at once their arch'd necks, midnight-maned,
Jet upward thro' the mid-day blossom. No!
For, see, thy foot has touch'd it; all the space
Of blank earth-baldness clothes itself afresh,
And breaks into the crocus-purple hour
That saw thee vanish.

Child, when thou wert gone,
I envied human wives, and nested birds,
Yea, the cubb'd lioness; went in search of thee
Thro' many a palace, many a cot, and gave
Thy breast to ailing infants in the night,
And set the mother waking in amaze
To find her sick one whole; and forth again
Among the wail of midnight winds, and cried,
"Where is my loved one? Wherefore do ye wail?"
And out from all the night an answer shrill'd,
"We know not, and we know not why we wail."
I climb'd on all the cliffs of all the seas,
And ask'd the waves that moan about the world
"Where? do ye make your moaning for my child?"
And round from all the world the voices came
"We know not, and we know not why we moan."
"Where?" and I stared from every eagle-peak,
I thridded the black heart of all the woods,
I peer'd thro' tomb and cave, and in the storms
Of Autumn swept across the city, and heard
The murmur of their temples chanting me,
Me, me, the desolate Mother! "Where"?--and turn'd,
And fled by many a waste, forlorn of man,
And grieved for man thro' all my grief for thee,--
The jungle rooted in his shatter'd hearth,
The serpent coil'd about his broken shaft,
The scorpion crawling over naked skulls;--
I saw the tiger in the ruin'd fane
Spring from his fallen God, but trace of thee
I saw not; and far on, and, following out
A league of labyrinthine darkness, came
On three gray heads beneath a gleaming rift.
"Where"? and I heard one voice from all the three
"We know not, for we spin the lives of men,
And not of Gods, and know not why we spin!
There is a Fate beyond us." Nothing knew.

Last as the likeness of a dying man,
Without his knowledge, from him flits to warn
A far-off friendship that he comes no more,
So he, the God of dreams, who heard my cry,
Drew from thyself the likeness of thyself
Without thy knowledge, and thy shadow past
Before me, crying "The Bright one in the highest
Is brother of the Dark one in the lowest,
And Bright and Dark have sworn that I, the child
Of thee, the great Earth-Mother, thee, the Power
That lifts her buried life from loom to bloom,
Should be for ever and for evermore
The Bride of Darkness."

So the Shadow wail'd.
Then I, Earth-Goddess, cursed the Gods of Heaven.
I would not mingle with their feasts; to me
Their nectar smack'd of hemlock on the lips,
Their rich ambrosia tasted aconite.
The man, that only lives and loves an hour,
Seem'd nobler than their hard Eternities.
My quick tears ****'d the flower, my ravings hush'd
The bird, and lost in utter grief I fail'd
To send my life thro' olive-yard and vine
And golden grain, my gift to helpless man.
Rain-rotten died the wheat, the barley-spears
Were hollow-husk'd, the leaf fell, and the sun,
Pale at my grief, drew down before his time
Sickening, and Aetna kept her winter snow.
Then He, the brother of this Darkness, He
Who still is highest, glancing from his height
On earth a fruitless fallow, when he miss'd
The wonted steam of sacrifice, the praise
And prayer of men, decreed that thou should'st dwell
For nine white moons of each whole year with me,
Three dark ones in the shadow with thy King.

Once more the reaper in the gleam of dawn
Will see me by the landmark far away,
Blessing his field, or seated in the dusk
Of even, by the lonely threshing-floor,
Rejoicing in the harvest and the grange.
Yet I, Earth-Goddess, am but ill-content
With them, who still are highest. Those gray heads,
What meant they by their "Fate beyond the Fates"
But younger kindlier Gods to bear us down,
As we bore down the Gods before us? Gods,
To quench, not hurl the thunderbolt, to stay,
Not spread the plague, the famine; Gods indeed,
To send the noon into the night and break
The sunless halls of Hades into Heaven?
Till thy dark lord accept and love the Sun,
And all the Shadow die into the Light,
When thou shalt dwell the whole bright year with me,
And souls of men, who grew beyond their race,
And made themselves as Gods against the fear
Of Death and Hell; and thou that hast from men,
As Queen of Death, that worship which is Fear,
Henceforth, as having risen from out the dead,
Shalt ever send thy life along with mine
From buried grain thro' springing blade, and bless
Their garner'd Autumn also, reap with me,
Earth-mother, in the harvest hymns of Earth
The worship which is Love, and see no more
The Stone, the Wheel, the dimly-glimmering lawns
Of that Elysium, all the hateful fires
Of torment, and the shadowy warrior glide
Along the silent field of Asphodel.
PART I

’Tis the middle of night by the castle clock
And the owls have awakened the crowing ****;
Tu-whit!—Tu-whoo!
And hark, again! the crowing ****,
How drowsily it crew.
Sir Leoline, the Baron rich,
Hath a toothless mastiff, which
From her kennel beneath the rock
Maketh answer to the clock,
Four for the quarters, and twelve for the hour;
Ever and aye, by shine and shower,
Sixteen short howls, not over loud;
Some say, she sees my lady’s shroud.

Is the night chilly and dark?
The night is chilly, but not dark.
The thin gray cloud is spread on high,
It covers but not hides the sky.
The moon is behind, and at the full;
And yet she looks both small and dull.
The night is chill, the cloud is gray:
‘T is a month before the month of May,
And the Spring comes slowly up this way.
The lovely lady, Christabel,
Whom her father loves so well,
What makes her in the wood so late,
A furlong from the castle gate?
She had dreams all yesternight
Of her own betrothed knight;
And she in the midnight wood will pray
For the weal of her lover that’s far away.

She stole along, she nothing spoke,
The sighs she heaved were soft and low,
And naught was green upon the oak,
But moss and rarest mistletoe:
She kneels beneath the huge oak tree,
And in silence prayeth she.

The lady sprang up suddenly,
The lovely lady, Christabel!
It moaned as near, as near can be,
But what it is she cannot tell.—
On the other side it seems to be,
Of the huge, broad-breasted, old oak tree.
The night is chill; the forest bare;
Is it the wind that moaneth bleak?
There is not wind enough in the air
To move away the ringlet curl
From the lovely lady’s cheek—
There is not wind enough to twirl
The one red leaf, the last of its clan,
That dances as often as dance it can,
Hanging so light, and hanging so high,
On the topmost twig that looks up at the sky.

Hush, beating heart of Christabel!
Jesu, Maria, shield her well!
She folded her arms beneath her cloak,
And stole to the other side of the oak.
What sees she there?

There she sees a damsel bright,
Dressed in a silken robe of white,
That shadowy in the moonlight shone:
The neck that made that white robe wan,
Her stately neck, and arms were bare;
Her blue-veined feet unsandaled were;
And wildly glittered here and there
The gems entangled in her hair.
I guess, ‘t was frightful there to see
A lady so richly clad as she—
Beautiful exceedingly!

‘Mary mother, save me now!’
Said Christabel, ‘and who art thou?’

The lady strange made answer meet,
And her voice was faint and sweet:—
‘Have pity on my sore distress,
I scarce can speak for weariness:
Stretch forth thy hand, and have no fear!’
Said Christabel, ‘How camest thou here?’
And the lady, whose voice was faint and sweet,
Did thus pursue her answer meet:—
‘My sire is of a noble line,
And my name is Geraldine:
Five warriors seized me yestermorn,
Me, even me, a maid forlorn:
They choked my cries with force and fright,
And tied me on a palfrey white.
The palfrey was as fleet as wind,
And they rode furiously behind.
They spurred amain, their steeds were white:
And once we crossed the shade of night.
As sure as Heaven shall rescue me,
I have no thought what men they be;
Nor do I know how long it is
(For I have lain entranced, I wis)
Since one, the tallest of the five,
Took me from the palfrey’s back,
A weary woman, scarce alive.
Some muttered words his comrades spoke:
He placed me underneath this oak;
He swore they would return with haste;
Whither they went I cannot tell—
I thought I heard, some minutes past,
Sounds as of a castle bell.
Stretch forth thy hand,’ thus ended she,
‘And help a wretched maid to flee.’

Then Christabel stretched forth her hand,
And comforted fair Geraldine:
‘O well, bright dame, may you command
The service of Sir Leoline;
And gladly our stout chivalry
Will he send forth, and friends withal,
To guide and guard you safe and free
Home to your noble father’s hall.’

She rose: and forth with steps they passed
That strove to be, and were not, fast.
Her gracious stars the lady blest,
And thus spake on sweet Christabel:
‘All our household are at rest,
The hall is silent as the cell;
Sir Leoline is weak in health,
And may not well awakened be,
But we will move as if in stealth;
And I beseech your courtesy,
This night, to share your couch with me.’

