Hella business
Got hella *******
Poppin double bottles
With a couple of mistresses
Stellar mistreatment
Here's the key
Lock em in the cellar
Forever their memory lies
But a troubling mystery

Hysteria erupting
Like waves gushing
From the tip of my *****
My genius is better
I'm the King here's my scepter
Now watch the teeth
You worthless Queen
Or I'll stifle them screams

I **** ******* on trampolines
Motion sickness?
Overdose on Dramamine
Slave to the magnitude
Of my impressive **** munching
Exploring deplorable nether-regions galore;
Can't touch me you got nothing
Broke *******
Grind your brain like morning coffee beans

Shame is a word just outside the boundaries
of my fabulous vocabulary

Oh, am I contrite?
How trifling
Check my charm I'm enlightening
Enigmatic and igniting sporadically like lightning
Magically radical voyaging down
                                                           down
                                                  down the rabbit's hole
Inciting excited riots to light fires spark fuses and chew on live wires
You do not frighten me.
Delivering excruciating asphyxiation to every pwn'd n00b
Is my modus operandi
And this is my magnum opus

I have Tourette's

Conceive these merriments of abhorrent mental abortions
Precisely concise and incisive concocting incoherent comatose monstrosities to flatten your lifelines
Conduct these ensembles of debauchery and narcotics -
I'm fascinating;
Crippling your mind like a lobotomy and tripping the light fantastic through bombarding planes of consciousness
I'm on acid thraxXx'd the **** OUT and faded
Levitating fading and oscillating in time while inflating my ego

But lets be realistic
the caliber of my linguistics is intrinsically aesthetic
but none too altruistic
Untrue!
Be reasonable lest I demand be-headings on grounds of treason
Its not hard for me -
It's profound, the sound of suffering;
I'll swallow your soul
'Tis the season!

Inference for instance -
****-hand upturned to oceans of incessant peasants
Pestering to ****** and fluster your festering ****-hole
Exact my revenge; begin phase mayhem
initiating total brain annihilation
interring bodies posthaste with skilled persistence
And sporting in poor taste
RESISTANCE IS FUTILE

You who peers through eye of the pyramid-
Would you be so kind as to interpret my footprint at face-value?
Do you take me for a fool yet seek prophets reaping profits?
Listen to them sleep, baaah-ing away like flocks of little sheep
My hearts not on my sleeve but I have a trick or two up there;

Now bow before my marvelous flow
As I behold my throne whilst throwing bows and exposing hoes.

Sandwiched in layers of liquid crystal display,
Encased in vats of plastic,
                          
                            we
Voyaging in data-spheres, plumes of digital play.

Mindless,
         In the soup of silicone,
                            
                            all
Myt­h-makers,
         Pouring over electro-spawned
         networks,
                            
                            fall
Workers,
          In the buzz of bits and bytes, of
          megabytes and terabytes,
                            
                            down
Everyone
          Far from the wood, the brine, the
          mud that caked us,
          In tighter and tighter
          digitised  projections,
                            
                            click!
‘Like me’,
‘Share me’,
‘Leave your comments.’

Messages smoothed out in polymers,
Beyond reproductions of ourselves,

                           enter:

Deeper, delving in the mire of dream-conscious,

Now a waking voice,
          Hardened, digitised, recorded in
          bubbles, in drives, in clouds:
                        
Numb numbers of numbers numb,
                          mirror.

          A platform slotted home:
The motherboard!
          To record the echo in the hollow
          of our Being.

(The Dry Salvages—presumably les trois sauvages
      — is a small group of rocks, with a beacon, off the N.E.
      coast of Cape Ann, Massachusetts. Salvages is pronounced
      to rhyme with assuages. Groaner: a whistling buoy.)

