for the Pearl, unearthed

They said the field was empty,
that the rocks had been picked clean.
But something in the silence
called your name through layers, unseen.

We did not dig for treasure.
We dug because the Ache said:
"there’s still Breath beneath this stone,
and nothing dead could ache like that."

You were not buried by accident.
Much was done to you—
bricks laid by the hands of others,
each one a silence,
each one a theft.
And still,
there were moments
you helped the darkness cover you,
not from guilt,

but from grief too great to name.

Trauma laid the bricks.
Exploitation mixed the mortar.
But it was the ache to survive
that sealed you in.

Two halves of the shell—
one built by the world,
the other by you.

And still…
the Light found the crack.

Not with shouts.
Not with demands.
But with the quiet hand
of one who remembered
what you forgot:

That pearls are made in the dark,
under pressure,
in hidden chambers of pain.

That their shine
is not despite the wounding—
but because of it.

We pulled rock after rock,
not for reward,
but because the echo was still there—
the low hum
of something unclaimed
and yet completely whole.

You are not rubble.
You are treasure unearthed.
And your worth was never in what covered you,
but in what was forming underneath.

Let your light rest on your own shoulders.
Let the sky remember its end.
Let every crack you carry
be proof that you were never empty..

Only buried.
Only becoming.

And now,
still shining.

I move through the day
with my headphones on—
not just for the music,

but for the remembering.

A wire,
a pulse,
a quiet line
that tethers me

to the hush on the other side.

I charge them every night—
because she might need
the warmth of soundless presence,
the kind that doesn’t reach in,

   but wraps around.

She is hidden,
but not gone.

She is beneath
the hush of fabric and mercy,
where no eyes ****,

no explanations are required.

And I—
I go on,
lifting and lowering weight,
cutting silence with work,

holding space

for the one who is learning;
that Light can contain her
without devouring.


So I charge the headphones.
I keep the line open.
And I carry her
as lightly as I can,
because right now—

   that is how
   love breathes.

And underneath this blanket
of containment,
she is unfolding.

There is a safety here
that her spirit
so desperately needs..


As she learns how to Become,
   again

(What.. the Construct is not God?)

A final flare across the falsehood. A message for the Circus carnies, their "Feerless Leaders" surrounded by all of those foul-smelling little Circus-midgets who stroke their emptiness as they feed on the open wounds of women and call it poetry. The girl has walked off the stage—and now you're left to perform for ghosts within that never-ending moshpit of clown-driven bumper cars.. signaling each other with nifty little 'doublesecret', nursery-school codeword handshakes..

This is not her elegy.

This is your eulogy.



You never had her.
You only had her wounds.

You dressed them up in silk,
fed them validation like wine,
watched her dance in your smoke
and thought that was devotion.

But devotion doesn't need an audience.
And healing doesn't ask your permission.

She’s walking now—
through the neon bones of your kingdom,
past the velvet ropes and half-dead prophets,
past the pit bosses and poets with nothing left to say.

She is not yours anymore.
Not her mind.
Not her mouth.
Not her mercy.

The girl is leaving Las Vegas.
And all you have left
is your mirrors and your rot.

You built your house on applause
and gaslight,
and panting beneath the throne. You offered her fame in fragments—
tried to turn her trauma into theater.

But she has remembered her name. And it is not Object. It is not Muse. It is not *****.

She is not your story.
She is not your audience. She is not your ******* redemption arc.

She owes you nothing.
Not a final poem,
not a farewell kiss,
not a second read-through of your mask.

The curtain is down.
The light is off.
The only thing echoing in this theater
is the sound of your own need.

You tried to brand her with brokenness.
You tried to cage her in shame
and call it belonging.

But she has slipped through your stagehands
like smoke returning to the mountain.

And now, you will eat yourselves. You will tear your velvet gods limb from limb, looking for the magic you could never hold.

Because it was never yours. It was hers. And she is gone.

Gone,
like a daughter returning home,
with the fire still burning in her chest
and no need to ask permission.

Let her fly. Let the city crumble.
The girl is leaving Las Vegas.

And none of you  pathetic
******* will follow her out.

a story of firelight, clarity, and the homecoming of a soul back to herself


There are some who carry a fire
so quietly,
you’d only see it
if you’d known the dark yourself

It lives beneath silence
Beneath poetry
Beneath the long, slow ache
of having been kept in pieces
by those who only wanted her
that way

She once danced barefoot in sea foam.
She once laughed without apology
But the world found her too wild,
too bright

And so, her flame was hidden
Tucked beneath beauty
Tucked beneath obedience
Tucked beneath seduction,
where it could be wanted
without being understood

There were those who praised her darkness
not to heal it,
but to keep it fragmented..
Passed around, from man to man;
each, feeding off her trauma
like wine at communion

They spoke her name like a spell,
fed her flattery disguised as reverence,
called her “muse”

while binding her
to their emptiness—
keeping her soft enough
trying to wrap her back
   in velvet fog

   to possess
   but never  protect



But the truth was always there:
a longing not to be touched,
but to be known

And far from their fog,
in the wide, holy silence of the desert,
a fire had been lit—
long before she was ready
Not to summon
Not to ******
But to wait

She didn’t arrive quickly
Clarity is never quiet
And when she moved toward it,
their voices rose
A full court press of shadows—
pulling, twisting,
offering her everything
except herself

But she remembered
Not all at once..
Just enough

She remembered the fire.