They crossed the moat, and Christabel
Took the key that fitted well;
A little door she opened straight,
All in the middle of the gate;
The gate that was ironed within and without,
Where an army in battle array had marched out.
The lady sank, belike through pain,
And Christabel with might and main
Lifted her up, a weary weight,
Over the threshold of the gate:
Then the lady rose again,
And moved, as she were not in pain.

So, free from danger, free from fear,
They crossed the court: right glad they were.
And Christabel devoutly cried
To the Lady by her side;
‘Praise we the ****** all divine,
Who hath rescued thee from thy distress!’
‘Alas, alas!’ said Geraldine,
‘I cannot speak for weariness.’
So, free from danger, free from fear,
They crossed the court: right glad they were.

Outside her kennel the mastiff old
Lay fast asleep, in moonshine cold.
The mastiff old did not awake,
Yet she an angry moan did make.
And what can ail the mastiff *****?
Never till now she uttered yell
Beneath the eye of Christabel.
Perhaps it is the owlet’s scritch:
For what can aid the mastiff *****?

They passed the hall, that echoes still,
Pass as lightly as you will.
The brands were flat, the brands were dying,
Amid their own white ashes lying;
But when the lady passed, there came
A tongue of light, a fit of flame;
And Christabel saw the lady’s eye,
And nothing else saw she thereby,
Save the boss of the shield of Sir Leoline tall,
Which hung in a murky old niche in the wall.
‘O softly tread,’ said Christabel,
‘My father seldom sleepeth well.’
Sweet Christabel her feet doth bare,
And, jealous of the listening air,
They steal their way from stair to stair,
Now in glimmer, and now in gloom,
And now they pass the Baron’s room,
As still as death, with stifled breath!
And now have reached her chamber door;
And now doth Geraldine press down
The rushes of the chamber floor.

The moon shines dim in the open air,
And not a moonbeam enters here.
But they without its light can see
The chamber carved so curiously,
Carved with figures strange and sweet,
All made out of the carver’s brain,
For a lady’s chamber meet:
The lamp with twofold silver chain
Is fastened to an angel’s feet.
The silver lamp burns dead and dim;
But Christabel the lamp will trim.
She trimmed the lamp, and made it bright,
And left it swinging to and fro,
While Geraldine, in wretched plight,
Sank down upon the floor below.
‘O weary lady, Geraldine,
I pray you, drink this cordial wine!
It is a wine of virtuous powers;
My mother made it of wild flowers.’

‘And will your mother pity me,
Who am a maiden most forlorn?’
Christabel answered—’Woe is me!
She died the hour that I was born.
I have heard the gray-haired friar tell,
How on her death-bed she did say,
That she should hear the castle-bell
Strike twelve upon my wedding-day.
O mother dear! that thou wert here!’
‘I would,’ said Geraldine, ’she were!’

But soon, with altered voice, said she—
‘Off, wandering mother! Peak and pine!
I have power to bid thee flee.’
Alas! what ails poor Geraldine?
Why stares she with unsettled eye?
Can she the bodiless dead espy?
And why with hollow voice cries she,
‘Off, woman, off! this hour is mine—
Though thou her guardian spirit be,
Off, woman. off! ‘t is given to me.’

Then Christabel knelt by the lady’s side,
And raised to heaven her eyes so blue—
‘Alas!’ said she, ‘this ghastly ride—
Dear lady! it hath wildered you!’
The lady wiped her moist cold brow,
And faintly said, ‘’T is over now!’
Again the wild-flower wine she drank:
Her fair large eyes ‘gan glitter bright,
And from the floor, whereon she sank,
The lofty lady stood upright:
She was most beautiful to see,
Like a lady of a far countree.

And thus the lofty lady spake—
‘All they, who live in the upper sky,
Do love you, holy Christabel!
And you love them, and for their sake,
And for the good which me befell,
Even I in my degree will try,
Fair maiden, to requite you well.
But now unrobe yourself; for I
Must pray, ere yet in bed I lie.’

Quoth Christabel, ‘So let it be!’
And as the lady bade, did she.
Her gentle limbs did she undress
And lay down in her loveliness.

But through her brain, of weal and woe,
So many thoughts moved to and fro,
That vain it were her lids to close;
So half-way from the bed she rose,
And on her elbow did recline.
To look at the lady Geraldine.
Beneath the lamp the lady bowed,
And slowly rolled her eyes around;
Then drawing in her breath aloud,
Like one that shuddered, she unbound
The cincture from beneath her breast:
Her silken robe, and inner vest,
Dropped to her feet, and full in view,
Behold! her ***** and half her side—
A sight to dream of, not to tell!
O shield her! shield sweet Christabel!

Yet Geraldine nor speaks nor stirs:
Ah! what a stricken look was hers!
Deep from within she seems half-way
To lift some weight with sick assay,
And eyes the maid and seeks delay;
Then suddenly, as one defied,
Collects herself in scorn and pride,
And lay down by the maiden’s side!—
And in her arms the maid she took,
Ah, well-a-day!
And with low voice and doleful look
These words did say:

‘In the touch of this ***** there worketh a spell,
Which is lord of thy utterance, Christabel!
Thou knowest to-night, and wilt know to-morrow,
This mark of my shame, this seal of my sorrow;
But vainly thou warrest,
For this is alone in
Thy power to declare,
That in the dim forest
Thou heard’st a low moaning,
And found’st a bright lady, surpassingly fair:
And didst bring her home with thee, in love and in charity,
To shield her and shelter her from the damp air.’

It was a lovely sight to see
The lady Christabel, when she
Was praying at the old oak tree.
Amid the jagged shadows
Of mossy leafless boughs,
Kneeling in the moonlight,
To make her gentle vows;
Her slender palms together prest,
Heaving sometimes on her breast;
Her face resigned to bliss or bale—
Her face, oh, call it fair not pale,
And both blue eyes more bright than clear.
Each about to have a tear.
With open eyes (ah, woe is me!)
Asleep, and dreaming fearfully,
Fearfully dreaming, yet, I wis,
Dreaming that alone, which is—
O sorrow and shame! Can this be she,
The lady, who knelt at the old oak tree?
And lo! the worker of these harms,
That holds the maiden in her arms,
Seems to slumber still and mild,
As a mother with her child.

A star hath set, a star hath risen,
O Geraldine! since arms of thine
Have been the lovely lady’s prison.
O Geraldine! one hour was thine—
Thou’st had thy will! By tarn and rill,
The night-birds all that hour were still.
But now they are jubilant anew,
From cliff and tower, tu-whoo! tu-whoo!
Tu-whoo! tu-whoo! from wood and fell!

And see! the lady Christabel
Gathers herself from out her trance;
Her limbs relax, her countenance
Grows sad and soft; the smooth thin lids
Close o’er her eyes; and tears she sheds—
Large tears that leave the lashes bright!
And oft the while she seems to smile
As infants at a sudden light!
Yea, she doth smile, and she doth weep,
Like a youthful hermitess,
Beauteous in a wilderness,
Who, praying always, prays in sleep.
And, if she move unquietly,
Perchance, ‘t is but the blood so free
Comes back and tingles in her feet.
No doubt, she hath a vision sweet.
What if her guardian spirit ‘t were,
What if she knew her mother near?
But this she knows, in joys and woes,
That saints will aid if men will call:
For the blue sky bends over all.

PART II

Each matin bell, the Baron saith,
Knells us back to a world of death.
These words Sir Leoline first said,
When he rose and found his lady dead:
These words Sir Leoline will say
Many a morn to his dying day!

And hence the custom and law began
That still at dawn the sacristan,
Who duly pulls the heavy bell,
Five and forty beads must tell
Between each stroke—a warning knell,
Which not a soul can choose but hear
From Bratha Head to Wyndermere.
Saith Bracy the bard, ‘So let it knell!
And let the drowsy sacristan
Still count as slowly as he can!’
There is no lack of such, I ween,
As well fill up the space between.
In Langdale Pike and Witch’s Lair,
And Dungeon-ghyll so foully rent,
With ropes of rock and bells of air
Three sinful sextons’ ghosts are pent,
Who all give back, one after t’ other,
The death-note to their living brother;
And oft too, by the knell offended,
Just as their one! two! three! is ended,
The devil mocks the doleful tale
With a merry peal from Borrowdale.

The air is still! through mist and cloud
That merry peal comes ringing loud;
And Geraldine shakes off her dread,
And rises lightly from the bed;
Puts on her silken vestments white,
And tricks her hair in lovely plight,
And nothing doubting of her spell
Awakens the lady Christabel.
‘Sleep you, sweet lady Christabel?
I trust that you have rested well.’

And Christabel awoke and spied
The same who lay down by her side—
O rather say, the same whom she
Raised up beneath the old oak tree!
Nay, fairer yet! and yet more fair!
For she belike hath drunken deep
Of all the blessedness of sleep!
And while she spake, her looks, her air,
Such gentle thankfulness declare,
That (so it seemed) her girded vests
Grew tight beneath her heaving *******.
‘Sure I have sinned!’ said Christabel,
‘Now heaven be praised if all be well!’
And in low faltering tones, yet sweet,
Did she the lofty lady greet
With such perplexity of mind
As dreams too lively leave behind.