I

I do not know much about gods; but I think that the river
Is a strong brown god—sullen, untamed and intractable,
Patient to some degree, at first recognised as a frontier;
Useful, untrustworthy, as a conveyor of commerce;
Then only a problem confronting the builder of bridges.
The problem once solved, the brown god is almost forgotten
By the dwellers in cities—ever, however, implacable.
Keeping his seasons and rages, destroyer, reminder
Of what men choose to forget. Unhonoured, unpropitiated
By worshippers of the machine, but waiting, watching and waiting.
His rhythm was present in the nursery bedroom,
In the rank ailanthus of the April dooryard,
In the smell of grapes on the autumn table,
And the evening circle in the winter gaslight.

The river is within us, the sea is all about us;
The sea is the land’s edge also, the granite
Into which it reaches, the beaches where it tosses
Its hints of earlier and other creation:
The starfish, the horseshoe crab, the whale’s backbone;
The pools where it offers to our curiosity
The more delicate algae and the sea anemone.
It tosses up our losses, the torn seine,
The shattered lobsterpot, the broken oar
And the gear of foreign dead men. The sea has many voices,
Many gods and many voices.
                                       The salt is on the briar rose,
The fog is in the fir trees.
                                       The sea howl
And the sea yelp, are different voices
Often together heard: the whine in the rigging,
The menace and caress of wave that breaks on water,
The distant rote in the granite teeth,
And the wailing warning from the approaching headland
Are all sea voices, and the heaving groaner
Rounded homewards, and the seagull:
And under the oppression of the silent fog
The tolling bell
Measures time not our time, rung by the unhurried
Ground swell, a time
Older than the time of chronometers, older
Than time counted by anxious worried women
Lying awake, calculating the future,
Trying to unweave, unwind, unravel
And piece together the past and the future,
Between midnight and dawn, when the past is all deception,
The future futureless, before the morning watch
When time stops and time is never ending;
And the ground swell, that is and was from the beginning,
Clangs
The bell.

II

Where is there an end of it, the soundless wailing,
The silent withering of autumn flowers
Dropping their petals and remaining motionless;
Where is there and end to the drifting wreckage,
The prayer of the bone on the beach, the unprayable
Prayer at the calamitous annunciation?

There is no end, but addition: the trailing
Consequence of further days and hours,
While emotion takes to itself the emotionless
Years of living among the breakage
Of what was believed in as the most reliable—
And therefore the fittest for renunciation.

There is the final addition, the failing
Pride or resentment at failing powers,
The unattached devotion which might pass for devotionless,
In a drifting boat with a slow leakage,
The silent listening to the undeniable
Clamour of the bell of the last annunciation.

Where is the end of them, the fishermen sailing
Into the wind’s tail, where the fog cowers?
We cannot think of a time that is oceanless
Or of an ocean not littered with wastage
Or of a future that is not liable
Like the past, to have no destination.

We have to think of them as forever bailing,
Setting and hauling, while the North East lowers
Over shallow banks unchanging and erosionless
Or drawing their money, drying sails at dockage;
Not as making a trip that will be unpayable
For a haul that will not bear examination.

There is no end of it, the voiceless wailing,
No end to the withering of withered flowers,
To the movement of pain that is painless and motionless,
To the drift of the sea and the drifting wreckage,
The bone’s prayer to Death its God. Only the hardly, barely prayable
Prayer of the one Annunciation.

It seems, as one becomes older,
That the past has another pattern, and ceases to be a mere sequence—
Or even development: the latter a partial fallacy
Encouraged by superficial notions of evolution,
Which becomes, in the popular mind, a means of disowning the past.
The moments of happiness—not the sense of well-being,
Fruition, fulfilment, security or affection,
Or even a very good dinner, but the sudden illumination—
We had the experience but missed the meaning,
And approach to the meaning restores the experience
In a different form, beyond any meaning
We can assign to happiness. I have said before
That the past experience revived in the meaning
Is not the experience of one life only
But of many generations—not forgetting
Something that is probably quite ineffable:
The backward look behind the assurance
Of recorded history, the backward half-look
Over the shoulder, towards the primitive terror.
Now, we come to discover that the moments of agony
(Whether, or not, due to misunderstanding,
Having hoped for the wrong things or dreaded the wrong things,
Is not in question) are likewise permanent
With such permanence as time has. We appreciate this better
In the agony of others, nearly experienced,
Involving ourselves, than in our own.
For our own past is covered by the currents of action,
But the torment of others remains an experience
Unqualified, unworn by subsequent attrition.
People change, and smile: but the agony abides.
Time the destroyer is time the preserver,
Like the river with its cargo of dead negroes, cows and chicken coops,
The bitter apple, and the bite in the apple.
And the ragged rock in the restless waters,
Waves wash over it, fogs conceal it;
On a halcyon day it is merely a monument,
In navigable weather it is always a seamark
To lay a course by: but in the sombre season
Or the sudden fury, is what it always was.

