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  May 28 Manx
León de Greiff
Vano el motivo
desta prosa:
nada...
Cosas de todo día.
Sucesos
banales.
Gente necia,
local y chata y roma.
Gran tráfico
en el marco de la plaza.
Chismes.
Catolicismo.
Y una total inopia en los cerebros...
Cual
si todo
se fincara en la riqueza,
en menjurjes bursátiles
y en un mayor volumen de la panza.
  May 28 Manx
Eavan Boland
—and not simply by the fact that this shading of
forest cannot show the fragrance of balsam,
the gloom of cypresses,
is what I wish to prove.

When you and I were first in love we drove
to the borders of Connacht
and entered a wood there.

Look down you said: this was once a famine road.

I looked down at ivy and the scutch grass
rough-cast stone had
disappeared into as you told me
in the second winter of their ordeal, in

1847, when the crop had failed twice,
Relief Committees gave
the starving Irish such roads to build.

Where they died, there the road ended

and ends still and when I take down
the map of this island, it is never so
I can say here is
the masterful, the apt rendering of
the spherical as flat, nor
an ingenious design which persuades a curve
into a plane,
but to tell myself again that

the line which says woodland and cries hunger
and gives out among sweet pine and cypress,
and finds no horizon

will not be there.
  May 28 Manx
Eavan Boland
In the worst hour of the worst season
    of the worst year of a whole people
a man set out from the workhouse with his wife.
He was walking-they were both walking-north.

She was sick with famine fever and could not keep up.
    He lifted her and put her on his back.
He walked like that west and north.
Until at nightfall under freezing stars they arrived.

In the morning they were both found dead.
    Of cold. Of hunger. Of the toxins of a whole history.
But her feet were held against his breastbone.
The last heat of his flesh was his last gift to her.

Let no love poem ever come to this threshold.
    There is no place here for the inexact
praise of the easy graces and sensuality of the body.
There is only time for this merciless inventory:

Their death together in the winter of 1847.
    Also what they suffered. How they lived.
And what there is between a man and a woman.
And in which darkness it can best be proved.
Manx May 26
I recall the faux weddings
That youth had adorn.
We were something like five or six,
Playing in her attic.
They had setup
A whole play marriage altar
Out on the back lawn.
My "bride-to-be"
Was dressed in her attire properly,
White veil & everything.
We had often played at house,
But never at matrimony.
It was always explicitly implied,
In such games,
That we were already married.
I did, she did -
You may kiss;
Sweet pronouncement!
Just as with half of all marriages,
We eventually grew apart.

Maybe it was the economy,
Maybe it was our goals;
Maybe it was because we were children,
Maybe because it was just for fun.

I still remember picking for eggs
At her home on Easter.
  May 25 Manx
Falling Awake
Foam lines move outwards

From oars that pierce stillness

Spreading just to fade.
about impermanence
  May 25 Manx
Sylvia Plath
'Perspective betrays with its dichotomy:
train tracks always meet, not here, but only
    in the impossible mind's eye;
horizons beat a retreat as we embark
on sophist seas to overtake that mark
    where wave pretends to drench real sky.'

'Well then, if we agree, it is not odd
that one man's devil is another's god
    or that the solar spectrum is
a multitude of shaded grays; suspense
on the quicksands of ambivalence
    is our life's whole nemesis.

So we could rave on, darling, you and I,
until the stars tick out a lullaby
    about each cosmic pro and con;
nothing changes, for all the blazing of
our drastic jargon, but clock hands that move
    implacably from twelve to one.

We raise our arguments like sitting ducks
to knock them down with logic or with luck
    and contradict ourselves for fun;
the waitress holds our coats and we put on
the raw wind like a scarf; love is a faun
    who insists his playmates run.

Now you, my intellectual leprechaun,
would have me swallow the entire sun
    like an enormous oyster, down
the ocean in one gulp: you say a mark
of comet hara-kiri through the dark
    should inflame the sleeping town.

So kiss: the drunks upon the curb and dames
in dubious doorways forget their monday names,
    caper with candles in their heads;
the leaves applaud, and santa claus flies in
scattering candy from a zeppelin,
    playing his prodigal charades.

The moon leans down to took; the tilting fish
in the rare river wink and laugh; we lavish
    blessings right and left and cry
hello, and then hello again in deaf
churchyard ears until the starlit stiff
    graves all carol in reply.

Now kiss again: till our strict father leans
to call for curtain on our thousand scenes;
    brazen actors mock at him,
multiply pink harlequins and sing
in gay ventriloquy from wing to wing
    while footlights flare and houselights dim.

Tell now, we taunq where black or white begins
and separate the flutes from violins:
    the algebra of absolutes
explodes in a kaleidoscope of shapes
that jar, while each polemic jackanapes
    joins his enemies' recruits.

The paradox is that 'the play's the thing':
though prima donna pouts and critic stings,
    there burns throughout the line of words,
the cultivated act, a fierce brief fusion
which dreamers call real, and realists, illusion:
    an insight like the flight of birds:

Arrows that lacerate the sky, while knowing
the secret of their ecstasy's in going;
    some day, moving, one will drop,
and, dropping, die, to trace a wound that heals
only to reopen as flesh congeals:
    cycling phoenix never stops.

So we shall walk barefoot on walnut shells
of withered worlds, and stamp out puny hells
    and heavens till the spirits squeak
surrender: to build our bed as high as jack's
bold beanstalk; lie and love till sharp scythe hacks
    away our rationed days and weeks.

Then jet the blue tent topple, stars rain down,
and god or void appall us till we drown
    in our own tears: today we start
to pay the piper with each breath, yet love
knows not of death nor calculus above
    the simple sum of heart plus heart.
Manx May 23
Just conquer your fear and confront the Minotaur, child!
You see; I'm not supposed to tell you this,
As secrecy is part of the rites,
But man is but a beast!
And that beast in there with you is no bull,
Just a person!

Talk to them! Outwit them! Fight them!

Listen, it's an island - but it's large seas.
Listen, it's an ocean - but it's on a gigantic boulder.

We're just trying to raise you up from childhood into adolescence.
The disorientation or anxiety you may suffer
Is only temporary,
And the environment around you is safe.
We're a small community,
This has been a pretty solid rite of passage.
All agree, we emerge more resilient.
We emerge more confident.
Such states of ignorance & fear
Truly forces one to assess
Their best courses of action.
Your choices within
Help you better understand yourself
And, therefore, us as well.
Such things give you a better idea
Of what you might like
To do with your life
And what position or role
You would best be suited for.

Do you feel lost? Ask for directions!
Use the dark! Knick the map off them!
Get the jump! Hide around a corner & ambush them!

It's just a maze! Not a prison.
The fresco at the house of M. Gavius Rufus shows a village mortified by a patently crazed Theseus. The children, all except one, celebrate what they do not understand. One, prostrated on the ground, makes eye contact with a skull and possibly the withered remains of a wreath or garland.
He was of Athens, not of Crete. Different culture, different upbringing. Contenders normally show mercy to defeated or yielding opponents. He thought he was doing the right thing by slaying him. Clearly, quite the mad man.
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