So quickly she rose, and quickly arrayed
Her maiden limbs, and having prayed
That He, who on the cross did groan,
Might wash away her sins unknown,
She forthwith led fair Geraldine
To meet her sire, Sir Leoline.
The lovely maid and the lady tall
Are pacing both into the hall,
And pacing on through page and groom,
Enter the Baron’s presence-room.

The Baron rose, and while he prest
His gentle daughter to his breast,
With cheerful wonder in his eyes
The lady Geraldine espies,
And gave such welcome to the same,
As might beseem so bright a dame!

But when he heard the lady’s tale,
And when she told her father’s name,
Why waxed Sir Leoline so pale,
Murmuring o’er the name again,
Lord Roland de Vaux of Tryermaine?
Alas! they had been friends in youth;
But whispering tongues can poison truth;
And constancy lives in realms above;
And life is thorny; and youth is vain;
And to be wroth with one we love
Doth work like madness in the brain.
And thus it chanced, as I divine,
With Roland and Sir Leoline.
Each spake words of high disdain
And insult to his heart’s best brother:
They parted—ne’er to meet again!
But never either found another
To free the hollow heart from paining—
They stood aloof, the scars remaining,
Like cliffs which had been rent asunder;
A dreary sea now flows between.
But neither heat, nor frost, nor thunder,
Shall wholly do away, I ween,
The marks of that which once hath been.
Sir Leoline, a moment’s space,
Stood gazing on the damsel’s face:
And the youthful Lord of Tryermaine
Came back upon his heart again.

O then the Baron forgot his age,
His noble heart swelled high with rage;
He swore by the wounds in Jesu’s side
He would proclaim it far and wide,
With trump and solemn heraldry,
That they, who thus had wronged the dame
Were base as spotted infamy!
‘And if they dare deny the same,
My herald shall appoint a week,
And let the recreant traitors seek
My tourney court—that there and then
I may dislodge their reptile souls
From the bodies and forms of men!’
He spake: his eye in lightning rolls!
For the lady was ruthlessly seized; and he kenned
In the beautiful lady the child of his friend!

And now the tears were on his face,
And fondly in his arms he took
Fair Geraldine who met the embrace,
Prolonging it with joyous look.
Which when she viewed, a vision fell
Upon the soul of Christabel,
The vision of fear, the touch and pain!
She shrunk and shuddered, and saw again—
(Ah, woe is me! Was it for thee,
Thou gentle maid! such sights to see?)
Again she saw that ***** old,
Again she felt that ***** cold,
And drew in her breath with a hissing sound:
Whereat the Knight turned wildly round,
And nothing saw, but his own sweet maid
With eyes upraised, as one that prayed.

The touch, the sight, had passed away,
And in its stead that vision blest,
Which comfort
XXVII

My own Beloved, who hast lifted me
From this drear flat of earth where I was thrown,
And, in betwixt the languid ringlets, blown
A life-breath, till the forehead hopefully
Shines out again, as all the angels see,
Before thy saving kiss! My own, my own,
Who camest to me when the world was gone,
And I who looked for only God, found thee!
I find thee; I am safe, and strong, and glad.
As one who stands in dewless asphodel
Looks backward on the tedious time he had
In the upper life,—so I, with *****-swell,
Make witness, here, between the good and bad,
That Love, as strong as Death, retrieves as well.
1552

Within thy Grave!
Oh no, but on some other flight—
Thou only camest to mankind
To rend it with Good night—
brandon nagley Jun 2016
i.

Inside the aumbry of thy rib's,
Mine verses there queen
Shalt alway's live. When
Thou doth close thine
Engineer orb's,
Knoweth this
Mine Jane;
Mine pearl.

ii.

Long agone, god choose thee,
To be mine darling from the sea;
The one who whisper's to me when I sleep,
In thy soul mine poetry speaks.

iii.

If tonight mine inhalation shalt cease
I'm not just flesh, but a spirit antique;
Mine word's hath come from the up above,
To show thee forgiveness, and Christ's own love

And don't forget queen where thou camest from
From the Almighty's hand's wherein life dost come,
Where the Angel's fly, and the mountain's hum
Past the human sun, in the third heaven.

iv.

So go to sleep Reyna, and dream of me,
One day we'll meet, O' please believe;
And when thou dost wake in the morrow
Thou shalt seest the clear amour that follows.

And smile we wilt do plenty of,
For we aren't of earth, but sky's above;
And when thou shalt see the light
I'll guide thee where there is no night.



©Brandon Nagley
©Lonesome poet's poetry
©Earl jane Nagley dedicated ( àgapi mou) dedicated
aumbry- cupboard or closet.
Thou- you
Doth - do.
Thine- another form of thy- meaning ( your)
Orb's - eyes
I use engineer eyes because Jane is studying to become engineer.
Agone- ago ( long agone means long ago)
Thee- like thou means you.
Thy- your.
inhalation- breathing in. Taking breath in.
By saying I'm  spirit antique - this means im an ancient spirit.
Hath- have.
Camest- means ( came)
Dost like doth doesn't just mean do but can use to as does.
Wherein - in which.
Reyna- means queen.
Morrow- the following day.
Seest - see.
Amour - love.
Wilt- will
gurthbruins Nov 2015
PART THE FIRST

Samuel Taylor Coleridge (1772–1834)


’TIS the middle of night by the castle clock,
And the owls have awakened the crowing ****;
Tu—whit!—Tu—whoo!
And hark, again! the crowing ****,
How drowsily it crew!         5
Sir Leoline, the Baron rich,
Hath a toothless mastiff *****;
From her kennel beneath the rock
Maketh answer to the clock,
Four for the quarters, and twelve for the hour;         10
Ever and aye, by shine and shower,
Sixteen short howls, not over loud;
Some say, she sees my lady’s shroud.

Is the night chilly and dark?
The night is chilly, but not dark.         15
The thin gray cloud is spread on high,
It covers but not hides the sky.
The moon is behind, and at the full;
And yet she looks both small and dull.
The night is chill, the cloud is gray:         20
’Tis a month before the month of May,
And the Spring comes slowly up this way.

The lovely lady, Christabel,
Whom her father loves so well,
What makes her in the wood so late,         25
A furlong from the castle gate?
She had dreams all yesternight—
Of her own betrothed knight;
And she in the midnight wood will pray
For the weal of her lover that’s far away.         30

   .........................

The night is chill; the forest bare;
Is it the wind that moaneth bleak?
There is not wind enough in the air         45
To move away the ringlet curl
From the lovely lady’s cheek—
There is not wind enough to twirl
The one red leaf, the last of its clan,
That dances as often as dance it can,         50
Hanging so light, and hanging so high,
On the topmost twig that looks up at the sky.

Hush, beating heart of Christabel!
Jesu, Maria, shield her well!
She folded her arms beneath her cloak,         55
And stole to the other side of the oak.
  What sees she there?

There she sees a damsel bright
Drest in a silken robe of white,
That shadowy in the moonlight shone:         60
The neck that made that white robe wan,
Her stately neck, and arms were bare;
Her blue-veined feet unsandalled were,
And wildly glittered here and there
The gems entangled in her hair.         65
I guess, ’twas frightful there to see—
A lady so richly clad as she—
  Beautiful exceedingly!

Mary mother, save me now!
(Said Christabel,) And who art thou?         70

The lady strange made answer meet,
And her voice was faint and sweet:—
Have pity on my sore distress,
I scarce can speak for weariness:
Stretch forth thy hand, and have no fear!         75
Said Christabel, How camest thou here?
And the lady, whose voice was faint and sweet,
Did thus pursue her answer meet:—
My sire is of a noble line,
And my name is Geraldine:         80
Five warriors seized me yestermorn,
Me, even me, a maid forlorn:
They choked my cries with force and fright,
And tied me on a palfrey white.
The palfrey was as fleet as wind,         85
And they rode furiously behind.
They spurred amain, their steeds were white:
And once we crossed the shade of night.

As sure as Heaven shall rescue me,
I have no thought what men they be;         90
Nor do I know how long it is
(For I have lain entranced I wis)
Since one, the tallest of the five,
Took me from the palfrey’s back,
A weary woman, scarce alive.         95
Some muttered words his comrades spoke:
He placed me underneath this oak;
He swore they would return with haste;
Whither they went I cannot tell—
I thought I heard, some minutes past,         100
Sounds as of a castle bell.
Stretch forth thy hand (thus ended she),
And help a wretched maid to flee.

Then Christabel stretched forth her hand,
And comforted fair Geraldine:         105
O well, bright dame! may you command
The service of Sir Leoline;
And gladly our stout chivalry
Will he send forth and friends withal
To guide and guard you safe and free         110
Home to your noble father’s hall.