III

I sometimes wonder if that is what Krishna meant—
Among other things—or one way of putting the same thing:
That the future is a faded song, a Royal Rose or a lavender spray
Of wistful regret for those who are not yet here to regret,
Pressed between yellow leaves of a book that has never been opened.
And the way up is the way down, the way forward is the way back.
You cannot face it steadily, but this thing is sure,
That time is no healer: the patient is no longer here.
When the train starts, and the passengers are settled
To fruit, periodicals and business letters
(And those who saw them off have left the platform)
Their faces relax from grief into relief,
To the sleepy rhythm of a hundred hours.
Fare forward, travellers! not escaping from the past
Into different lives, or into any future;
You are not the same people who left that station
Or who will arrive at any terminus,
While the narrowing rails slide together behind you;
And on the deck of the drumming liner
Watching the furrow that widens behind you,
You shall not think ‘the past is finished’
Or ‘the future is before us’.
At nightfall, in the rigging and the aerial,
Is a voice descanting (though not to the ear,
The murmuring shell of time, and not in any language)
‘Fare forward, you who think that you are voyaging;
You are not those who saw the harbour
Receding, or those who will disembark.
Here between the hither and the farther shore
While time is withdrawn, consider the future
And the past with an equal mind.
At the moment which is not of action or inaction
You can receive this: “on whatever sphere of being
The mind of a man may be intent
At the time of death”—that is the one action
(And the time of death is every moment)
Which shall fructify in the lives of others:
And do not think of the fruit of action.
Fare forward.
                      O voyagers, O ******,
You who came to port, and you whose bodies
Will suffer the trial and judgement of the sea,
Or whatever event, this is your real destination.’
So Krishna, as when he admonished Arjuna
On the field of battle.
                                  Not fare well,
But fare forward, voyagers.

IV

Lady, whose shrine stands on the promontory,
Pray for all those who are in ships, those
Whose business has to do with fish, and
Those concerned with every lawful traffic
And those who conduct them.

Repeat a prayer also on behalf of
Women who have seen their sons or husbands
Setting forth, and not returning:
Figlia del tuo figlio,
Queen of Heaven.

Also pray for those who were in ships, and
Ended their voyage on the sand, in the sea’s lips
Or in the dark throat which will not reject them
Or wherever cannot reach them the sound of the sea bell’s
Perpetual angelus.

