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Jim Davis Apr 2017
In the last
three decades,
after we became one,
I touched
amazingly beautiful things,
horribly ugly things,  
unbelievably wondrous things

I touched nature's majesty;
hued walls of the Grand Canyon,              
crusty bark of the
Redwoods and Sequoias,
live corals of the
Great Barrier Reef,
dreamlike sandstone of the Wave

I touched magical and strange;
platypus, koalas and
kangaroos Down Under,
underwater alkali flies and
lacustrine tufa at Mono Lake,
astral glowing worms
in the Kawiti caves

I touched holy places;
Christianity's oldest churches,
the Pope's home in the Vatican,
Hindu and Sikh temples and
Moslem mosques in India,
Anasazi's kivas of Chaco canyon,
Aboriginal rocks of Uluru and Kata Tjuta

I touched glimmers of civilization;
uncovered roads of Pompeii,
fighting arenas of Rome,
terra cotta armies of Xian,
sharp stone points of the Apache,
pottery shards from the Navajo,
petroglyphs by the Jornada Mogollon

I touched fantastical things;
winds blowing on the
steppes of Patagonia,,
playas and craters of Death Valley,  
high peaks of the Continental Divide,
blazing white sands of the  
Land of Enchantment

I touched icons of liberty
and freedom;
the defended Alamo,
a fissured Liberty Bell,
an embracing Statue of Liberty,
the harbor of Checkpoints
Alpha, Bravo, and Charlie

I touched glorious things
made by man;
the monstrous Hoover Dam,
an exquisite Eiffel tower,
a soaring St Louis Arch,
an Art deco Empire State Building,
the sublime Golden Gate Bridge

I touched sparks from history;
the running path of an
Olympic flame just off Bourbon,
the last steps of Mohandas Ghandi
at Birla House before Godse,
******'s Eagle's nest and the
grounds over Der Führerbunker

I touched walls of power;
enclosed rings of the Pentagon,
steep steps of the
Great Wall of China,
untried bastions of
Peter and Paul's fortress,
fitted boulders of Machu Picchu

I touched strong hands;
of those conquering
Rommel's and ******'s hordes,
of cold warriors of
Chosin Reservoir,  
of forgotten soldiers of Vietnam,
of terrorist killers of today

I touched memories of war;
the somber Vietnam memorial,
the glorious Iwo Jima statue,
the cold slabs at Arlington,
the buried tomb of USS Arizonians,
Volgograd's Mother Russia  

I touched ugly things;
shreds of light in
Port Arthur's prison,
horrible smelly dust
in the streets from 9/11,
ash impregnated dirt
in the pits at Auschwitz

I touched oppressed freedom;
open ****** plazas
of Tiananmen Square,
smooth pipe and concrete
of the Berlin Wall,  
tall red brick walls
of the Moscow Kremlin

I touched constrained freedom;
heavy ankle and
wrist slave chains
in the South,
little windows
in Berlin's Stasi prison,
haunted cells in Alcatraz  

I touched remnants of madness;
wire and ovens of Auschwitz,
stacked chimneys and
wooden bunks of Birkenau,        
Ravensbruck, and Dachau,
the tomb of Lenin,
toppled Stalins

I touched hands of survivors;
of Leningrad's siege,
of German POWs and
of Russian fighters
of Stalingrad's battle,
of Cancer's scourges  

I touched grand things;
deep waters of the Pacific and Atlantic,
blue hills of Appalachia,
towering peaks of the Rockies,
high falls of Yosemite Valley,
bursting geysers of Yellowstone,
crashing glaciers of Antarctica and Alaska    

I touched times of adventure;
abseiling and zipping in Costa Rica,
packing Pecos wilds and Padre isles,
flying nap of earth Hueys to Meridian,
breaking arms in JRTC's box,
fighting Abu Sayyaf, and Jemaah
Islami in Zamboanga City

I touched through you;
wet sand beaches of  Mexico and Jamaica,
mysterious energy of the monoliths of Stonehenge,
rarefied air in front of the
Louvre's Mona Lisa,
ancient wonders of Giza,
Egypt's tombs and pyramids

We shared soft touches;
drifting in Bora Bora's
surreal waters,
joining hands camel trekking the
Outback's dry sands,
strolling along Tasmania's
eucalyptus forest trails

basking in swinging hammocks
under Fiji's bright sun,
scrambling in
Las Vegas' glittering and
red rock canyons,
kissing under the
Taj Mahal's symphony of arches

We shared touching deep waters;
propelled in gondolas
through the city of canals,
Drifting atop Uru cat boats on Lake Titticaca,
Swooping in jet boats
up a wild river in Talkeetna

Racing in speed boats
around Sydney's great harbour,
skimming in pangas in Puerto Ayora,
paddling the Kennebec for
East's best petroglyphs,
cruising Salzbergwerk's underwater lake

We touched scrumptious things;
Beignets and chicory coffee at DuMonde's in the Big Easy,
Hot *** with sesame sauce
in the walled city of Xian,
Peking duck, dimsum, scorpions,
snake and starfish on Wangfujing Snack Street

We touched delicious things
Crawfish heads and tails at JuJu's shack
and ten years at Jeanette's,
Langoustine at Poinciana's, Fjöruborðinus and Galapagos,
Cream cheese and loch bagels
at Ess-a' s in the Big Apple

I touched your hand riding;
hang loose waves of Waikiki,
a big green bus in Denali's awesomeness,
clip clopping carriages of Vienna, Paris,
Prague, New Orleans, Krakow,
Quebec City, and Zakopane,
the acapella sugar train of St Kitts

We shared touching on paths;
the highway 1 of Big Sur,
the Road of the Great Ocean,
the bahn to Buda and Pest,
the path to the North of Maine,
the trail of the Hoh rainforest,
and time after time, the way home

Yet,
I could spend
the next three decades,
in simple bliss,
having need for
touching nothing,
other than you!

©  2016 Jim Davis
A poem I wrote last year for my wife!  Posted now since it matches the HP' theme for today - "Places"
Mateuš Conrad Aug 2016
saying ******* seems so much more
easier when you're petting cats....
they just say it for you...
there he is, Quarus,
the operatic singer nearing sunset,
200 variations of a mulling of meow,
i end up calling him Orbison Rufus,
the ginger Roy of Peckham -
he basically meows lazily like Roy
singing... as said / i.d. (id est): the umbras
or umbrellas - counting the shadows'
version of Apache's yawn: ah-woo ah-woo
ah-woo nagging the reflex...
gave them the yawn and gave them 1950s
America... Billy the Kid talking to the king of
Specs... hank marvin.... cheese grater
with those teeth... dozen cows buckling with
the herding in while the dog carved a feel
for religion in the translation of the Vatican
from coliseum into football requirements...
the movies were great in the 1950s, just after
the technicolour... petting cats was never such a thrill...
the operatic meow, onomatopoeia from echo
in a cave to knock-on-wood...
200 variations of the knock
and 12 whiskey shots downed
while playing poker... 12 cowboys
1 Milwaukee and 30 Turks... classic Tarantino...
i said the Apache yawn... i never said giving
out smoke signals...
Quarus my ginger is demanded as having laughed...
he's Roy Orbison with the meow,
pretty much lazy...
looks like a murmur when he tries singing,
pretty woman, trolling down the street,
Gucci, Chanel, and everything in the scrapheap of lobotomy,
as is Paris necessarily mentioned: chiselled
white collars... Roy knew before Elvis...
the trick came with sunglasses,
and the gluttonous slur of the half-opened mouthing
for subsequent mouthing it off...
no amount of cheese in French could ever
charter the success of the cheeses added to cheeseburgers
with the milkshakes, which were plainly Dutch
laughing cows named Novices....
quick-melts and some said:
dreadlocks of string-yellow Gouda pulled
for a hippies' worth of Chinese chugging down
a pint or two, for worth of gag and the slim mascot;
the Chinese never taught Cannes arithmetic
of the thumb through to pinky...
i don't know how they taught counting
with their complex ideograms, they never taught
arithmetic give their encoding...
they taught pure math.. they never taught the simplest
of assurances... meaning so few of them became bankers.
Mary Gay Kearns Oct 2018
‘Why ask’,said the field mouse to Hedgehog
Who scuttled along softly on four short legs
Wearing a bobble hat made of apache wool
‘I don’t know but truths must be brought on.’

‘Yes’, said Mousey as it perched with fairy
In the brown bed filled with green cuttings
For only here with my friend is the world’s
Beauty allowed a sharing heart and voice.

So take me into the garden with pink roses
Growing one with up turned bright bud
Shoes holding tightly your peering down
Fills out the future with seeded windmills.

Love Mary x
Michael R Burch Feb 2020
These are modern English translations of Native American poems, proverbs, prayers, blessings and sayings, translated by Michael R. Burch.



When Pigs Fly
by Michael R. Burch

On the Trail of Tears,
my Cherokee brothers,
why hang your heads?
Why shame your mothers?
Laugh wildly instead!
We will soon be dead.

When we lie in our graves,
let the white-eyes take
the woodlands we loved
for the *** and the rake.
It is better to die
than to live out a lie
in so narrow a sty.

In October 1838 the Cherokees began to walk the "Trail of Tears." Most of them made the thousand mile journey west to Oklahoma on foot. An estimated 4,000 people, or a quarter of the tribe, died en route. The soldiers "escorting" the Cherokees at bayonet point refused permission for the dead to be buried, threatening to shoot anyone who disobeyed. So the living were forced to carry the corpses of the dead until camp was made for the night. Years after the Cherokees had been rounded up and driven down the Trail of Tears, John G. Burnett reflected on what he and his fellow soldiers had done, saying, "Schoolchildren of today do not know that we are living on lands that were taken from a helpless race at the bayonet point, to satisfy the white man's greed... ****** is ****** and somebody must answer, somebody must explain the streams of blood that flowed in the Indian country... Somebody must explain the four thousand silent graves that mark the trail of the Cherokees to their exile." Keywords/Tags: Cherokee, Native American, Trail of Tears, Ethnic Cleansing, Genocide, ******, Evil, Death, March, Death March, Infanticide, Matricide, Racism, Racist, Discrimination, Violence, Fascism, White Supremacists, Horror, Terror, Terrorism, Greed, Gluttony, Avarice, Lust, ****, mrbpig, mrbpigs



Cherokee Prayer
loose translation/interpretation by Michael R. Burch

As I walk life's trails
imperiled by the raging wind and rain,
grant, O Great Spirit,
that yet I may always
walk like a man.

This prayer makes me think of Native Americans walking the Trail of Tears with far more courage and dignity than their “civilized” abusers.



Native American Prayer
loose translation/interpretation by Michael R. Burch

Help us learn the lessons you have left us
in every leaf and rock.



Dream Song of the Thunders
Chippewa saying
translation by Michael R. Burch

Sometimes I bemoan my “plight”
when all the while
the wind bears me across the immense sky.



Native American Travelers' Blessing
loose translation/interpretation by Michael R. Burch

Let us walk together here
among earth's creatures great and small,
remembering, our footsteps light,
that one wise God created all.



Sioux Vision Quest
by Crazy Horse, Oglala Lakota Sioux, circa 1840-1877
loose translation/interpretation by Michael R. Burch

A man must pursue his Vision
as the eagle explores
the sky's deepest blues.



Cherokee Travelers' Blessing I
loose translation/interpretation by Michael R. Burch

I will extract the thorns from your feet.
For yet a little while, we will walk life's sunlit paths together.
I will love you like my own brother, my own blood.
When you are disconsolate, I will wipe the tears from your eyes.
And when you are too sad to live, I will put your aching heart to rest.

Published by Better Than Starbucks and Cherokee Native Americans



Cherokee Travelers' Blessing II
loose translation/interpretation by Michael R. Burch

Happily may you walk
in the paths of the Rainbow.
                  Oh,
and may it always be beautiful before you,
beautiful behind you,
beautiful below you,
beautiful above you,
and beautiful all around you
where in Perfection beauty is finished.

Published by Better Than Starbucks



Cherokee Travelers' Blessing III
loose translation/interpretation by Michael R. Burch

May Heaven’s warming winds blow gently there,
where you reside,
and may the Great Spirit bless all those you love,
this side of the farthest tide.
And wherever you go,
whether the journey is fast or slow,
may your moccasins leave many cunning footprints in the snow.
And when you look over your shoulder, may you always find the Rainbow.

Published by Better Than Starbucks



What is life?
The flash of a firefly.
The breath of the winter buffalo.
The shadow scooting across the grass that vanishes with sunset.
―Blackfoot saying, loose translation/interpretation by Michael R. Burch



Warrior's Confession
loose translation/interpretation by Michael R. Burch

Oh my love, how fair you are—
far brighter than the fairest star!



Cherokee Proverb
loose translation/interpretation by Michael R. Burch

Before you judge
a man for his sins
be sure to trudge
many moons in his moccasins.



Cherokee Prayer
loose translation/interpretation by Michael R. Burch

As I walk life's trails
imperiled by the raging wind and rain,
grant, O Great Spirit,
that yet I may always
walk like a man.

When I think of this prayer, I think of Native Americans walking the Trail of Tears.



The Receiving of the Flower
excerpt from a Mayan love poem
loose translation/interpretation by Michael R. Burch

Let us sing overflowing with joy
as we observe the Receiving of the Flower.
The lovely maidens beam;
their hearts leap in their *******.

Why?

Because they will soon yield their virginity to the men they love!



The Deflowering
excerpt from a Mayan love poem
loose translation/interpretation by Michael R. Burch

Remove your clothes;
let down your hair;
become as naked as the day you were born—

virgins!



Prelude to *******
excerpt from a Mayan love poem
loose translation/interpretation by Michael R. Burch

Lay out your most beautiful clothes,
maidens!
The day of happiness has arrived!

Grab your combs, detangle your hair,
adorn your earlobes with gaudy pendants.
Dress in white as becomes maidens ...

Then go, give your lovers the happiness of your laughter!
And all the village will rejoice with you,
for the day of happiness has arrived!



The Flower-Strewn Pool
excerpt from a Mayan love poem
loose translation/interpretation by Michael R. Burch

You have arrived at last in the woods
where no one can see what you do
at the flower-strewn pool ...
Remove your clothes,
unbraid your hair,
become as you were
when you first arrived here
naked and shameless,
virgins, maidens!



Native American Proverbs

The soul would see no Rainbows if not for the eyes’ tears.
—loose translation/interpretation by Michael R. Burch

A woman’s highest calling is to help her man unite with the Source.
A man’s highest calling is to help his woman walk the earth unharmed.
—loose translation/interpretation by Michael R. Burch

When you were born, you cried and the world rejoiced.
Live your life so that when you die, the world cries and you rejoice.
—White Elk, loose translation/interpretation by Michael R. Burch

What is life?
The flash of a firefly.
The breath of a winter buffalo.
The shadow scooting across the grass that vanishes with sunset.
—Blackfoot saying, translation by Michael R. Burch

Speak less thunder, wield more lightning. — Apache proverb, translation by Michael R. Burch

The more we wonder, the more we understand. — Arapaho proverb, translation by Michael R. Burch

Adults talk, children whine. — Blackfoot proverb, translation by Michael R. Burch

Don’t be afraid to cry: it will lessen your sorrow. — Hopi proverb

One foot in the boat, one foot in the canoe, and you end up in the river. — Tuscarora proverb, translation by Michael R. Burch

Our enemy's weakness increases our strength. — Cherokee proverb, translation by Michael R. Burch

We will be remembered tomorrow by the tracks we leave today. — Dakota proverb, translation by Michael R. Burch

No sound's as eloquent as a rattlesnake's tail. — Navajo saying, translation by Michael R. Burch

The heart is our first teacher. — Cheyenne proverb, translation by Michael R. Burch

Dreams beget success. — Maricopa proverb, translation by Michael R. Burch

Knowledge interprets the past, wisdom foresees the future. — Lumbee proverb, translation by Michael R. Burch

The troublemaker's way is thorny. — Umpqua proverb, translation by Michael R. Burch



Earthbound
an original poem by Michael R. Burch

Tashunka Witko, better known as Crazy Horse, had a vision of a red-tailed hawk at Sylvan Lake, South Dakota. In his vision he saw himself riding a spirit horse, flying through a storm, as the hawk flew above him, shrieking. When he awoke, a red-tailed hawk was perched near his horse.

Earthbound,
and yet I now fly
through the clouds that are aimlessly drifting ...
so high
that no sound
echoing by
below where the mountains are lifting
the sky
can be heard.

Like a bird,
but not meek,
like a hawk from a distance regarding its prey,
I will shriek,
not a word,
but a screech,
and my terrible clamor will turn them to clay—
the sheep,
the earthbound.



Years after the Cherokees had been rounded up and driven down the Trail of Tears, John G. Burnett reflected on what he and his fellow soldiers had done, saying, "Schoolchildren of today do not know that we are living on lands that were taken from a helpless race at the bayonet point, to satisfy the white man's greed ... ****** is ****** and somebody must answer, somebody must explain the streams of blood that flowed in the Indian country ... Somebody must explain the four thousand silent graves that mark the trail of the Cherokees to their exile."

In the same year, 1830, that Stonewall Jackson consigned Native Americans to the ash-heap of history, Georgia Governor George Gilmer said, "Treaties are expedients by which ignorant, intractable, and savage people are induced ... to yield up what civilized people have the right to possess." By "civilized" he apparently meant people willing to brutally dispossess and **** women and children in order to derive economic benefits for themselves.

These nights bring dreams of Cherokee shamans
whose names are bright verbs and impacted dark nouns,
whose memories are indictments of my pallid flesh . . .
and I hear, as from a great distance,
the cries tortured from their guileless lips, proclaiming
the nature of my mutation.
―Michael R. Burch, from "Mongrel Dreams" (my family is part Cherokee, English and Scottish)

After Jackson was re-elected with an overwhelming majority in 1832, he strenuously pursued his policy of removing Native Americans, even refusing to accept a Supreme Court ruling which invalidated Georgia's planned annexation of Cherokee land. But in the double-dealing logic of the white supremacists, they had to make the illegal resettlement of the Indians appear to be "legal," so a small group of Cherokees were persuaded to sign the "Treaty of New Echota," which swapped Cherokee land for land in the Oklahoma territory. The Cherokee ringleaders of this infamous plot were later assassinated as traitors. (****** was similarly obsessed with the "legalities" of the **** Holocaust; isn't it strange how mass murderers of women and children can seek to justify their crimes?)

Native Americans understood the "circle of life" better than their white oppressors ...

When we sit in the Circle of the People,
we must be responsible because all Creation is related
and the suffering of one is the suffering of all
and the joy of one is the joy of all
and whatever we do affects everything in the universe.
—"Lakota Instructions for Living" by White Buffalo Calf Woman, translated by Michael R. Burch



Veiled
by Michael R. Burch

She has belief
without comprehension
and in her crutchwork shack
she is
much like us . . .

tamping the bread
into edible forms,
regarding her children
at play
with something akin to relief . . .

ignoring the towers ablaze
in the distance
because they are not revelations
but things of glass,
easily shattered . . .

and if you were to ask her,
she might say:
sometimes God visits his wrath
upon an impious nation
for its leaders’ sins,

and we might agree:
seeing her mutilations.

Published by Poetry Super Highway and Modern War Poems.



Ali’s Song
by Michael R. Burch

They say that gold don’t tarnish. It ain’t so.
They say it has a wild, unearthly glow.
A man can be more beautiful, more wild.
I flung their medal to the river, child.
I flung their medal to the river, child.

They hung their coin around my neck; they made
my name a bridle, “called a ***** a *****.”
They say their gold is pure. I say defiled.
I flung their slave’s name to the river, child.
I flung their slave’s name to the river, child.

Ain’t got no quarrel with no Viet Cong
that never called me ******, did me wrong.
A man can’t be lukewarm, ’cause God hates mild.
I flung their notice to the river, child.
I flung their notice to the river, child.

They said, “Now here’s your bullet and your gun,
and there’s your cell: we’re waiting, you choose one.”
At first I groaned aloud, but then I smiled.
I gave their “future” to the river, child.
I gave their “future” to the river, child.

My face reflected up, dark bronze like gold,
a coin God stamped in His own image―BOLD.
My blood boiled like that river―strange and wild.
I died to hate in that dark river, child,
Come, be reborn in this bright river, child.

Originally published by Black Medina

Note: Cassius Clay, who converted to Islam and changed his “slave name” to Muhammad Ali, said that he threw his Olympic boxing gold medal into the Ohio River. Confirming his account, the medal was recovered by Robert Bradbury and his wife Pattie in 2014 during the Annual Ohio River Sweep, and the Ali family paid them $200,000 to regain possession of the medal. When drafted during the Vietnamese War, Ali refused to serve, reputedly saying: “I ain't got no quarrel with those Viet Cong; no Vietnamese ever called me a ******.” The notice mentioned in my poem is Ali's draft notice, which metaphorically gets tossed into the river along with his slave name. I was told through the grapevine that this poem appeared in Farsi in an Iranian publication called Bashgah. ―Michael R. Burch



evol-u-shun
by Michael R. Burch

does GOD adore the Tyger
while it’s ripping ur lamb apart?

does GOD applaud the Plague
while it’s eating u à la carte?

does GOD admire ur intelligence
while u pray that IT has a heart?

does GOD endorse the Bible
you blue-lighted at k-mart?



Enheduanna, the daughter of the famous King Sargon the Great of Akkad, is the first ancient writer whose name remains known today. She appears to be the first named poet in human history and the first known author of prayers and hymns. Enheduanna, who lived circa 2285-2250 BCE, is also one of the first women we know by name.

Lament to the Spirit of War
by Enheduanna
loose translation by Michael R. Burch

You hack down everything you see, War God!

Rising on fearsome wings
you rush to destroy the land,
descending like a raging storm,
howling like a hurricane,
screaming like a tempest,
thundering, raging, ranting, drumming,
whiplashing whirlwinds!

Men falter at your approaching footsteps.

Tortured dirges scream
on your lyre of despair.

Like a fiery Salamander you poison the land:
growling over the earth like thunder,
vegetation collapsing before you,
blood gushing down a mountainside.

Spirit of hatred, greed and vengeance!

******* of heaven and earth!

Your ferocious fire consumes our land.

Whipping your stallion
with furious commands,
you decide our fate.

You triumph over all human rites and prayers.

Who can explain your tirade,
why you go on so?



Temple Hymn 15
to the Gishbanda Temple of Ningishzida
by Enheduanna
loose translation by Michael R. Burch

Most ancient and terrible shrine,
set deep in the mountain,
dark like a mother's womb...

Dark shrine,
like a mother's wounded breast,
blood-red and terrifying...

Though approaching through a safe-seeming field,
our hair stands on end as we near you!

Gishbanda,
like a neck-stock,
like a fine-eyed fish net,
like a foot-shackled prisoner's manacles...
your ramparts are massive,
like a trap!

But once we’re inside,
as the sun rises,
you yield widespread abundance!

Your prince
is the pure-handed priest of Inanna, heaven's Holy One,
Lord Ningishzida!

Oh, see how his thick, lustrous hair
cascades down his back!

Oh Gishbanda,
he has built this beautiful temple to house your radiance!
He has placed his throne upon your dais!



The Exaltation of Inanna: Opening Lines and Excerpts
by Enheduanna, the daughter of Sargon I of Akkad and the high priestess of the Goddess Inanna
loose translation/interpretation by Michael R. Burch

Lady of all divine powers!
Lady of the resplendent light!
Righteous Lady adorned in heavenly radiance!

Beloved Lady of An and Uraš!
Hierodule of An, sun-adorned and bejeweled!
Heaven’s Mistress with the holy diadem,
Who loves the beautiful headdress befitting the office of her own high priestess!

Powerful Mistress, seizer of the seven divine powers!
My Heavenly Lady, guardian of the seven divine powers!
You have seized the seven divine powers!
You hold the divine powers in your hand!
You have gathered together the seven divine powers!
You have clasped the divine powers to your breast!

You have flooded the valleys with venom, like a viper;
all vegetation vanishes when you thunder like Iškur!
You have caused the mountains to flood the valleys!
When you roar like that, nothing on earth can withstand you!

Like a flood descending on floodplains, O Powerful One, you will teach foreigners to fear Inanna!

You have given wings to the storm, O Beloved of Enlil!
The storms do your bidding, blasting the unbelievers!

Foreign cities cower at the chaos You cause!
Entire countries cower in dread of Your deadly South Wind!
Men cower before you in their anguished implications,
raising their pitiful outcries,
weeping and wailing, beseeching Your benevolence with many wild lamentations!

But in the van of battle, everything falls before You, O Mighty Queen!

My Queen,
You are all-conquering, all-devouring!
You continue Your attacks like relentless storms!
You howl louder than the howling storms!
You thunder louder than Iškur!
You moan louder than the mournful winds!
Your feet never tire from trampling Your enemies!
You produce much wailing on the lyres of lamentations!

My Queen,
all the Anunna, the mightiest Gods,
fled before Your approach like fluttering bats!
They could not stand in Your awesome Presence
nor behold Your awesome Visage!

Who can soothe Your infuriated heart?
Your baleful heart is beyond being soothed!

Uncontrollable Wild Cow, elder daughter of Sin,
O Majestic Queen, greater than An,
who has ever paid You enough homage?

O Life-Giving Goddess, possessor of all powers,
Inanna the Exalted!

Merciful, Live-Giving Mother!
Inanna, the Radiant of Heart!
I have exalted You in accordance with Your power!
I have bowed before You in my holy garb,
I the En, I Enheduanna!

Carrying my masab-basket, I once entered and uttered my joyous chants ...

But now I no longer dwell in Your sanctuary.
The sun rose and scorched me.
Night fell and the South Wind overwhelmed me.
My laughter was stilled and my honey-sweet voice grew strident.
My joy became dust.

