In flashes,
her face dances
on top of a
broomstick body.

She refills
coffee cups and
her stomach with
butter pecan ice cream
and lovers' saliva.

But her lovers are
strangers
and her mouth is a
place
where secrets are locked
behind smoke stained teeth.

In flashes,
her ambitions escape
into the jet black night.
Cigarettes dropping like
sputtering fruit flies.

A size seven New Balance
buries a Marlboro corpse,
burning out like the light
in her kiwi eyes.

She returns to the diner.
What echoes reign free.

His dog chased her
through the woods.
The rifle can **** from
three-hundred yards.

Watch her leap logs
and sidestep
sticks grabbing
at her shoulders.

There are three Gods
in the woods,
behind any tree.

No one is as ruled
as the lawless.
No one is as sedated
as the frenzied.

Sympathy couldn't be
measured in screams,
but measured
in her breaths.

Beyond the
honeydew horizon,
the senseless cease.
The half-life of eyes:
her only escape.

Where the tree-trunks
are furnished by the
candied corpses.
Her feet chomp at the
prostituted ground.

She will die, here,
whether she lives
or not.
For what is stolen,
stays.

When the girl, I loved, died,
I locked myself in her room
while her parents were in Arizona.

I went through her things
and found
**** photos;
A few where she seemed
ashamed
and a few where she
liked her body.
She had a gummy smile
and in others
she looked down at her *******
while having a blank expression.

I found empty
alcohol bottles.
Cheap bottles of wine
and a bottle of red,
stuffed with tissue paper.

Under her dresser
I found an unopened
letter she intended to
give the boyfriend before me,
where she admitted
to being ***** as a teenager
and how she hoped
it wasn't too much
baggage.

I threw out the photos
and
alcohol bottles,
but not the letter.

I don't know why but I kept it.
I occasionally read it,
because it's her,
and I love her.

I told my friend
and he called me a
Halomaker,
because I made sure
she was remembered
as an angel.

She looked at me and said,
"You should **** me
before you love me."
And so I did.

Her hands covered her *******
and she said,
"I want you to guess which breast
my father touched first."
And so I did.

The bones in her hands shifted
as she fixed her hair into a ponytail.
"You're going to promise me that
you're not going to try to fix me.
You're going to promise me, okay?"
And so I did.

Her lips would start bleeding
because when she lied
she chewed her lips.
She said, "I think today
will be the last day I live."
And I asked her for one more.

Dry blood sat on her inner lips
as she kissed me good morning.
Her voice softly cooed,
"I hope that isn't the last time
I kiss you."
And I asked her for one more.

She bled,
"All you write about are girls.
You never write about me.
All you write about are faces
without souls. What about my soul?
Are you going to
******* write about my soul?
Are you going to write another poem?"
And I asked her for one more.

Looking at me,
she ran her fingers
down her hips,
across scars,
and said,
"Too many men look at me
and see what they want to.
They look at me and see
broken picture frames
that they can repair
and put our faces into."

Our hands met
and our fingers grasped
at the pieces of ourselves
that were deeper than faces.
But it was only me
as she whispered,
"Stop,"
licked my cheek
to my ear,
finishing,
"Don't fall in love
with what you
think you see.
Just **** me."

And so I did.
And so I asked her for one more.

My soul rests within the
tranquility of the empty valley

I nestle in a beautiful space
a carved out place,
As I lie between
two proud mountains  

Open to the sky
I make a restful sigh
As I enjoy this giant
emptiness

Blustering winds pass through
as the valleys edges are
brushed by busy grasses  
And tickled by the
Sweeping clouds

While many cattle graze
a silent centre has a
grateful gaze

As eons pass the empty
center sits to watch seasons
spiral past.

With her rolling mountains
and rotating valley
she see her endless time

And drinks it slowly
Like a delicious wine

How I enjoy the sweet open valley