V

To communicate with Mars, converse with spirits,
To report the behaviour of the sea monster,
Describe the horoscope, haruspicate or scry,
Observe disease in signatures, evoke
Biography from the wrinkles of the palm
And tragedy from fingers; release omens
By sortilege, or tea leaves, riddle the inevitable
With playing cards, fiddle with pentagrams
Or barbituric acids, or dissect
The recurrent image into pre-conscious terrors—
To explore the womb, or tomb, or dreams; all these are usual
Pastimes and drugs, and features of the press:
And always will be, some of them especially
When there is distress of nations and perplexity
Whether on the shores of Asia, or in the Edgware Road.
Men’s curiosity searches past and future
And clings to that dimension. But to apprehend
The point of intersection of the timeless
With time, is an occupation for the saint—
No occupation either, but something given
And taken, in a lifetime’s death in love,
Ardour and selflessness and self-surrender.
For most of us, there is only the unattended
Moment, the moment in and out of time,
The distraction fit, lost in a shaft of sunlight,
The wild thyme unseen, or the winter lightning
Or the waterfall, or music heard so deeply
That it is not heard at all, but you are the music
While the music lasts. These are only hints and guesses,
Hints followed by guesses; and the rest
Is prayer, observance, discipline, thought and action.
The hint half guessed, the gift half understood, is Incarnation.
Here the impossible union
Of spheres of existence is actual,
Here the past and future
Are conquered, and reconciled,
Where action were otherwise movement
Of that which is only moved
And has in it no source of movement—
Driven by dæmonic, chthonic
Powers. And right action is freedom
From past and future also.
For most of us, this is the aim
Never here to be realised;
Who are only undefeated
Because we have gone on trying;
We, content at the last
If our temporal reversion nourish
(Not too far from the yew-tree)
The life of significant soil.

The wild bee reels from bough to bough
With his furry coat and his gauzy wing,
Now in a lily-cup, and now
Setting a jacinth bell a-swing,
In his wandering;
Sit closer love:  it was here I trow
I made that vow,

Swore that two lives should be like one
As long as the sea-gull loved the sea,
As long as the sunflower sought the sun,—
It shall be, I said, for eternity
‘Twixt you and me!
Dear friend, those times are over and done;
Love’s web is spun.

Look upward where the poplar trees
Sway and sway in the summer air,
Here in the valley never a breeze
Scatters the thistledown, but there
Great winds blow fair
From the mighty murmuring mystical seas,
And the wave-lashed leas.

Look upward where the white gull screams,
What does it see that we do not see?
Is that a star? or the lamp that gleams
On some outward voyaging argosy,—
Ah! can it be
We have lived our lives in a land of dreams!
How sad it seems.

Sweet, there is nothing left to say
But this, that love is never lost,
Keen winter stabs the ******* of May
Whose crimson roses burst his frost,
Ships tempest-tossed
Will find a harbour in some bay,
And so we may.

And there is nothing left to do
But to kiss once again, and part,
Nay, there is nothing we should rue,
I have my beauty,—you your Art,
Nay, do not start,
One world was not enough for two
Like me and you.

I feel like I'm just watching life,
Like an ocean trapped within a picture frame.
Then, there are those sometimes
When the sea breaks free of its frame
And swallows me whole.

I cried upon my hawaiian departure
not tears of sorrow but tears of former and future joy
my tears trailed down my cheek like the Paheehee stream
before landing upon the ground like a soft hawaiian rain in spring
when my tears evaporated they formed a long flat cloud
in the shape of surfboard voyaging westward bound.
the cloud upon reaching the sea,
shape-shifted into a large volcano, vengful and menacing  
with the torential downpour a sign of the volcanoe's erupting    
The storm began to thicken The volcano spinning around it's core
like that of a fire dancers stick, scattering the tears evermore  
when the storm cleared eight tears washed upon each hawaiian shore
wiating for me to surf upon my tears