O Sin, King of Heaven, how bitter my fate!

To An, I declared: An will deliver me!
I declared it to An: He will deliver me!

But now the kingship of heaven has been seized by Inanna,
at Whose feet the floodplains lie.

Inanna the Exalted,
who has made me tremble together with all Ur!

Stay Her anger, or let Her heart be soothed by my supplications!
I, Enheduanna will offer my supplications to Inanna,
my tears flowing like sweet intoxicants!
Yes, I will proffer my tears and my prayers to the Holy Inanna,
I will greet Her in peace ...

O My Queen, I have exalted You,
Who alone are worthy to be exalted!
O My Queen, Beloved of An,
I have laid out Your daises,
set fire to the coals,
conducted the rites,
prepared Your nuptial chamber.
Now may Your heart embrace me!

These are my innovations,
O Mighty Queen, that I made for You!
What I composed for You by the dark of night,
The cantor will chant by day.

Now Inanna’s heart has been restored,
and the day became favorable to Her.
Clothed in beauty, radiant with joy,
she carried herself like the elegant moonlight.

Now to the Noble Hierodule,
to the Wrecker of foreign lands
presented by An with the seven divine powers,
and to my Queen garbed in the radiance of heaven ...

O Inanna, praise!



The Exaltation of Inanna: Opening Lines, an Excerpt
Nin-me-šara by Enheduanna
loose translation by Michael R. Burch

Lady of all divine powers,
Lady of the all-resplendent light,
Righteous Lady clothed in heavenly radiance,
Beloved Lady of An and Uraš,
Mistress of heaven with the holy diadem,
Who loves the beautiful headdress befitting the office of her high priestess,
Powerful Mistress who has seized all seven divine powers,
My lady, you are the guardian of the seven divine powers!
You have seized the divine powers,
You hold the divine powers in your hand,
You have gathered up the divine powers,
You have clasped the divine powers to your breast!
Like a dragon you have spewed venom on foreign lands that know you not!
When you roar like Iškur at the earth, nothing can withstand you!
Like a flood descending on alien lands, O Powerful One of heaven and earth, you will teach them to fear Inanna!



Temple Hymn 7: an Excerpt
to the Kesh Temple of Ninhursag
by Enheduanna
loose translation by Michael R. Burch

O, high-situated Kesh,
form-shifting summit,
inspiring fear like a venomous viper!

O, Lady of the Mountains,
Ninhursag’s house was constructed on a terrifying site!

O, Kesh, like holy Aratta: your womb dark and deep,
your walls high-towering and imposing!

O, great lion of the wildlands stalking the high plains!...



Temple Hymn 17: an Excerpt
to the Badtibira Temple of Dumuzi
by Enheduanna
loose translation by Michael R. Burch

O, house of jeweled lapis illuminating the radiant bed
in the peace-inducing palace of our Lady of the Steppe!



Temple Hymn 22: an Excerpt
to the Sirara Temple of Nanshe
by Enheduanna
loose translation by Michael R. Burch

O, house, you wild cow!
Made to conjure signs of the Divine!
You arise, beautiful to behold,
bedecked for your Mistress!



Temple Hymn 26: an Excerpt
to the Zabalam Temple of Inanna
by Enheduanna
loose translation by Michael R. Burch

O house illuminated by beams of bright light,
dressed in shimmering stone jewels,
awakening the world to awe!



Temple Hymn 42: an Excerpt
to the Eresh Temple of Nisaba
by Enheduanna
loose translation by Michael R. Burch

O, house of brilliant stars
bright with lapis stones,
you illuminate all lands!

...

The person who put this tablet together
is Enheduanna.
My king: something never created before,
did she not give birth to it?



Update of "A Litany in Time of Plague"
by Michael R. Burch

THE PLAGUE has come again
To darken lives of men
and women, girls and boys;
Death proves their bodies toys
Too frail to even cry.
I am sick, I must die.
Lord, have mercy on us!

Tycoons, what use is wealth?
You cannot buy good health!
Physicians cannot heal
Themselves, to Death must kneel.
Nuns’ prayers mount to the sky.
I am sick, I must die.
Lord, have mercy on us!

Beauty’s brightest flower?
Devoured in an hour.
Kings, Queens and Presidents
Are fearful residents
Of manors boarded high.
I am sick, I must die.
Lord, have mercy on us!

We have no means to save
Our children from the grave.
Though cure-alls line our shelves,
We cannot save ourselves.
"Come, come!" the sad bells cry.
I am sick, I must die.
Lord, have mercy on us!

NOTE: This poem is meant to capture the understandable fear and dismay the Plague caused in the Middle Ages, and which the coronavirus has caused in the 21st century. We are better equipped to deal with this modern plague, thanks to advances in science, medicine and sanitation. We do not have to succumb to fear, but it would be wise to have a healthy respect for the nasty bug and heed the advice of medical experts.--MRB



Regret
by Michael R. Burch

Regret,
a bitter
ache to bear . . .

once starlight
languished
in your hair . . .

a shining there
as brief
as rare.

Regret . . .
a pain
I chose to bear . . .

unleash
the torrent
of your hair . . .

and show me
once again―
how rare.

Published by The HyperTexts and The Chained Muse



The Stake
by Michael R. Burch

Love, the heart bets,
if not without regrets,
will still prove, in the end,
worth the light we expend
mining the dark
for an exquisite heart.

Originally published by The Lyric



If
by Michael R. Burch

If I regret
fire in the sunset
exploding on the horizon,
then let me regret loving you.

If I forget
even for a moment
that you are the only one,
then let me forget that the sky is blue.

If I should yearn
in a season of discontentment
for the vagabond light of a companionless moon,
let dawn remind me that you are my sun.

If I should burn―one moment less brightly,
one instant less true―
then with wild scorching kisses,
inflame me, inflame me, inflame me anew.

Originally published by The HyperTexts



The Effects of Memory
by Michael R. Burch

A black ringlet
curls to lie
at the nape of her neck,
glistening with sweat
in the evaporate moonlight ...
This is what I remember

now that I cannot forget.

And tonight,
if I have forgotten her name,
I remember:
rigid wire and white lace
half-impressed in her flesh ...

our soft cries, like regret,

... the enameled white clips
of her bra strap
still inscribe dimpled marks
that my kisses erase ...

now that I have forgotten her face.



Villanelle: Because Her Heart Is Tender
by Michael R. Burch

for Beth

She scrawled soft words in soap: "Never Forget,"
Dove-white on her car's window, and the wren,
because her heart is tender, might regret
it called the sun to wake her. As I slept,
she heard lost names recounted, one by one.

She wrote in sidewalk chalk: "Never Forget,"
and kept her heart's own counsel. No rain swept
away those words, no tear leaves them undone.

Because her heart is tender with regret,
bruised by razed towers' glass and steel and stone
that shatter on and on and on and on,
she stitches in wet linen: "NEVER FORGET,"
and listens to her heart's emphatic song.

The wren might tilt its head and sing along
because its heart once understood regret
when fledglings fell beyond, beyond, beyond ...
its reach, and still the boot-heeled world strode on.

She writes in adamant: "NEVER FORGET"
because her heart is tender with regret.



To the boy Elis
by Georg Trakl
translation by Michael R. Burch

Elis, when the blackbird cries from the black forest,
it announces your downfall.
Your lips sip the rock-spring's blue coolness.

Your brow sweats blood
recalling ancient myths
and dark interpretations of birds' flight.

Yet you enter the night with soft footfalls;
the ripe purple grapes hang suspended
as you wave your arms more beautifully in the blueness.

A thornbush crackles;
where now are your moonlike eyes?
How long, oh Elis, have you been dead?

A monk dips waxed fingers
into your body's hyacinth;
Our silence is a black abyss

from which sometimes a docile animal emerges
slowly lowering its heavy lids.
A black dew drips from your temples:

the lost gold of vanished stars.

TRANSLATOR'S NOTE: I believe that in the second stanza the blood on Elis's forehead may be a reference to the apprehensive ****** sweat of Jesus in the garden of Gethsemane. If my interpretation is correct, Elis hears the blackbird's cries, anticipates the danger represented by a harbinger of death, but elects to continue rather than turn back. From what I have been able to gather, the color blue had a special significance for Georg Trakl: it symbolized longing and perhaps a longing for death. The colors blue, purple and black may represent a progression toward death in the poem.



Turkish Poetry Translations

Attilâ İlhan (1925-2005) was a Turkish poet, translator, novelist, screenwriter, editor, journalist, essayist, reviewer, socialist and intellectual.

Ben Sana Mecburum: “You are indispensable”
by Attila Ilhan
translation by Nurgül Yayman and Michael R. Burch

You are indispensable; how can you not know
that you’re like nails riveting my brain?
I see your eyes as ever-expanding dimensions.
You are indispensable; how can you not know
that I burn within, at the thought of you?

Trees prepare themselves for autumn;
can this city be our lost Istanbul?
Now clouds disintegrate in the darkness
as the street lights flicker
and the streets reek with rain.
You are indispensable, and yet you are absent ...

Love sometimes seems akin to terror:
a man tires suddenly at nightfall,
of living enslaved to the razor at his neck.
Sometimes he wrings his hands,
expunging other lives from his existence.
Sometimes whichever door he knocks
echoes back only heartache.

A screechy phonograph is playing in Fatih ...
a song about some Friday long ago.
I stop to listen from a vacant corner,
longing to bring you an untouched sky,
but time disintegrates in my hands.
Whatever I do, wherever I go,
you are indispensable, and yet you are absent ...

Are you the blue child of June?
Ah, no one knows you―no one knows!
Your deserted eyes are like distant freighters ...

Perhaps you are boarding in Yesilköy?
Are you drenched there, shivering with the rain
that leaves you blind, beset, broken,
with wind-disheveled hair?

Whenever I think of life
seated at the wolves’ table,
shameless, yet without soiling our hands ...
Yes, whenever I think of life,
I begin with your name, defying the silence,
and your secret tides surge within me
making this voyage inevitable.
You are indispensable; how can you not know?



Fragments
by Attila Ilhan
loose English translations/interpretations by Michael R. Burch

The night is a cloudy-feathered owl,
its quills like fine-spun glass.

It gazes out the window,
perched on my right shoulder,
its wings outspread and huge.

If the encroaching darkness seems devastating at first glance,
the sovereign of everything,
its reach infinite ...

Still somewhere within a kernel of light glows secretly
creating an enlightened forest of dialectics.

In September’s waning days one thinks wanly of the arrival of fall
like a ship appearing on the horizon with untrimmed, tattered sails;
for some unfathomable reason fall is the time to consider one’s own demise―
the body smothered by yellowed leaves like a corpse rotting in a ghoulish photograph ...

Bitter words
crack like whips
snapping across prison yards ...

Then there are words like pomegranate trees in bloom,
words like the sun igniting the sea beyond mountainous horizons,
flashing like mysterious knives ...

Such words are the burning roses of an infinite imagination;
they are born and they die with the flutterings of butterflies;
we carry those words in our hearts like pregnant shotguns until the day we expire,
martyred for the words we were prepared to die for ...

What I wrote and what you understood? Curious and curiouser!



Mehmet Akif Ersoy: Modern English Translations of Turkish Poems

Mehmet Âkif Ersoy (1873-1936) was a Turkish poet, author, writer, academic, member of parliament, and the composer of the Turkish National Anthem.



Snapshot
by Mehmet Akif Ersoy
loose English translation/interpretation by Michael R. Burch

Earth’s least trace of life cannot be erased;
even when you lie underground, it encompasses you.
So, those of you who anticipate the shadows,
how long will the darkness remember you?



Zulmü Alkislayamam
"I Can’t Applaud Tyranny"
by Mehmet Akif Ersoy
loose English translation/interpretation by Michael R. Burch

I can't condone cruelty; I will never applaud the oppressor;
Yet I can't renounce the past for the sake of deluded newcomers.
When someone curses my ancestors, I want to strangle them,
Even if you don’t.
But while I harbor my elders,
I refuse to praise their injustices.
Above all, I will never glorify evil, by calling injustice “justice.”
From the day of my birth, I've loved freedom;
The golden tulip never deceived me.
If I am nonviolent, does that make me a docile sheep?
The blade may slice, but my neck resists!
When I see someone else's wound, I suffer a great hardship;
To end it, I'll be whipped, I'll be beaten.
I can't say, “Never mind, just forget it!” I'll mind,
I'll crush, I'll be crushed, I'll uphold justice.
I'm the foe of the oppressor, the friend of the oppressed.
What the hell do you mean, with your backwardness?



Çanakkale Sehitlerine
"For the Çanakkale Martyrs"
by Mehmet Akif Ersoy
loose English translation/interpretation by Michael R. Burch

Was there ever anything like the Bosphorus war?―
The earth’s mightiest armies pressing Marmara,
Forcing entry between her mountain passes
To a triangle of land besieged by countless vessels.
Oh, what dishonorable assemblages!
Who are these Europeans, come as rapists?
Who, these braying hyenas, released from their reeking cages?
Why do the Old World, the New World, and all the nations of men
now storm her beaches? Is it Armageddon? Truly, the whole world rages!
Seven nations marching in unison!
Australia goose-stepping with Canada!
Different faces, languages, skin tones!
Everything so different, but the mindless bludgeons!
Some warriors Hindu, some African, some nameless, unknown!
This disgraceful invasion, baser than the Black Death!
Ah, the 20th century, so noble in its own estimation,
But all its favored ones nothing but a parade of worthless wretches!
For months now Turkish soldiers have been vomited up
Like stomachs’ retched contents regarded with shame.
If the masks had not been torn away, the faces would still be admired,
But the ***** called civilization is far from blameless.
Now the ****** demand the destruction of the doomed
And thus bring destruction down on their own heads.
Lightning severs horizons!
Earthquakes regurgitate the bodies of the dead!
Bombs’ thunderbolts explode brains,
rupture the ******* of brave soldiers.
Underground tunnels writhe like hell
Full of the bodies of burn victims.
The sky rains down death, the earth swallows the living.
A terrible blizzard heaves men violently into the air.
Heads, eyes, torsos, legs, arms, chins, fingers, hands, feet ...
Body parts rain down everywhere.
Coward hands encased in armor callously scatter
Floods of thunderbolts, torrents of fire.
Men’s chests gape open,
Beneath the high, circling vulture-like packs of the air.
Cannonballs fly as frequently as bullets
Yet the heroic army laughs at the hail.
Who needs steel fortresses? Who fears the enemy?
How can the shield of faith not prevail?
What power can make religious men bow down to their oppressors
When their stronghold is established by God?
The mountains and the rocks are the bodies of martyrs! ...
For the sake of a crescent, oh God, many suns set, undone!
Dear soldier, who fell for the sake of this land,
How great you are, your blood saves the Muslims!
Only the lions of Bedr rival your glory!
Who then can dig the grave wide enough to hold you. and your story?
If we try to consign you to history, you will not fit!
No book can contain the eras you shook!
Only eternities can encompass you! ...
Oh martyr, son of the martyr, do not ask me about the grave:
The prophet awaits you now, his arms flung wide open, to save!



Sessiz Gemi (“Silent Ship”)

by Yahya Kemal Beyatli
loose translation by Nurgül Yayman and Michael R. Burch

for the refugees

The time to weigh anchor has come;
a ship departing harbor slips quietly out into the unknown,
cruising noiselessly, its occupants already ghosts.
No flourished handkerchiefs acknowledge their departure;
the landlocked mourners stand nurturing their grief,
scanning the bleak horizon, their eyes blurring ...
Poor souls! Desperate hearts! But this is hardly the last ship departing!
There is always more pain to unload in this sorrowful life!
The hesitations of lovers and their belovèds are futile,
for they cannot know where the vanished are bound.
Many hopes must be quenched by the distant waves,
since years must pass, and no one returns from this journey.



Full Moon
by Yahya Kemal Beyatli
loose translation by Nurgül Yayman and Michael R. Burch

You are so lovely
the full moon just might
delight
in your rising,
as curious
and bright,
to vanquish night.

But what can a mortal man do,
dear,
but hope?
I’ll ponder your mysteries
and (hmmmm) try to
cope.

We both know
you have every right to say no.



The Music of the Snow
by Yahya Kemal Beyatli
loose translation/interpretation by Michael R. Burch

This melody of a night lasting longer than a thousand years!
This music of the snow supposed to last for thousand years!

Sorrowful as the prayers of a secluded monastery,
It rises from a choir of a hundred voices!

As the *****’s harmonies resound profoundly,
I share the sufferings of Slavic grief.

My mind drifts far from this city, this era,
To the old records of Tanburi Cemil Bey.

Now I’m suddenly overjoyed as once again I hear,
With the ears of my heart, the purest sounds of Istanbul!

Thoughts of the snow and darkness depart me;
I keep them at bay all night with my dreams!

Translator’s notes: “Slavic grief” because Beyatli wrote this poem while in Warsaw, serving as Turkey’s ambassador to Poland, in 1927. Tanburi Cemil Bey was a Turkish composer.



Thinking of you
by Nazim Hikmet
loose translation/interpretation by Michael R. Burch

Thinking of you is beautiful, hopeful―
like listening to the most beautiful songs
sung by the earth's most beautiful voices.
But hope is insufficient for me now;
I don't want to listen to songs.
I want to sing love into birth.



I love you
by Nazim Hikmet
loose translation/interpretation by Michael R. Burch

I love you―
like dipping bread into salt and eating;
like waking at night with a raging fever
and thirstily lapping up water, my mouth to the silver tap;
like unwrapping the unwieldy box the postman delivers,
unable to guess what's inside,
feeling fluttery, happy, doubtful.
I love you―
like flying over the sea the first time
as something stirs within me
while the sky softly darkens over Istanbul.
I love you―
as men thank God gratefully for life.



Sparrow
by Nazim Hikmet
loose translation/interpretation by Michael R. Burch

Little sparrow,
perched on the clothesline,
do you regard me with pity?
Even so, I will watch you
soar away through the white spring leaves.



The Divan of the Lover

the oldest extant Turkish poem
loose translation/interpretation by Michael R. Burch

All the universe as one great sign is shown:
God revealed in his creative acts unknown.
Who sees or understands them, jinn or men?
Such works lie far beyond mere mortals’ ken.
Nor can man’s mind or reason reach that strand,
Nor mortal tongue name Him who rules that land.
Since He chose nothingness with life to vest,
who dares to trouble God with worms’ behests?
For eighteen thousand worlds, lain end to end,
Do not with Him one atom's worth transcend!



Fragment
by Prince Jem
loose translation/interpretation by Michael R. Burch

Behold! The torrent, dashing against the rocks, flails wildly.
The entire vast realm of Space and Being oppresses my soul idly.
Through bitterness of grief and woe the sky has rent its morning robe.
Look! See how in its eastern palace, the sun is a ****** globe!
The clouds of heaven rain bright tears on the distant mountain peaks.
Oh, hear how the deeply wounded thunder slowly, mournfully speaks!



An Ecstasy of Fumbling
by Michael R. Burch

The poets believe
everything resolves to metaphor—
a distillation,
a vapor
beyond filtration,
though perhaps not quite as volatile as before.

The poets conceive
of death in the trenches
as the price of art,
not war,
fumbling with their masque-like
dissertations
to describe the Hollywood-like gore

as something beyond belief,
abstracting concrete bunkers to Achaemenid bas-relief.



Excerpts from “Travels with Einstein”
by Michael R. Burch

for Trump

I went to Berlin to learn wisdom
from Adolph. The wild spittle flew
as he screamed at me, with great conviction:
“Please despise me! I look like a Jew!”

So I flew off to ’Nam to learn wisdom
from tall Yankees who cursed “yellow” foes.
“If we lose this small square,” they informed me,
earth’s nations will fall, dominoes!”

I then sat at Christ’s feet to learn wisdom,
but his Book, from its genesis to close,
said: “Men can enslave their own brothers!”
(I soon noticed he lacked any clothes.)

So I traveled to bright Tel Aviv
where great scholars with lofty IQs
informed me that (since I’m an Arab)
I’m unfit to lick dirt from their shoes.

At last, done with learning, I stumbled
to a well where the waters seemed sweet:
the mirage of American “justice.”
There I wept a real sea, in defeat.

Originally published by Café Dissensus



The Leveler
by Michael R. Burch

The nature of Nature
is bitter survival
from Winter’s bleak fury
till Spring’s brief revival.

The weak implore Fate;
bold men ravish, dishevel her . . .
till both are cut down
by mere ticks of the Leveler.

I believe I wrote this poem around age 20, in 1978 or thereabouts. It has since been published in The Lyric, Tucumcari Literary Review, Romantics Quarterly and The Aurorean.



The Hippopotami
by Michael R. Burch

There’s no seeing eye to eye
with the awesomely huge Hippopotami:
on the bank, you’re much taller;
going under, you’re smaller
and assuredly destined to die!



Ballade of the Bicameral Camel
by Michael R. Burch

There once was a camel who loved to ****.
Please get your lewd minds out of their slump!
He loved to give RIDES on his large, lordly lump!



The Echoless Green
by Michael R. Burch

for and after William Blake

At dawn, laughter rang
on the echoing green
as children at play
greeted the day.

At noon, smiles were seen
on the echoing green
as, children no more,
many fine vows they swore.

By twilight, their cries
had subsided to sighs.

Now night reigns supreme
on the echoless green.



Unlikely Mike
by Michael R. Burch

I married someone else’s fantasy;
she admired me despite my mutilations.

I loved her for her heart’s sake, and for mine.
I hid my face and changed its connotations.

And in the dark I danced—slight, Chaplinesque—
a metaphor myself. How could they know,

the undiscerning ones, that in the glow
of spotlights, sometimes love becomes burlesque?

Disfigured to my soul, I could not lose
or choose or name myself; I came to be

another of life’s odd dichotomies,
like Dickey’s Sheep Boy, Pan, or David Cruse:

as pale, as enigmatic. White, or black?
My color was a song, a changing track.



Spring Was Delayed
by Michael R. Burch

Winter came early:
the driving snows,
the delicate frosts
that crystallize

all we forget
or refuse to know,
all we regret
that makes us wise.

Spring was delayed:
the nubile rose,
the tentative sun,
the wind’s soft sighs,

all we omit
or refuse to show,
whatever we shield
behind guarded eyes.

Originally published by Borderless Journal



The Shijing or **** Jing (“Book of Songs” or “Book of Odes”) is the oldest Chinese poetry collection, with the poems included believed to date from around 1200 BC to 600 BC. According to tradition the poems were selected and edited by Confucius himself. Since most ancient poetry did not rhyme, these may be the world’s oldest extant rhyming poems.

Shijing Ode #4: “JIU MU”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

In the South, beneath trees with drooping branches
thick with vines that make them shady,
we find our lovely princely lady:
May she repose in happiness!

In the South, beneath trees with drooping branches
whose clinging vines make hot days shady,
we wish love’s embrace for our lovely lady:
May she repose in happiness!

In the South, beneath trees with drooping branches
whose vines, entwining, make them shady,
we wish true love for our lovely lady:
May she repose in happiness!

Shijing Ode #6: “TAO YAO”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

The peach tree is elegant and tender;
its flowers are fragrant, and bright.
A young lady now enters her future home
and will manage it well, day and night.

The peach tree is elegant and tender;
its fruits are abundant, and sweet.
A young lady now enters her future home
and will make it welcome to everyone she greets.

The peach tree is elegant and tender;
it shelters with bough, leaf and flower.
A young lady now enters her future home
and will make it her family’s bower.

Shijing Ode #9: “HAN GUANG”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

In the South tall trees without branches
offer men no shelter.
By the Han the girls loiter,
but it’s vain to entice them.
For the breadth of the Han
cannot be swum
and the length of the Jiang
requires more than a raft.

When cords of firewood are needed,
I would cut down tall thorns to bring them more.
Those girls on their way to their future homes?
I would feed their horses.
But the breadth of the Han
cannot be swum
and the length of the Jiang
requires more than a raft.

When cords of firewood are needed,
I would cut down tall trees to bring them more.
Those girls on their way to their future homes?
I would feed their colts.
But the breadth of the Han
cannot be swum
and the length of the Jiang
requires more than a raft.

Shijing Ode #10: “RU FEN”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

By raised banks of the Ru,
I cut down branches in the brake.
Not seeing my lord
caused me heartache.

By raised banks of the Ru,
I cut down branches by the tide.
When I saw my lord at last,
he did not cast me aside.

The bream flashes its red tail;
the royal court’s a blazing fire.
Though it blazes afar,
still his loved ones are near ...

It was apparently believed that the bream’s tail turned red when it was in danger. Here the term “lord” does not necessarily mean the man in question was a royal himself. Chinese women of that era often called their husbands “lord.” Take, for instance, Ezra Pound’s famous loose translation “The River Merchant’s Wife.” Speaking of Pound, I borrowed the word “brake” from his translation of this poem, although I worked primarily from more accurate translations. In the final line, it may be that the wife or lover is suggesting that no matter what happens, the man in question will have a place to go, or perhaps she is urging him to return regardless. The original poem had “mother and father” rather than “family” or “loved ones,” but in those days young married couples often lived with the husband’s parents. So a suggestion to return to his parents could be a suggestion to return to his wife as well.

Shijing Ode #12: “QUE CHAO”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

The nest is the magpie's
but the dove occupies it.
A young lady’s soon heading to her future home;
a hundred carriages will attend her.

The nest is the magpie's
but the dove takes it over.
A young lady’s soon heading to her future home;
a hundred carriages will escort her.

The nest is the magpie's
but the dove possesses it.
A young lady’s soon heading to her future home;
a hundred carriages complete her procession.

