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blood I took the job;
giving access to the
                              **** set to tourists;
Sara barefoot trudging
        through                             ice in the desert;                              the white desert
                                                          ­            in a straight line; I know I know
she too
taking my emo love                                                         take my emo love
into the elm woods where                 I need to be alone to meet my genius from the green ground where the                                                   mazes of roots                    circulate the undersea unseen questioning
                                  wheels of time & other houses              & other hours
                                               & other dimes
I said I loved u so many times I'm hoarse
Oh, ur feet so high I love ur
     Oh                                        feet in rubber boots filled w/ the mud of dead
                              women's bones who lived in days
                                                     children spawned like insects                      in the damp grotto dug by mice-men long deceased from  unknown alga fungi
                                                                ­        & she sweeps through & down under              Oh, my                                                 the last stone          of the stone
queen & her entourage;
my lovely chambermaid,
Oh, Colossa!
how that was the way when candlelight
struck the knight in the shin
                                       ******* him; little starter-****,                   
    she moves to ******;
I am full of chalk; u want to feed on moist
                                                                ­     little rabbits to fuel the super
smart rat race winding through ur eyes & I
I desire eyes so large I  I
I desire to see ur culture;                         Oh,
taboo & easy love
on the township
square                                timely dwarf in fishnets &                   leather mini
is the stable one;                        Oh,
her hot little feet        repeat
u are like that tunnel;
Fiona's last ******                     Oh
until she arrives           in                                Paris
follow ur heart
when that fails
follow the gun

don't shoot in the dark;
u might hit someone u
love &                        get ur legs cut
                                                                ­off;

follow ur heart                                       gay men used to cruise
& streetwalkers                                     used to stroll; now we
run
she carries her easel to the park
to paint the grass w/ only pink pa int she painted the grass pink &       it sold;
Bettie van Gogh could paint anything        as long as it was pink & it sold;
she walked into up to towards in the direction of two stems evoking the marble & plaster statues of the ancient golden times                                
    lost
              below the green sea
where the monsters dwell far,
                    far below our world every color alive
                                                                ­             in & of itself she bought     the earth from Jesus who loves    philosophy         as much as her        her as much if not more than many men                   have died in space wars of the psychic massacre of the lively green Id,
                                                             ­    so long as desert winds blow hot & red
we've seen her naked
it was pink & it sold

Bettie van Gogh                        changes the channel on her old Motorola set
the sad irony
of time travel
is that it gets
old not even                                               fast
but slowly
again &                      again                            
until u just                                                             ­                            get  
sick of time                                                 &
want another
flavor                                                          ­            experience
where time
moves in                              wavy
lines in                                                               ­       different
colors                                  instead
of straight                             lines
like billiard                                                         ­          *****
this is an ode to ur mirror lips; u are so
golden as a splendid shield, polished
to a high reflection    if it were up to me her voice would be metallic;        
of the bluer than blue;
Ivy's yet to be born yet her eyes are like the cat's
like & Jewish & as sweet as deep                                                water
fresh as a minuet;                   my god;
her love wills              me to say god is good         for the by-line back
in rolling thunderbolts days;
as c as an effervescent                           hi          leaping faithful Sufi;
who knows which witch will turn                     which I lay awake
way or way to turn once I enter the cave on the map
unseen; an invading                            army of wild ants in pink shoes
                       & aluminum ballgowns;
I am the dice to throw
into space to wake u up; darling,
give the chalice a rest the sacred wine
                                                               overflows w/ gold
the tides                             come in &                                                 the        
    ­                   tides
go out                                                  &       no one says the tide
is                                                           wasting its time;               mankind's
mistake
               is thinking he is       like
the tide when he more                         like                                the
plastic that washes ashore                               w/                                                      it
I try to love life
But I cannot forgive it
For breaking my heart
I don't really like this one..
In the drawer were folded fine
batiste slips embroidered with scrolls
and posies, edged with handmade
lace too good for her to wear.

Daily she put on shmattehs
fit only to wash the car
or the windows, rags
that had never been pretty

even when new: somewhere
such dresses are sold only
to women without money to waste
on themselves, on pleasure,

to women who hate their bodies,
to women whose lives close on them.
Such dresses come bleached by tears,
packed in salt like herring.

Yet she put the good things away
for the good day that must surely
come, when promises would open
like tulips their satin cups

for her to drink the sweet
sacramental wine of fulfillment.

The story shone in her as through
tinted glass, how the mother

gave up and did without
and was in the end crowned
with what? scallions? crowned
queen of the dead place

in the heart where old dreams
whistle on bone flutes
where run-over pets are forgotten,
where lost stockings go?

In the coffin she was beautiful
not because of the undertaker's
garish cosmetics but because
that face at eighty was still

her face at eighteen peering
over the drab long dress
of poverty, clutching a book.
Where did you read your dreams, Mother?

Because her expression softened
from the pucker of disappointment,
the grimace of swallowed rage,
she looked a white-haired girl.

The anger turned inward, the anger
turned inward, where
could it go except to make pain?
It flowed into me with her milk.

Her anger annealed me.
I was dipped into the cauldron
of boiling rage and rose
a warrior and a witch

but still vulnerable
there where she held me.
She could always wound me
for she knew the secret places.

She could always touch me
for she knew the pressure
points of pleasure and pain.
Our minds were woven together.

I gave her presents and she hid
them away, wrapped in plastic.
Too good, she said, too good.
I'm saving them. So after her death

I sort them, the ugly things
that were sufficient for every
day and the pretty things for which
no day of hers was ever good enough.
The beginning of a poem Liz Balise posted "Where I Left Them" reminded me of this Marge Piercy poem. Liz's went off in a totally different direction, but since I had been reminded of this, I thought I'd share it.
Einstein exists so older beat goddesses can rule society  
calling the news on the smell of farts                    coming from the gypsy's
                                              stockings  
on the hill in her sacred ******* on the
    her throat magical  & essential                          dancing                       ­                  the hills she stood in               only her sister                      held her sacred                                             bra  
& fell into her                               grandmother's                burlesque army                                            in the dark ness  
literally sleeping in the shadows  
how can a genius be so stupid as to                             start a revolution  in
his fingers are the flames &                                                                 waves
the water table
                       beneath the ****** land
                                                                ­is there to **** the bare-*** cops   already dying in the warm daughter's                                                 machine
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