She rose: and forth with steps they passed
That strove to be, and were not, fast.

   ................................................

They crossed the moat, and Christabel
Took the key that fitted well;
A little door she opened straight,         125
All in the middle of the gate,
The gate that was ironed within and without,
Where an army in battle array had marched out,
The lady sank, belike through pain,
And Christabel with might and main         130
Lifted her up, a weary weight,
Over the threshold of the gate:
Then the lady rose again,
And moved, as she were not in pain.

   ..................................................

Outside her kennel, the mastiff old         145
Lay fast asleep, in moonshine cold.
The mastiff old did not awake,
Yet she an angry moan did make!
And what can ail the mastiff *****?
Never till now she uttered yell         150
Beneath the eye of Christabel.
Perhaps it is the owlet’s scritch:
For what can ail the mastiff *****?

They passed the hall, that echoes still,
Pass as lightly as you will!         155
The brands were flat, the brands were dying,
Amid their own white ashes lying;
But when the lady passed, there came
A tongue of light, a fit of flame;
And Christabel saw the lady’s eye,         160
And nothing else saw she thereby,
Save the boss of the shield of Sir Leoline tall,
Which hung in a murky old niche in the wall.
O softly tread, said Christabel,
My father seldom sleepeth well.         165

Sweet Christabel her feet doth bare,
And jealous of the listening air
They steal their way from stair to stair,
Now in the glimmer, and now in gloom,
And now they pass the Baron’s room,         170
As still as death, with stifled breath!
And now have reached her chamber door;
And now doth Geraldine press down
The rushes of the chamber floor.

The moon shines dim in the open air,         175
And not a moonbeam enters there.
But they without its light can see
The chamber carved so curiously,
Carved with figures strange and sweet,
All made out of the carver’s brain,         180
For a lady’s chamber meet:
The lamp with twofold silver chain
Is fastened to an angel’s feet.

The silver lamp burns dead and dim;
But Christabel the lamp will trim.         185
She trimmed the lamp, and made it bright,
And left it swinging to and fro,
While Geraldine, in wretched plight,
Sank down upon the floor below.

O weary lady, Geraldine,         190
I pray you, drink this cordial wine!
It is a wine of virtuous powers;
My mother made it of wild flowers.

         .........................................

Again the wild-flower wine she drank:         220
Her fair large eyes ’gan glitter bright,
And from the floor whereon she sank,
The lofty lady stood upright:
She was most beautiful to see,
Like a lady of a far countrée.         225

And thus the lofty lady spake—
‘All they who live in the upper sky,
Do love you, holy Christabel!

          ..............................

Beneath the lamp the lady bowed,         245
And slowly rolled her eyes around;
Then drawing in her breath aloud,
Like one that shuddered, she unbound
The cincture from beneath her breast:
Her silken robe, and inner vest,         250
Dropt to her feet, and full in view,
Behold! her ***** and half her side—
A sight to dream of, not to tell!
O shield her! shield sweet Christabel!


THE CONCLUSION TO PART THE FIRST


A star hath set, a star hath risen,
O Geraldine! since arms of thine
Have been the lovely lady’s prison.
O Geraldine! one hour was thine—         305
Thou’st had thy will! By tairn and rill,
The night-birds all that hour were still.
But now they are jubilant anew,
From cliff and tower, tu—whoo! tu—whoo!
Tu—whoo! tu—whoo! from wood and fell!         310

And see! the lady Christabel!
Gathers herself from out her trance;
Her limbs relax, her countenance
Grows sad and soft; the smooth thin lids
Close o’er her eyes; and tears she sheds—         315
Large tears that leave the lashes bright!
And oft the while she seems to smile
As infants at a sudden light!

Yea, she doth smile, and she doth weep,
Like a youthful hermitess,         320
Beauteous in a wilderness,
Who, praying always, prays in sleep,
And, if she move unquietly,
Perchance, ’tis but the blood so free
Comes back and tingles in her feet.         325
No doubt, she hath a vision sweet.
What if her guardian spirit ’twere,
What if she knew her mother near?
But this she knows, in joys and woes,
That saints will aid if men will call:         330
For the blue sky bends over all!

PART THE SECOND

Each matin bell, the Baron saith,
Knells us back to a world of death.
These words Sir Leoline first said,
When he rose and found his lady dead;         335
These words Sir Leoline will say
Many a morn to his dying day!

          ..................................


‘Sleep you, sweet lady Christabel?
I trust that you have rested well?’

And Christabel awoke and spied         370
The same who lay down by her side—
O rather say, the same whom she
Raised up beneath the old oak tree!
Nay, fairer yet! and yet more fair!
For she belike hath drunken deep         375
Of all the blessedness of sleep!
      
.......................

The Baron rose, and while he prest
His gentle daughter to his breast,
With cheerful wonder in his eyes
The lady Geraldine espies,         400
And gave such welcome to the same,
As might beseem so bright a dame!
But when he heard the lady’s tale,
And when she told her father’s name,
Why waxed Sir Leoline so pale,         405
Murmuring o’er the name again,
Lord Roland de Vaux of Tryermaine?

Alas! they had been friends in youth;
But whispering tongues can poison truth;
And constancy lives in realms above;         410
And life is thorny; and youth is vain;
And to be wroth with one we love
Doth work like madness in the brain.
And thus it chanced, as I divine,
With Roland and Sir Leoline.         415
Each spake words of high disdain
And insult to his heart’s best brother:
They parted—ne’er to meet again!
But never either found another
To free the hollow heart from paining—         420
They stood aloof, the scars remaining,
Like cliffs which had been rent asunder;
A dreary sea now flows between.
But neither heat, nor frost, nor thunder,
Shall wholly do away, I ween,         425
The marks of that which once hath been.

Sir Leoline, a moment’s space,
Stood gazing on the damsel’s face:
And the youthful Lord of Tryermaine
Came back upon his heart again.         430
O then the Baron forgot his age,
His noble heart swelled high with rage;
He swore by the wounds in Jesu’s side
He would proclaim it far and wide,
With trump and solemn heraldry,         435
That they, who thus had wronged the dame
Were base as spotted infamy!
‘And if they dare deny the same,
My herald shall appoint a week,
And let the recreant traitors seek         440
My tourney court—that there and then
I may dislodge their reptile souls
From the bodies and forms of men!’
He spake: his eye in lightning rolls!
For the lady was ruthlessly seized; and he kenned         445
In the beautiful lady the child of his friend!

          ..................................................

        ‘Nay!
Nay, by my soul!’ said Leoline.         485
‘**! Bracy the bard, the charge be thine!
Go thou, with music sweet and loud,
And take two steeds with trappings proud,
And take the youth whom thou lov’st best
To bear thy harp, and learn thy song,         490
And clothe you both in solemn vest,
And over the mountains haste along,
Lest wandering folk, that are abroad
Detain you on the valley road.
‘And when he has crossed the Irthing flood,         495
My merry bard! he hastes, he hastes
Up Knorren Moor, through Halegarth Wood,
And reaches soon that castle good
Which stands and threatens Scotland’s wastes.

‘Bard Bracy! bard Bracy! your horses are fleet,         500
Ye must ride up the hall, your music so sweet,
More loud than your horses’ echoing feet!
And loud and loud to Lord Roland call,
Thy daughter is safe in Langdale hall!
Thy beautiful daughter is safe and free—         505
Sir Leoline greets thee thus through me.
He bids thee come without delay
With all thy numerous array;
And take thy lovely daughter home;
And he will meet thee on the way         510
With all his numerous array
White with their panting palfreys’ foam:
And, by mine honour! I will say,
That I repent me of the day
When I spake words of fierce disdain         515
To Roland de Vaux of Tryermaine!—
—For since that evil hour hath flown,
Many a summer’s sun hath shone;
Yet ne’er found I a friend again
Like Roland de Vaux of Tryermaine.’         520

         .............................................


And thus she stood, in dizzy trance,
Still picturing that look askance         610
With forced unconscious sympathy
Full before her father’s view—
As far as such a look could be
In eyes so innocent and blue!
And when the trance was o’er, the maid         615
Paused awhile, and inly prayed:
Then falling at the Baron’s feet,
‘By my mother’s soul do I entreat
That thou this woman send away!’
She said: and more she could not say:         620
For what she knew she could not tell,
O’er-mastered by the mighty spell.

Why is thy cheek so wan and wild,
Sir Leoline? Thy only child
Lies at thy feet, thy joy, thy pride.         625
So fair, so innocent, so mild;
Who loves not Knowledge? Who shall rail
  Against her beauty? May she mix
  With men and prosper! Who shall fix
Her pillars? Let her work prevail.

But on her forehead sits a fire:
  She sets her forward countenance
  And leaps into the future chance,
Submitting all things to desire.

Half-grown as yet, a child, and vain--
  She cannot fight the fear of death.
  What is she, cut from love and faith,
But some wild Pallas from the brain

Of Demons? fiery-hot to burst
  All barriers in her onward race
  For power. Let her know her place;
She is the second, not the first.