Shijing Ode #26: “BO ZHOU” from “The Odes of Bei”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

This cypress-wood boat floats about,
meandering with the current.
Meanwhile, I am distraught and sleepless,
as if inflicted with a painful wound.
Not because I have no wine,
and can’t wander aimlessly about!

But my mind is not a mirror
able to echo all impressions.
Yes, I have brothers,
but they are undependable.
I meet their anger with silence.

My mind is not a stone
to be easily cast aside.
My mind is not a mat
to be conveniently rolled up.
My conduct so far has been exemplary,
with nothing to criticize.

Yet my anxious heart hesitates
because I’m hated by the herd,
inflicted with many distresses,
heaped with insults, not a few.
Silently I consider my case,
until, startled, as if from sleep, I clutch my breast.

Consider the sun and the moon:
how did the latter exceed the former?
Now sorrow clings to my heart
like an unwashed dress.
Silently I consider my options,
but lack the wings to fly away.



The Drawer of Mermaids
by Michael R. Burch

This poem is dedicated to Alina Karimova, who was born with severely deformed legs and five fingers missing. Alina loves to draw mermaids and believes her fingers will eventually grow out.

Although I am only four years old,
they say that I have an old soul.
I must have been born long, long ago,
here, where the eerie mountains glow
at night, in the Urals.

A madman named Geiger has cursed these slopes;
now, shut in at night, the emphatic ticking
fills us with dread.
(Still, my momma hopes
that I will soon walk with my new legs.)

It’s not so much legs as the fingers I miss,
drawing the mermaids under the ledges.
(Observing, Papa will kiss me
in all his distracted joy;
but why does he cry?)

And there is a boy
who whispers my name.
Then I am not lame;
for I leap, and I follow.
(G’amma brings a wiseman who says

our infirmities are ours, not God’s,
that someday a beautiful Child
will return from the stars,
and then my new fingers will grow
if only I trust Him; and so

I am preparing to meet Him, to go,
should He care to receive me.)

Keywords/Tags: mermaid, mermaids, child, children, childhood, Urals, Ural Mountains, soul, soulmate, radiation



On the Horns of a Dilemma (I)
by Michael R. Burch

Love has become preposterous
for the over-endowed rhinoceros:
when he meets the right miss
how the hell can he kiss
when his horn is so ***** it lofts her thus?

I need an artist or cartoonist to create an image of a male rhino lifting his prospective mate into the air during an abortive kiss. Any takers?



On the Horns of a Dilemma (II)
by Michael R. Burch

Love has become preposterous
for the over-endowed rhinoceros:
when he meets the right miss
how the hell can he kiss
when his horn deforms her esophagus?



On the Horns of a Dilemma (III)
by Michael R. Burch

A wino rhino said, “I know!
I have a horn I cannot blow!
And so,
ergo,
I’ll watch the lovely spigot flow!



The Horns of a Dilemma Solved, if not Solvent
by Michael R. Burch

A wine-addled rhino debated
the prospect of living unmated
due to the scorn
gals showed for his horn,
then lost it to poachers, sedated.



The Arrival of the Sea Lions
by Michael R. Burch

The sound
of hounds
resounds in the sound.



Hounds Impounded
by Michael R. Burch

The sound
of hounds
resounds
in the pound.



Prince Kiwi the Great
by Michael R. Burch

Kiwi’s
a ***-wee
but incredibly bright:
he sleeps half the day,
pretending it’s night!

Prince Kiwi
commands us
with his regal air:
“Come, humans, and serve me,
or I’ll yank your hair!”

Kiwi
cries “Kree! Kree!”
when he wants to be fed ...
suns, preens, flutters, showers,
then it’s off to bed.

Kiwi’s
a ***-wee
but incredibly bright:
he sleeps half the day,
pretending it’s night!

Kiwi is our family’s green-cheeked parakeet. Parakeets need to sleep around 12 hours per day, hence the pun on “bright” and “half the day.”



Ah! Sunflower
by Michael R. Burch

after William Blake

O little yellow flower
like a star ...
how beautiful,
how wonderful
we are!

Published as the collection "When Pigs Fly"
These are modern English translations of Native American poems, proverbs, prayers, blessings and sayings, translated by Michael R. Burch.
Mekael Shane Jan 2014
In my mind, I raced against time
I smoked peyote with the Apache
I chased Kangaroos
Through the bush with the Aborigine
All the while
...I searched for the power within me

In my mind, I outpaced time
I drew cave art with the Neanderthal
I climbed to the top of the mountain with the Sherpa
I hunted seal out on the frozen tundra with the Inuit
All the while
...I searched for the power within me

In my mind, I eclipsed time
I wrote poetry while under the tutelage of Langston Hughes
And I created visual greatness while apprentice to Gordon Parks
I even stood on the wall with Che' Guevara, like a Sentry standing watch
All the while
...I continued searching for the power within me

In my mind, I turned to face time
I wrote an addendum to the Emancipation Proclamation
And I saw the ugly truths
Of freedom's farcical Declaration
All the while
...I continued searching for the power within me

In my mind, I embraced time
I sought to free my nation from the pandemic perils of *******
And I prayed that we Americans would be free of
The snares of racial and economic divide that still has us chained
I did this while searching for truth, in this, our most tenuous hour
...then empyreally, God reached for me, touching me, and I finally found my power

* Reprinted from 'Exegesis a Decade of Poetry by Mekael'
© July 14, 2009 by Mekael Shane
Ken Pepiton Oct 2018
Axt would I, I sed yah soyam

Signing a song played in the white noise that surrounds me

nights like these past 7043,

Who chounted en chant em, enchantemgood

So no we are at what is a befinning place.
beginning (90's too ****, U2 too Northern Euro,
Green Day, Coolio,
Noise to a message dying to be heard
welcome to another
imaginary garden in an ever expanding mind

field of unthinkable things,
back then

we have whiteout but it doesn't work here

My culture had near simultaneous eruptions of supermarkets

and Fords.

This guy, his culture had near simultaneus disruptions of progress and
interruptions of information
some os were lost in the middle synchrony
instance if I cationic plus or minus
simaltan

Oh, I get it. You, dear reader, have been
out of it.
We went public with the entire plan for public
key distribution,
through six palanced stacks of energy stores

Chakra, chi, science make ya think eh. Polarize, see

everything groovy --no
[contemprayery idle intense ify AI keep us current]

lie, good, no lie is always safe. Don't wanna stumble any souls.

I was mentioned, my being a speaker in a story, I was said
to have said something, upon a time,
on the cover of the Rolling Stone,

I witnessed a lie being told and said my ears weren't garbage cans,
like a brainwashed cult

no, **** I was a cultivated follower of a confessed
follower cultivator.

I bloom when I imagine being treated as a mushroom,
I never paid much attention,
I never felt
insane
but
I can imagine
wee whatifs crept in… aha

The Olde Deluder, Satan, Act

that, a tiny gleam, a single ATP gone ADP

but there was light. A story I lived is now being told
without me,
oy vey Jah knowaddamean.

There was a wiseman, who,
by his wis-dom saved a city, and no one knew
that same wiseman's name,

proverbs are intentional games, the rules,
hiding a thing, done by God, glory ifies him
seeking out a matter, done by a being translated king,
transmutes that seeking into honor

Honor is hard to compare to the war flavored twists,
knots and tangles where woof and warp held

long long long before war was imagined, honor was.

A medal of honor for valor, what does it mean?

Leonard Wood got one. For his part in solving
the Apache problem.
He also,

Flash I had my wires crossed, in a way, it may
enlighten.
You see, I had thought that I had read Leonard Wood,
be cause I had imagined he was in New Jersey, but that
was Lord Amherst, Jeff

He tweerted ( wrote in a letter on paper we've a fact simile):
"to try Every other method that can serve to Extirpate this Execrable Race."

From <https://www.umass.edu/legal/derrico/amherst/lord_jeff.html>

Could be the source of the whole shores of triple ease retirement lure/trap/moneymoneymoney makeit fakit

I asked once, who's to blame and whose to blame,
samesame came an answer, I sware, quick as

next, twixt being and being possible,

realize

we do change things, in time, which,

if we can agree, is limited for us,
to now, no thens behind

mere, mere, mere ifs and whens ahead

be

--so there's been music all along
life's the song

skip a decade, like skippin' a grade

grad Harvard at a prepubescent 12

If I had a Hammer time, one message

one valiant try to be will smith,

Live and Learn, old man, say the dude on the radio
in he's hammaheadphones, cain't touch

Bomb. Jesus lent me Jael's hammer,
radioman nailed it.

If I had a hammer was the prayer,

MC, he was the Godsmacked nail in the coffin

Dark inside gothish messages hurgle and gurgle
guts twisted in freak pride love hate list lust

dichotomies of choice in ever learning
good citizenship worth honor and glory

of the sort men dare to die for, facing darkness,
the NULL set ***** and ***** and *****

This ain't gravity tuggin me,
this is that monster who lives forever in top forty radio

When/then Radioman emerges, Like the Mighty Quinn from

deep beneath Gibson's darkest ever imagined ICE wall…

What's on? (ellipses, do those mean POV shift or selah?)

I forget, s still all alchemistry t'me, if allyagots ahammass,

realize, if it matters, t'me, bubble bustin' need no nail.

I gotti'd a hamma, gonna hamma in the moan

O.G., mighty man of valor, where'dyew arise from?

We, the integrated us, non autonomous, inarrogant
We were dancin' to that I'm a Loser, Baby

so why don't cha killme, knowwad i'msayin

This old man been wandern in the desert far far far
side the madding crowd
making minced
meet
broken spirit. we goin together to a re-pair place

at the center of you'n'all you know, yo bubble but

--- everlearning everclear outlawed, good lawed
--- moon shine spiritment lauded out loud
--- the world all ways works when a garden is

beyond the pale,
Irish
rye whiskey, wheat bread liqui
if I were an
old gay ninties guy drinking ***** laudnum
singin'

on the corner with the hourus girl's c

Making the Con Next Ion, watchathank,
is it The Nineties A to Z , ending wit, it’s a hard
knawks life, or

a Bohr-TED talk or
a video of Schrödinger's  
verdamte dead cat?

Or am I surrounded by so great acloud of witnesses that some times I spend

simply hummin' along, life's beat me to the ground,

which gladly,
I'm so glad, I'm glad, I'm glad which

loses its meaning if you never experienced such a fall
ending in absorption of it all.
Ginger Baker, slam that cymbal, CRASH1

Life, in every key, there's a clue. Some where,
there's a lock on a true thing we need

to, eventually, know all things.

Keywords lost givitawaygivitawaygit it back tenfo'

Black spirit-filled tongue talkin' grandpa friend of
Johnny Walker, Red not Black,

He challenged me ye see. I recall what was on TV.
Nixon sayin' he,
honest he,
anti-****** he,
bombin invadin he was Notacrook, the super hero
he imagined

Bio is building energy, all the time does is
test the effort.

Is life lived this way worth the effort?
if/then/else

Who chose, integrated me, all the masks and voices I have accepted as ideas that can have apiece of me.

BTW, kids, even if an angel of light asks you to take a little piece of my heart, don't

yer killin me and I know where the next story started,

you are lost without me, fretnot, I'm the way

I heard that, that's no claim I mist'tok as my response.

Deeper, are we absobbing any thing, deeper tincture
of time, t'me see

POV
SameYesTodayForever (SYTF) protocols have been in place, as far as we know,

since words made sense naturally, eons ago, at least.

If you want my future then forget my past
musing medium messages sayin

what the hell? A game, you sayin' life's a game?

Ja, was oder vice nicks versus universal soldier godlet

Jump when I jump, remember… don't cry

I woulda danced with wolves to have changed
one mind that followed me

beyond that point,
no return, is such a mortal POV, you see
as far as you cansee

Deep. the gem. all the meaning ever was was
in that gem.

Dare me for no reason? Is that reasonable,
ration my tears to test my mettle

I went mad in 1995, have I made that plain?
Things crumbled around me for ten years,

I was helped by hoping I knew a truth about those
manifested imaginary gems
given kings and potentates
said to possess great powers and the meaning og every mystery unknown to man

eh, say again
gems
given kings and potentates
said to possess great powers and the meaning OhGEE every mystery unknown to man

lies lies lies they all were lies lies lies lies

I told you so, and it is still sweet to say
you know

You heard it all before, greatest test story ever told.
That was no test.
this is.

Jump when I jump, remember… don't cry

Epic stories deserve more than mere words,
but, you know, click,

words are what we make things from.

Tell me your stories,
she woulda seemed to whisper, woulda drained me drownd me
in just if I'd love linked