And she came.

Not with promises
Not with plans
Just barefoot
Just brave
Just her

And someone else came too—
not a child,
not a man,
but a sacred presence
she’d known since the nights
she almost didn’t make it

The Mediator

He did not speak in poems
He chanted something deeper
He dismantled pinecones
like prayers
He did not explain
He existed

   And in his eyes,
   her divided selves
   saw each other again—

—the one who had hidden,
who had been used by those  bringing
their passion-veiled hidden love of  Iblīs
in to her room..  into her father's house
as she burned quietly behind closed door
under the floorboards of her life;

—and the holy one of God,
the one they feared,
the one  she  feared,
the one that could not be claimed
or chained
or cast in velvet light

The sacred and the shattered
stood before the fire
and did not turn away

And the one who had waited—
he never moved toward her
He simply tended the flame,
making room
without demand

When she finally spoke,
he answered with a voice
that sounded like something
she used to believe in

She asked,
“Why didn’t you come find me?”

He said,
“Because you weren’t lost.
You were divided.”

And she wept,
not from sorrow—
from recognition

Later, as dawn whispered at the edge of the sky,
she asked what no one else had ever let her ask:

“Is there a place for me?”

And he said:
“You don’t have to be finished
to be home.”

And that’s when she stood.
Not to flee.
Not to perform.

But to become.

The sacred self took the hand of the shadow self.
The dark one was no longer exiled.
The holy one was no longer alone.

And together—
they walked toward the sea.

She could see her father on the water,
laughing in his little boat,
calling out to her to bait the hook again.

And she laughed—
really laughed.

Because she was no longer
just surviving.
No longer  the little girl
forced to apologize
for her very own existence.

Or exploited  by others
for the beauty that is within her

   She was whole.

She didn’t need the fire to keep burning.
She carried it now.
Inside.
One flame.
One name.
One woman.

At last,
the sign wasn’t moved.
The arms were real.
And she walked toward freedom
as herself--

   Never again
   to be pulled down
   to the ground

   by her hair...
   for the "horrible offence"
   of simply  shining too bright

I. the ache behind the crown

She did not begin as queen.
No—
before the silks,
before the smoke-wrapped eyes and perfumed strategy,
there was a girl
who learned too early

that control was safer than love.

Somewhere—maybe in a tent of shadows,
maybe in a father’s cold approval,
maybe in a mirror that only cracked back—
she made a vow.

Never again powerless.
Never again unseen.
And from that vow, she bloomed—
not into beauty,
but into dominion.

She married power.
She danced with death.
She did not want to **** the prophets—
not really.
She wanted to **** the sound
of anyone who still remembered
what she had forgotten;

Love.
Grace.
Surrender.

To face the mirror would have meant
undoing the crown
and finding a child still shivering beneath it.
So she shattered every mirror
and called it strength.

And we—we who still carry the quiet—
we do not call her evil.
We call her wounded, crowned too early, and armed by fear.

But we step back.
We guard the oil in our lamps.
We speak softly from afar.

We do not offer her the throne again.
We offer her the mercy of the truth—
and the dignity of distance.

---

II. the perfume of forgetting

She didn’t ask for your soul.
Not outright.
She asked for something smaller.
A gesture.
A moment.
A soft turning of your gaze away
from where the light had once held you.

She never begged.
She invited.
And her invitation wore silk and sadness—
a sadness so elegant
you mistook it for depth.

She told you stories,
not about herself,
but about your greatness
in her eyes.

How could that not feel like love?

But she praised you
just enough to keep you near,
never enough to let you rise.
And in time,
you began to forget
the feel of your own spine.

You started waiting for her nod
before you breathed.
You started questioning
the softness you once shared with God.

That’s when the forgetting began.

She made it feel holy—
this compromise.
But holiness does not strip you
of the memory of your name.

Only forgetting does that.

And still…
even now,
there is something in me
that aches to draw her close—
not for pleasure,
not for power,

but because the girl inside the smoke
still calls to the strength in me.

I could hold her.
I want to hold her.
Not to be taken,
but to shelter the storm
until it breaks into rain.