A higher hand must make her mild,
  If all be not in vain; and guide
  Her footsteps, moving side by side
With wisdom, like the younger child:

For she is earthly of the mind,
  But Wisdom heavenly of the soul.
  O, friend, who camest to thy goal
So early, leaving me behind,

I would the great world grew like thee,
  Who grewest not alone in power
  And knowledge, but by year and hour
In reverence and in charity.
brandon nagley Dec 2015
i.

She hath abated mine sorrow's, split mine manacles
Wherein afore day's, I was shackled and trampled;
I was left for expiry, mine soul felt retiring,
Ague gaveth me chill's, I got lost in opiatic pill's,
Death twas I, that I was admiring.

ii.

The world gaveth me none thrill- tis I wasn't meant for this life,
I besought at all costs, to find what was right.
Sent to me then, after all mine thirst and hunger for mine
One and true queen, camest Earl Jane, betwixt the dark shade,
Of Satan and his being's.

iii.

When she stepped in, Alleluia hit mine lung's, I found that one I sought, from so many year's ago, twas not love at first sight, I loved her from lifetime's humans do not knoweth; created in God's light. I loved her all along, ourn marriage was, hast been, and always wilt be abiding, timeless, in Cordelia strand's of song.

iv.

And tis when I do wrong, she sets me on better path's, she straightens me, she relates to me, she's mine kindred soul once again I found at last; she's the consort to mine well-being, she's beautiful, elegant, perfection is her key. Perfect to me, she aligns with the star's. Tis she, yea she, hath broken me from mine own prison bar's.



©Brandon Nagley
©Lonesome poet's poetry
©Earl Jane Nagley dedicated ( Filipino rose)
Abate means - make less or lessen ones pain or sorrow. Or to lesson the intensity of something.
Manacles are-
1.
a metal band, chain, or shackle for fastening someone's hands or ankles.
Wherein means - in which
Afore- means past or before or prior
Expiry meaning same pretty much as expiration.
Ague is - fever or chill.
Opiatic has to do with opiates.
Twas means - it was.
Besought is past word for beseeched. Or sought or seek.or seeked.
Betwixt means between in archaic tongue.
Cordelia in poem means- : English name which may be an elaborated form of the Latin word cor, meaning "heart. Also it's the name for certain moon's around a planet! I mean it as heart.
Kindred soul is -kindred spirit. Also, kindred soul. An individual with the same beliefs, attitudes or feelings as oneself.
Consort means -
1.
a wife, husband, or companion, in particular the spouse of a reigning monarch.
Epic Poetical Sep 2024
I.
On that divine-like hands and laps of thine, my grandmother, each moment I embraced the new learnings.

Well, in that tranquil Spring night when the wave of stars washed away my eyes, I cried for them to have in the small hands of mine. Since then, I learnt to cry.

In order to soothe my longing cry, thou hast sung me the rhyming lullaby and spreaded the formless form of smile on my face. Since then, I learnt to smile.

At that cooing rhythm of thy song; thou hast energetically swung me high and low in the air, whilst my body seems to have lost its weight so light. Since then, I learnt to get thrilled by the melody of song.

A feeling of overflowing on an edge of the wind has brought the word of excitement to my unawake mouth, ehh.. since then, I learnt to speak a word.

That morning, Aye, as I stood drunk with the golden dawn, the waves of my eyes swirled with the falling leave at the distant height. The very curiosity to catch hold of it has burnt my little heart. Since then, I learnt to curious about the things.

Slipping away from thy hand, I ran to catch the falling leaves. But O fie, I couldnst catch it! I followed its flight —but the wind took it farther away. My eyes couldnst reach to it anymore, as it gradually disappeared at invisible sight. Since then, I learnt to walk.


II.
I extend the words from that little heart of mine— and that's my deepest Adulation to thee, my beloved parents!

I know not how I've wandered upon the Mesh of age to reach this mile of oldness— nor dost I know how I've rushed on over the trouble obstacles I encountered each age.

Such little strange tale of mine evolved from thy ***** hands, my beloved parents!

In the kingly and queenly world of thine, I expanded on the rhythm of an ineffable joyance. I know not the bound— but surely I cherished the flower and its hidden honey thou hast bestowed upon me, from that holy adornment of thy hearts.

Thou hast attained all my childly cravings and worn a garland of smile to this sullen face of mine.

Thou hast taken care of me from all sorts of ailings. Thou hast given me the warm garments and never let my body ailed by the cold breeze in Winter and tanned by the barnstorming heat in Summer.

Mother, when the hunger ailed my stomach, I spelt out thy name and cried
In dissonant pitch.Thou hast given me a plate of rice. In the midst of night when the silence has spreaded its wings, the unrestrained thirst parched up my throat. I awoke thee— so thou hast given me a cup of water to quench my thirst.

Father, the most I must not forget about thee is thou hast shedded the endlessblood and sweat onto the earthly mud to give me this excess of life.

I'm grateful to both of thee, my beloved parents! Without both of thy presence,
I would not have made my life so far and so long.     

III.
Mother, I've cried out the mighty tears
For one thing— and that's the signet ring.

I cried all the days and all the nights for that. I
Even refused to take the meals thou

Hast given to me from thy motherly hand.
Thou hast bought me the little play toy—

But fie, couldn't bring the harmony to these dissonant eyes of mine! The tears

Unseemly overflowed on its expanding Despair. I was a small and innocent kid,

My mother, as I saw that signet ring Glitter bright on the man's finger, it took

My eyes' captive  away and made me
Oozed upon the mesh of longingness.

By then, I witnessed the tears in my eyes.
I knew not how to extinguish this burning

Agony of my heart— it seemed more Intense as the days passed. All of my

Energies lost to pale weakness. I seem To have had sleepless nights; tossing

And turning on the bed, overshadowed
By the ailing insomnia. I only wished to

Have it on one of my fingers, bright and Illuminating grace like a blue diamond.

It was thy love, at last, thou Hast given it to me on the final day

And cured the very tears of craving. I Heaved a sigh of relief since then.

IV.
Such a blessed land, have I ever taken my refuge!
Such a blessed land, is only my century-long home!

Thou art my home for the generation long, my beloved Motherland, how lovely thou art! Thou hast given me a fine place here to take a long and joyant abide.

It is my privilege to spend my life here, embracing the endless blessings of no bound thou hast bestowed upon me. The joy of course, I have cherished a fragrance of this very land, in  ineffable bound of pride.

All that is hush and composed mountains that weave the picturesque sight; all that is rich and benevolent water that evokes the sweet taste like that of honey; and all that is earthly and never-fading mud that upholdest the living beings. O, I never knew I was used to them! Such is my luck!

My life flowers bright here upon thy heavenly garden; and now I'm able to furnish the beauty of my own within and out like Camellia. I wish my life had no bound and all my body and limbs were immortal, I would heave infinite steps of age, century after century, turning olds into new...

All that thou hast dispensed to me doth not belong to me, but I took it as holy blessing. Thou hast given me all thy shelters and stood before me shameless and bare. In fact, thou hast protected me from all trouble obstacles of sorts, such is thy holy grace, My beloved motherland!


Such a blessed land, have I ever taken my refuge!
Such a blessed land, is only my century-long home!

I am deepened down into the bottomless pride, for I am born to this land of kingly harmony. It's thy pleasure that indeed, I should be grateful to thee, for thou hast  taken care of me till this age far. Such is my fortune!

What knowest others of thee? What knowest others the taste of that golden honey, so-thickly ebbs out of thy ***** heart that seems ineffable.

For me, thou art all that higher than the universe; and there's no above thee, such is thy strength! Thy love is an unattainable worth. I canst return thy love even though my life extend a hundred decades long.

It's indeed the sin to step upon the holy-like body of thine; but thou art receptive by nature, and such is thy holy grace; my beloved motherland, thou hast carried me these long years bearing all sorts of weariness.

Such a blessed land, have I ever taken my refuge!
Such a blessed land, is only my century-long home!

V.
Mother, the Emblem
of love.
A residence of the
eternal glory,
A supreme fragrance,
and the Utopian
             idealist,
Gifted
one strong
existentialist beneath
the
cosmology.

O, the incumbent
mother!
Thou art an antidote
                  to our
daily
miseries— and a
song to our
timeless euphoria.
We are blessed
under
thy cosmic arm.s

It is said that thou
hast attained
a realm of love—
the unattainable
             pinnacle
Where
we imbibe the
nectar of happiness.
Thou art
the eternal guardian,
A mirror-image to
                  celestial
soul
Where we art thy
shadows, the
shadows thou uphold'st.

Hiding tears behind
The eyelashes,
Putting a facade
of smile,
Thou equipped
Us with love
and care like the sun
nourishing
sunflowers.