to the money machine of your dreams

had I not rode the grey dog outa Nashville,
back in '82,

I'da missed seein' flyover country that feels like mine,
when I take this POV.
I wandered into a sattelite radio 90's A-Z, kinda like those histories of philosophies old people listen to when they're ******. Oh, the moonshine experiment worked, FYI
Bowedbranches May 2018
Apache' tears
in the bathtub..
Simulacrum
Face caked,
in Heat baked,
Red paint,
Can't even fathom
How much you would need
To feed the ****** *******...
I'm cleaning out closets
So out with the bones
when I thought I'd forgotten
There, I saw your ghost
Screaming down, from the barrel
Of a gaping black hole
Apache' tears
In the bathtub
Askin'
please just bring him back home!
Oliver Philip Jan 2019
A series of  Acrostic poems noting the healing properties of the crystals to the Zodiacal signs. .
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Capricorn  ♑️  December 23-January 20.
~~~~~~~~
Capricornian don’t mind me. I can’t live as you.
As you have the highest of standards always.
Peridot,Garnets, Agate or Turquoise to wear
Ruby’s grace a  beautiful young maidens hair.
I see the jewels in your eyes when you smile
Carnelian stones or Malachite for soul healing
Or Jet ,Smokey Quartz or shiny Black Onyx.
Red Garnets,Blue Aragonite,Green Tourmaline
Nonsuch is the birth symbol ,graceful as thee
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Aquarius ♒️  January 21 -February 19
~~~~~~~
Aquarius the symbolism for the water carrier.
Quite an important member of our community
Under spells by an association of the heart
Aquarian crystals are Garnets and Amethyst
Rainbow moonstone, Labradorite, Magnetite
I would buy thee Lithium Quartz ,Moss agate.
Under your care placing Crysoprase n Cryolite
Some Rainforest Jasper for love of this lady.
~~~~~~~~~~~~~~~~
Pisces ♓️  February 20 - March 20
~~~~~
Pisces are healed by birthstones of Amethyst
In tune also with Turquoise,Aquamarine,Amber
Sapphires,Sunstones,Smithsonite, Labradorite
Chrysoprase of green, Ocean Jasper, Flurite
Especially Bluelace Agate,Rainbow Moonstone
Stones Charolite, Calcite,Ametrine,Bloodstone.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~
Aries ♈️  March 21 -April 20
~~~~
Aries children tackle life head on.
Ruby,Diamond,Amethyst and bloodstone
I know she’s into Aquamarine and Tourmaline
Especially pink, Dravite aka Tourmaline brown
Stellerite, Sardonyx , Citrine, Kunzite n Axinite
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Taurus ♉️  April 21 -May 21
~~~~~
Tourean girls have an inbuilt stubbornness
And are partial to the birthstone Sapphire
Understanding An Emerald and Aquamarine
Rhodonite, Amber,Lapis Lazuli and Tiger’s Eye
Universal faith in crystal’s Kayanite n Kunzite
Spiritually in tune with Carnelian

~~~~~~~~~~~~~~~~
Gemini ♊️ May 22 -June 21.
~~~~~
Gemini never grow up.They are so  flirtatious
Ever wooing and seducing their audiences
Moonstone,Agate,Aquamarine,Tigers Eye
Into the healing powers of Chrystoprase stone
Naturally Green Tourmaline and Serpentine
I also see Anyolite, Citrine,Thulite and Variscite
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~
Cancer  ♋️  June 22 - July 23
~~~~~~
Cancerarians are high on the emotional scale.
And they benefit from Emeralds and Rubies
Natural Amber,Rhodonite ,Rainbow Moonstone
Chrysoprase,Carnelian, Citrine, Moss Agate.
Even with the beautiful crystal Fire Agate
Ruby stone and Pink Tourmaline healing.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~
Leo ♌️  July 24- August 23
~~~
Leo has birthstones of Onyx, Peridot,Ruby,
Even Turquoise,Amber,Citrine,Larimar,Petalite
Or Fire Agate,Red Garnet,Sunstones,Sardonyx
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Virgo ♍️  August 24-September 23
~~~~
Virgo needs be a person advocating virginity
I know because I have fusion and experience.
Realistically fusing together two personalities
God knows n loves my approach and approves
Of Peridot,Carnelian, Blue Sapphire,Tourmaline
      Of Green ........
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Libra ♎️  September 24-October 23
~~~~
Libra uses healing properties of Lapis Lazuli
In Peridot,& Sapphires, Aquamarine stones
Bloodstones,Emerald stones, Sunstones,
Rainbow Moonstones, Morganite, Lepidolite
Aventurine,
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Scorpio ♏️  October 24- November 22.
~~~~~
Scorpio needs the healing of Aquamarine
Charolite, Turquoise, Malachite or Emerald
Obsidian Black , Golden Topaz and Boji Stone
Ruby, Lapis Lazuli,Green Tourmaline,Kunzite
Peridot , Rainbow Moonstone, Rhodochrosite.
I know of Variscite Hiddenite n Apache tears.
Or Herkimer Diamond ,Hiddenite , or Variscite
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Sagittarius ♐️  November 23- December 22
~~~~~~~~~~
Sagittarius is so joyous and very fun loving
Amethyst,Turquoise,Lapis Lazuli n Blue Topaz
Grace her body with healing properties now.
I recommend Azurite stone, Blue lace Agate
Tourmaline pink, Malachite, n Yellow Sapphire
Topaz of white and beautiful Ruby Stones
A Zircon Crystal and Snowflake Obsidian
Rich Merlinite, Labralite ,Dioptase n Charolite
In these healing crystals wear them with faith
Understanding the powers the Universe grants
Sacred is the space that you take upon Earth.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Written and inspired by Sacred Space.
Shop 10 /74-78 The Corso , Manly , 2095 NSW . Australia. Louise Winchester.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~Written by Philip.
December 2018.
~~~~~~~~~~~~
A series of 12 Acrostic poems linking crystals to the Zodiacal signs.
A Rock, A River, A Tree
Hosts to species long since departed,
Mark the mastodon.
The dinosaur, who left dry tokens
Of their sojourn here
On our planet floor,
Any broad alarm of their of their hastening doom
Is lost in the gloom of dust and ages.
But today, the Rock cries out to us, clearly, forcefully,
Come, you may stand upon my
Back and face your distant destiny,
But seek no haven in my shadow.
I will give you no hiding place down here.
You, created only a little lower than
The angels, have crouched too long in
The bruising darkness,
Have lain too long
Face down in ignorance.
Your mouths spelling words
Armed for slaughter.
The rock cries out today, you may stand on me,
But do not hide your face.
Across the wall of the world,
A river sings a beautiful song,
Come rest here by my side.
Each of you a bordered country,
Delicate and strangely made proud,
Yet thrusting perpetually under siege.
Your armed struggles for profit
Have left collars of waste upon
My shore, currents of debris upon my breast.
Yet, today I call you to my riverside,
If you will study war no more.
Come, clad in peace and I will sing the songs
The Creator gave to me when I
And the tree and stone were one.
Before cynicism was a ****** sear across your brow
And when you yet knew you still knew nothing.
The river sings and sings on.
There is a true yearning to respond to
The singing river and the wise rock.
So say the Asian, the Hispanic, the Jew,
The African and Native American, the Sioux,
The Catholic, the Muslim, the French, the Greek,
The Irish, the Rabbi, the Priest, the Sheikh,
The Gay, the Straight, the Preacher,
The privileged, the homeless, the teacher.
They hear. They all hear
The speaking of the tree.
Today, the first and last of every tree
Speaks to humankind. Come to me, here beside the river.
Plant yourself beside me, here beside the river.
Each of you, descendant of some passed on
Traveller, has been paid for.
You, who gave me my first name,
You Pawnee, Apache and Seneca,
You Cherokee Nation, who rested with me,
Then forced on ****** feet,
Left me to the employment of other seekers--
Desperate for gain, starving for gold.
You, the Turk, the Swede, the German, the Scot...
You the Ashanti, the Yoruba, the Kru,
Bought, sold, stolen, arriving on a nightmare
Praying for a dream.
Here, root yourselves beside me.
I am the tree planted by the river,
Which will not be moved.
I, the rock, I the river, I the tree
I am yours--your passages have been paid.
Lift up your faces, you have a piercing need
For this bright morning dawning for you.
History, despite its wrenching pain,
Cannot be unlived, and if faced with courage,
Need not be lived again.
Lift up your eyes upon
The day breaking for you.
Give birth again
To the dream.
Women, children, men,
Take it into the palms of your hands.
Mold it into the shape of your most
Private need. Sculpt it into
The image of your most public self.
Lift up your hearts.
Each new hour holds new chances
For new beginnings.
Do not be wedded forever
To fear, yoked eternally
To brutishness.
The horizon leans forward,
Offering you space to place new steps of change.
Here, on the pulse of this fine day
You may have the courage
To look up and out upon me,
The rock, the river, the tree, your country.
No less to Midas than the mendicant.
No less to you now than the mastodon then.
Here on the pulse of this new day
You may have the grace to look up and out
And into your sister's eyes,
Into your brother's face, your country
And say simply
Very simply
With hope
Good morning.
Michael R Burch Oct 2020
Poems about Flight, Flying, Flights of Fancy, Kites, Leaves, Butterflies, Birds and Bees



Flight
by Michael R. Burch

It is the nature of loveliness to vanish
as butterfly wings, batting against nothingness
seek transcendence...

Originally published by Hibiscus (India)



Southern Icarus
by Michael R. Burch

Windborne, lover of heights,
unspooled from the truck’s wildly lurching embrace,
you climb, skittish kite...

What do you know of the world’s despair,
gliding in vast... solitariness... there,
so that all that remains is to
fall?

Only a little longer the wind invests its sighs;
you
stall,
spread-eagled, as the canvas snaps
and *****
its white rebellious wings,
and all
the houses watch with baffled eyes.



The Wonder Boys
by Michael R. Burch

(for Leslie Mellichamp, the late editor of The Lyric,
who was a friend and mentor to many poets, and
a fine poet in his own right)

The stars were always there, too-bright cliches:
scintillant truths the jaded world outgrew
as baffled poets winged keyed kites—amazed,
in dream of shocks that suddenly came true...

but came almost as static—background noise,
a song out of the cosmos no one hears,
or cares to hear. The poets, starstruck boys,
lay tuned in to their kite strings, saucer-eared.

They thought to feel the lightning’s brilliant sparks
electrify their nerves, their brains; the smoke
of words poured from their overheated hearts.
The kite string, knotted, made a nifty rope...

You will not find them here; they blew away—
in tumbling flight beyond nights’ stars. They clung
by fingertips to satellites. They strayed
too far to remain mortal. Elfin, young,

their words are with us still. Devout and fey,
they wink at us whenever skies are gray.

Originally published by The Lyric



American Eagle, Grounded
by Michael R. Burch

Her predatory eye,
the single feral iris,
scans.

Her raptor beak,
all jagged sharp-edged ******,
juts.

Her hard talon,
clenched in pinched expectation,
waits.

Her clipped wings,
preened against reality,
tremble.

Published as “Tremble” by The Lyric, Verses Magazine, Romantics Quarterly, Journeys, The Raintown Review, Poetic Ponderings, Poem Kingdom, The Fabric of a Vision, NPAC—Net Poetry and Art Competition, Poet’s Haven, Listening To The Birth Of Crystals (Anthology), Poetry Renewal, Inspirational Stories, Poetry Life & Times, MahMag (Iranian/Farsi), The Eclectic Muse (Canada)



Album
by Michael R. Burch

I caress them—trapped in brittle cellophane—
and I see how young they were, and how unwise;
and I remember their first flight—an old prop plane,
their blissful arc through alien blue skies...

And I touch them here through leaves which—tattered, frayed—
are also wings, but wings that never flew:
like insects’ wings—pinned, held. Here, time delayed,
their features never merged, remaining two...

And Grief, which lurked unseen beyond the lens
or in shadows where It crept on furtive claws
as It scritched Its way into their hearts, depends
on sorrows such as theirs, and works Its jaws...

and slavers for Its meat—those young, unwise,
who naively dare to dream, yet fail to see
how, lumbering sunward, Hope, ungainly, flies,
clutching to Her ruffled breast what must not be.



Springtime Prayer
by Michael R. Burch

They’ll have to grow like crazy,
the springtime baby geese,
if they’re to fly to balmier climes
when autumn dismembers the leaves...

And so I toss them loaves of bread,
then whisper an urgent prayer:
“Watch over these, my Angels,
if there’s anyone kind, up there.”

Originally published by The HyperTexts



Learning to Fly
by Michael R. Burch

We are learning to fly
every day...

learning to fly—
away, away...

O, love is not in the ephemeral flight,
but love, Love! is our destination—

graced land of eternal sunrise, radiant beyond night!
Let us bear one another up in our vast migration.



In the Whispering Night
by Michael R. Burch

for George King

In the whispering night, when the stars bend low
till the hills ignite to a shining flame,
when a shower of meteors streaks the sky
while the lilies sigh in their beds, for shame,
we must steal our souls, as they once were stolen,
and gather our vigor, and all our intent.
We must heave our bodies to some famished ocean
and laugh as they vanish, and never repent.
We must dance in the darkness as stars dance before us,
soar, Soar! through the night on a butterfly's breeze...
blown high, upward-yearning, twin spirits returning
to the heights of awareness from which we were seized.

Published by Songs of Innocence, Romantics Quarterly, The Chained Muse and Poetry Life & Times. This is a poem I wrote for my favorite college English teacher, George King, about poetic kinship, brotherhood and romantic flights of fancy.



For a Palestinian Child, with Butterflies
by Michael R. Burch

Where does the butterfly go
when lightning rails,
when thunder howls,
when hailstones scream,
when winter scowls,
when nights compound dark frosts with snow...
Where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill
beyond the capacity of moonlight to fill?
When the only relief's a banked fire's glow,
where does the butterfly go?

And where shall the spirit flee
when life is harsh, too harsh to face,
and hope is lost without a trace?
Oh, when the light of life runs low,
where does the butterfly go?

Published by Tucumcari Literary Review, Romantics Quarterly, Poetry Life & Times, Victorian Violet Press (where it was nominated for a “Best of the Net”), The Contributor (a Nashville homeless newspaper), Siasat (Pakistan), and set to music as a part of the song cycle “The Children of Gaza” which has been performed in various European venues by the Palestinian soprano Dima Bawab



Earthbound, a Vision of Crazy Horse
by Michael R. Burch

Tashunka Witko, a Lakota Sioux better known as Crazy Horse, had a vision of a red-tailed hawk at Sylvan Lake, South Dakota. In his vision he saw himself riding a spirit horse, flying through a storm, as the hawk flew above him, shrieking. When he awoke, a red-tailed hawk was perched near his horse.

Earthbound,
and yet I now fly
through the clouds that are aimlessly drifting...
so high
that no sound
echoing by
below where the mountains are lifting
the sky
can be heard.

Like a bird,
but not meek,
like a hawk from a distance regarding its prey,
I will shriek,
not a word,
but a screech,
and my terrible clamor will turn them to clay—
the sheep,
the earthbound.

Published by American Indian Pride and Boston Poetry Magazine



Sioux Vision Quest
by Crazy Horse, Oglala Lakota Sioux (circa 1840-1877)
loose translation/interpretation by Michael R. Burch

A man must pursue his Vision
as the eagle explores
the sky's deepest blues.

Published by Better Than Starbucks and A Hundred Voices



in-flight convergence
by Michael R. Burch

serene, almost angelic,
the lights of the city ——— extend ———
over lumbering behemoths
shrilly screeching displeasure;
they say
that nothing is certain,
that nothing man dreams or ordains
long endures his command

here the streetlights that flicker
and those blazing steadfast
seem one: from a distance;
descend,
they abruptly
part ———— ways,
so that nothing is one
which at times does not suddenly blend
into garish insignificance
in the familiar alleyways,
in the white neon flash
and the billboards of Convenience

and man seems the afterthought of his own Brilliance
as we thunder down the enlightened runways.

Originally published by The Aurorean and subsequently nominated for the Pushcart Prize



Flight 93
by Michael R. Burch

I held the switch in trembling fingers, asked
why existence felt so small, so purposeless,
like a minnow wriggling feebly in my grasp...

vibrations of huge engines thrummed my arms
as, glistening with sweat, I nudged the switch
to OFF... I heard the klaxon's shrill alarms

like vultures’ shriekings... earthward, in a stall...
we floated... earthward... wings outstretched, aghast
like Icarus... as through the void we fell...

till nothing was so beautiful, so blue...
so vivid as that moment... and I held
an image of your face, and dreamed I flew

into your arms. The earth rushed up. I knew
such comfort, in that moment, loving you.



Flight
by Michael R. Burch

Eagle, raven, blackbird, crow...
What you are I do not know.
Where you go I do not care.
I’m unconcerned whose meal you bear.
But as you mount the sunlit sky,
I only wish that I could fly.
I only wish that I could fly.

Robin, hawk or whippoorwill...
Should men care that you hunger still?
I do not wish to see your home.
I do not wonder where you roam.
But as you scale the sky's bright stairs,
I only wish that I were there.
I only wish that I were there.

Sparrow, lark or chickadee...
Your markings I disdain to see.
Where you fly concerns me not.
I scarcely give your flight a thought.
But as you wheel and arc and dive,
I, too, would feel so much alive.
I, too, would feel so much alive.

This is a poem I wrote in high school. I seem to remember the original poem being influenced by William Cullen Bryant's "To a Waterfowl."



Flying
by Michael R. Burch

I shall rise
and try the ****** wings of thought
ten thousand times
before I fly...

and then I'll sleep
and waste ten thousand nights
before I dream;

but when at last...
I soar the distant heights of undreamt skies
where never hawks nor eagles dared to go,
as I laugh among the meteors flashing by
somewhere beyond the bluest earth-bound seas...
if I'm not told
I’m just a man,
then I shall know
just what I am.

This is one of my early poems, written around age 16-17.



Stage Craft-y
by Michael R. Burch

There once was a dromedary
who befriended a crafty canary.
Budgie said, "You can’t sing,
but now, here’s the thing—
just think of the tunes you can carry!"



Clyde Lied!
by Michael R. Burch

There once was a mockingbird, Clyde,
who bragged of his prowess, but lied.
To his new wife he sighed,
"When again, gentle bride?"
"Nevermore!" bright-eyed Raven replied.



Less Heroic Couplets: ****** Most Fowl!
by Michael R. Burch

“****** most foul!”
cried the mouse to the owl.
“Friend, I’m no sinner;
you’re merely my dinner!”
the wise owl replied
as the tasty snack died.

Published by Lighten Up Online and in Potcake Chapbook #7.



Lance-Lot
by Michael R. Burch

Preposterous bird!
Inelegant! Absurd!
Until the great & mighty heron
brandishes his fearsome sword.



Kissin’ ’n’ buzzin’
by Michael R. Burch

Kissin’ ’n’ buzzin’ the bees rise
in a dizzy circle of two.
Oh, when I’m with you,
I feel like kissin’ ’n’ buzzin’ too.



Delicacy
by Michael R. Burch

for all good mothers

Your love is as delicate
as a butterfly cleaning its wings,
as soft as the predicate
the hummingbird sings
to itself, gently murmuring—
“Fly! Fly! Fly!”
Your love is the string
soaring kites untie.



Lone Wild Goose
by Du Fu (712-770)
loose translation/interpretation by Michael R. Burch

The abandoned goose refuses food and drink;
he cries querulously for his companions.
Who feels kinship for that strange wraith
as he vanishes eerily into the heavens?
You watch it as it disappears;
its plaintive calls cut through you.
The indignant crows ignore you both:
the bickering, bantering multitudes.



The Red Cockatoo
by Po Chu-I (772-846)
loose translation/interpretation by Michael R. Burch

A marvelous gift from Annam—
a red cockatoo,
bright as peach blossom,
fluent in men's language.

So they did what they always do
to the erudite and eloquent:
they created a thick-barred cage
and shut it up.



The Migrant Songbird
Li Qingzhao aka Li Ching-chao (c. 1084-1155)
loose translation/interpretation by Michael R. Burch

The migrant songbird on the nearby yew
brings tears to my eyes with her melodious trills;
this fresh downpour reminds me of similar spills:
another spring gone, and still no word from you...



Lines from Laolao Ting Pavilion
by Li Bai (701-762)
loose translation/interpretation by Michael R. Burch

The spring breeze knows partings are bitter;
The willow twig knows it will never be green again.



The Day after the Rain
Lin Huiyin (1904-1955)
loose translation/interpretation by Michael R. Burch

I love the day after the rain
and the meadow's green expanses!
My heart endlessly rises with wind,
gusts with wind...
away the new-mown grasses and the fallen leaves...
away the clouds like smoke...
vanishing like smoke...



Untitled Translations

Cupid, if you incinerate my soul, touché!
For like you she has wings and can fly away!
—Meleager, loose translation by Michael R. Burch

As autumn deepens,
a butterfly sips
chrysanthemum dew.
—Basho, loose translation/interpretation by Michael R. Burch

Come, butterfly,
it’s late
and we’ve a long way to go!
—Basho, loose translation/interpretation by Michael R. Burch

Up and at ’em! The sky goes bright!
Let’***** the road again,
Companion Butterfly!
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Ah butterfly,
what dreams do you ply
with your beautiful wings?
—Chiyo-ni, loose translation by Michael R. Burch

Oh, dreamlike winter butterfly:
a puff of white snow
cresting mountains
—Kakio Tomizawa, loose translation by Michael R. Burch

Dry leaf flung awry:
bright butterfly,
goodbye!
—Michael R. Burch, original haiku

Will we remain parted forever?
Here at your grave:
two flowerlike butterflies
—Matsuo Basho, loose translation by Michael R. Burch

a soaring kite flits
into the heart of the sun?
Butterfly & Chrysanthemum
—Michael R. Burch, original haiku

The cheerful-chirping cricket
contends gray autumn's gay,
contemptuous of frost
—Matsuo Basho, loose translation by Michael R. Burch

Whistle on, twilight whippoorwill,
solemn evangelist
of loneliness
—Matsuo Basho, loose translation by Michael R. Burch

The sea darkening,
the voices of the wild ducks:
my mysterious companions!
—Matsuo Basho, loose translation by Michael R. Burch

Lightning
shatters the darkness—
the night heron's shriek
—Matsuo Basho, loose translation by Michael R. Burch

This snowy morning:
cries of the crow I despise
(ah, but so beautiful!)
—Matsuo Basho, loose translation by Michael R. Burch

A crow settles
on a leafless branch:
autumn nightfall.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Hush, cawing crows; what rackets you make!
Heaven's indignant messengers,
you remind me of wordsmiths!
—O no Yasumaro (circa 711), loose translation by Michael R. Burch

Higher than a skylark,
resting on the breast of heaven:
this mountain pass.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

An exciting struggle
with such a sad ending:
cormorant fishing.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Does my soul abide in heaven, or hell?
Only the sea gull
in his high, lonely circuits, may tell.
—Glaucus, translation by Michael R. Burch

The eagle sees farther
from its greater height—
our ancestors’ wisdom
—Michael R. Burch, original haiku

A kite floats
at the same place in the sky
where yesterday it floated...
—Yosa Buson, loose translation/interpretation by Michael R. Burch



Descent
by Michael R. Burch

I have listened to the rain all this morning
and it has a certain gravity,
as if it knows its destination,
perhaps even its particular destiny.
I do not believe mine is to be uplifted,
although I, too, may be flung precipitously
and from a great height.



Ultimate Sunset
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

he now faces the Ultimate Sunset,
his body like the leaves that fray as they dry,
shedding their vital fluids (who knows why?)
till they’ve become even lighter than the covering sky,
ready to fly...



Free Fall
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

I see the longing for departure gleam
in his still-keen eye,
and I understand his desire
to test this last wind, like those late autumn leaves
with nothing left to cling to...



Leaf Fall
by Michael R. Burch

Whatever winds encountered soon resolved
to swirling fragments, till chaotic heaps
of leaves lay pulsing by the backyard wall.
In lieu of rakes, our fingers sorted each
dry leaf into its place and built a high,
soft bastion against earth's gravitron—
a patchwork quilt, a trampoline, a bright
impediment to fling ourselves upon.
And nothing in our laughter as we fell
into those leaves was like the autumn's cry
of also falling. Nothing meant to die
could be so bright as we, so colorful—
clad in our plaids, oblivious to pain
we'd feel today, should we leaf-fall again.

Originally published by The Neovictorian/Cochlea



The Folly of Wisdom
by Michael R. Burch

She is wise in the way that children are wise,
looking at me with such knowing, grave eyes
I must bend down to her to understand.
But she only smiles, and takes my hand.
We are walking somewhere that her feet know to go,
so I smile, and I follow...
And the years are dark creatures concealed in bright leaves
that flutter above us, and what she believes—
I can almost remember—goes something like this:
the prince is a horned toad, awaiting her kiss.
She wiggles and giggles, and all will be well
if only we find him! The woodpecker’s knell
as he hammers the coffin of some dying tree
that once was a fortress to someone like me
rings wildly above us. Some things that we know
we are meant to forget. Life is a bloodletting, maple-syrup-slow.

Originally published by Romantics Quarterly



Kin
by Michael R. Burch

for Richard Moore

1.
Shrill gulls,
how like my thoughts
you, struggling, rise
to distant bliss—
the weightless blue of skies
that are not blue
in any atmosphere,
but closest here...

2.
You seek an air
so clear,
so rarified
the effort leaves you famished;
earthly tides
soon call you back—
one long, descending glide...

3.
Disgruntledly you ***** dirt shores for orts
you pull like mucous ropes
from shells’ bright forts...
You eye the teeming world
with nervous darts—
this way and that...
Contentious, shrewd, you scan—
the sky, in hope,
the earth, distrusting man.



Songstress
by Michael R. Burch

Within its starkwhite ribcage, how the heart
must flutter wildly, O, and always sing
against the pressing darkness: all it knows
until at last it feels the numbing sting
of death. Then life's brief vision swiftly passes,
imposing night on one who clearly saw.
Death held your bright heart tightly, till its maw–
envenomed, fanged–could swallow, whole, your Awe.
And yet it was not death so much as you
who sealed your doom; you could not help but sing
and not be silenced. Here, behold your tomb's
white alabaster cage: pale, wretched thing!
But you'll not be imprisoned here, wise wren!
Your words soar free; rise, sing, fly, live again.

A poet like Nadia Anjuman can be likened to a caged bird, deprived of flight, who somehow finds it within herself to sing of love and beauty.



Performing Art
by Michael R. Burch

Who teaches the wren
in its drab existence
to explode into song?
What parodies of irony
does the jay espouse
with its sharp-edged tongue?
What instinctual memories
lend stunning brightness
to the strange dreams
of the dull gray slug
—spinning its chrysalis,
gluing rough seams—
abiding in darkness
its transformation,
till, waving damp wings,
it applauds its performance?
I am done with irony.
Life itself sings.



Lean Harvests
by Michael R. Burch

for T.M.

the trees are shedding their leaves again:
another summer is over.
the Christians are praising their Maker again,
but not the disconsolate plover:
i hear him berate
the fate
of his mate;
he claims God is no body’s lover.

Published by The Rotary Dial and Angle



My Forty-Ninth Year
by Michael R. Burch

My forty-ninth year
and the dew remembers
how brightly it glistened
encrusting September,...
one frozen September
when hawks ruled the sky
and death fell on wings
with a shrill, keening cry.

My forty-ninth year,
and still I recall
the weavings and windings
of childhood, of fall...
of fall enigmatic,
resplendent, yet sere,...
though vibrant the herald
of death drawing near.

My forty-ninth year
and now often I've thought on
the course of a lifetime,
the meaning of autumn,
the cycle of autumn
with winter to come,
of aging and death
and rebirth... on and on.

Originally published by Romantics Quarterly as “My Twenty-Ninth Year”



Myth
by Michael R. Burch

Here the recalcitrant wind
sighs with grievance and remorse
over fields of wayward gorse
and thistle-throttled lanes.
And she is the myth of the scythed wheat
hewn and sighing, complete,
waiting, lain in a low sheaf—
full of faith, full of grief.

Here the immaculate dawn
requires belief of the leafed earth
and she is the myth of the mown grain—
golden and humble in all its weary worth.



What Works
by Michael R. Burch

for David Gosselin

What works—
hewn stone;
the blush the iris shows the sun;
the lilac’s pale-remembered bloom.

The frenzied fly: mad-lively, gay,
as seconds tick his time away,
his sentence—one brief day in May,
a period. And then decay.

A frenzied rhyme’s mad tip-toed time,
a ballad’s languid as the sea,
seek, striving—immortality.

When gloss peels off, what works will shine.
When polish fades, what works will gleam.
When intellectual prattle pales,
the dying buzzing in the hive
of tedious incessant bees,
what works will soar and wheel and dive
and milk all honey, leap and thrive,
and teach the pallid poem to seethe.



Child of 9-11
by Michael R. Burch

a poem for Christina-Taylor Green, who
was born on September 11, 2001 and who
died at age nine, shot to death...

Child of 9-11, beloved,
I bring this lily, lay it down
here at your feet, and eiderdown,
and all soft things, for your gentle spirit.
I bring this psalm — I hope you hear it.

Much love I bring — I lay it down
here by your form, which is not you,
but what you left this shell-shocked world
to help us learn what we must do
to save another child like you.

Child of 9-11, I know
you are not here, but watch, afar
from distant stars, where angels rue
the evil things some mortals do.
I also watch; I also rue.

And so I make this pledge and vow:
though I may weep, I will not rest
nor will my pen fail heaven's test
till guns and wars and hate are banned
from every shore, from every land.

Child of 9-11, I grieve
your tender life, cut short... bereaved,
what can I do, but pledge my life
to saving lives like yours? Belief
in your sweet worth has led me here...
I give my all: my pen, this tear,
this lily and this eiderdown,
and all soft things my heart can bear;
I bring them to your final bier,
and leave them with my promise, here.

Originally published by The Flea



Desdemona
by Michael R. Burch

Though you possessed the moon and stars,
you are bound to fate and wed to chance.
Your lips deny they crave a kiss;
your feet deny they ache to dance.
Your heart imagines wild romance.

Though you cupped fire in your hands
and molded incandescent forms,
you are barren now, and—spent of flame—
the ashes that remain are borne
toward the sun upon a storm.

You, who demanded more, have less,
your heart within its cells of sighs
held fast by chains of misery,
confined till death for peddling lies—
imprisonment your sense denies.

You, who collected hearts like leaves
and pressed each once within your book,
forgot. None—winsome, bright or rare—
not one was worth a second look.
My heart, as others, you forsook.

But I, though I loved you from afar
through silent dawns, and gathered rue
from gardens where your footsteps left
cold paths among the asters, knew—
each moonless night the nettles grew
and strangled hope, where love dies too.

Published by Penny Dreadful, Carnelian, Romantics Quarterly, Grassroots Poetry and Poetry Life & Times



Transplant
by Michael R. Burch

You float, unearthly angel, clad in flesh
as strange to us who briefly knew your flame
as laughter to disease. And yet you laugh.
Behind your smile, the sun forfeits its claim
to earth, and floats forever now the same—
light captured at its moment of least height.
You laugh here always, welcoming the night,
and, just a photograph, still you can claim
bright rapture: like an angel, not of flesh—
but something more, made less. Your humanness
this moment of release becomes a name
and something else—a radiance, a strange
brief presence near our hearts. How can we stand
and chain you here to this nocturnal land
of burgeoning gray shadows? Fly, begone.
I give you back your soul, forfeit all claim
to radiance, and welcome grief’s dark night
that crushes all the laughter from us. Light
in someone Else’s hand, and sing at ease
some song of brightsome mirth through dawn-lit trees
to welcome morning’s sun. O daughter! these
are eyes too weak for laughter; for love’s sight,
I welcome darkness, overcome with light.



Reading between the lines
by Michael R. Burch

Who could have read so much, as we?
Having the time, but not the inclination,
TV has become our philosophy,
sheer boredom, our recreation.



Rilke Translations

Archaic Torso of Apollo
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

We cannot know the beheaded god
nor his eyes' forfeited visions. But still
the figure's trunk glows with the strange vitality
of a lamp lit from within, while his composed will
emanates dynamism. Otherwise
the firmly muscled abdomen could not beguile us,
nor the centering ***** make us smile
at the thought of their generative animus.
Otherwise the stone might seem deficient,
unworthy of the broad shoulders, of the groin
projecting procreation's triangular spearhead upwards,
unworthy of the living impulse blazing wildly within
like an inchoate star—demanding our belief.
You must change your life.



Herbsttag ("Autumn Day")
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

Lord, it is time. Let the immense summer go.
Lay your long shadows over the sundials
and over the meadows, let the free winds blow.
Command the late fruits to fatten and shine;
O, grant them another Mediterranean hour!
Urge them to completion, and with power
convey final sweetness to the heavy wine.
Who has no house now, never will build one.
Who's alone now, shall continue alone;
he'll wake, read, write long letters to friends,
and pace the tree-lined pathways up and down,
restlessly, as autumn leaves drift and descend.

Originally published by Measure



The Panther
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

His weary vision's so overwhelmed by iron bars,
his exhausted eyes see only blank Oblivion.
His world is not our world. It has no stars.
No light. Ten thousand bars. Nothing beyond.
Lithe, swinging with a rhythmic easy stride,
he circles, his small orbit tightening,
an electron losing power. Paralyzed,
soon regal Will stands stunned, an abject thing.
Only at times the pupils' curtains rise
silently, and then an image enters,
descends through arrested shoulders, plunges, centers
somewhere within his empty heart, and dies.



Come, You
by Ranier Maria Rilke
loose translation/interpretation by Michael R. Burch

This was Rilke's last poem, written ten days before his death. He died open-eyed in the arms of his doctor on December 29, 1926, in the Valmont Sanatorium, of leukemia and its complications. I had a friend who died of leukemia and he was burning up with fever in the end. I believe that is what Rilke was describing here: he was literally burning alive.

Come, you—the last one I acknowledge; return—
incurable pain searing this physical mesh.
As I burned in the spirit once, so now I burn
with you; meanwhile, you consume my flesh.
This wood that long resisted your embrace
now nourishes you; I surrender to your fury
as my gentleness mutates to hellish rage—
uncaged, wild, primal, mindless, outré.
Completely free, no longer future's pawn,
I clambered up this crazy pyre of pain,
certain I'd never return—my heart's reserves gone—
to become death's nameless victim, purged by flame.
Now all I ever was must be denied.
I left my memories of my past elsewhere.
That life—my former life—remains outside.
Inside, I'm lost. Nobody knows me here.



Love Song
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

How can I withhold my soul so that it doesn't touch yours?
How can I lift mine gently to higher things, alone?
Oh, I would gladly find something lost in the dark
in that inert space that fails to resonate until you vibrate.
There everything that moves us, draws us together like a bow
enticing two taut strings to sing together with a simultaneous voice.
Whose instrument are we becoming together?
Whose, the hands that excite us?
Ah, sweet song!



The Beggar's Song
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

I live outside your gates,
exposed to the rain, exposed to the sun;
sometimes I'll cradle my right ear
in my right palm;
then when I speak my voice sounds strange,
alien...
I'm unsure whose voice I'm hearing:
mine or yours.
I implore a trifle;
the poets cry for more.
Sometimes I cover both eyes
and my face disappears;
there it lies heavy in my hands
looking peaceful, instead,
so that no one would ever think
I have no place to lay my head.



Ivy
by Michael R. Burch

“Van trepando en mi viejo dolor como las yedras.” — Pablo Neruda
“They climb on my old suffering like ivy.”

Ivy winds around these sagging structures
from the flagstones
to the eave heights,
and, clinging, holds intact
what cannot be saved of their loose entrails.
Through long, blustery nights of dripping condensation,
cured in the humidors of innumerable forgotten summers,
waxy, unguent,
palely, indifferently fragrant, it climbs,
pausing at last to see
the alien sparkle of dew
beading delicate sparrowgrass.
Coarse saw grass, thin skunk grass, clumped mildewed yellow gorse
grow all around, and here remorse, things past,
watch ivy climb and bend,
and, in the end, we ask
if grief is worth the gaps it leaps to mend.



Joy in the Morning
by Michael R. Burch

for my grandparents George Edwin Hurt and Christine Ena Hurt

There will be joy in the morning
for now this long twilight is over
and their separation has ended.
For fourteen years, he had not seen her
whom he first befriended,
then courted and married.
Let there be joy, and no mourning,
for now in his arms she is carried
over a threshold vastly sweeter.
He never lost her; she only tarried
until he was able to meet her.



Prodigal
by Michael R. Burch

This poem is dedicated to Kevin Longinotti, who died four days short of graduation from Vanderbilt University, the victim of a tornado that struck Nashville on April 16, 1998.

You have graduated now,
to a higher plane
and your heart’s tenacity
teaches us not to go gently
though death intrudes.

For eighteen days
—jarring interludes
of respite and pain—
with life only faintly clinging,
like a cashmere snow,
testing the capacity
of the blood banks
with the unstaunched flow
of your severed veins,
in the collapsing declivity,
in the sanguine haze
where Death broods,
you struggled defiantly.

A city mourns its adopted son,
flown to the highest ranks
while each heart complains
at the harsh validity
of God’s ways.

On ponderous wings
the white clouds move
with your captured breath,
though just days before
they spawned the maelstrom’s
hellish rift.

Throw off this mortal coil,
this envelope of flesh,
this brief sheath
of inarticulate grief
and transient joy.

Forget the winds
which test belief,
which bear the parchment leaf
down life’s last sun-lit path.

