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CC Oct 2017
I'm the prettiest girl in the room
I have the longest hair
I don't have much problems
Only my father makes me feel unsafe
My mother left when I was seven
My sister died of suicide,
I was ten
I'm the prettiest girl in the room
I have the best skin
It's unblemished, without pores
It's available for you to touch, sure
I have the biggest smile for anyone who looks
No, I don't seem problematic
The distress is on my jeans
Tell me I'm the prettiest girl you have ever seen
So pretty, having problems is obscene
I can't feel emotion
I can't feel pain
All I feel is pleasure from making you look plain
Janelle Tanguin Sep 2017
I know her by name.
I know her by face.
Only, I don't even
know her at all.
I think I've seen her
once,
and for once
I wasn't disappointed.

We are so much alike
only she has brighter eyes.
We are so much alike;
So, I figured
from black and white
I could be pastel--
faded bright.

We are so much alike
only she drinks psalms
like the preacher's wine.
Before I abandoned religion
I used to kneel
and break bread every Sunday, too.
So, I figured
I could still be as holy
if I clapped my hands together
and whispered litanies
on candles burning outside chapels—
faded light.

We are so much alike
in the way we love
books and music,
anything aesthetic.
But, I am wrapped in tin foil
and she dons silk and laces.
Same filling,
different faces.

And kid, I wouldn't blame you
for craving
the same flavor
in different packaging.

We are so much alike
only, compared to her
porcelain China doll skin,
I am a witch's voodoo,
covered in pins and needles
piercing rough skin,
a cheap imitation—
a fake.

We are so much alike
only I'm lying
when I say we are
because she is pastel
paint in coffee shops
and I am crayola
vandals on the sidewalk.

And let's admit pretty
isn't anything I would
ever be.

It makes me sick.
Because I'm not like her.
I'm never going to be just

pretty;

Pity, that's all they ever want us to be.
Stephen Rutledge Sep 2017
The solid wall,

Unscalable in height,
Impenetrable in might,

How that secure wall,
Encase this psyche,

And carefully constructed,
It be excessively rendered,
The masquerade of idealisation,

Albeit,
This wall ultimately conceal,
What torment persist,
Of ageing scars,
The heart still suffers
Eleni Jun 2017
Friday- the most promising day of all.
The beginning of the weekend, but the one day that will spark appall.

Down on Mainstreet all the girls
In their fringed dresses, pouting their foxy lips and their hair waving in short messes.

The hags frown as the winged ladies pass by- displaying their carriages a little sly.

Oh, but Jane's favourite speakeasy was 'The Back Room' down on Norfolk Street: the place where the lost creatures meet.

Tin ceilings, velvet wallpaper, plush thrones and back in that dark corner, there is the sound of low moans.

'A whiskey, neat, please' as a shadow in a tuxedo walked towards her and he whispered 'Hi,' in a sensual purr.

'Who are you?' he stirred,
'Oh, I'm Miss Doe' and he lept into the stool with a swift flow.

And the jazz trumpets married the spontaneous harmonies and the saxophone created sublime melodies.

So they sat as idle as ghouls in the dim spotlights, until Jane asked Mr Buck:

'D'you fight in the war?' And he whined 'Cambrai, Amiens and Lys' - his lips seemed a little sore.

'I'm sorry - do I know you?' His face looked as familiar as Jay to Nick. A brief pause in time at that smile.

That was the final chord to the "lick".
He drove her down to Roslyn- to his replica of Versailles and Jane looked intensely shy.

'Oh, do come in,' the desperado soughed. And she walked into the gilded palace which Cupid's presence bowed.

'I have a favour to ask of you, Miss Doe. Would you be as kind to wash away my woe?'

And as they congressed under diamond chandeliers, his comrades gathered around the bed in amorphous silhouettes; watching disgustedly.

As for Mr Buck he was an alien, skin-to-skin with a haunted beauty and Miss Doe- a labourer on duty.
A story based on the aftermath of the First World War, the birth of a "lost generation" and the excess of the 1920s.

1 'Miss Doe...Mr Buck' referring to a mature female of mammals of which the male is called 'buck'. This further adds to the animalistic imagery of their encounter.

2 'Cambrai, Amiens and Lys' battles of the First World War which the United States was comprised of the allied effort.

3 'Jay to Nick... that smile' an allusion of 'The Great Gatsby' when Gatsby and Nick meet for the first time at one of his lavish parties. Nick romanticises Gatsby's understanding smile.

4 'Lick' a jazz term for a repeating pattern or phrase in music.

5 'Replica of Versailles' a regal palace in France in this poem representing the wealthy individuals of 1920s America in New York.
Night is just night,
without it being told that
it should be dark
and sunless.

It is what it is,
by its own definition.
It does not need stars to shine
In order to make darkness meaningful.

Still, the stars shine.
They do what they do
Without self-acknowledgement,
They simply do.

Be.
Like night and stars
And meaningfulness
And Self-acknowledgement.
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