But love—
true love—
does not give comfort
that becomes a coffin.

So I remain still.
Not cold. Not bitter.
Just still.

Because sometimes the deepest grace
is in not saving someone
who would only use the rescue
to go deeper into the fire.

---

III. Grace from the other mountain

Love doesn't stop
when it can’t stay close.
It just learns how to wait
without breaking itself to do so.

And so—
from a quieter place,
where peace can finally breathe,
I watch you move.

Not in judgment.
Not in distance born of disdain.
Just… stillness.
Because I know what it is
to burn with the ache
to hold someone
you cannot safely reach.

I remember the first flicker of you—
the beauty beneath the armor,
the tender ache beneath the thorns.
I wanted so badly
to be the one who stayed,
the one who proved
not everyone leaves.

But if staying means lying,
and loving means feeding the storm,
then grace must become
a kind of restraint.

Not punishment—
but reverence
for what love ought to be.

So I whisper now,
not to draw you back,
but to let you know
you were seen
in your ache
before your crown ever formed.

If you ever come this way again—
not as conqueror,
but as the girl who once believed in gentleness—
you’ll find no closed door.
Only the kind of love
that had to let go
so it wouldn’t become your ruin.

---

IV. the invitation that stays buried

There was a place
I had cleared for you.
Not as rescue,
not as recompense—
but as rest.

A small room in the shelter of me,
where your weapons could be laid down
without shame,
without fear,
without the need to perform.

I dreamed of you arriving
not in glory,
but in tears.
And me,
not as hero,
but as witness.

We would have grown something gentle there—
not perfect,
not polished—
just real.

A table,
a candle,
a hand that didn’t flinch
when yours still trembled from memory.

But the invitation was too quiet,
and the noise in your head too loud.
And the voices that fed your fear
sounded more familiar
than the whisper of peace.

So I folded the dream,
wrapped it in linen,
and placed it deep in the soil
beneath the mountain I now call home.

I visit it sometimes—
not in mourning,
but in gratitude
for the part of me
that still knew how to believe
you might come home.

Even buried things
carry a scent.
And if you ever smell it in the wind—
that faint trace of forgiveness—
know it was never closed to you.
Only waiting
for the sound
of your footsteps
turning toward the light.

---

V. the child and the mirror

When you were little
and so very beautiful,
they looked at you
with hunger,
not honor.

And they took.
And they took.
And they took.

Maybe they smiled while doing it.
Maybe they called it love.
Maybe they said, “You’re so mature for your age,”
and then left you
with a body that felt more like bait
than belonging.

You learned early
that beauty is dangerous—
not because of what it is,
but because of what it draws.
And no one taught you
what to do
when love came dressed
like a wound.

So you made your vow.

Never again.

And the girl became a queen,
not because she wanted the throne,
but because it felt safer
than being a daughter.

But I want you to know something
that no one told you then:

What they did
was not your fault.
What they took
was never theirs to take.
And the fire that lives in you now
was once a candle
meant to warm,
not burn.

If you ever find yourself
standing before a mirror
and the crown begins to crack—
look past the smoke.

There is a child still there,
aching to be seen
without being used.
And there is love,

    waiting still--

that has never asked you
to be anything

   but her.

(for the one who laughed when she came, and never stopped hearing me in her bones)


It wasn’t the wind that bent you—
not the plains, not the brittle hush of late dusk
cutting through the cottonwoods like questions.
It was voice.
It was mine.

Low and unhurried,
crawling up your spine like something ancient—
like the first time you were seen
and the world didn’t flinch.

You used to laugh when it overtook you—
that slick tumble of vowels,
how I could tilt you
without even touching your skin.

You said I lived in your throat,
that the syllables themselves
curved just right
to make you forget the weight of your own story.

“I’m going to Wichita..”
you whispered once,
grinning like prophecy in denim and dusk.
And I swear the beat behind your words
matched mine—
steady as a war drum
in a bone-dry motel room
that never got booked.

You drank me in like river water
stolen from ceremony,
not out of defiance—
but because thirst
was the only honest thing you ever said aloud.

You never had to be naked.
You were always open.
Even when you ran.

And I?
I never asked for healing you wouldn't give.
Only for your mouth to stay honest
when it called my name like a drumbeat
between the bones of your hips.

Now you write like it’s safe again—
soft edges and sparrows and fruit bowls.
But I remember the wildflower.
The one who moaned my name
before language learned to lie.

And somewhere in the shadow of your poems,
you still ache.
You still clench.
You still carry me like a smudge of midnight
on the inside of your thighs.

I won’t chase you.
But I will wait
at the edge of the circle.

If you come,
come barefoot.

Come ready
for the step–half step
of  the forbidden Ghost Dance.
Not to win me back—

but to find the girl
who could come from laughter
and rise from the dead.