We applaud your spirit, O Prodigal,
O Valiant One,
in its percussive flight into the sun,
winging on the heart’s last madrigal.



Breakings
by Michael R. Burch

I did it out of pity.
I did it out of love.
I did it not to break the heart of a tender, wounded dove.

But gods without compassion
ordained: Frail things must break!
Now what can I do for her shattered psyche’s sake?

I did it not to push.
I did it not to shove.
I did it to assist the flight of indiscriminate Love.

But gods, all mad as hatters,
who legislate in all such matters,
ordained that everything irreplaceable shatters.



The Quickening
by Michael R. Burch

I never meant to love you
when I held you in my arms
promising you sagely
wise, noncommittal charms.

And I never meant to need you
when I touched your tender lips
with kisses that intrigued my own—
such kisses I had never known,
nor a heartbeat in my fingertips!



It's Halloween!
by Michael R. Burch

If evening falls
on graveyard walls
far softer than a sigh;
if shadows fly
moon-sickled skies,
while children toss their heads
uneasy in their beds,
beware the witch's eye!

If goblins loom
within the gloom
till playful pups grow terse;
if birds give up their verse
to comfort chicks they nurse,
while children dream weird dreams
of ugly, wiggly things,
beware the serpent's curse!

If spirits scream
in haunted dreams
while ancient sibyls rise
to plague black nightmare skies
one night without disguise,
while children toss about
uneasy, full of doubt,
beware the devil's eyes...
it's Halloween!



An Illusion
by Michael R. Burch

The sky was as hushed as the breath of a bee
and the world was bathed in shades of palest gold
when I awoke.
She came to me with the sound of falling leaves
and the scent of new-mown grass;
I held out my arms to her and she passed
into oblivion...

This is one of my early poems, written around age 16 and published in my high school literary journal, The Lantern.



Describing You
by Michael R. Burch

How can I describe you?
The fragrance of morning rain
mingled with dew
reminds me of you;
the warmth of sunlight
stealing through a windowpane
brings you back to me again.

This is an early poem of mine, written as a teenager.



www.firesermon.com
by Michael R. Burch

your gods have become e-vegetation;
your saints—pale thumbnail icons; to enlarge
their images, right-click; it isn’t hard
to populate your web-site; not to mention
cool sound effects are nice; Sound Blaster cards
can liven up dull sermons, zing some fire;
your drives need added Zip; you must discard
your balky paternosters: ***!!! Desire!!!
these are the watchwords, catholic; you must
as Yahoo! did, employ a little lust
if you want great e-commerce; hire a bard
to spruce up ancient language, shed the dust
of centuries of sameness;
lameness *****;
your gods grew blurred; go 3D; scale; adjust.

Published by: Ironwood, Triplopia and Nisqually Delta Review



Her Grace Flows Freely
by Michael R. Burch

July 7, 2007

Her love is always chaste, and pure.
This I vow. This I aver.
If she shows me her grace, I will honor her.
This I vow. This I aver.
Her grace flows freely, like her hair.
This I vow. This I aver.
For her generousness, I would worship her.
This I vow. This I aver.
I will not **** her for what I bear
This I vow. This I aver.
like a most precious incense–desire for her,
This I vow. This I aver.
nor call her “*****” where I seek to repair.
This I vow. This I aver.
I will not wink, nor smirk, nor stare
This I vow. This I aver.
like a foolish child at the foot of a stair
This I vow. This I aver.
where I long to go, should another be there.
This I vow. This I aver.
I’ll rejoice in her freedom, and always dare
This I vow. This I aver.
the chance that she’ll flee me–my starling rare.
This I vow. This I aver.
And then, if she stays, without stays, I swear
This I vow. This I aver.
that I will joy in her grace beyond compare.
This I vow. This I aver.



Second Sight (II)
by Michael R. Burch

Newborns see best at a distance of 8 to 14 inches.
Wiser than we know, the newborn screams,
red-faced from breath, and wonders what life means
this close to death, amid the arctic glare
of warmthless lights above.
Beware! Beware!—
encrypted signals, codes? Or ciphers, noughts?
Interpretless, almost, as his own thoughts—
the brilliant lights, the brilliant lights exist.
Intruding faces ogle, gape, insist—
this madness, this soft-hissing breath, makes sense.
Why can he not float on, in dark suspense,
and dream of life? Why did they rip him out?
He frowns at them—small gnomish frowns, all doubt—
and with an ancient mien, O sorrowful!,
re-closes eyes that saw in darkness null
ecstatic sights, exceeding beautiful.



Incommunicado
by Michael R. Burch

All I need to know of life I learned
in the slap of a moment,
as my outward eye turned
toward a gauntlet of overhanging lights
which coldly burned, hissing—
"There is no way back!..."
As the ironic bright blood
trickled down my face,
I watched strange albino creatures twisting
my flesh into tight knots of separation
all the while tediously insisting—
“He's doing just fine!"



Letdown
by Michael R. Burch

Life has not lived up to its first bright vision—
the light overhead fluorescing, revealing
no blessing—bestowing its glaring assessments
impersonally (and no doubt carefully metered).
That first hard

SLAP

demanded my attention. Defiantly rigid,
I screamed at their backs as they, laughingly,

ripped

my mother’s pale flesh from my unripened shell,
snapped it in two like a pea pod, then dropped
it somewhere—in a dustbin or a furnace, perhaps.

And that was my clue

that some deadly, perplexing, unknowable task
lay, inexplicable, ahead in the white arctic maze
of unopenable doors, in the antiseptic gloom...



Recursion
by Michael R. Burch

In a dream I saw boys lying
under banners gaily flying
and I heard their mothers sighing
from some dark distant shore.

For I saw their sons essaying
into fields—gleeful, braying—
their bright armaments displaying;
such manly oaths they swore!

From their playfields, boys returning
full of honor’s white-hot burning
and desire’s restless yearning
sired new kids for the corps.

In a dream I saw boys dying
under banners gaily lying
and I heard their mothers crying
from some dark distant shore.



Poet to poet
by Michael R. Burch

I have a dream
pebbles in a sparkling sand
of wondrous things.
I see children
variations of the same man
playing together.
Black and yellow, red and white,
stone and flesh, a host of colors
together at last.
I see a time
each small child another's cousin
when freedom shall ring.
I hear a song
sweeter than the sea sings
of many voices.
I hear a jubilation
respect and love are the gifts we must bring
shaking the land.
I have a message,
sea shells echo, the melody rings
the message of God.
I have a dream
all pebbles are merely smooth fragments of stone
of many things.
I live in hope
all children are merely small fragments of One
that this dream shall come true.
I have a dream...
but when you're gone, won't the dream have to end?
Oh, no, not as long as you dream my dream too!
Here, hold out your hand, let's make it come true.
i can feel it begin
Lovers and dreamers are poets too.
poets are lovers and dreamers too



Life Sentence
by Michael R. Burch

... I swim, my Daddy’s princess, newly crowned,
toward a gurgly Maelstrom... if I drown
will Mommy stick the Toilet Plunger down
to **** me up?... She sits upon Her Throne,
Imperious (denying we were one),
and gazes down and whispers “precious son”...

... the Plunger worked; i’m two, and, if not blessed,
still Mommy got the Worst Stuff off Her Chest;
a Vacuum Pump, They say, will do the rest...

... i’m three; yay! whee! oh good! it’s time to play!
(oh no, I think there’s Others on the way;
i’d better pray)...

... i’m four; at night I hear the Banging Door;
She screams; sometimes there’s Puddles on the Floor;
She wants to **** us, or, She wants some More...

... it’s great to be alive if you are five (unless you’re me);
my Mommy says: “you’re WRONG! don’t disagree!
don’t make this HURT ME!”...

... i’m six; They say i’m tall, yet Time grows Short;
we have a thriving Family; Abort!;
a tadpole’s ripping Mommy’s Room apart...

... i’m seven; i’m in heaven; it feels strange;
I saw my life go gurgling down the Drain;
another Noah built a Mighty Ark;
God smiled, appeased, a Rainbow split the Dark;
... I saw Bright Colors also, when She slammed
my head against the Tub, and then I swam
toward the magic tunnel... last, I heard...
is that She feels Weird.



Beast 666
by Michael R. Burch

“... what rough beast... slouches toward Bethlehem to be born?”—W. B. Yeats

Brutality is a cross
wooden, blood-stained,
gas hissing, sibilant,
lungs gilled, deveined,
red flecks on a streaked glass pane,
jeers jubilant,
mocking.

Brutality is shocking—
tiny orifices torn,
impaled with hard lust,
the fetus unborn
tossed in a dust-
bin. The scarred skull shorn,
nails bloodied, tortured,
an old wound sutured
over, never healed.

Brutality, all its faces revealed,
is legion:
Death March, Trail of Tears, Inquisition...
always the same.
The Beast of the godless and of man’s “religion”
slouching toward Jerusalem:
horned, crowned, gibbering, drooling, insane.



America's Riches
by Michael R. Burch

Balboa's dream
was bitter folly—
no El Dorado near, nor far,
though seas beguiled
and rivers smiled
from beds of gold and silver ore.

Drake retreated
rich with plunder
as Incan fled Conquistador.
Aztecs died
when Spaniards lied,
then slew them for an ingot more.

The pilgrims came
and died or lived
in fealty to an oath they swore,
and bought with pain
the precious grain
that made them rich though they were poor.

Apache blood,
Comanche tears
were shed, and still they went to war;
they fought to be
unbowed and free—
such were Her riches, and still are.

Published by Poetic Reflections and Tucumcari Literary Review



Kindergarten
by Michael R. Burch

Will we be children as puzzled tomorrow—
our lessons still not learned?
Will we surrender over to sorrow?
How many times must our fingers be burned?
Will we be children sat in the corner,
paddled again and again?
How long must we linger, playing Jack Horner?
Will we ever learn, and when?
Will we be children wearing the dunce cap,
giggling and playing the fool,
re-learning our lessons forever and ever,
still failing the golden rule?



Photographs
by Michael R. Burch

Here are the effects of a life
and they might tell us a tale
(if only we had time to listen)
of how each imperiled tear would glisten,
remembered as brightness in her eyes,
and how each dawn’s dramatic skies
could never match such pale azure.

Like dreams of her, these ghosts endure
and they tell us a tale of impatient glory...
till a line appears—a trace of worry?—
or the wayward track of a wandering smile
which even now can charm, beguile?

We might find good cause to wonder
as we see her pause (to frown?, to ponder?):
what vexed her in her loveliness...
what weight, what crushing heaviness
turned her lustrous hair a frazzled gray,
and stole her youth before her day?

We might ask ourselves: did Time devour
the passion with the ravaged flower?
But here and there a smile will bloom
to light the leaden, shadowed gloom
that always seems to linger near...
And here we find a single tear:
it shimmers like translucent dew
and tells us Anguish touched her too,
and did not spare her for her hair
of copper, or her eyes' soft hue.

Published in Tucumcari Literary Review



Numbered
by Michael R. Burch

He desired an object to crave;
she came, and she altared his affection.
He asked her for something to save:
a memento for his collection.
But all that she had was her need;
what she needed, he knew not to give.
They compromised on a thing gone to seed
to complete the half lives they would live.
One in two, they were less than complete.
Two plus one, in their huge fractious home
left them two, the new one in the street,
then he, by himself, one, alone.
He awoke past his prime to new dawn
with superfluous dew all around,
in ten thousands bright beads on his lawn,
and he knew that, at last, he had found
a number of things he had missed:
things shining and bright, unencumbered
by their price, or their place on a list.
Then with joy and despair he remembered
and longed for the lips he had kissed
when his days were still evenly numbered.



Nucleotidings
by Michael R. Burch

“We will walk taller!” said Gupta,
sorta abrupta,
hand-in-hand with his mom,
eyeing the A-bomb.

“Who needs a mahatma
in the aftermath of NAFTA?
Now, that was a disaster,”
cried glib Punjab.

“After Y2k,
time will spin out of control anyway,”
flamed Vijay.

“My family is relatively heavy,
too big even for a pig-barn Chevy;
we need more space,”
spat What’s His Face.

“What does it matter,
dirge or mantra,”
sighed Serge.

“The world will wobble
in Hubble’s lens
till the tempest ends,”
wailed Mercedes.

“The world is going to hell in a bucket.
So **** it and get outta my face!
We own this place!
Me and my friends got more guns than ISIS,
so what’s the crisis?”
cried Bubba Billy Joe Bob Puckett.



All My Children
by Michael R. Burch

It is May now, gentle May,
and the sun shines pleasantly
upon the blousy flowers
of this backyard cemet'ry,
upon my children as they sleep.

Oh, there is Hank in the daisies now,
with a mound of earth for a pillow;
his face as hard as his monument,
but his voice as soft as the wind through the willows.

And there is Meg beside the spring
that sings her endless sleep.
Though it’s often said of stiller waters,
sometimes quicksilver streams run deep.

And there is Frankie, little Frankie,
tucked in safe at last,
a child who weakened and died too soon,
but whose heart was always steadfast.

And there is Mary by the bushes
where she hid so well,
her face as dark as their berries,
yet her eyes far darker still.

And Andy... there is Andy,
sleeping in the clover,
a child who never saw the sun
so soon his life was over.

And Em'ly, oh my Em'ly...
the prettiest of all...
now she's put aside her dreams
of lovers dark and tall
for dreams dreamed not at all.

It is May now, merry May
and the sun shines pleasantly
upon the green gardens,
on the graves of all my children...
But they never did depart;
they still live within my heart.

I wrote this poem around age 15-16.



Kingdom Freedom
by Michael R. Burch

LORD, grant me a rare sweet spirit of forgiveness.
Let me have none of the lividness
of religious outrage.

LORD, let me not be over-worried
about the lack of “morality” around me.
Surround me,
not with law’s restrictive cage,
but with Your spirit, freer than the wind,
so that to breathe is to have freest life,
and not to fly to You, my only sin.



Birthday Poem to Myself
by Michael R. Burch

LORD, be no longer this Distant Presence,
Star-Afar, Righteous-Anonymous,
but come! Come live among us;
come dwell again,
happy child among men—
men rejoicing to have known you
in the familiar manger’s cool
sweet light scent of unburdened hay.
Teach us again to be light that way,
with a chorus of angelic songs lessoned above.
Be to us again that sweet birth of Love
in the only way men can truly understand.
Do not frown darkening down upon an unrighteous land
planning fierce Retributions we require, and deserve,
but remember the child you were; believe
in the child I was, alike to you in innocence
a little while, all sweetness, and helpless without pretense.
Let us be little children again, magical in your sight.
Grant me this boon! Is it not my birthright—
just to know you, as you truly were, and are?
Come, be my friend. Help me understand and regain Hope’s long-departed star!



Litany
by Michael R. Burch

Will you take me with all my blemishes?
I will take you with all your blemishes, and show you mine. We’ll **** wine from cardboard boxes till our teeth and lips shine red like greedily gorging foxes’. We’ll swill our fill, then have *** for hours till our neglected guts at last rebel. At two in the morning, we’ll eat cold Krystals as our blood detoxes, and we will be in love.

And that’s it?
That’s it.

And can I go out with my friends and drink until dawn?
You can go out with your friends and drink until dawn, come home lipstick-collared, pass out by the pool, or stay at the bar till the new moon sets, because we'll be in love, and in love there's no room for remorse or regret. There is no right, no wrong, and no mistrust, only limb-numbing ***, hot-pistoning lust.

And that’s all?
That’s all.

That’s great!
But wait...

Wait? Why? What’s wrong?
I want to have your children.

Children?
Well, perhaps just one.

And what will happen when we have children?
The most incredible things will happen—you’ll change, stop acting so strangely, start paying more attention to me, start paying your bills on time, grow up and get rid of your horrible friends, and never come home at a-quarter-to-three drunk from a night of swilling, smelling like a lovesick skunk, stop acting so lewdly, start working incessantly so that we can afford a new house which I will decorate lavishly and then grow tired of in a year or two or three, start growing a paunch so that no other woman would ever have you, stop acting so boorishly, start growing a beard because you’re too tired to shave, or too afraid, thinking you might slit your worthless wrinkled throat...



Mending Glass
by Michael R. Burch

In the cobwebbed house—
lost in shadows
by the jagged mirror,
in the intricate silver face
cracked ten thousand times,
silently he watches,
and in the twisted light
sometimes he catches there
a familiar glimpse of revealing lace,
white stockings and garters,
a pale face pressed indiscreetly near
with a predatory leer,
the sheer flash of nylon,
an embrace, or a sharp slap,
... a sudden lurch of terror.

He finds bright slivers
—the hard sharp brittle shards,
the silver jags of memory
starkly impressed there—
and mends his error.



Shadowselves
by Michael R. Burch

In our hearts, knowing
fewer days—and milder—beckon,
how are we, now, to measure
that flame by which we reckon
the time we have remaining?

We are shadows
spawned by a blue spurt of candlelight.
Darkly, we watch ourselves flicker.

Where shall we go when the flame burns less bright?
When chill night steals our vigor?

Why are we less than ourselves? We are shadows.

Where is the fire of youth? We grow cold.

Why does our future loom dark? We are old.

Why do we shiver?

In our hearts, seeing
fewer days—and briefer—breaking,
now, even more, we treasure
the brittle leaf-like aching
that tells us we are living.



Pressure
by Michael R. Burch

Pressure is the plug of ice in the frozen hose,
the hiss of water within vinyl rigidly green and shining,
straining to writhe.

Pressure is the kettle’s lid ceaselessly tapping its tired dance,
the hot eye staring, its frantic issuance
unavailing.

Pressure is the bellow’s surge, the hard forged
metal shedding white heat, the beat of the clawed hammer
on cold anvil.

Pressure is a day’s work compressed into minutes,
frantic minute vessels constricted, straining and hissing,
unable to writhe,

the fingers drumming and tapping their tired dance,
eyes staring, cold and reptilian,
hooded and blind.

Pressure is the spirit sighing—reflective,
restrictive compression—an endless drumming—
the bellows’ echo before dying.

The cold eye—unblinking, staring.
The hot eye—sinking, uncaring.



Open Portal
by Michael R. Burch

“You already have zero privacy—get over it.”
Scott McNealy, CEO of Sun Microsystems

While you’re at it—
don’t bother to wear clothes:
We all know what you’re concealing underneath.

Let the bathroom door swing open.
Let, O let Us peer in!
What you’re doing, We’ve determined, may be a sin!

When you visit your mother
and it’s time to brush your teeth,
it’s okay to openly spit.

And, while you’re at it,
go ahead—
take a long, noisy ****.

What the he|ll is your objection?
What on earth is all this fuss?
Just what is it, exactly, you would hide from US?



beMused
by Michael R. Burch

Perhaps at three
you'll come to tea,
to sip a cuppa here?

You'll just stop in
to drink dry gin?
I only have a beer.

To name the greats:
Pope, Dryden, mates?
The whole world knows their names.

Discuss the songs
of Emerson?
But these are children's games.

Give me rhythm
wild as Dylan!
Give me Bobbie Burns!

Give me Psalms,
or Hopkins’ poems,
Hart Crane’s, if he returns!

Or Langston railing!
Blake assailing!
Few others I desire.

Or go away,
yes, leave today:
your tepid poets tire.



The Century’s Wake
by Michael R. Burch

lines written at the close of the 20th century

Take me home. The party is over,
the century passed—no time for a lover.

And my heart grew heavy
as the fireworks hissed through the dark
over Central Park,
past high-towering spires to some backwoods levee,
hurtling banner-hung docks to the torchlit seas.
And my heart grew heavy;
I felt its disease—
its apathy,
wanting the bright, rhapsodic display
to last more than a single day.

If decay was its rite,
now it has learned to long
for something with more intensity,
more gaudy passion, more song—
like the huddled gay masses,
the wildly-cheering throng.

You ask me—
How can this be?

A little more flair,
or perhaps only a little more clarity.

I leave her tonight to the century’s wake;
she disappoints me.



Salve
by Michael R. Burch

for the victims and survivors of 9-11

The world is unsalvageable...
but as we lie here
in bed
stricken to the heart by love
despite war’s
flickering images,
sometimes we still touch,
laughing, amazed,
that our flesh
does not despair
of love
as we do,
that our bodies are wise
in ways we refuse
to comprehend,
still insisting we eat,
drink...
even multiply.

And so we touch...
touch, and only imagine
ourselves immune:
two among billions
in this night of wished-on stars,
caresses,
kisses,
and condolences.

We are not lovers of irony,
we
who imagine ourselves
beyond the redemption
of tears
because we have salvaged
so few
for ourselves...

and so we laugh
at our predicament,
fumbling for the ointment.



Stump
by Michael R. Burch

This used to be a poplar, oak or elm...
we forget the names of trees, but still its helm,
green-plumed, like some Greek warrior’s, nobly fringed,
with blossoms almond-white, but verdant-tinged,
this massive helm... this massive, nodding head
here contemplated life, and now is dead...

Perhaps it saw its future, furrow-browed,
and flung its limbs about, dejectedly.
Perhaps it only dreamed as, cloud by cloud,
the sun plod through the sky. Heroically,
perhaps it stood against the mindless plots
of concrete that replaced each flowered bed.
Perhaps it heard thick loggers draw odd lots
and could not flee, and so could only dread...

The last of all its kind? They left its stump
with timeworn strange inscriptions no one reads
(because a language lost is just a bump
impeding someone’s progress at mall speeds).

We leveled all such “speed bumps” long ago
just as our quainter cousins leveled trees.
Shall we, too, be consumed by what we know?
Once gods were merely warriors; august trees
were merely twigs, and man the least divine...
mere fables now, dust, compost, turpentine.



First Dance
by Michael R. Burch

for Sykes and Mary Harris

Beautiful ballerina—
so pert, pretty, poised and petite,
how lightly you dance for your waiting Beau
on those beautiful, elegant feet!

How palely he now awaits you, although
he’ll glow from the sparks when you meet!



Keep the Body Well
by Michael R. Burch

for William Sykes Harris III

Is the soul connected to the brain
by a slender silver thread,
so that when the thread is severed
we call the body “dead”
while the soul — released from fear and pain —
is finally able to rise
beyond earth’s binding gravity
to heaven’s welcoming skies?

If so — no need to quail at death,
but keep the body well,
for when the body suffers
the soul experiences hell.



On Looking into Curious George’s Mirrors
by Michael R. Burch

for Maya McManmon, granddaughter of the poet Jim McManmon

Maya was made in the image of God;
may the reflections she sees in those curious mirrors
always echo back Love.

Amen



Maya’s Beddy-Bye Poem
by Michael R. Burch

for Maya McManmon, granddaughter of the poet Jim McManmon

With a hatful of stars
and a stylish umbrella
and her hand in her Papa’s
(that remarkable fella!)
and with Winnie the Pooh
and Eeyore in tow,
may she dance in the rain
cheek-to-cheek, toe-to-toe
till each number’s rehearsed...
My, that last step’s a leap! —
the high flight into bed
when it’s past time to sleep!

Note: “Hatful of Stars” is a lovely song and image by Cyndi Lauper.



Chip Off the Block
by Michael R. Burch

for Jeremy

In the fusion of poetry and drama,
Shakespeare rules! Jeremy’s a ham: a
chip off the block, like his father and mother.
Part poet? Part ham? Better run for cover!
Now he’s Benedick — most comical of lovers!

NOTE: Jeremy’s father is a poet and his mother is an actress; hence the fusion, or confusion, as the case may be.



Whose Woods
by Michael R. Burch

Whose woods these are, I think I know.
**** Cheney’s in the White House, though.
He will not see me stopping here
To watch his chip mills overflow.

My sterile horse must think it queer
To stop without a ’skeeter near
Beside this softly glowing “lake”
Of six-limbed frogs gone nuclear.

He gives his hairless tail a shake;
I fear he’s made his last mistake—
He took a sip of water blue
(Blue-slicked with oil and HazMat waste).

Get out your wallets; ****’s not through—
Enron’s defunct, the bill comes due...
Which he will send to me, and you.
Which he will send to me, and you.



1-800-HOT-LINE
by Michael R. Burch

“I don’t believe in psychics,” he said, “so convince me.”

When you were a child, the earth was a joy,
the sun a bright plaything, the moon a lit toy.
Now life’s minor distractions irk, frazzle, annoy.
When the crooked finger beckons, scythe-talons destroy.

“You’ll have to do better than that, to convince me.”

As you grew older, bright things lost their meaning.
You invested your hours in commodities, leaning
to things easily fleeced, to the convenient gleaning.
I see a pittance of dirt—untended, demeaning.

“Everyone knows that!” he said, “so convince me.”

Your first and last wives traded in golden bands
for vacations from the abuses of your cruel hands.
Where unwatered blooms line an arid plot of land,
the two come together, waving fans.

“Everyone knows that. Convince me.”

As your father left you, you left those you brought
to the doorstep of life as an afterthought.
Two sons and a daughter tap shoes, undistraught.
Their tears are contrived, their condolences bought.

“Everyone knows that. CONVINCE me.”

A moment, an instant... a life flashes by,
a tunnel appears, but not to the sky.
There is brightness, such brightness it sears the eye.
When a life grows too dull, it seems better to die.

“I could have told you that!” he shrieked, “I think I’ll **** myself!”

Originally published by Penny Dreadful



Lines for My Ascension
by Michael R. Burch

I.
If I should die,
there will come a Doom,
and the sky will darken
to the deepest Gloom.

But if my body
should not be found,
never think of me
in the cold ground.

II.
If I should die,
let no mortal say,
“Here was a man,
with feet of clay,

or a timid sparrow
God’s hand let fall.”
But watch the sky darken
to an eerie pall

and know that my Spirit,
unvanquished, broods,
and cares naught for graves,
prayers, coffins, or roods.

And if my body
should not be found,
never think of me
in the cold ground.

III.
If I should die,
let no man adore
his incompetent Maker:
Zeus, Jehovah, or Thor.

Think of Me as One
who never died—
the unvanquished Immortal
with the unriven side.

And if my body
should not be found,
never think of me
in the cold ground.

IV.
And if I should “die,”
though the clouds grow dark
as fierce lightnings rend
this bleak asteroid, stark...

If you look above,
you will see a bright Sign—
the sun with the moon
in its arms, Divine.

So divine, if you can,
my bright meaning, and know—
my Spirit is mine.
I will go where I go.

And if my body
should not be found,
never think of me
in the cold ground.

Keywords/Tags: flight, flying, fancy, kites, leaves, birds, bees, butterflies, wings, heights, fall, falling
Mateuš Conrad Sep 2015
"z małej chmurki duży deszcz," wódz apache mały obłok.
"czołg kości i gniewu rozpacz ," wojownik głuche ucho.

i was partially wrong about the cantos,
for one, the fifth canto is easily
read in silence, it is almost desperate,
but what's striking if anything is the line:

   a wet cat gleaming in patches.

since it appears twice, you can see that
in lyrical poetry, the driving mechanism
of a poem, the mechanism of lyricism
is not a technique as such, by the holding to
dear life on a ledge with your nails
with only one hand / line.
you can see that ezra did not want to
abandon what he already started, given
that the above mentioned line appears
halfway through the poem, yet it's what's
driving the poem to a finality,
otherwise this canto compared with the four
prior seems mediocre, mediocre
in the missed bombast, therefore read
easily without loosening the larynx
or buttering it with wine while it dries up
in utterances; and yes, the line appears
a second time, right at the end:

    tiber catching the nap, the moonlit velvet,
    a wet cat gleaming in patches.
    "se pia," varchi,
    "o empia, ma risoluto
    "e terribile deliberazione."
    but
sayings run in the wind,
   * ma se morisse!

                                     (canto v)

the beauty of it now though, being oblivious
to the rigidity of term-trick-entrapment,
because if that line was changed in its consistency
into a metaphor: a wet cat gleaming in patches like...
the poem could not regain a momentum,
because the poet would then pause
and try the comparative route, which would leave
him panting and acid aching to the marrow
to try and substitute this image for another
on an polaroid chessboard of imagery,
but it comes nonetheless, spontaneously like
a winding river, this might be called a metaphorical
couplet, in that the searching for comparison
ends with the cat representing tiber.

so the gods noticed - man's wisdom ushered in
the winds which took man's wisdom into the vortex
of the seven tornados, and from the seven tornados
no wisdom spoke, yet the gods ushered in
the fires and sinews and there they spoke
engulfed by some hysterics to speak once and seize
condemning by the joy of the original craft intended,
and so as a puncture the foolery leisured itself
listening to the harvester of man's wise sayings,
with man's wisdom so given unto the winds
returned as only a flute-like whistle in public
on the gentle goat hoof heel trot
(i know, had but goats hoofs and heels
and cats thumbs, but it's poetry,
sounds don't necessarily reflect pythagorean
rigidity in utilising the sounds
that hardly reflect with pristine images
of rational conformity - couldn't spare
the extra hatch to be ** ** honest).

both... extensive typo, that produced the last
scratched bulge ending with
the goat playing the castanets with its hoofs.
I keep falling in love
with my mother,
I dont want to hurt her
-Of all people to hurt.

Every time I see her
she's grown older
But her uniform always
amazes me
For its Dutch simplicity
And the Doll she is,
The doll-like way
she stands
Bowlegged in my dreams,
Waiting to serve me.

And I am only an Apache
Smoking Hashi
In old Cabashy
By the Lamp.
Mateuš Conrad Sep 2016
they (yeah, the paranoid pronoun, esp. in how it's used for abstract coordinates, concretely? conformists) decided it was easier to fill a psychiatrist's gob with my presence, and for psychiatrists to pay the mortgage with someone who they termed schizophrenic, forgetting the fact that the person in question was bilingual - odd how humanists confuse bilingualism with schizophrenia, maybe a coin flip later and we'd get biphrenic? that's pushing it, but it just might work to describe an atom evolved into a human form... basically in two places at the same time: confederacy of archaeological theology - and by being in two places, behaving differently in each stated sphere of observation... that's it though! theology translates as archaeology in science, excavating the designation of the argument of the spider and the spiderweb, the perfect yoga instructor, one position fits all... because scientific positivism is dead... it's dead... we're experiencing a transition into scientific negativism, mainly because there's a plumber's conundrum of a blocked fact-machine... which turned out to be a fat-machine... we're just hearing the same ****, over and over again.

i never knew it, but when humanism was born
it came across the challenges of
Darwinism (Aristotle's footnote),
with all due respect for humanism
though,
             humanism gave us
the most apathetic formulation of
any faith at all...
and do you see a rebellion happening
anywhere concerning this?
i see a bunch of ****-naked Amazonian
nomads singing the huh? huh?! song...
esp. when they see safety-hats and
tractors... me? i live in the
outer suburbs of a Greek city-state...
when you're walking down the
street and see a bare chested driver
of a tractor, and a loser (me) drinking beer
while the police pass by in their cruiser
and don't give a ****... well...
welcome to the Fe (iron) Fe Fe feral land...
(almost a sneeze, but not quiet)
metro-****** pinkies anywhere?
no... root that **** into your brains
you urban wankers... stay there,
rot... keep up the debauchery of
Beckton's recycling centre...
oh sure, keep the theatres open,
with Simon & Garfunkel applause of song...
like ballerinas and fat operas needed
an exercise regime...
Darwinism is brutal enough,
it's brutal, it's not pretty,
looking at it from a creationist perspective
you'll only get brutality from it,
only an Zimbabwe born englishman would
care to champion it... oh look!
a monkey ******* a ferret!
i cried today... my female cat was inspired
when a squirrel started doing gymnastics
on my garden fence, one paw tucked against
its chest... i haven't seen a squirrel in my
garden for a while, i've shown her a hedgehog
once, but a squirrel? try catching a squirrel!
it's like catching the ******* of a mosquito
wearing boxing gloves... or Zeno...
i cried my eyes out, by a squirrel...
acrobatic rats that hate throngs...
the simplest of things bring the greatest of joys,
and a consistency in thinking about
death make the simple assurances of mortality
so much more appreciated...
of course i think about death... why wouldn't
i? so this homeless man has a tent...
they're dragging them in, he says:
i haven't done anything wrong...
the military-industrial complex isn't secular at all...
psychiatrists are the complex's priests...
they're looking for subjects to ensure they earn
while giving oral *** to pharmaceutical companies...
and that's the *cul de sac
truth -
no, wait... humanism's religious doctrine is
Darwinism, can't deviate from that,
keep a kettle and a sun on the same timescale,
i'm Caribbean lazy though...
you with beer and joint, me with beer and another
and another beer and an Apache echo impression
of echoing-yawn,
we have evolved past mating calls of animals...
all we have are warring calls... la la la for simplicity...
or in verse of new Zealander Haka:
                           ****, have no funny lyrics...
where was Darwinism when mating calls became
subtle and we exchanged mating calls for warring chants?
where was Darwinism then?
you telling me i have to own a watch, a mansion,
a nice car and enough money for a child's private
education to make one at all? pretty subtle
and all the more less colourful... you can ask me:
where was god when the Holocaust happened...
i'd reply: where was a decent joke?
apparently Moses died from laughter...
now i'm stuck with having to proof read
the first print of my book... that's going to be
agonising... i hate rereading my work...
and aren't we in a standing still position,
on an escalator, or the journalists are gullible,
i mean they're worse than pigs, they're eating
regurgitated facts... they're the ones that always
end up saying: if it ain't broken, break it...
that's their magnum opus fixation, and
the recycling bin... that's what they're there for,
i bet you a hundred quid that Putin's tears
would have turned into diamonds if they fell
on St. Basil's onion domes...
all these ****-incubating-real-emotion
calculators of the English parliament are worth
a psychiatric sketch show... punchline?
you ain't ever ever getting out, ha ha!
Darwinism is cruel, and people sort of like
the whips of a static history, sometimes they come back
to the 17th century and make a television program,
sometimes they have a chance encounter
to cite something from the only century that can
be experienced with anatomical dissection skill:
namely the 20th, or to be accurate, the 2nd half
of the 20th century... most of the time they haven't
the foggiest about history these days,
they're either electron-clouds of electron-orbits,
ping-pong between these two conceptions...
they're always pro-neutral (proton-neutron
centre) - and indeed the tetragrammaton invested
in Ke$ha... ka-ching! sz sh sharpener of wit...
got to love tactical pop, or the caveman ontological
obituary of buying alkaline batteries...
i bought alkaline batteries last year,
which technically makes me a caveman...
compact disks make me a caveman...
books make me a caveman... i'm a ******* caveman!
drag my woman by her hair...
what a great Darwinism provides,
we're all comparatively stone-age...
i love how we just made all history between that
into cf. snippets, and how the caveman attitude
is supposedly a ****** pill to supercharge our
attitudes into beastly thumps and gurgles and
elbows up the **** thrills...
Darwinism is cruel, Darwinism is currently the
theology of humanism... but once upon a time
the religious aspect (or in humanism's behaviour prescription)
was ascribed to one hour on Sunday...
now we're sorta stuck in a church, 24 / 7...
now we're all our own ritual makers...
we have the holy communions of buying a certain
type of coffee in a shop, or it's called curry Friday
and Saturday takeaway randomisation,
gathering the ready-meals Sunday to Thursday...
everyone having the busiest of lives...
if religion is dead, then i must be a nun.
i don't think Darwinism actually attacked theology...
some people are proper pranksters with
the notion that Darwinism attacked theology,
some get to play Jesus in some biblical theme park...
what i think Darwinism damaged, primarily,
is history... if journalists keep spanning
historical references from here & now and
that greatest ontological excuse: caveman once,
Chanel model no. 2, we'll surely sell many
more shaving equipment tools and sanity pills as we go
along into 24h / insomnia society...
me? i'm out... i'll be keeping my imagination
honed toward the Faroe Islands, along with my sanity.
Mateuš Conrad May 2016
after reading irish literature,
you sort of end up cuckoo
with an Apache yawn;
try Samuel Beckett's Watt
and you'll get v.i.p. status for sure.
The Centurion Jul 2020
I'm silent and swift as the night.
You'll never know when I'll spring and fight.
I'll fight you in the canyons or on open ground.
While you'll look frantically all around.

I'll scream and howler to strike you with fear.
I'm the wolf, while you are the deer.
Tomahawk, bow or knife.
Are the tools I use to take your life.

The Apache
Oliver Philip Dec 2018
Scorpio ♏️
~~~~~
Scorpio needs the healing of Aquamarine
Charolite, Turquoise, Malachite or Emerald
Obsidian Black , Golden Topaz and Boji Stone
Ruby, Lapis Lazuli,Green Tourmaline,Kunzite
Peridot , Rainbow Moonstone, Rhodochrosite.
I know of Variscite Hiddenite n Apache tears.
Or Herkimer Diamond ,Hiddenite , or Variscite
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Written by Philip
December 22nd 2018.
The healing crystals of Scorpio
Mateuš Conrad May 2020
an entire day of abstaining from "syringe",
whoever said it was:
the perfect dis-satisfaction -
supposedly it passes as quick as someone
puffing on crack...
                well...
                      the first cigarette...
when "quitting"... after years of 20 a day...
and this quitting: because no cheap
ciagarettes on the horizon from moldova...
or bulgaria...