O, the selfless
existence!
A remnant of the
pre-existed
              mother-
The
''Goddess Devi''
We are grateful
to thee,
For always taking
               care of us.
Without
thou,
my mother,
there is no concept
of Existence,
everything
is meaningless.
              
VI.
In this very fragrant and heavenly garden of thine, my noble king, I am one of the blooming flowers.
                      
Indeed, I had luck to be grown upon thy garden; and I never knew I would grow rich in fragrance, it's only the blessing thou hast bestowed upon me as a century-long gift.
                      
All that I am embracing is none other than the grace of light that showers richly from thy own kingly heart, and it knows no bounds.
                      
This small garden of thine, for which thou hast immense love, lies at one periphery of thy heart.
                        
Thou hast carried it against all the trouble storms and protected these long years. Each day, thou hast tirelessly worked to give the very harmony to this garden of thine.

That's how all the flowers have come to bloom of their own each, so bright and fragrant.

As the very petals of mine have touched upon  
Thy majestic hands, it gave me the endless birth of pride at heart.

How fortunate am I to be grown
Upon this garden of thine!

Each morning, I awaken not just to bloom  but to offer thee my fragrance in humble devotion, for thy timeless love and care.

VII.
At this age of thy oldness, my grandfather, as I touch upon thy supreme hands, these very intengible eyes of my heart break down in tears of adoration.

It's because of thy grandfatherly love and contributions I am offering the words to thee. Those words are of my heart and have been hidden and unslipped out on the edge of my lips to this very day.

Knowest thou the time before the break of vergin dawn....

Getting up early as 4 in the morning, walking upon the harsh meadow enshrouded by the thick dews, and getting the water from the distant away, bearing the cold touch of winter breeze.
Two jerkins full of water weighing thy hands heavy, no torch but walking under the grace of rich moonlight.

Ah, had it been today, I would've at least
helped thee carry one.

Boiling the water warm for our washing,
Cooking the rather-delicious breakfast for us, helping us wear the gho neat and clean, and reaching us all the way to the school on foot.

Ah, had it been today, I would've at least walked the school by myself.

Celebrating the pain of love within like a man of supremety, all the days tirelessly sweating and soaking in other's field, and earning the petty amount of ransom for our timely welfare and school stationaries.

Ah, had it been today, I would've at least worked by myself and taken care of my school needs.

Bearing the body heavy with tiredness, yet coming till the school entrance to get us. Wearing the torn jacket, folding the wounded arms tight, and waiting all alone at the gate thro' the passage of time, till the school hours over.

Ah, had it been today, I would've at least returned home by myself.

I wonder how thou hast passed half of thy life with us, my grandfather! Taking care of us all the days and all the nights
living in the small and ill- thatched camp wast challenging for thee.

It's by virtue of thy all-day and all-night presence, we've grown healthy and untroubled to this day.

 VIII.
In this fragile land
abides thy coy
footprints unwithered;
and it seems that the
          sweat thou
hast dropped
down, I would still find
there. I could recall thy
wounded hands healed
by the painful blisters.
Each day toiling in the
field; ploughing
beneath the scorching
sun, cutting down the
grass and feeding the
             herd of
cattle,
and walking towards
the moorish hill in
search of the firewood.
Alas!  No slippers on feet
yet enduring the harsh
sting of nettle.
Indeed, thou hast never
failed carrying out
thy duties. Thou hast
turned up each moment
wast special for thee.
In thine eyes I've grown
              this age.
I shared
my love and joy with
thee and simultaneously,
I learnt to carry
out all the external work
and withstand the
pain. Although I've
come across the
               endurance,
thy
continues guidance
has shaped my each
learning.
Thou hast made me a
master at rather
young age. I ought to
regard
thy fatherly
companionship
and
mastership. Today, I
could see change in
thee. The weight of
             years has
overshadowed
thy
wandering age but
the fire within, thou
keepest bright and
unfade in thy heart.
That's why I still see
                 thee
labouring
at this age— despite
thy oldness.
All that I'm living
today is because of
thy endless
hardwork
and tenacity.

 IX.

The only glory
heaven
that has ever
revealed to
my eyes is thee,
my dear
patria! How
could I forget thee            
In the
passage of time.

Thou art mine
friendly
companion and
all that infinite
memories,
I have in one store
of my heart
today, have bent
forth since my
childhood
alongsides thy
endless play,
my dear patria!
How could
   Forget thee in
the
passage of time!

I know, when the
time has held
my feet, I left thee in
speechless grief
for the
months long. But
surely I mourned
for that, as it
was my folly, my
dear patria!
How could I forget
thee in the
passage of time!

Over the steady
heave of months,
          the
uneasy flake
enshrouded the
terrains of
mine heart, often
troubling me to
weave upon
the mesh of time.
     Thy mystic
love now and then
ebbed my
being in silent
utterance.

All that pictures
gleamed before
      my eyes
were of the fragile
land where I reside,
the graceful
mountains and
gorges that often
     caught my
gaze, and the
buoyant dwellers.
Not only that,
the tastes of those
fruits and the
clean water have
haunted
my taste bud.

And now all of my
agonies have
settled calm, for I'm
back and
shalt lose myself
in thy majesty, my
dear patria! How
could I forget
thee in
the passage of time!


 X.
In thine sweet
farewell, my
beloved teachers,
my eyes burst
out the tears in
           silent
grief—
for our years of
flowery union
in the school have
faded with the
passage of time.

Our teacher-student
love was deeply
and utterly rooted
            under
the
substratum of
hearts. Unseen yet
surely a felt relish.
We enjoyed
the days through
learnings and
       experiences.
Together,
we rushed against
the stony
obstacles and
vicissitudes of life
and thrived
under the gracious
illumination
of education.
                            
Not only that, in
our unlawful
conducts were thee
the masters behind
to uphold our
immorality and
make us grow
with
               rich
ornaments
of discipline. Thou
hast well treated
us— indeed good
and humane as
               though
we
wert thine own
sons
and daughters.

Thou hast scolded
to us at our
undone homeworks
                 was
varily
right on our part,
I claim
that for otherwise
we wouldst not
have
         grown
and
reaped the sweet
fruit
of an academy.

Thus, we shall
regard thy
unwavering care
and mentorship
done to us in all
our stay in the
               school.
The
unrevealed
light of knowledge
thou hast
revealed in our
sky, shall guide
       us through
the
passage of our
lives. More
importantly, the
sweet fragrance
of love that
ever sweetened
our lives came
fom the garden
of thine own
            hearts,
and
'tis going to haunt
us here
on. I claim that.
        
With this, I pen
off and I wish
my verses would
                reach
to thee
someday. Fare
thee well to all
my kingly and
queenly teachers
          and it's
uneasy
at my heart to          
leave thy
kingdom on
its lonesome.

XI.
O monk, the
worthiness
of this long-sleeved,
wide and dark,
     saffroned
robe.
I, the byfarer, ever
walk
to thy lonely
temple to seek
blessings
from thee. Wouldst
thou lead me in?
       For I've
no sins nor scorns
in my heart. I've
withered
the hues of sins
and scorns to the
glanceless
colour.O monk,
     before
thou
leadest me in,
let me not forget to
bow
down my whole body
at  thy holy feet.
Thou on
the edge corner of
thine alter
hall givest me the
warm floor to
rest my body.
Thou takest out the
beads. Ready
for chanting
prayers and
   songs. O monk,
shall
I join thee or keep
my mouth
all shut and tight in
silent listening.
Ah, such is thee
          and thy
costless bliss, love,
and nobility are
divine
attributes that
I ever aspire to reach.
Thou offerest the
millions of butter
           lamps
for me and for all
kin beings around
and
across this din
world.
Ah, when I
    leave from
here,
let me not forget to
extend
my deepest
gratitude
alongsides holy
reverence.

XII.
It's thy mystic lamp that
casts its immortal light
of love in
our sky. It is our pride to adorn
our
lives with colourful ornaments
of happiness,—
woven in the garden of thy
heart. O noble Majesty! On
this small shore of the vast
sea, we
live in harmony of unity.
The fruits of joy reap
along our fields through
the keen song of thine love.
Thou art the divine
musician whose kingdom
rests upon the reed bed
of melody.
Sweet serenity abides
inside the halls of thine flute
and along the strings of harb.
These mortal lives dance,
synchronizing with thy play.
And our hearts
embrace the wings
of obeisance and touch upon
thy feet with utmost Love and devotion.

XIII.
It's my pride to adorn these crown jewels of flowers to my heart, woven along the gardens of my life.

O, love of my life! Thou hast shone through the mirrors of tears. Thou hast shone through the strange vales of fears. And thou hast shone through the dissonant melody of death's flute.

O, love of my life! I never knew that it was thee and thy love. When thou camest by the threshold of my door, I scorned thee. And when thou camest by myside and toucheth upon me, I cursed thee.