But as the sun was rising from the fair sea into the firmament of
heaven to shed Blight on mortals and immortals, they reached Pylos the
city of Neleus. Now the people of Pylos were gathered on the sea shore
to offer sacrifice of black bulls to Neptune lord of the Earthquake.
There were nine guilds with five hundred men in each, and there were
nine bulls to each guild. As they were eating the inward meats and
burning the thigh bones [on the embers] in the name of Neptune,
Telemachus and his crew arrived, furled their sails, brought their
ship to anchor, and went ashore.
  Minerva led the way and Telemachus followed her. Presently she said,
“Telemachus, you must not be in the least shy or nervous; you have
taken this voyage to try and find out where your father is buried
and how he came by his end; so go straight up to Nestor that we may
see what he has got to tell us. Beg of him to speak the truth, and
he will tell no lies, for he is an excellent person.”
  “But how, Mentor,” replied Telemachus, “dare I go up to Nestor,
and how am I to address him? I have never yet been used to holding
long conversations with people, and am ashamed to begin questioning
one who is so much older than myself.”
  “Some things, Telemachus,” answered Minerva, “will be suggested to
you by your own instinct, and heaven will prompt you further; for I am
assured that the gods have been with you from the time of your birth
until now.”
  She then went quickly on, and Telemachus followed in her steps
till they reached the place where the guilds of the Pylian people were
assembled. There they found Nestor sitting with his sons, while his
company round him were busy getting dinner ready, and putting pieces
of meat on to the spits while other pieces were cooking. When they saw
the strangers they crowded round them, took them by the hand and
bade them take their places. Nestor’s son Pisistratus at once
offered his hand to each of them, and seated them on some soft
sheepskins that were lying on the sands near his father and his
brother Thrasymedes. Then he gave them their portions of the inward
meats and poured wine for them into a golden cup, handing it to
Minerva first, and saluting her at the same time.
  “Offer a prayer, sir,” said he, “to King Neptune, for it is his
feast that you are joining; when you have duly prayed and made your
drink-offering, pass the cup to your friend that he may do so also.
I doubt not that he too lifts his hands in prayer, for man cannot live
without God in the world. Still he is younger than you are, and is
much of an age with myself, so I he handed I will give you the
precedence.”
  As he spoke he handed her the cup. Minerva thought it very right and
proper of him to have given it to herself first; she accordingly began
praying heartily to Neptune. “O thou,” she cried, “that encirclest the
earth, vouchsafe to grant the prayers of thy servants that call upon
thee. More especially we pray thee send down thy grace on Nestor and
on his sons; thereafter also make the rest of the Pylian people some
handsome return for the goodly hecatomb they are offering you. Lastly,
grant Telemachus and myself a happy issue, in respect of the matter
that has brought us in our to Pylos.”
  When she had thus made an end of praying, she handed the cup to
Telemachus and he prayed likewise. By and by, when the outer meats
were roasted and had been taken off the spits, the carvers gave
every man his portion and they all made an excellent dinner. As soon
as they had had enough to eat and drink, Nestor, knight of Gerene,
began to speak.
  “Now,” said he, “that our guests have done their dinner, it will
be best to ask them who they are. Who, then, sir strangers, are you,
and from what port have you sailed? Are you traders? or do you sail
the seas as rovers with your hand against every man, and every man’s
hand against you?”
  Telemachus answered boldly, for Minerva had given him courage to ask
about his father and get himself a good name.
  “Nestor,” said he, “son of Neleus, honour to the Achaean name, you
ask whence we come, and I will tell you. We come from Ithaca under
Neritum, and the matter about which I would speak is of private not
public import. I seek news of my unhappy father Ulysses, who is said
to have sacked the town of Troy in company with yourself. We know what
fate befell each one of the other heroes who fought at Troy, but as
regards Ulysses heaven has hidden from us the knowledge even that he
is dead at all, for no one can certify us in what place he perished,
nor say whether he fell in battle on the mainland, or was lost at
sea amid the waves of Amphitrite. Therefore I am suppliant at your
knees, if haply you may be pleased to tell me of his melancholy end,
whether you saw it with your own eyes, or heard it from some other
traveller, for he was a man born to trouble. Do not soften things
out of any pity for me, but tell me in all plainness exactly what
you saw. If my brave father Ulysses ever did you loyal service, either
by word or deed, when you Achaeans were harassed among the Trojans,
bear it in mind now as in my favour and tell me truly all.”
  “My friend,” answered Nestor, “you recall a time of much sorrow to