    the first hit... feels like electricity...
i can feel it from my head...
right down to my toes...
          in my heels...
the tingling at first... then it all subsides...
into a sensation of a thrown stone
into the stomach:
like a nun jumping a bungee...
i feel like a teenager... who first sipped
alcohol...
the carousel of intoxication -
yet: so contained...
        there's the thrill and an
insurmountable number of adjectives
to the sensation:
face like a sponge head like blitzkrieg
theatre...
         i'm "quitting"...
well... 10 years exposed to the numbing...
perfect the ritual:
i guess i must...
    how long will it last... long enough:
to base the drinking on what becomes
the cigarette: on the peripheries:
and closure...

must i take any more revelation drugs...
apart from what's taxed and legal...
a solipsistic cigarette and some
gomme syrope: putting ms. amber
into the refrigerator...
              
i can feel the horde the tsunami from
a fat head through
a whirlwind dropped into my stomach...
and then the magic toes: tingling...
of course: i'm "quitting"...
quitting as much as...
mellow lou reed contra iggy pop
when bowie was with him in berlin...

"quitting"... the initial hit is over...
the first impressions...
the formality is thrilling...
then comes the diffusion:
the informality of fractions and percentages...
from the brain... the nerves...
perhaps the heart...
and the last place to look into:
the liver...

         and other... soft-tissue glue parts...
and the ritual:
a packet of benson & hedges...
wrapped up with about 10 rubber bands...
it has been waiting for me
for the entire day...
and now that the night is here...
a day when an apple tree was planted
along with a cherry tree...

the garden is looking more and more
presentable for sale...
but before the sale: it must be enjoyed...
i never thought that...
a cigarette: after... this short prospect
of abstinance...
is almost like the first...
but when coupled with the whiskey...
hell... i can't remember the last
time i drank and it felt like...
i was a teenager: under-age drinking
in one of those ****** clubs that
high-school girls go to find boys
with cars... out of school without
a-levels...
and boys go... to find... ms. ambers...
and jazzy gits of mr. fuzzy mr. funny...
the bavarian brothers: the weisers...

please! please! more...
these days of "quitting"...
             because what could be fun
about an absolute cold-turkey...
when you have a stash of...
  600 cigarettes... and... if the math is
about right...
and since the free movement of
people is a rapunzel dream off-the-cuff...

600 cigarettes... if i get it right...
move from 2 per ritual of going to bed...
into 1... that's... either a year
with missing 56 days somewhere...
no rolling tobacco though...
look m'ah! no bongs no syringes!
look p'ah! no snorting bleeding nose...
no... plum bruises from...

as long as there's an inhibition period...
a period of: i wish i could send
a postcard from... Basildon, Essex...
to... someone obliterated by a craze-maze
of lights... like... whatever...

i just heard stories...
                  about the effects of other drugs...
but... it's not like they come back...
with straitjackets to rekindle old flames
of "crossing the threshold" within
the confines of tobacco and alcohol...
moderately: well: not to quote the ideal
units consumed...
     i'm pretty sure i read some pickwick papers
today and... dickens "forgot" some...
conjunction words...
unless of course: his style...
                    -open            
                          to question-
                        esp. adjectives that...
or is it... nouns that act like this that and the other:
as if verbs...
            
    roughly half an hour... the full extent of
a cigarette...
the very first is probably the same
as the "very first" when you're "quitting"...
from circa 20 per day...
to 2-a-day...
                      "quitting" and first getting
hooked...
           the whiskers and fire fathers
                                   of the apache
              are a balancing act that follows...
oh sure... i'll quit smoking...
when the ritual is over...
i have left the casual smoker behind...
somewhere... over coffee...
over the tradition of that cigarette after
a meal: the digestifs smoke-up...
i left these smokers behind...
the nervous smokers...
the waiting at a bus-stop smokers...
the after *** smokers...

          the day is coming to an end...
i'm going to enjoy some music...
drink a little... i'll start calling this smoking
cigarette pattern... what? what else?!
my tobacco ramadam!
chances are... i'll still be unable
to appreciate roxy music...
   and the english dandy...
                       the music is here...
the little bit of *****... and the "pipe"!
here comes my face...
here comes the zoo...
            
             but i'm quitting... "quitting"...
the wolf of wall st. -
                      drug addict... that all depends
on how you treat tobacco...
the cigarette... abstaining for a day...
after a "hiatus" from healthy breathing...
viruses and car zinc and lead exhausts...
cow farts...
                  
    a terrible way to treat tobacco...
i find... is the casual... informal way...
a bit like... internet access...
whoever grew up with it being stationary...
like... a telephone... or a phonebox...
it was never carried:
always a returned to:
like a swizz safety-deposit box
in a bank... that could...
bypass tax regulations and subpoenas...

the good old days...
saturdays the park... the high street...
the car park... climbing to the top
and spitting phlegm bombs at people...
peter ******* richardson...
and kieran o'mahoney...
samuel richards...
         a ****** among the irish...
in england...
then again: richardson...
eh...
                                   ascot?
      i.e. a shcoot?!
                    the break between my first
ritual cigarette...
         and my closing affair for the night...
whether i drink less or not...
in the middle of the night
i wake up on the floor...
         i sleep on the floor for about
an hour... two demons want to ****
in my bed... then i'm thrown back into
the bed of cushions and mattress...
  only yesterday i killed someone in my dream...
and i was... like the zodiac killer...
anonymous...
i heard hook & sinker teases of:
the crime scene read like a crime thriller...
to appease the ego...

two days running thrown out of bed...
this is a terribly composed...
it is... "quarantine" poetics...
i'm "quitting" smoking...
                   i'm making tobacco...
i'm giving tobacco ritual rites...
                   no lazy tobacco smoking...
end of the day... ms. amber in hand...
maxing out on 2!
the next two? the next day...
              the same packet of cigarettes...
2 inside with a lighter...
wrapped up using about 10 rubber bands...
a like-for-like replica of
pin-heads "tattoo geography"...

       yes... because... someone's nearing
the snorting olympics?!
           if all you were given...
was tobacco and alcohol...
             the first one... oh! mein! gott!
it feels like being a teenager... once more...
and experiencing the alcohol carousel
for the very first time...
tobacco? that came later...
after the alcohol... after the ****...
the **** came in age 21...
the tobacco came in... age 21.09...
whatever that implies...

                      it's nice... though...
absitance... you wait for the entire day...
by the of it... some variant of... tourette's kicks
in... it's all very nice asking for
cupcakes and bagels...
scones and daffodils:
or... suicide by: lily-of-the-valley...
i.e. room filled with them...
and no ventilation...
talk about... no hanging... projects...
of Seneca cutting wrists in a bath...
just... getting drunk...
and being allowed to fall asleep
in a vacuous room filled with
lily-of-the-valley bouquets...

             we can talk about suicide... no?
when... it's... beautiful? no? ha!
how was the hemlock... prescribed?
as a drink?
             i... it's almost irritating that...
i will not write anything more sensible
after i take the 2 cigarette to the grave of sleep...
no matter...
i wasn't hoping to invest in much:
today gave me enough.
Joy
Let a joy keep you.
Reach out your hands
And take it when it runs by,
As the Apache dancer
Clutches his woman.
I have seen them
Live long and laugh loud,
Sent on singing, singing,
Smashed to the heart
Under the ribs
With a terrible love.
Joy always,
Joy everywhere--
Let joy **** you!
Keep away from the little deaths.
Mateuš Conrad Nov 2015
with the birth of money the old, ethnically categorised
unity broke apart,
now the rats in banks, now the rats stocking
cheap metal jump the ship called humanity unanimously,
we no longer have tribes of apache, or maori,
we have ethnicity via professions - the ‘i scratch my back
you scratch mine’ lots drawn... the shortest match
gets to be in the philosophy gang of severe individuation:
it’s not that the english languages from philosophy orientated maxims,
the english language is quick on that, quick to spot that,
but in terms of a philosophical narrative like a complex prose book of fiction...
well... its legs are broken, its arms are broken, it’s simply languishing
behind all the truths proofs innuendos and falsities, like an eager puppy.
with the birth of money traditional tribalism died and became
a curiosity prior, the least amazing job in a society with the piston
named money expects us to gratify existential qualms like so:
least responsible most likely to profit... most responsible the type
to be political in salvaging the least responsible role of a postman
or a cashier with lies...
now you... waiting eager for the ear to hear sweater music,
fare well with the anti-communicative charon - ah death
has a boat and a gondolier’s oar, rather than hood wings and a scythe...
see past the pagan burial of putting two coins in the cauldron inferno of
******* stacked to send the signal of the departing soul: partly brain
partly heart... that inverted exoskeleton capacity to feed the idea of soul -
they make break my bones with sticks and stones...
on the outside bruised... but then the surrealism of the inside attracting
an unfamiliar species of thinking: either singing or harking.
with four beers in the churchyard i took the last remnant of my past
with me, a d.c. belt of my ex-girlfriend, and thought about black magic
and voodoo, hanging it on a branch... instead i wrapped it
around the tree and gave it a model’s size 0 circumference,
thus i ended the session thinking about buying new gloves for winter
feeling my hands turn into ivory at the touch of the cold beer can...
but prior i was well aware of the possibilities, when the theft / injury took
place in a frenzy of such jealousy as to acquire theological dimensions of proof:
at least i will leave the world satiated by convenience of the misguided act -
as to answer that famous question: leave numerology aside,
come with me from how you acquired your use of language, your vocabulary,
make me see you turn words to words... away from the jewish tradition
of numerology... let’s face it... would you answer the question:
what’s the meaning of life? with (23 + 8 + 1 + 20 + ~9 +19) etc.?
or would you care to peer in and say:
the question has no verb in it, i.e.: not activity, anyone can ask it
but still prevail in their vector coordination of plumbing or
spanking faraday equations with newton training the monkey to dance:
pronoun (what) 3rd person singular present indicative of be /
you might as well be saying 1st person plural non-present non-indicative of be /
schizophrenic / there’s meaning in the sewer blockage with eager hands to fix it /
the crooked tree with a straight shadow / the badger shrunk from a zebra and became
the petted dalmatian that became a cow (is, i.e. too much is happening) i’m looking at something with myopic directness of the far far blurry / a direct article (the) now open the dictionary and tell me how cave is a ditto of rock and mountain without antonym proximity (noun) prior to me there was ****** and mussolini, pre that while i mind the pro that’s me (of, preposition) the river sooner than soon pours into the ocean and becomes saltwater, it could be called the heraclitus estuary, but it’s the thames we’re talking about; many men became rivers but still the godly wound itched for more bloodshed, and all those that attracted sweet water fish ended up as salt water poisons known as oceans, known as humanity (life).
Hal Loyd Denton Jan 2012
Clueless
Be careful what you wish for is the old saying what person hasn’t wished they had a monkey well I didn’t just wish I dutifully sent my
nineteen ninety five off to Florida one squirrel monkey please in about a week he arrived at Jefferson what a thrill he came in a little
Wood crate not much bigger than a shoe box at first I was upset by the meager delivery package soon I would be wishing it came with
A small monkey sized straight jacket you felt sorry for him all alone in a strange place it would be like a wagon train seeing a lone
Indian oh how sad he probably feels intimidated by all of us all the while he is the scout while six hundred are sneaking into position to
Attack so there we set him starring us staring back you know I had a mirror if I wanted to stare and least I would know what was
Being thought about out in Monterey the pastor had been a missionary to the apache in Arizona the custom you would go in set down
And not say a word for thirty minutes very nerve wrecking to say the least I could have made a sock puppet if I just wanted something
Lifeless to lay there well maybe he was hungry monkeys eat bananas here boy enjoy this he did he came to life a little if this had a title
It would be wild meets tame and stupid because the longer this went on the simpler you felt I don’t know what hidden button was
Pushed but he came to life and like a shot out of the box across the floor on the couch up on the back of the couch and seemingly
Straight up the bare wall onto the grandfather clock that set on a ledge shelf oh we found out he wasn’t constipated from his trip
Because as he went up the wall his banana straight pipe right through his system came flying out well by this time everyone without a
Tail had gone on high alert grandma mom aunt and sister and yours truly were in hot pursuit while he rested on top of the clock like
A monkey god if anybody walked up on the porch and looked through the picture window and saw all of us stretching and reaching
For his highness they probably thought we were worshiping our monkey god I don’t think the clock bonged but the banana or
Something caused another burst of energy later out home we would suffer a like fate with a toy poodle we were gone he ate a bag
Of chocolate cookies while we were out on a white cloth couch they said that was dangerous for his breed yes right the only thing
He was a little extra zippy that and when we left colored Easter eggs and went out I opened the door the smell hit me in the face they
Say big foot smells like eggs well he could have been setting on the couch I wish he had so off the clock a good seven foot drop then
Like a dream does instantly it turned to briar rabbit don’t throw me in that briar patch briar fox the monkey races across the floor
Shoots through the bedroom door don’t chase me into the bed springs oh stupid one how he fit in there I don’t know let me tell you
Fur ball from Florida hell I shoot pool at whitey’s pool hall every weekend this broom will do I looked like a Plummer snaking out a
Sewer as I shoved it through the springs time and again our new friend had this quickness one minute he is between the springs
And then in one motion he pulls himself out and up on the top of the bed time for sis to take a crack at the problem she approaches
With two big oven mittens on she sticks out her hand and says nice monkey at first he looks interested but then like a flash and I don’t
Know who was quicker it looked an old west gun fight that and a challenge to a duel because he bit the glove and then sis spoke the
Same uncle said about the turnips you s.o.b. and slapped his face in a duel your suppose to take your hand out of the glove well he just
turned his face with the slap then just stared at her but little did we know he put a monkey curse on her it came out later country girl
Ha s her own place clashes with modern connivance she gets a new Frigidaire it makes its own ice how nice well if not for the monkey
Curse it might have been nice the thing was like a super hen shooting out ice all day ever hour the tray would be full after a while you
Get tired of going to the back door continually throwing the ice out in the back yard not to mention the icy swamp you create
Something had to give it did she reached in there and tore its gizzard out or something who needs ice well at least not enough
For a block party every day or so I guess I might as well tell you the rest of the curse my mother was next on this vengeful little turds
Agenda well we never got to name him well **** isn’t quiet right more like splat any way we were living over by the fairgrounds in
Our luxuries digs I say that because we had a delicacy you know chocolate covered aunts well cake covered I was eating away
And to my surprise there I was eating an aunt city riddled through the cake far in the future I ate caviar on a diner boat as we sailed on
San Francisco bay but I don’t recommend the cake aunt variety not when it comes as a surprise well listen we were cleaning up we had
An appointment you heard of the sales man of the year well this was the sales failure of the year he was coming to sell us life insurance
Yea and soon as we got it signed then we could take the trip to mars as planned and if anything happened well you know we were
Covered well here right at the end we found this old felt hat how innocent mom even started a fire in the stove in it went my Endora
From bewitched starting coming out it didn’t take long inside the house it was magical it was pitch dark and how big was that any way
I’m sorry we must have already been to mars because we must have gotten the hat there and they made it from a supper skunk god the
Odor if we had termites they would have killed each other trying to get out of that stink bag well when this wonder of a salesman got
There he must have thought we were foreigners that conducted business out in the yard well that the monkey story o yes the end
I threw a blanket over him took him over on the river gave him to Lloyd I went back a few days later he was setting on his shoulder
Calm as a cucumber but he ignored me thanks nineteen dollars shot well it does make a story the people in this story their identities
Have been changed to protect the stupid.
Mateuš Conrad Nov 2018
.simone biles (the gymnast)...
                 miles davis (the trumpet guy)...
     must be black privilege;
wasn't there a movie...
starring
woody harrelson
and wesley snipes?
you sure?
i thought it was
called: white men can't jump...
sure as **** ****** can
sing church gospel!
how's that for
privilege?
    if you're going to
culturally box, and repeatedly
punch below the belt...
you're quiet likely going
to get a reaction...
i have an acne wart growing
on my *** the size
of a cauliflower,
it's itchy my brain,
it's differentiating between
agitate and: lying back...
i guess the excess of...
look... you may have
the excess melanin...
    i have lactose tolerance...
we're even?!
   no?
  so how come some smurf,
some European hobbit
shackle your N.B.A.
Goliath(s)?!
explain that one to me...
if these people were so
****-unsure...
how they **** did they
tame the Zulu Apache Goliath
bodybuilders?!
  what the ****?!
i already said, and it was proven...
IQ...
i don't like it...
     but i'm pretty sure that
the whites **** more people
in terrorist attacks than...
camel-jockeys...
         it took 3 or over three...
to perform the Bataclan Massacre...
three... the third of the IQ
that required a Breivik...
   130 in France...
dissociated among 3 attackers
that gorged on testicles after the spree...
fun, fun fun fun...
like: you're trying to say that without
irony...
    and how many in Norway?
    77...
i only look at the IQ of killers...
so... what's the ratio?
    77 / 1
   130 / 3 = 43...
         like i said... low IQ...
              you really want your little
racial insurrection?
you'll have it, don't worry..
i'll just the narrative...
  must be black privy...
if you can mash up a jazz compos.,
right?
                crackers read from
a prepared script...
you ******* just, "improvise"...
          rapping contra talking...
****... come to think of it...
******* boys took it too far from
your Oreos...
           like... too much drums...
not enough wind, or strings...
too much drumming...
pulverizing the ears
with drum & bass and what not...
if i wasn't deaf prior,
i'm deaf by now;
******* boy to Oreo woo-oo-oops
boy;
same ****, different cover.
Geovanni Alfaro Mar 2014
"Medium" sized button-up
Tommy Hilfiger fits me big
As if it were an extra large
I don't mind
            I like it.