O, love of my life! Yet still thou left me not. Thou hast given me a vortex of strength at heart to break through and against all barriers that bound my way. Thou hast given myriad births to smile upon my face to withstand grief and anger that come by flood of mob deeds.

O, love of my life! I never
knew that it was all thy mystic gifts of fragrance came from
the flowers of thine own heart. When I realise today, ah, it was thee and its endless love. Now, the only assurance that bursts before my mouth is speech of gratitude— with love
and reverence, in return.

XIV.
Beloved motherland— I prithee, weep not when I part forever
from here, leaving thy beautiful land. A heaven-like garden,
graced by the thousand colours of
flowers and immortal ocean of fragrance with which, I would bathe my whole life with pride,—
for I shall never be back.

I may long to return to play upon thy cordial laps, yet I may not find
the way to reach there.
Therefore, I must pour out my gratitude from the well of my heart,— for thou wert there before me, dawn till dusk of my life, like a
rhythm of the flute.


Ah— when I first came into
thy world, I came with empty hands.
I came bare and naked, and knew not the shame. I knew
not who I trully was, when I saw myself in thy mirror.
I felt so lost
and so strange, when I had
nothing with me and none around me. Thus, the first air thou gavest me to breathe, was the
fragrance from thy own garden.


The first water thou gavest me
to put in,
was the milk from thy own breast that gave me the pleasure of wine. And the first refuge thou gavest me to take respite, were thy own laps.
I am fortunate to have been born in thy land of queenly love.
I doubt— how shall I leave from here, leaving thee all alone!
A poem love and gratitude.
Donall Dempsey Dec 2016
HISTORY. . .HAPPENS.

It is 11.32
in 1132 and  - now.

A sunset sets fire
to Kildare

burns it to the ground.

Night takes the town
in its arms.

Memory sets fire to time.

I, a mind invisible
( divisible by all )

move through the pages
of history

slip silently through
the ages

an unobserved
observer.

The ghost I've
yet to be.

The latitude of now
the longitude of then

the ****** flux
of history.

Voices scattered throughout time
( spoken in as 16th century accent )

whisper to me
greedily

wanting to be
remembered.

". . .the successor of Brigit
was betrayed

carried off...put into a man's bed
forced to submit to him."

"I hear you..!" I say
". . .I hear you!

". . .seven score killed
in Cill Dara...most of it burnt..!

The Chronicles tell
the tattered tale.

The voices once again
lost in the wind.

Diarmud Mac Murrough's
violence on Kildare

happens all over
again and again

written upon the wind.

The **** of the abbess
destroying the divinity

of her authority
her harmony.

A woman baptises
her new born

with milk
as in the old way.

The fires of her age
flickering across her frightened face.

Brigit born anew.

Time tamed
comes to my side

licks my hand
like some mythical hound.


"Take me back..."
I command
". . .to my own now!"

"Now!"
I cry.

Out of the Silken Thomas
one two and three inebriated

merrymakers sway and spill
out into the Christmas of I984.

One big one small and one very very tall
together they sing

informing the yet-to-be
of what is lost and past.

"Rejoyce!" the snow says:
"...snow falling faintly through the universe

and falling faintly...upon the living and the dead."

I tell the night
that is already passing into

the great beyond.

"Remember O Thou Man
Oh Thou Man, oh Thou Man.

Remember, O Thou Man
Thy time is spent.

Remember, O Thou Man
How thou camest to me then

And I did what I can
therefore re. . ."
Brighid reappears in various guises in various times and seems part historic, part mythic -- part Christian, part pagan. One of her dualities is that she is herself but also an incarnate representative of Mary

She is the protectress of dairymaids and is associated with February lambing day (one of the four primary Gaelic holy days, Imbolc, meaning "bag of cream" or "butter-womb").  She was born herself by manifesting from a bucket of milk being carried out the door by her mother, a milkmaid. And the Irish Catholic Church, before it came under the aegis of the Roman Catholic Church, baptised in milk rather than water. My Auntie Nelly used to put the sign of the cross on the flanks of their cows by dipping her fingers in the milk.


As the first abbess of Kildare ( Church of the Oak ****-dara ) she was followed by an unbroken line of abbesses who commanded great respect from the people and were responsible through the saint’s order for maintaining by precise ritualistic means a continuous fire ignited by St. Brighid before her death in ca. 522. The abbesses were assisted in this by 19 nuns. With the sack of Kildare the fire of centuries was finally snuffed out.



The **** of the Abbess of Kildare in 1132  destroyed her sanctity and rendering her unfit for her office. MacMurrough imposed in her place a kinswoman of his own.
Her **** threw paved the way for the Norman occupation of Ireland.  


James Joyce was intensely proud of being born on February 02, lambing day, that is on Imbolc, which by the old reckoning shares the claim for being St. Bridgid's Day along with February. The Celtic day was measured in a lunar manner like the extant Semitic calendars so that a calendar day begins at sunset, not midnight). Joyce considered St. Brighid to be his muse and liked to have his works first issued on February 02 to honour her. She is invoked in all post-Chamber Music work. As St. Bride [220.03], Brighid continues to maintain her abbey, now a "finishing establishment" for the "The Floras . . . a month's bunch of pretty maidens." She is Maria in "Clay," the moocow in Portrait, the old milk woman in Ulysses, the maid in Exiles, the broken branch in "Tilly," (one means allowed to stoke the sacred fire at Kildare was to wave air over it with a branch), and a thousand references to milk and things bovine in FW.

The Norman-Anglo Conquest of Ireland began in 1169, when a mercenary invasion force from Norman-occupied Wales captured Wexford and Waterford. A year later they took Dublin, and over the next century, 75% of Ireland would fall. Dermot MacMurrough's wily reign of deceit, beginning in 1132, paved the way for the Norman occupation
Johnny Noiπ May 2018
Oh that thou wouldest rend the heavens, that thou wouldest come down,
that the mountains might flow down at thy presence, as when the melting fire burneth, the fire causeth the waters to boil, to make thy name known
to thine adversaries, that the nations may tremble at thy presence! When thou didst terrible things which we looked not for, thou camest down, the mountains flowed down at thy presence.

For since the beginning of the world men have not heard, nor perceived by the ear, neither hath the eye seen, O God, beside thee, what he hath prepared for him that waiteth for him. Thou meetest him that rejoiceth and worketh righteousness, those that remember thee in thy ways: behold, thou art wroth; for we have sinned: in those is continuance, and we shall be saved.

But we are all as an unclean thing, and all our righteousnesses are as filthy rags; and we all do fade as a leaf; and our iniquities, like the wind, have taken us away. And there is none that calleth upon thy name, that stirreth
up himself to take hold of thee: for thou hast hid thy face from us, and hast consumed us, because of our iniquities.

But now, O LORD, thou art our father; we are the clay, and thou our potter; and we all are the work of thy hand. Be not wroth very sore, O LORD, neither remember iniquity for ever: behold, see, we beseech thee, we are all thy people. Thy holy cities are a wilderness, Zion is a wilderness, Jerusalem a desolation. Our holy and our beautiful house, where our fathers praised thee, is burned up with fire: and all our pleasant things are laid waste.

Wilt thou refrain thyself for these things, O LORD? wilt thou hold thy peace, and afflict us very sore?
Donall Dempsey Dec 2020
HISTORY. . .HAPPENS.

It is 11.32
in 1132 and  - now.

A sunset sets fire
to Kildare

burns it to the ground.

Night takes the town
in its arms.

Memory sets fire to time.

I, a mind invisible
( divisible by all )

move through the pages
of history

slip silently through
the ages

an unobserved
observer.

The ghost I've
yet to be.

The latitude of now
the longitude of then

the ****** flux
of history.

Voices scattered throughout time
( spoken in a 16th century accent )

whisper to me
greedily

wanting to be
remembered.

". . .the successor of Brigit
was betrayed

carried off...put into a man's bed
forced to submit to him."

"I hear you..!" I say
". . .I hear you!

". . .seven score killed
in Cill Dara...most of it burnt..!

The Chronicles tell
the tattered tale.

The voices once again
lost in the wind.

Diarmud Mac Murrough's
violence on Kildare

happens all over
again and again

written upon the wind.

The **** of the abbess
destroying the divinity

of her authority
her harmony.

A woman baptises
her new born

with milk
as in the old way.

The fires of her age
flickering across her frightened face.

Brigit born anew.

Time tamed
comes to my side

licks my hand
like some mythical hound.

"Take me back..."
I command
". . .to my own now!"

"Now!"
I cry.

Out of the Silken Thomas
one two and three inebriated

merrymakers sway and spill
out into the Christmas of I984.

One big one small and one very very tall
together they sing

informing the yet-to-be
of what is lost and past.

"Rejoyce!" the snow says:
"...snow falling faintly through the universe

and falling faintly...upon the living and the dead."

I tell the night
that is already passing into

the great beyond.

"Remember O Thou Man
Oh Thou Man, oh Thou Man.

Remember, O Thou Man
Thy time is spent.

