We talk about the
past like it's a
movie we
watched together.
You liked the
cinematography.
I didn't care for the
cruelty of the
protagonist.

We disagree on the
theme, and every
scene holds different
aspects of
symbolism for us.
I'm not sure I want
there to be a sequel,
despite the good
acting.

You were worried about
the storm, so you
invited it in,
wanting to control the
damage through your
kindness and friendship.
But you can't.
The storm doesn't have
a conscience.
It will never be a cute
pet on your leash.

When my oldest brother, Todd,
came back for my mom's funeral,
he had this light about him.
His face was a poem.
Sure, he was the oldest, and he
had a healthy-looking tan from the
hot New Mexico sun, working
outside with turquoise, silver,
and bear claws to make
jewelry for the tourists, but there
was more than that.

He was an artist, and all artists have
a fractured ease about things, but he
lit up.  Something from the inside
projected out.
He comforted everyone else, we leaned
on him.  His eyes oozed serenity.

A few calendars later, when I traveled
back for his funeral, I saw the same
look on a few of his friends' faces.
His wife told me after the service
that Todd had gotten sober years before.

Empty and debauched,
that hollow space
inside of me,
the cavernous
void that I tried
to stuff with
*****, drugs,
****** galore
turned out to be
the exact shape of
the Creator.

I smelled the stale
breath of death coming
for me on the
nightmare wind.
Life tasted like rotten
meat.
Maggots ate away at
my soul, and all I
touched felt like
cracked cement and
broken glass.

Always lost
forever searching.

I'm glad I found my
way home to the
sublime symphony, life can be,
should be
will be, if I don't wander
to the barren places, and
pitch a tent.

She had these little cups
of coffee for eyes, and I
should have stayed up
all night.
Love is a drunk *****.
A lie from Saturn.
Venus, slither back in the
ocean where you belong.
Loneliness is a knife cutting
my ***** off.
Knowledge arrived with an
alarm clock from hell,
always the wrong *******
time. Slammed doors, words
of hatred.
What happens to the man that
inherits the wind?

We were drinking ourselves
into the grave.
I escaped temporarily.
Greg didn't.
He was crossing a
busy street in Iowa City.
In his baggy, ***** jeans
was a bottle of ***** that
he had just lifted.
I'm guessing he was in
too big a hurry to
"get well" and knock
off the shakes.
A minivan ran him down.

Before the ***** wrecked him,
he was a lawyer, and a pretty
**** good golfer.
But what I remember the
best were our days at Prairie
Meadows, playing the ponies.
We cashed a few winning
tickets together, and
tore up some losers too.

God bless you, little buddy.
You're on the homestretch now.

Crazy times of dime bag
dreams and fevered river
scenes that would drown
the lice in Bukowski's beard.

There was a quiet stretch of
sand on the Iowa River, not
far from downtown.
I pitched a tent in the woods
behind that little beach.
Blue herons and blue *****,
I hadn't been laid in a while.

A woman in a red one-piece
swimsuit used to come on
sunny days and lie in the sand
drinking Chardonnay.
I should have done like the
crawdaddy and backed
away.

I stumbled out of the woods
one afternoon, and began talking to
her and drinking her wine.
We laughed and drank under
that demented Iowa sun.
At night, we peeled off our
clothes and swam in the river with
the water snakes and ghosts that
floated down from the university.
I'm almost positive that
Dylan Thomas and Vonnegut
drank with us one night.
It could have just been
cholera or typhoid.

I built a fire after our swim, and we
danced naked and ****** next to an
old elm tree.
The otters and muskrats watched,
as the crawdaddyy slowly backed
away into the wine-soaked night.

If you get the chance, Check out the book,
Sleep Always Calls, by Thomas W. Case.
It's available on Amazon.com.

Sleep Always Calls is a bruised-knuckle prayer whispered into the void. In this raw, unflinching collection, Thomas W. Case peels back the scabs of everyday life to reveal the poetry bleeding underneath. With echoes of Bukowski's grit and Cohen's haunted grace, these new poems prowl through midnight streets, broken dreams, and the quiet ache of survival. Sleep Always Calls doesn't ask for permission—it kicks down the door and tells the truth anyway.

Rain splashes off the
screen door.
It's raining in
my heart
chubby little drops
splashing on my soul.
The sadness is deeper
than a lagoon,
bluer too.

There are days
it doesn't pay to
get out of bed.
Maybe,
in the next dream
I'll find my
prodigal cat.
We could listen to
Sketches of Spain,
Miles Davis knows
how to bring the lost home.

She's a black runt that
burrowed into my heart.

I sleep with my
top hat on these days.
It keeps the rabbits from
crawling out and running
away.

They are the safest close to
my brain when I sleep.
I don't want them eaten by
feral swine or to wander
off and drown in a vat of wine.

The magic show will
start soon, and I'll pull them
out when least expected.
The crowd will gasp and groan
when I saw the woman in half.

"It's just a trick,"  I yell.
"She's okay, sleight of hand...see."

They know better, the blood
isn't fake.
They see the horror of the
magician's life, even though
it entertains. We all wish it
was an illusion, but it's
showtime.