Green.
Darker than grass
Completely green, painted by an
Indigenous craftsman
From New Mexico
The Apache,

My Fathers.

They painted red flowers.

With orange stars in the middle,
Scattered randomly
        Perfectly
Throughout the long sleeve button-up Hilfiger

The pattern: Strange looking
Orange flowers
                        Geometric
                       ­ I wear it
                        'Cause it reminds me of her.
Mateuš Conrad Feb 2016
a.i is already a failure to me: i write one thing, html misspells what i write, dumb robotics ahoy!*

at the cashiers',                                                       ­     hot topic...
a burning toothpick that illuminated the woods:
headmaster in some school extends his jurisdiction
from children to parents, wants the mothers
to be less sloppy dressed in the english casual: pyjamas.
two cashiers debate, i take my usual three beers and
a bottle of scotch for a walk (i drink the scotch at home),
i side with the liberals... wear the ****
you want... the other side can't decide a line of argument,
conversation turns to my frost bitten hands,
nasty winter mosquitoes bit my hands all red...
i say it's not too bad... she takes them into her hands,
warms them up, she's older than my mother,
but i still would... given girls my age are *******
the legs of hugh hefner for the retirement pay-cheque
and prior to a *****-spread photoshoot... i walk out patting
the head  of a stranger's dog waiting for the hands that
drop food onto the plate and keep the leash stern...
your typical evening at a supermarket.
Mateuš Conrad Nov 2016
i hate it when a ~haiku is forced upon me, but such
is the case, and it's not a case of dittoing out
a mechanical aspect of that body that's
known as vocabulary:
thus, suddenly, as if a ****, or
a reflex the tongue commanded
the entire body -
left-wing obstructions gave way to
right-wing rebelliousness -
    the left said the tongue was no dagger,
the right said: merely a dagger -
the gyroid: or the muscles we never thought
existed! lanky tendons, etc.
    never the microscopic proof reductionism
and never the telescopic proof           ",
always somewhere in the middle:
and that's about right.
               i wrote a poem, it sounded about right
and then i get the wanked-over shoulder
calling it life-support dandruff
because of the many sprouts possible -
as ever: some come and give a voice unto
the people, and some come and give an ought
unto the people.
               a choice that's mutually inclusive
of thought and choice as a battleground
for the mechanisation of language into
sulphur gas and bayonets
and a thousand wildcards charging and screaming
lost toward the bewilderment of
   forgotten sexting.
      what a mighty affair:
the only country delving the prospect of
an atom bomb being dropped again doesn't believe
in munition economics and doesn't see
that the paranoia can be stopped when the capitalist
sober-heads enter and say: but where's the profit?
there's not profit in an atom bomb:
it ends too soon,
     you never got a Hollywood chapter yoyo
      concerning Hiroshima or Nagasaki...
you got one about Pearl Harbor...
a competent act of war... but not like our
civilians really matter: we civilians got the treatment
of being active members of the army,
while the army personnel were given civilian
Pilate status, the army was given civilian status
and the Japanese civilians were given army status...
oh forget the noodle swindler -
that handwritten hoola-hoop spinster of
carbohydrates is long gone...
          or the greatest paranoia against all other
nations comes from a nation that actually used the weapon!
       i could write a haiku version of what i lost,
but i'll still have to write something about you-tube
vloggers and how they are the newest version
of the objective propaganda machine that's in
the Islamic camp of merchants...
       prophet-merchant? give me a break:
if his word doesn't sell, then who's does?
my endorsement? less of a cosmetic light-touch surgeon
attitude, my endorsement is that of
Morphy Richards' Soup Maker...
cooking pumpkin soup...
  pumpkin... well: it's hardly an easy peel when it
comes to cooking butternut squash...
it's a disaster! a hell to endure! no wonder it's the veg
that frighten offs the ghouls and the ghost
you can't peel it, you have to Apache skin it
like getting a colonial wig: scalping your way into
the high court, albeit minus the greyish curls -
******* is a king of culinary demises
that were sought out expeditions -
you have to knife your way beneath the snail-like
shell and then there's that cobweb of mush
with intrinsic fake seeds / flies lodged in
the orange cobweb - for all that effort
i appreciate it more as a lampshade than a food
source... but then the advertised starving Africans
as anti-colonial compensation for "our"
grandfather's recollection of monochromatic cultures,
before globalisation took off.. hmm.
the soup? pumpkin, potato, onion, garlic,
nutmeg, paprika, chicken stock,
salt and pepper to taste...
tomorrow? a pumpkin risotto...
hey! seasonal abundance, Spanish strawberries
in late winter are too watery anyway...
   people forgot that certain things taste better
in season, that's namely fruits and vegetables...
   go outside your fancy, outside your whim,
you'll finally have to say: my eyes eat
at the very credibility of such things being
there without the season... but my tongue does not
taste the thing that requires a pentagonal sense
honing in toward an agreed to democracy:
it ain't there... as ever autumnal fruits make their
way toward the culinary redcarpet -
                   apples, pears....
     but the real ice brokers remain tangled in
the gnostics of dairy *****: you only see the *****
when the milk turns sour...
              and the two segregate
their cauliflower bergs and that pristine seethrough
        matrix -
then it's like watching the 1054 schism:
          aquasal herring
                               and aquadulci tench -
as painful as listening to my father speak english:
it's just ****** painful,
i write english and speak it like an Anglo
   and he speaks it like an Arab:
with me it's: left right left right left right
and his is an ancient form of actual Latin
              right left right left right left -
of the tongues that appropriated the Latin lingua
optics that weren't conquered it's the same as it was
for Seneca of Virgil, e.g. red beast / proof of all
scientific generic category principle: **** sapiens
                  upright man / bestia rufus -
and that's still orange beast - then aliq for yellow:
then liquid and runny khaki - a monetary equivalent
of money.
          but of the tongues
                      which is why i kept my mother tongue,
i can't imagine what would have been the case
had i not kept it intact... i'd be whitey boy bleached
into an anaemic Arian with those rubbery red
             lost for words rabbit crazy irises that
albinos sport when on the sociopathic treadmill:
that's a daily commute for most people.
i should have anticipated something better coming
out of a forced bad gateway message when
i tried to published and didn't save the outcry...
but it was never a reality when defined by a few
people... it always necessarily the many,
the market square, the hustle and bustle,
     then again few took to ****** to say love...
understandable: if something is called private
it's not called reality, because so many people
have so much **** to say in public that they
treat private life as a tabernacle -
reverse that and suddenly you find people
who possess a "voice for the multitude",
but not (not oddly enough) a thought -
ah the caring scream when not bound to
the horror genre of politics: it's too late!
               end here: a prior to rather than, a
desirably said to appease and conform:
by now we're all cited as having only said
an onomatopoeia of what words should sound like -
we're found hacking a door to shreds with
an axe, rather than merely curling our hands
so the knuckles can be used to knock on the door.
still, i made pumpkin soup today,
tomorrow i'll make a pumpkin risotto -
and the pumpkin is, rightfully, the halloween king
of all vegetables: i am not surprised it's the perfect
lampshade people leave outdoors -
hell of a thing to peel, a butternut squash
would have been simpler to make...
but for the first time in my life:
  i actually appreciate the colour orange...
as said: cooker orange is beyond that fluorescent
acidity of a citrus fruit:
  cooked orange is actually grand...
raw citrus orange?                and a handful
of creepy crawlies.
    funny how the spectrum necessarily made me
endorse a soup maker, rather than the next
big thing in the realm of toothpaste and mascara.
Mateuš Conrad Jan 2017
i could conceive the western concept of the rehab,
but then for 3 weeks i was in poland
i didn't touch the bottle for that period of time...
i don't see how an addict with a bunch
of addicts can be cured by anything other than
stigma... i'm actually happy addicted to
addiction: i entered my reading-mode...
   that said, most people can't digest a Kraszewski
book... **** me, we read Bradbury in snippets
just to tow in an essay for A-level english...
       philip augustus, or the chess player concerning
the Angevin family... great stuff...
   i didn't choose the book, my grandfather did,
he owned half the Kraszewski collection and read
nothing of it, he had to find a ******* "bored"
enough to read one of the books,
   and as i once said: i've seen the movie adaptations
of the Sienkiewicz trilogy...
         the cossack uprising, the swedish deluge...
and i said to myself: i can't and i won't...
thanks you jerzy hoffman, and yes: thank you
peter jackson...
              the infinite supply of elven arrows
and Legolas shooting orcs at point-blank range did
it for me...
                thankfully i can write something
as obscure as this, and know, for certain, that
there's a back-alley of the human populace out there
that might be searching for something like this...
   but that's what i found entertaining,
i actually had the opposite of wanting to compliment
the film adaptation of sienkiewicz, with an actual
sienkiewicz book... mind you: Kraszewski covers
the same period... and it's all the same time frame...
   should i write a proof that i read the **** thing?
maybe... but the main idea is that:
a metropolis cannot provide the right environment
for a book... or completing a book...
books are read in the countryside, in small towns,
in palaces... in hunting lodges...
          and i dare say: reading a book, getting into
full swing of the narrative is best done in daylight hours...
and i'll come back to the daylight hours,
  as a drinker and writer i chose the night...
  you know how long it took me to restore my
biological clock, and regain the nocturnal realm after
spending 3 weeks with a clear schizophrenia
of sleeping in the night and wriggling about during
the day? 2 weeks! i restored the biological pendulum,
but i have to admit: i feel ****...
    but i guess it's a worthy sacrifice...
i'm planning to go back to my country of origin
during late spring to read some more books...
i couldn't have read don quixote, the brothers karamazov,
bertrand russell's history of western philosophy
    yada yada yada... or kierkegaard's either / or,
or finished off kant's critique without my place of birth...
  and isn't it like a badge of honour?
                some will tell you to speak out an eastern
mantra... om... and the shattering of chandelier...
the western mantra is also a type of hypnosis,
you have to find a rhythm with a book...
  the mantra is the narrative of a book, and the silence
that incubates you has shark-teeth should anyone approach...
   but urban living makes this spot harder to find
than a begger or the ******... you can read books
in large cities... before you head home you're
bombarded with the psychology of exploiting your
literacy, in adverts, in orientating signs...
        with them being so authoritarian, it's hard
to find time for a liberal attitude to books...
            esp. what books are, best described by people
who'd probably like to throw them like molotov
cocktails in protest marches: thick as bricks those
gargantuan apostles of the void are...
       and so we are: sitting in times of hyperinflation
of literature... if that isn't the case, let me know by
Tuesday next week, i'll brood the assumption myself
until then...
      that's 2 weeks it took me to return to my writing mode...
to get back to the nocturnal realm
where everything is doubly black & white...
                 the point is: i want to write at a time when
the surrounding world sleeps...
     last time i remember, i didn't get a message in my dreams,
i'd love to see letters in my dreams, fortunately
i can't... i haven't seen these artefacts in dreams,
      but it's hard to blame memory as not strained enough
to do so... the unconscious and memory don't really
interact that well... it's a paradox that they even do
and that dreams have some sort of existence involved in
the architecture of our psyche...
                        last night i dreamt of lego batman because:
d'uh his endearing sarcasm... and godzilla!
   boo ya!         and this large city being eaten up
by a tornado, and other things phantasmogorical....
well pandemonium here, pandemonium there...
    don't get any ideas about the nature of dreams and
oedial repression... please! unaffordable housing prices
these days can only mean i'd really earn a mortgage
if my ***-drive went to the dogs, of the profession.
    so 3 weeks of a sober life and enough time to read
books... and my return into a writing life, a nocturnal
life, and drinking...
   mind you, in between there was that masters final
with ronnie o'sullivan (at least romford is famous for
something) vs. joe perry... in the last frame, when they
had 30 odd points each, and they were plucking at the
last remaining red ball for the snooker?
       snooker is a metaphor for the savannah...
you either watch snooker, or a david attenborough naturalist
show... there's the herd of buffalo (the red *****)...
           and the cue ball the hunting predator...
well... it's all a bit abstract, there are just ***** on a green
table... but still... at least in snooker you can bug
the "pawn" (red) ***** without having to *** them,
in chess you destroy completely... the pawns go...
there's no time to keep them for a no-man's land pause...
and i just turned 30... which goes to show:
                  if the game of football was perfect,
i mean perfect like tennis is with hawk-eye and
    6 judges vertical, 4 judges horizontal...
                  then football wouldn't be so passionate,
so religious... the reason it is so religious is because
judging it is so ****** imperfect...
     there's a reason why football can't be perfected in a way
as rugby can, where the referee can pause the game
and ask for a replay... the unfairness principle!
it has to be unfair in order for people to feel even more
impassioned by it! that's why in that film
when Alec Baldwin says something along the lines:
god comes first (while his hand holds out
the index and *******), and football comes second
(the index finger disappears)...
      football can never be a sport that has perfect
refereering... which makes me surprised as to why
it can grace the Olympic games...
                   football (in english, not that theme park
of jumping torpedoes) - yes the football known as:
ballet with hairy legs...
                   it has to remain unfair and subsequently
quasi-religious because it generates the most money,
but apart from that, it has gained a quasi-religious
status because it reflects a sort of life we acknowledge:
the referee made a bad decision, god did this... blah blah...
  and we get passion, religious passion that's
best represented by football hooligans...
                        but whereas other sports perfect their
techniques of refereeing a game, football hasn't done
the least possible, because it requires the whole debate
of: life's unfair!
    if it wasn't for unfair refeering, the game would not
be alive, as it is alive, to stage a confrontation
with: apache west ham, and sioux millwall...
       it's the best way to ensure tribalism...
         make the refereeing unfair, don't improve it...
blame it on the man in the sky, or the ponce in new zealander...  
mind you....
   the last football match i went to was at Stamford Bridge,
Chelsea lost to Newcastle United...
             i just just there like a stoic twant...
           i couldn't imitate the screams and the chants...
   i was just mesmerised at how it's so different from
watching a football match without the television acting
like a microscope... i am sure i was looking elsewhere
when someone scored a goal...
                 i probably went to the toilet when i
missed another goal...
                        and i'll reiterate...
   it can't be a gentlemanly sport, the rules can't be fair,
that's why they call it the sport of the rabble,
they have to contain the illusion of being unfair...
       because it's a "rabble" sport...
the referee has to make bad decisions,
otherwise there would be a "what if" dimension...
ask any Pole about the 1974 semi-finals with Germany
and ask them about the weather that day...
  then ask about the Polish wingers... and how fast they
were... and how the pitch was so slosh, and ice-puppy
fudge that the slow germans won it...
                     because the Poles always say:
we could have beaten the Nedetherlands in the final...
        again: football, if it is to be stated as the secular
alternative to religion, has to have an inherent unfairness in it...
all the other sports will perfect their judgement,
football will not move an inch... just like a religion -
perhaps that's also because we live in times of
cold-consumerism,
       a quick comparison is:
   the reactions of antonio conte vs.
                       ivan lendl -
   the former looks like a raving lunatic when something
good, or bad happens...
   the second? is he watching tennis, or playing poker?
M Suárez Nov 2016
Me queman estas ganas de arrancarte el corazón
Bailar sobre tus restos y tu cráneo colgado del cuello
Un sacrificio humano a los dioses de la lluvia y el ****
Invocar seres inmortales y te destrocen todo el cuerpo
Que te claven agujas en los ojos y después me des un beso.
Mateuš Conrad May 2020
there was an audience... there is still an audience...
i wonder about it...
i'm such a conservative deacon in the comments
that... i leave very little traces of interaction...
i tried getting ****** into the whole affair
of leaving comments - like i might have left
grafitti tags on the pillars of bridges...
                   there was an audience... there's still an
audience... i imagine...
or i rather: translate with metaphor what i'm:
trying to imagine...
              three moths have attempted to fly into
my room to spend the night free from fear...
i caught two in my hand... put the clenched hand
to my ear... no... not the sea trapped in a seashell...
close... sound effect of... rain on a tin roof...
a moth trapped in a cage of a hand...
it hasn't rained for days... weeks even...
       the most... bountiful of springs in england...
and everyone is... supposed to handle the affair
like the 2nd coming of ribonson crusoe...
          i can: because i'm used to it...
                    peacefully anti-social...
                     it's hardly bragging but:
there's an audience... there's always an audience...
here's to me: getting regularly milked...
or... laying some eggs with the sunrise and the moon...
i am... at a stage of maturing from...
a phase where... i did... once upon a time...
care about what i wrote... for my own gratification:
but... not any more...
         i've reached a point where...
i can join the ranks of the 4 Dada Suicides...
     'the four' (who) 'took nihilism of the movement
to its ultimate conclusion, their works are
the remnants of lives lived to the limit and then cast
aside with nonchalance and disdain'...
Vaché (overdosed)... Rigaut (shot himself)...
Cravan and Torma (disappeared)...
        the latter two... probably lived a life in
approximation to what might have happened
to... Richey Edwards...
born on...                  disappeared aged 27...
death is the last clue...
    not that i'm going to imitate what's already
claimed...
but... a mile from my home...
i can... find... ample resources... hemlock...
the stems are poisonous...
      i've tried... lilac mushrooms... dog mushrooms
they call them...
i don't know whether i ate a poisonous
one or not... it wasn't...
    a muhomor... amanita fly agaric...
           but... when the circuses have died and
the bread is still there...
no new movies... no sports...
what can beat: the old tease of mortality...
the grain-of-sand per month's worth of movement
added... to the tally and
the curriculum vitae of vivo per se...
                   the theatre of death...
     if i don't think about death with a joke...
i stop being... ridiculous in life...
                   i like the thought of death when...
life doesn't preserve any... sense of...
any... alternative... "light" entertainment...
it's not like i'm planning an escape...
rich and about to clone myself...
   and teach the clone "me" to be: a "future" - and me...
i almost can see how someone must
have tried to cheat death with the available
avenue of cloning...
but... the subservience of the clone...
the clone being what?
       someone must have learned the hard way...
i just interjected the question as an: and...
which is a conjunction...
          but if you're gonna go...
hell... seal a room and yourself in it...
and buy a... metaphorical tonne of lily of the valley...
go to sleep... and never wake up...
death... even death has to become entertaining:
in thinking terms - at the very least...
the only real eventuality among...
half a dozen of impossible things to think about...
daily... and here's that apple...
   if nietzsche... sentenced the source
and future disease from the 19th century...
well... so much for overcoming nihilism...
         nihilism... after all... is not... apathy...
   and even with the death of nihilism...
                              at least nihilism still asked
for moloch-esque sacrifices of will...
     apathy? what does this slug ask for?
it asks of you to... well... wrestle with yourself...
hence that "overlooked" quote:
if a day has many pockets...
       yes... those pockets of self-realisations that
provide a glitch of proof...
a proof of... having to find dominion in
settled dust... oh to hell with grand metaphors
of staging revolutions brought down
from mountain-tops!
- and i'm literally drinking my way through...
what 19th century nihilism became:
a 21st century apathy hangover...
      i'll spare the 20th century the rites of...
a mythical new beginning... a year 0...
        100 years give or take... each side of the end
of the 20th century...
but... nihilism is no longer... the standard:
to overcome...
             as much meaning can be derived from
a peanut as from a falling star...
to be this: subjective sanitiße everything -
                       i hardly think... a dickens would
require an objective reader...
what is an objective reader?
someone who studies: rather than reads...
newspapers...
someone who probably proofs reading...
by also ensuring citations are... made abundantly
clear... archives... etc.
well... better contemplating the theatre of death
than... say...
"normies":
    ahem... the critique of china...
       point: can you imagine... if... communism...
was thought-up... when...
the french revolution began? the only revolution?
rather than the russian oopsie?
well... and communism began...
when... engels and marx... went to the north
of england... and... prior to the manifesto...
wrote of the details of child-labour...
this is not my thing but...
it gets to the point where:
you can criticize china all you want...
but there's no smart... or dumb way...
to go about... pretending to be at war...
with a population of a billion people...
that... if push comes to shove...
could be conscripted instantly...
              to point out... is to exhaust the argument:
to have an argument for:
"western" principles of democracy...
here... have some balloons... here's a keg
of helium... 'ave fun...
by now... saudi arabia is secretly planning
a jihad into the Xinjiang province...
saudi arabia: the vatican of the islamic world...
is secretly trying to... blah blah...
no... the saudi princes are strapped to their yachts...
the bangladeshi slave labour blah blah...
yeah: but whittle ol' england needs
the Neds of Lahore and their tier up from
the chimney top: crescent moon-lick... slick...
- but to be this... fired up...
                it's simply exhausting to have:
a freedom of speech for such high demands...
not need to hide behind the ideals of love...
or being misunderstood...
             in no defence... but... under the guise
of that grand word: capitalism...
the sub- thorough: made in china...
                and what now? the jaw dropping
counter to the very delicate status quo?
it's beyond nihilism... when such upheld
values allowed for artistic rebellion...
to the moon: been there, done that..
europe the old man... h'america the newly
acquired *******...
       you want politico jargon ******* squeezes...
sure thing...
     stoic india... always the stoic india...
to **** off the competition - cheap soviet steel...
the soviet union's nuna 2, on 13 september 1959 -
in between: frank sinatra's:
fly me to the moon - 1963...
and thus... r.e.m.'s yeah yeah: 20 July 1969...
it's hard to compensate / compete with
that sort of a trojan hard-on ***** of
the elgin marbles...
                              at least the germanic peoples
played and understood the ping-pong
with the slavic peoples -
the hungarians on the side...
but not this... african trash for beijing...
the mongol capital of crimea...
and golden hoarding project: typo...
   when they came riding in... smeared
in **** and week old **** and horse blood...
to make... the labyrinth of the baghdad library...
a pyramid of skulls...
squeeze me: to this tired state of lost
the head to a guillotine chatter-box...
even the events of napster unfolding...
and all that's being streamed and...
now's the time to kiss and cuddle prostitutes...
and wet mr. whittle dicky for second
chances of a lost digestive... in that pond
of brew...
                easy fools to fool: those camel back
rich in dino-blood: soul black...
like espressos of mecca... flowing rich
and dying with a soothing...
from amnesia and diabetes...
and amputated limps when... sugar ingestion
leaves them... dancing ballet on only one foot...
because: porky pie and ms. amber: ha!
all bad!
                so much for... what's waiting
the white girl pornstars...
the liberated afro-h'americans and the service...
of beijing shrimp ****...
double edged sword... the height and...
all those attaches... of a fine... fine...
procelain piece of ***...
no-man's-land... the middle ground:
of... mercedez-benson-and-hedges...
        on my way out... the apache / sioux /
dodo / aztec / mayan / dodo (again) projects...

semi-closure...
   gary glitter - rock & roll part II
     ian watkins (of lostprophets) -
                      shinobi vs dragon ninja...
sorry... that one was a paedo...
              toddle-****** for the latter...
and it's not like... i enjoyed the music
to begin with...
i can't see an ad hominem argument
for the former...
                 toddler-******: esp. if the output...
well... it's not trash...
   it's: dad mantra... it's dad claustrophobia...
my take on:
mahler contra pergolesi....
            counter: invest in 100 years to come...
of which... you will...
find a future reader: being alive...
not having re(a)d you...
1986... the reader is born...
1997... you die...
you are discovered... come...
2K and 7... 8...... perhaps 9...
  a time-reference of...
         13 years from the readers birth to your
death... it's Glasgow... a very rare...
sunny... afternoon...
psychosis of the reader...
         1997 through to... 2008...
              that's 11 years... so...
what matters most is... how well you walk
through the fire...
that one about the crow and the madmen...
and each: having his niche:
his "social distancing" clause...
writing was fun when one could
stomach the: in the background...
when people lived their: very troublesome:
important... surgical precision...
nobel prize winning type / typo lives...
writing via a sense of voyeurism was...
well... hardly the self-evident blatant it has
become...
escape into fiction (lies you tell others)...
escape into imagination (choking ties of
tier-a: as above... with tier-b: as below)...
or escape into memory (lies you tell
yourself)...
but i rather the memory...
the cinema of it...
i forget to blink when: blinking is akin
to... signatures... autographs of famous people...
bull... shyte: philately...
         lepidopterology... half closure of the semi-
closure... a brilliant metaphor...
      when the **** or the latex gimp suits
are not available...
there's always that 14 year old "idea"...
of... a tamed *******...
well... if you imagine it as... love at first sight...
you're 16 she's 14... and...
you're dating her older sister at the time...
and then... she disappears...
within the confines of her first and last
unflowering...
but the pristine first-impressions become
less metaphor and more: idealism...
it's fun... when there's a concensus of it being:
forbidden... it's what drives both the hunger...
and the feeding...
that it's never actually realised is beside
the point: made... in... lars von trier's
nymphomaniac...
          too catholic of me: born into it...
but... repressing the urges... is as much as...
delighting oneself in them...
ergo: the necessary *******...
so much for... *****-******* and oyster
slurping... when... you have been...
ahem... told to **** it up...
with the: "excess of skin"...
excess of skin / chemical imbalance
in the brain...
how about... i allow... a triatoma infestans...
to quicken my: dementia...
the myth goes... along the lines...
a horse with a grain of sand...
via its ear... will bash and ram and ram and bash
its head against a brick wall:
in an attempt to rid itself of the irritation...
conformity:
cul de sac queers and kwerks...
i lampoon on a sunday...
the rest of the days i'm free...
clued into: cwown...
which is... somehoo: velsh... in parts...