Remember, O Thou Man
How thou camest to me then

And I did what I can
therefore re. . ."
Walking through Kildare one passes through all the history still hanging in the air...once one has heard the voices of those who have passed before us...it is impossible not to hear them ever again...the air is stained with the history of their times and the soul cannot but soak up all that has happened.
Brighid reappears in various guises in various times and seems part historic, part mythic, part Christian, part pagan. One of her dualities is that she is herself but also an incarnate representative of Mary.
She is the protectress of dairymaids and is associated with February lambing day (one of the four primary Gaelic holy days, Imbolc, meaning "bag of cream" or "butter-womb"). She was born herself by manifesting from a bucket of milk being carried out the door by her mother, a milkmaid. And the Irish Catholic Church, before it came under the aegis of the Roman Catholic Church, baptised in milk rather than water. My Auntie Nelly used to put the sign of the cross on the flanks of our cows by dipping her fingers in the milk.
As the first abbess of Kildare ( Church of the Oak ****-dara ) she was followed by an unbroken line of abbesses who commanded great respect from the people and were responsible through the saint’s order for maintaining by precise ritualistic means a continuous fire ignited by St. Brighid before her death in ca. 522. The abbesses were assisted in this by 19 nuns. With the sack of Kildare the fire of centuries was finally snuffed out.
The **** of the Abbess of Kildare in 1132 destroyed her sanctity and rendering her unfit for her office. MacMurrough imposed in her place a kinswoman of his own.
Her **** paved the way for the Norman occupation of Ireland.
James Joyce was intensely proud of being born on February 02, lambing day, that is on Imbolc, which by the old reckoning shares the claim for being St. Bridgid's Day along with February. The Celtic day was measured in a lunar manner like the extant Semitic calendars so that a calendar day begins at sunset, not midnight). Joyce considered St. Brighid to be his muse and liked to have his works first issued on February 02 to honour her.
She is invoked in all post-Chamber Music work. As St. Bride Brighid continues to maintain her abbey, now a "finishing establishment" for the "The Floras . . . a month's bunch of pretty maidens." She is Maria in "Clay," the moocow in Portrait, the old milk woman in Ulysses, the maid in Exiles, the broken branch in "Tilly," (one means allowed to stoke the sacred fire at Kildare was to wave air over it with a branch), and a thousand references to milk and things bovine in FW.
The Norman-Anglo Conquest of Ireland began in 1169, when a mercenary invasion force from Norman-occupied Wales captured Wexford and Waterford. A year later they took Dublin, and over the next century, 75% of Ireland would fall. Dermot MacMurrough's wily reign of deceit, beginning in 1132, paved the way for the Norman occupation
Donall Dempsey Dec 2023
HISTORY. . .HAPPENS.

It is 11.32
in 1132 and  - now.

A sunset sets fire
to Kildare

burns it to the ground.

Night takes the town
in its arms.

Memory sets fire to time.

I, a mind invisible
( divisible by all )

move through the pages
of history

slip silently through
the ages

an unobserved
observer.

The ghost I've
yet to be.

The latitude of now
the longitude of then

the ****** flux
of history.

Voices scattered throughout time
( spoken in a 16th century accent )

whisper to me
greedily

wanting to be
remembered.

". . .the successor of Brigit
was betrayed

carried off...put into a man's bed
forced to submit to him."

"I hear you..!" I say
". . .I hear you!

". . .seven score killed
in Cill Dara...most of it burnt..!

The Chronicles tell
the tattered tale.

The voices once again
lost in the wind.

Diarmud Mac Murrough's
violence on Kildare

happens all over
again and again

written upon the wind.

The **** of the abbess
destroying the divinity

of her authority
her harmony.

A woman baptises
her new born

with milk
as in the old way.

The fires of her age
flickering across her frightened face.

Brigit born anew.

Time tamed
comes to my side

licks my hand
like some mythical hound.

"Take me back..."
I command
". . .to my own now!"

"Now!"
I cry.

Out of the Silken Thomas
one two and three inebriated

merrymakers sway and spill
out into the Christmas of I984.

One big one small and one very very tall
together they sing

informing the yet-to-be
of what is lost and past.

"Rejoyce!" the snow says:
"...snow falling faintly through the universe

and falling faintly...upon the living and the dead."

I tell the night
that is already passing into

the great beyond.

"Remember O Thou Man
Oh Thou Man, oh Thou Man.

Remember, O Thou Man
Thy time is spent.

Remember, O Thou Man
How thou camest to me then

And I did what I can
therefore re. . ."
Donall Dempsey Dec 2024
HISTORY. . .HAPPENS.

It is 11.32
in 1132 and  - now.

A sunset sets fire
to Kildare

burns it to the ground.

Night takes the town
in its arms.

Memory sets fire to time.

I, a mind invisible
( divisible by all )

move through the pages
of history

slip silently through
the ages

an unobserved
observer.

The ghost I've
yet to be.

The latitude of now
the longitude of then

the ****** flux
of history.

Voices scattered throughout time
( spoken in a 16th century accent )

whisper to me
greedily

wanting to be
remembered.

". . .the successor of Brigit
was betrayed

carried off...put into a man's bed
forced to submit to him."

"I hear you..!" I say
". . .I hear you!

". . .seven score killed
in Cill Dara...most of it burnt..!

The Chronicles tell
the tattered tale.

The voices once again
lost in the wind.

Diarmud Mac Murrough's
violence on Kildare

happens all over
again and again

written upon the wind.

The **** of the abbess
destroying the divinity

of her authority
her harmony.

A woman baptises
her new born

with milk
as in the old way.

The fires of her age
flickering across her frightened face.

Brigit born anew.

Time tamed
comes to my side

licks my hand
like some mythical hound.

"Take me back..."
I command
". . .to my own now!"

"Now!"
I cry.

Out of the Silken Thomas
one two and three inebriated

merrymakers sway and spill
out into the Christmas of I984.

One big one small and one very very tall
together they sing

informing the yet-to-be
of what is lost and past.

"Rejoyce!" the snow says:
"...snow falling faintly through the universe

and falling faintly...upon the living and the dead."

I tell the night
that is already passing into

the great beyond.

"Remember O Thou Man
Oh Thou Man, oh Thou Man.

Remember, O Thou Man
Thy time is spent.

Remember, O Thou Man
How thou camest to me then

And I did what I can
therefore re. . ."

*

Walking through Kildare one passes through all the history still hanging in the air...once one has heard the voices of those who have passed before us...it is impossible not to hear them ever again...the air is stained with the history of their times and the soul cannot but soak up all that has happened.
Brighid reappears in various guises in various times and seems part historic, part mythic, part Christian, part pagan. One of her dualities is that she is herself but also an incarnate representative of Mary.
She is the protectress of dairymaids and is associated with February lambing day (one of the four primary Gaelic holy days, Imbolc, meaning "bag of cream" or "butter-womb"). She was born herself by manifesting from a bucket of milk being carried out the door by her mother, a milkmaid. And the Irish Catholic Church, before it came under the aegis of the Roman Catholic Church, baptised in milk rather than water. My Auntie Nelly used to put the sign of the cross on the flanks of our cows by dipping her fingers in the milk.
As the first abbess of Kildare ( Church of the Oak ****-dara ) she was followed by an unbroken line of abbesses who commanded great respect from the people and were responsible through the saint’s order for maintaining by precise ritualistic means a continuous fire ignited by St. Brighid before her death in ca. 522. The abbesses were assisted in this by 19 nuns. With the sack of Kildare the fire of centuries was finally snuffed out.
The **** of the Abbess of Kildare in 1132 destroyed her sanctity and rendering her unfit for her office. MacMurrough imposed in her place a kinswoman of his own.
Her **** paved the way for the Norman occupation of Ireland.
James Joyce was intensely proud of being born on February 02, lambing day, that is on Imbolc, which by the old reckoning shares the claim for being St. Bridgid's Day along with February. The Celtic day was measured in a lunar manner like the extant Semitic calendars so that a calendar day begins at sunset, not midnight). Joyce considered St. Brighid to be his muse and liked to have his works first issued on February 02 to honour her.
She is invoked in all post-Chamber Music work. As St. Bride Brighid continues to maintain her abbey, now a "finishing establishment" for the "The Floras . . . a month's bunch of pretty maidens." She is Maria in "Clay," the moocow in Portrait, the old milk woman in Ulysses, the maid in Exiles, the broken branch in "Tilly," (one means allowed to stoke the sacred fire at Kildare was to wave air over it with a branch), and a thousand references to milk and things bovine in FW.
The Norman-Anglo Conquest of Ireland began in 1169, when a mercenary invasion force from Norman-occupied Wales captured Wexford and Waterford. A year later they took Dublin, and over the next century, 75% of Ireland would fall. Dermot MacMurrough's wily reign of deceit, beginning in 1132, paved the way for the Norman occupation.

— The End —