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Is it the frame that holds, the muscle tight,
The heart that battles through the endless fight?
The crown of fame, the riches seized,
Or seer-sight burning where all lies are teased?

Is it the voice of gods, the soul in art,
The quiet choice, the courage to start?
The face of dawn, eyes wide with sky,
Or sunborn fire that could make worlds die?

What makes a man? The pact with shade,
The secrets buried, the occult conveyed.
The masks he wears, the games he plays,
Or thorns and roses where his spirit sways?
"What Makes a Man?" delves into the complexities of identity, exploring the forces—both external and internal—that shape a person. With vivid imagery and philosophical questions, the poem reflects on the interplay of hidden truths, outward facades, and the growth forged through both struggle and triumph. It invites the reader to question whether a man's essence lies in his secrets, his actions, or the journey of his spirit.
You gaze—yet truth has slipped the frame,
A tide too vast for thought to claim.
In vaulted halls where echoes fail,
Sound stalks like smoke, too thin to trail.

We dream in frames we cannot fuse,
See fractured signs and call them truths.
The sun must drown for stars to speak,
While cycles turn, and silence reaps.

Eyes half-shut miss the arc of skies,
And worship forms as if they're wise.
But those who cling will hear the chime—
Again and again.
Time breaks its crown, then reigns in rhyme.
This poem explores how truth often escapes us—not because it is hidden, but because we look for it in rigid, familiar forms. Again and Again reflects on the cycles of time, the illusions we cling to, and the subtle beauty that reveals itself only when we let go of certainty. It suggests that wisdom comes not from mastering time or truth, but from recognizing their ever-changing, rhythmic nature.
Picture frame of ugliness – but not what the world sees,
when your paint yourself under your insecurities.
Does that make you a coward; or are their eyes
the cowards, too afraid to see the real picture of
themselves?

societal expectations, and passive judgments –
behold their critical gaze; yet so are the eyes that can’t
stare themselves in the face. so too, blinded by their
own fears, and personal insecurities.

But as you start to peel away at the metaphoric picture
frame, retracing their hidden layers of drawn over
strokes of new paint - embracing vulnerability;

I'm between finding myself in my inner self-criticism,
and external judgments – I could be the picture of the
prettiest flowers, and hoping one day I learn to paint
myself under the brushstrokes of security, and
vulnerability!

my picture is finally complete!
MetaVerse Sep 2024
Adolf ******
Was a lot littler
Than most Aryan brothers
And their mothers.
Jeremy Betts Jun 2024
If there is no one to blame,
To frame,
To claim
Did this to me
Then the arcane,
Link chain,
Rusty from the rain
But still holding me
Should be easy to explain
But it can't be

©2024
Amanda Kay Burke Dec 2022
I was glass
You were wood

Picture frame perfect

I found in you the vibrance I was missing to display a beautiful picture

I looked empty before you
Transparent

As we grew older I learned to depend on you more and more

I stood in your stable embrace

Without your arms lack the strength to keep my thin figure upright

We were useless by ourselves

Together captured a moment to remember forever

It seems so pointless without a photo to reserve each priceless memory
A picture is worth a thousand words
A living "still picture" if you're living,
A once lived "still memory" if you're dead!!
John McCafferty May 2021
The drops are so much deeper,
and the highs aren't high at all.
Ongoing expectant measures listed,
of these persistent calls to pressure.
To fill a frame that's drained,
when switching off is no longer an option.
Are these real problems or signs of age?

Before was easier, yesterday simpler,
but would the early days help to mould,
when you've already grown from there.
Late observations of missed play,
a rug pull calls out the fool to vacate.
As we're a little bitter in vain,
there's no sweetness today.
(@PoeticTetra - instagram/twitter)
I want to paint you there,
so I never lose you again
even the sun wil set my pain everywhere.
I want to paint you,
but I am not a good painter
who will make you a good picture
in a frame or in the wall
I always hang it out.
I will make you come to see
in the colour
I love it should be.
Indonesia, 2nd April 2021
Arif Aditya Abyan Nugroho
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