- by death i imply a riddle...
                 by death i imply:
          freed from the cinema of highly edited
pseudo-living...
not even among the stage of the theatre...
but at least...
cinema got one thing right...
   the suicide of christine chubbuck -
the urban myth goes along the lines of:
a cockroach was found... alive... 2 weeks...
after its head was guillotined...
       it's like that... bane quote:
and... the andrei chikatilo... reality...
non-verbatim:
                 'perhaps he's wondering... why
someone would shoot a man...
before throwing him out of a plane'...
rephrasing:
   'perhaps he's wondering...
why someone would shoot a man...
after throwing him into a prison cell'...
unless... he wasn't... expecting...
to wait for him... to die... of a urban myth...
2 weeks if not more...
brain-dead: heart still pumpking...
horrors from Kiev... Chernobyll the *******
icing cream topping the gwand:
godzilla: pie in the sky...

     i cared... once... once... that was:
upon a time...
these times don't really require much focus...
the space itself poses enough
liberty... no need to look as far back
as there's to look forward...
     the 20th century killer: zenith...
****** and ferriswheel of events...
                waking up to the new mandarin
plateau... it's like...
waking up from... the refreshing cain
mythos relatability...
always from h'america...
otherwise... bullet to the head...
king soldier: human rights...
   yeah... nice... the shame of homeless people:
there's an alexander the great...
a a diogenes of synope: with a hippocratic
oath... loitering around the corner?
hell! go wit' the flou...
                 jump-start a prison adventure...
less... high morality ****-pants
asking questions on the way...
people of high morality
and high: low social status importance...
**** someone...
better than becoming philosophically
homeless... blah blah...
                         i'm so little i actually
define myself as:
at liberty to preserve the lives of moths...
yes... well that's nice...
for anyone asking to: ride the easy... roulette.
Ayeshah Dec 2013
I never been on

Verses & Flow or Poetry Slam

don't get me wrong

I'd love to be

but me sharing like that on "mic"

scares the ******* life outta me

yet I admit

I want to in fact would love it

But right now-

I can only tell you how I feel
&
this is how I let **** out

express me&sometimes; let you in

so this is a poem I've made about this dude.

A dude whose comforting and new

a dude whose lenient

and beautiful inward & outward.

He talks to me of so many thing

and he has a mind that speak more

volume then money....

I've been know to deal with them  baller's

those who'd spend on me-

the moment I call em.

He's gentle and kind,

mindful of me & my needs

even

funny even at times

when he's joking round with me.

He lights my way and makes me see

not of everything physical,or ****** either

but of inspiring dreams

for me to do better

than what I've been told I could barely achieve

from listening to past assaults

and dead weighted-ended relationships...

To opening the ******* door

& letting me just be ME....

My hair weaves

he complimented

and my braiding techniques too

from my beautiful big lips

plus this luscious **** hours glass phat *** shape

he says baby your amazing

then kisses my forehead

like Taye Diggs did in both The Best Man movies.

When he touched my breast- not in a ****** way

I felt finally safe-

cuz I asked did you feel the lump there

he kisses me on my cheek

tells me it's ok even if my hair falls out

and all my weaves went away,

he's seen me without em,

seen me with out makeup too.

No need to worry since there isn't even a lump,

so he says & I smile widely.

but if it was I'd still be the most beautiful

this he promises me

and looks me right in my eyes.

This dude says he watched me sleep

sometimes until the early morn

and looked at me like I've never

looked at myself.

Mind you I know I'm fine

but barely was I ever able to know my wealth,

to even ******* know myself worth

or who I really was.

Sadly so beautiful but yet I'm so tainted & insecure

He's seen this about me long ago

yet I thought before him-

that love had to hurt

that the pain I've caused me-

from dealing with other types of "love"

from dudes due their share was somehow real

Other dude's who'd spend

and who'd **** me deep & put my *** to sleep

was what love meant

this "love" I was so used to-

was pose to be fist knocking back my head

eyes black in their sockets,

clothes ripped off

and me being slammed to the ground ******

and left bleeding

Left, deserted, abandon

and me sore bruised-

from ever part of me

cops coming once a month

or when he ****** his boss & I went the *******.

Or love was him- telling ole girl in Chi Town

how much he couldn't live with out her

while sitting on the toilet in my house-

in my bathroom after ******* me

and calling it making love.

Or love was pose to be in my head

when he let his cousin get away with ****** me-

yet I was the who got her *** beat.


I thought from

the age of 6

that I was pose to lay there

just spread wide for you

and let you use me

pinch

poke and rule me!

I didn't know this kind of man

so every time dude came around-

I'd chase him away.

telling him

NAW man I don't date white boi

(that's slang for boy)

but
I've dated the Italian and he liked them easy women

the ones he could change and manipulate

I've dated the Natives born of this "America" land

he showed me what my mother tried to hide-

like a drunkard father beating her at night

this was the Native

who wasn't taught how to eve3r be a man

Then there was Paul-

a mixed up race/breed Native too-

Apache yet Mexican and yet American

in New Mexico they're called Chicano's

so guess that what the **** he was

he had the short man complex

and couldn't bother to talk

he thought *** would be pleasurable

but sadly for me & him

his baby toddler *****

just didn't do the trick.

So hurting worded voices loudly spoke

caused me abuse,

I guess it's still my fault-

I allowed them to hurt me.

The smooth talker,

Casanova,

The Ballers,

The players with the nice whips

(That means cars y'all)

The man who could **** out my mind & my brains

get my ***** wet before he even got to my house


The Mr. Fix it-

whose good at fixing ****

but not for being committed

cuz his check wasn't enough to even put a dent in my rent

and his habit of scathing his *****

and calling me ***** just didn't work.

So these are them type motha fuckas

I'm used to-

like ole boy

who'd carry my books

and help me with all my assignments in college

for a peek yet talk and brag about the *** he hadn't ever hit

not me but that's the story he told

lying since his reputation depended on it.

Sorry but this was my thinking this was how it went

& how it was meant or pose to be

yet
the Egyptian had it best

on top of all these dudes.

His was the ultimate

because his lies where centered

by half truths

which I know

know were more lies

than his word sworn on a Qur'an,

he'd **** his best friends wife

then beat me into submission,

**** me- buy me....

BUY Me,

Bought me

like a slave from way back when

buy me

love me

then buy me some mo

He'd buy all kinds of **** to keep me claiming for me

houses, cars, jewelry,

and name brand items- I'd have a black eye,

ribs smashed to pieces,

but **** I looked real cute

limping round  in my new **** from

Sax 5th Avenue, Dolce & Gabbana, Prada & Versace.

**** name it & I maybe already had it


this is the same man who saved me from

being ***** by my foster father,

yet he became like the foster father

he saved me from

seemingly

after we've became husband & wife...

So when dude comes calling

I hold back built higher walls,

push him away,

fight and get in his face,

waiting for the monster to come out

waiting for him

to slam me to the floor or ground

I never believe a word he says

always looking for a reason or excuse

calling him lair and fake

telling him to ******* & go away

never really given him a

chance for him to be my man.

I be mean and I make him wait

but he says I know your pain

and together we can make it

just let's take it day by day.

He kisses me lightly,

caresses me tenderly

massages me to sleep

listen to my every word

and gives great advise,

has been a friend and part of the family

he has opened me

to expressing his own

pains trails & tribulations


never judgmental or abrasive

not even abusive

not even a little bit.


But
my ****** up mind is so scared

so afraid and ****** I'm worried

.

Honestly my hearts succumbed to his un-willful ways

but I can't fathom

once more being hurt

and I don't know if I even want to

yet I think I do.

So tell me help me please

explain

give advise and tell me

how do I say no when for many months now

he's been making me the center of

His Universe?!

Always Me Ayeshah ®
Copyright ©
Ayeshah
K.C.L.N 1977 - Present YEAR(s)
All right reserved ®
This has a lot of cussing/swearing in it so if you're not into it or any other ****** language please do not read it thanks.
Steve D'Beard Nov 2012
9th Floor:

Good for views in real terms equates as multiple times the number
of floors of glares on the stairs, some less random and aggressive as others
Some from young lads
Some from their mothers -
Who’ll squeeze their ******* for a fiver, but its more for inside her -
It’s always an Apache tunnel of prickly vibes and jibes with little to say
And neighbours who turn out to be mental,
Found in the gutter, covered in butter
and thankfully sectioned later that day
SAMANTHA Sep 2012
Around the world swinging my hips, A hula hoop queen
Wrapped up in our nation’s flag I’ll be your American dream
Microphone miss superstar, shake the feathers in my hair
Honey you’re my favorite audience, you know I love it when you stare
Late night rooftop philosopher, tell you everything on my mind
Lover archeologist, boy you’re the best thing I’ll ever find
Little baby human canvas tattooed up my wrist
Turn into a woman fast when you grab me for a kiss
Vroom Vroom Racecar driver when I follow you up north
Lit up your sky fire works on our first July fourth
Princess of the gas station, buy me cherry gum
Lighting up my cigarette, won’t forget to spark you one
You lived a world of black and white, and that is not a lot so
I’ll bring in my vibrant reds, you got yourself Picasso
I know I scare you at most times, but never should you quiver
For my king at his request, the queen is sure to deliver
Apache chief rain dance girl, my tribe calls me brave heart
But I’m not always so courageous; I’m just trying to be smart
I’m thinking with my heart so fast the pumping blood’s still blue
But it beats, and I do all these things, I do them all for you.
Mateuš Conrad Dec 2015
the famous czech immunologist (miroslav holub) got it right, holding his complete works, seeing the precious output,  then hearing him say it: 'i'm not against the repetition, but what the hell would i write if i lost my first ambition of a career? i would write dross, but i'm not against balzac or dickens doing the ironing work - but i just couldn't do it - better me likened to a butterfly that was the czech spring of '68. indeed mummified flowers between the pages.'*

the main reason poetry books will never be
shelved, itemised, on the inventory: BEST SELLER,
is because they use priceless things in their contents
section of approved poetics ticked off...
poets mention the moon, the night,
the sun, the orange glaciers of skin of suntans
bundled up in fat and sold as ****,
poets forget they are touching priceless things
with words, i'm sure a readership numbering
1,000 will dry your socks after that marathon
run on lake verbose in the middle of hunting season,
but it will never go past that,
that's the fury and the fear surrounding
hunting down the poet who exceeds producing
the noble prize winning output of a szymborska,
~100 poems a lifetime means you really did live
it out, and wrote with slithering undertones
the art, the paradoxical art of the ancient world
trumpet or saxophone - it wasn't philosophy
that attacked us... but the woodwind instruments,
the harps are safe, i stashed them while cracking
and playing bone poker dominoes with my fingers.
poetry doesn't attract the most socially acceptable
form of lying: namely fiction -
poets don't lie - there's no genre that does it better
than writing fiction - and if they do lie,
it's un-intentional - mechanical, like the world,
like the world being so mechanised it almost
feels self-content without applause but an opera
chorus of screams and other forms of hysterics.
some books talk of seen and unseen realities,
i beg to differ, i can claim certain unseen realities
in the seen realities, take for example
man's ability to walk the method of onomatopoeia
like virgil walking dante through the inferno...
man as an animate thing can clearly imitate
other animate things.... he can howl, meow and bark,
he can imitate the pig's and the deer's snout
when impregnating a mare...
the grunt hot breath riff of things...
but he misjudges his accuracy of recording sounds...
he simply cannot fathom the sounds of inanimate
things in the realm of onomatopoeia;
it's not that he mishandles the 26 symbols,
but when he tries to make the visible doubly-visibly-divisible,
to notate knocking on a door, to notate
the scorching sounds of the sun in the equilibrated
exchange of hydrogen & helium (sun gods
laugh after all), when he tries to notate
the carbonated water fizz, the beer bottle cap
charles i pop / apache scalping with a tomahawk...
he's off by a mile and a marathon...
we can't mutilate words into sounds just to see
certain sounds (primarily of inanimate things)
with letters... there's an impasse about the whole thing;
this is trans-verbosity, overt-verbosity that cannot stand...
it's pointless trying to see a complex sound
with letter governed by the onomatopoeia...
it's enough to hear it... touch it... seeing is not believing
in this instance... this insistence...
after all we're utilising priceless things to get out message
across... so if man makes it worthwhile,
an onomatopoeic antonymous decision i have crafted:
the sound of the universe's vacuum "silence"
is counterweight to neither the sound of atoms congregating
into celestial orbs... but rather the place where man
out to shove his parallel representation of thought.
you can already see invisible realities within the realm
of visible realities, the many missing and the many amiss
onomatopoeias of what animate things echo from when
interacting with inanimate things... paradoxically
atoms are in an inanimate equilibrium as animate things
likened to the celestial bodies in orbit,
but in fact they are inanimate in an animate equilibrium...
worth a worth's worth of study in a laboratory allotment...
and if it was a cow's digestive system you were investigating,
the inanimate equilibrium is being worked on:
the equilibrium of what sort of usefulness from experience
can be possibly passed on;
but wait, you can't write me the onomatopoeia
for the crating of carbon monoxide (CO),
or formic acid (HCOOH),
or myristic acid - nutmeg  (CH3 branch with twelve CH2
and the carboxylic ending),
nor the ester (RCO2R) - because now you're
using a chemical alphabet of the periodic table,
and all necessary onomatopoeias are lost
to the names of the necessary elements
that begin with hydrogen, and end with anything
remotely removed from a famous scientist
by the elemental name akin to einsteinium.
DJ Thomas Aug 2010
The slant-eyed
giant hunter
people of Tsul Kalu
came in peace

To become
the central universe
Cherokee white elders
hereditary priests
teaching peace

Winged rattlesnake
constellation
of time untime

Singing the death song

Sacred spirits
animal, plant, herb and tree

The wheel
what is, will be

(The ancient Chinese were
the greatest astronomers.

Later in the 1400's their
massive treasure fleets
mapped the World

The Yuki, Navajo, Apache,
Yuchis, Ming **, Melungeons,
Shawnee (Oceanye **), Sioux,
Cree Ojibuwa and Moskoke
have Chinese ancestors
some claimed to be Chinese

European explorers told of
elders speaking Chinese
ancient Chinese artefacts
and wrecked junks seen

History as taught might
be but a fairytale
)
copyright©DJThomas@inbox.com 2010
Mateuš Conrad Jun 2016
only today i felt this strange fear from boredom, i don't expect housewives to feel it, although i'm certain they do, brain-draining watching some Jurassic adaptation where man's imagination really did a runner - not into the fantastical but into the absurd - like in science fiction, did a runner, completely off the mark given chemists making shampoos and toothpastes and fertilisers... ethically-free science fiction - but this housebound fear from boredom, greater than a fear of death it seized me and rattled me, i had to go out to buy a few beers; just like it happens to really rich people, they make their homes into micro-units of what's out there, in society, a swimming pool when there's a communal one elsewhere, a massive library of unread books, when there are plenty of those elsewhere, home cinema, snooker table... it's the entire spectrum of social pastimes condensed into a single household... anyway, i got hot and bothered, i'm starting to think it was not a fear of boredom, but what to do with the piri-piri chicken i was marinating: tomato puree, 1tbsp balsamic vinegar, half a large lemon squeezed, 1sp sugar, 1tsp paprika, 1/2 tsp cajun pepper, 14g of parsley, mint, oil, 2 chillies, 2 tsp of garlic puree, salt to taste - whisked in a food processor; ~1kg of chicken - because i thought whether i should shove the chicken marinate in an oven bag and cook it for a while, or whether to take the chicken out from the marinate and place it on a baking tray... ****!

poems and book reviews these days, nothing more,
get someone else to do the legwork -
a thoroughly modern malaise -
social anthropology - titled *tribe
-
the pros and cons of modern life and our
search for tribal mythology -
the 8x more chance of depression and
other mental deviations in wealthier
societies than poorer ones -
once it was called adventure, now
it's called tourism - after a while you sort
of get bored of the naked ego
and the clothing range your thought
provides you - unless you keep thinking
out the same thing, over and over again,
dressed like Armani, all black, nothing else -
odd, isn't it? they're playing the cat game,
cat wakes up, same ****, different cover,
well, the same cover - same fur - can't
change - the paradox or parody of
the fashion industry, i.e. that the designers
wear the same thing over and over again
and insist people require a spring collection,
the latest autumn trend.... parody.
so back to this piri-piri chicken      n'ah, not really,
i was thinking about what we already did,
this anti-tribalism, to have given ourselves
the opportunity to experience the least
amount of pain, the anaesthetic, sleep inducing
on the butcher's table more or less -
but we also created another anaesthetic,
this anaesthetic is not so subtle - it concerns beauty -
ever see it? ever walk into Tate Modern and
think about Raphael or Michelangelo?
you could tell me i'm overly nostalgic -
but what i see in plain sight is an anaesthetic in place,
against beauty, esp. in architecture -
who'd think of building a new Coliseum or
a St. Paul's - the Tate Modern (as you might
or might not know) is inside a power station,
big massive chimney - would have worked
better in the Battersea (Pink Floyd's Animals
album sleeve), but then St. Paul's is right opposite
and what a staggering dichotomy it is -
i'm sure that's what you call an anaesthetic in art,
the sort of art you have to get or not get
because, frankly, admiring a tin-can of tomato soup
even by Warhol's standards isn't exactly appetising -
i know, conveyor belt necessity and all, once
artists painted on commission for some duke or
duchess, or king to be adorning lavish palaces,
but as according to Walter Benjamin - the work
of art in the age of mechanical reproduction
-
some could once claim the original to be worth
a stupendous amount of dosh, but with the above
mentioned essay, the original is worth diddly-squat,
because there is no actual original these days,
because artists don't necessarily have to invest
in raw materials - and the copying process is 100%
perfect, what with photocopying and all...
but **** me over once more, how am i going
to cook this piri-piri chicken?
the few beers took the problem off my hands,
i ended up marinating the chicken in a bag
but then shoved it into a baking tray
an covered with aluminium foil, forty odd
minutes and the chicken was tender - ~5 minutes
without the aluminium foil covering while
the oven was switched off and the temperature
was descending - the carbs? couscous -
alt. North African semolina - and extra cucumber
in tzatziki - a few hours later and i'm a little
buddha not thinking an ounce or a continent's worth
of suggestion... one of those rare albums
salmonella dub's  inside the dub plates,
i'm a real provincial with this album,
tumble **** here, tumble **** there,
never settling for a ****-garden -
i told you i'm just borrowing the language, in fact,
given my alcoholic and status as vermin among
the bulldog rigid British (Londoners can have
their little gay pride parade, whatever, they
better give me up for surgery to a veterinarian than
a human doctor, after all, i'm all ******* gerbil from
now on in, it doesn't take enough pacifists to turn
my attitude into a Neo-**** and bulldozer the Union
Jack into a shallow grave, i don't expect the Caribbeans
and the Pakistanis to usher words of: it's how it is,
a rite of passage, **** your cumin and your ****,
battle of Britain, who among the R.A.F. flew and spat fire?
us) i'm more Apache in a bigger zoo than the one in
Reagents Park, i'm in a conservation zoone -
i'm Aboriginal - shaman of the fire water -
i'll be as ******* ridiculous as i want - go chant
you little kirtan get together mantras going,
i'm sure you'll *****-fight-those-pigeons dead without
a single coo being ushered in - and your little yoga stints
asking questions about the flexibility of the skeleton
not pulverised by scientific eyes for a schematic and
a schooling rubric to domino up the cranium with mandible,
ulna and radius etc. -
but at least i know what sort of country i live in,
and what country is wandering into political apology that's
too late, in ratio 27:1, soon to be Turkey + the Yugoslavian
gape, Albanian and Macedonia by 2020 -
>30:1 - great Welsh ratio that is, oh ****, wait, Scotland too?
i never thought about it coming - there's my 2 cents
on the topic, and that England is becoming more American
by the day? that's good? really?! i thought the
aim of England was to inspire America rather than
vice versa... what a ****-storm these few days ended
up being; ol' McDonald didn't have a farm, but
had the slogan - *i'm lovin' it!
Max Neumann Jun 2021
back in the days, tales from lauderdale...

yakuzzi gang from oakland park, 308
nightly waves flowin' thru brain channels
the traitor of my memories will judge me
no other day, 38ers, toni der assi, stoogie

two existences, eager brothers at arms
shake em the shake, rip and run, zippas
platin zippos, trip-apache, brave bear
the tents of the past remain as debris

as long as doom's grace feeds us lust
struggle on, lights out, turn me on, baby
shivering is the silver sun at dusk here
and gangsta poets speedin' thru alleys

fat **** frank oversees all oceans, inc.
friends at the thames, partners in crime
the green shining, ultra fresh scent, yeah
bodegas are useful for distribution

nevah, tho', enter these places at night
brooklyn heights, floor 64, 65 & 66 locked
merciless fred, sumptuous leather jacket
cuban necklace jeezy boostah, spiderman

dead blueline pitbulls, ****** cages,
rageful is the age of ours, my friends
sunday's dawn opposes my design
in the corner of my room, hidden
*** GANGSTAPOETRY ***  
        *** 48 SOULS ***
    ***  CREATION 96  ***
Mateuš Conrad Sep 2015
tailing off / trailing off poetry, or signature poetry prior sleep
is usually filled with too many prepositions,
and by being filled with too many prepositions
the prepositions tend to be repetitively used;
nonetheless, a study of language is provided,
not everyday you get to see language
in such quanta; yes, quanta, because
physicists will not get away with smartphones
by mystifying words with all those theories
in the subconscious working on the word idiot
consciously in argument with an antagonist;
well it would be hard not to express mystification
of a word in the standard vocabulary package
of conversation, without having so much quanta quarks
stork butter and curd cheese to mash up:
for a thrill in the trill... yar yarn pi's randomised counting rates.
because not everything you read is technically
within the framework of an addressee, or read aloud,
and no one wants to read **** like a bog standard
newsreader prompt on auto-queue of flimsy pages of lies:
i mean, it happened on a monday, but not a joycean monday,
it was 4pm, one gun shot was heard a minute prior,
but then jules anno domini came along and said: stern!
make the eyes stern! then gregory the pauper of paupers
said: it was actually 9am and the gun shot was heard a minute after:
but still the man at the market shouted: '*** yer bahnanas,
toe fo' 'un, *** yer bahnanas - toe quid bunches fowl's worth!'
yes, the h in english is an elongation "umlaut,"
now say it *****, say it *****: bahamas.*

most people wash their faces in the morning
for the eager 9 o'clock slap of reality
for the bossy 8 hour toothpaste feel
on the vertical, without the whips and chains;
i only wash my eyes, knowing that
i'll probably "say" something *****
but see all too squeaky;
then i fuse a hangover with a bit of alcohol
to ensure the hangover stays longer
and feels like the previous night's binge;
we apache and aboriginal down here,
we don't ask for cruise shipments of thoughts
on the sunny side of starboard with the pensioners
under blankets of deceit.

so the first time they tried to **** me was
in a hospital cot,
the nurse almost suffocated me, gave me a heart
condition, fearing the monster with the chernobyl
birthmark.

the second time it was my childhood companion
conrad, who pushed me into a deep dark well
but having clung to the edges i managed to not fall
and climb out, conrad's mother was there too
(sunlight in a sugar crystal, or the punkin for a
pumpkin in canto xii from chicago breezy,
now the poem, reflected with the pumpkin in mind,
or that rowntree pastille twinkle of bleached tooth
and thumbs in thumbs up the ****
for things sold with audacity past the use-by-date;
cold-air balloons nearing titanic!).

the third time? south american poison, brain damage,
the entire prompt for my writing expedition
into ***** wonka's factory of candy tooth smiles.

or as i say of darwinism with relief: am i watching
the athletics or am i simply watching a chemistry experiment?
shouldn't it be called anabolics instead?
a needle to the puzzle muscles of aesthetics without
greek ship oar, *** horse reins, the scythe of wheat,
and we turn protein into carbon dioxide covered
by some plastic surgery on the sheen of lost wrinkles
in balloons on film - well obviously - given the tractor
and the aerodynamic future of fifty hundred different
speed mechanisms - the lax and laze of the populace
requires constant intellectual stimulation:
the 100m record was downsized from 10.5 to 9.5seconds
over the past twenty years, the mob rule is?
talk talk talk.

— The End —