my mind, for the brave Achaeans suffered much both at sea, while
privateering under Achilles, and when fighting before the great city
of king Priam. Our best men all of them fell there—Ajax, Achilles,
Patroclus peer of gods in counsel, and my own dear son Antilochus, a
man singularly fleet of foot and in fight valiant. But we suffered
much more than this; what mortal tongue indeed could tell the whole
story? Though you were to stay here and question me for five years, or
even six, I could not tell you all that the Achaeans suffered, and you
would turn homeward weary of my tale before it ended. Nine long
years did we try every kind of stratagem, but the hand of heaven was
against us; during all this time there was no one who could compare
with your father in subtlety—if indeed you are his son—I can
hardly believe my eyes—and you talk just like him too—no one would
say that people of such different ages could speak so much alike. He
and I never had any kind of difference from first to last neither in
camp nor council, but in singleness of heart and purpose we advised
the Argives how all might be ordered for the best.
  “When however, we had sacked the city of Priam, and were setting
sail in our ships as heaven had dispersed us, then Jove saw fit to vex
the Argives on their homeward voyage; for they had Not all been either
wise or understanding, and hence many came to a bad end through the
displeasure of Jove’s daughter Minerva, who brought about a quarrel
between the two sons of Atreus.
  “The sons of Atreus called a meeting which was not as it should
be, for it was sunset and the Achaeans were heavy with wine. When they
explained why they had called—the people together, it seemed that
Menelaus was for sailing homeward at once, and this displeased
Agamemnon, who thought that we should wait till we had offered
hecatombs to appease the anger of Minerva. Fool that he was, he
might have known that he would not prevail with her, for when the gods
have made up their minds they do not change them lightly. So the two
stood bandying hard words, whereon the Achaeans sprang to their feet
with a cry that rent the air, and were of two minds as to what they
should do.
  “That night we rested and nursed our anger, for Jove was hatching
mischief against us. But in the morning some of us drew our ships into
the water and put our goods with our women on board, while the rest,
about half in number, stayed behind with Agamemnon. We—the other
half—embarked and sailed; and the ships went well, for heaven had
smoothed the sea. When we reached Tenedos we offered sacrifices to the
gods, for we were longing to get home; cruel Jove, however, did not
yet mean that we should do so, and raised a second quarrel in the
course of which some among us turned their ships back again, and
sailed away under Ulysses to make their peace with Agamemnon; but I,
and all the ships that were with me pressed forward, for I saw that
mischief was brewing. The son of Tydeus went on also with me, and
his crews with him. Later on Menelaus joined us at ******, and found
us making up our minds about our course—for we did not know whether
to go outside Chios by the island of Psyra, keeping this to our
left, or inside Chios, over against the stormy headland of Mimas. So
we asked heaven for a sign, and were shown one to the effect that we
should be soonest out of danger if we headed our ships across the open
sea to Euboea. This we therefore did, and a fair wind sprang up
which gave us a quick passage during the night to Geraestus, where
we offered many sacrifices to Neptune for having helped us so far on
our way. Four days later Diomed and his men stationed their ships in
Argos, but I held on for Pylos, and the wind never fell light from the
day when heaven first made it fair for me.
  “Therefore, my dear young friend, I returned without hearing
anything about the others. I know neither who got home safely nor
who were lost but, as in duty bound, I will give you without reserve
the reports that have reached me since I have been here in my own
house. They say the Myrmidons returned home safely under Achilles’ son
Neoptolemus; so also did the valiant son of Poias, Philoctetes.
Idomeneus, again, lost no men at sea, and all his followers who
escaped death in the field got safe home with him to Crete. No
matter how far out of the world you live, you will have heard of
Agamemnon and the bad end he came to at the hands of Aegisthus—and
a fearful reckoning did Aegisthus presently pay. See what a good thing
it is for a man to leave a son behind him to do as Orestes did, who
killed false Aegisthus the murderer of his noble father. You too,
then—for you are a tall, smart-looking fellow—show your mettle and
make yourself a name in story.”
  “Nestor son of Neleus,” answered Telemachus, “honour to the
Achaean name, the Achaeans applaud Orestes and his name will live
through all time for he has avenged his father nobly. Would that
heaven might grant me to do like vengeance on the insolence of the
wicked suitors, who are ill treating me and plotting my ruin; but
the gods have no such happiness in store for me and for my father,
so we must bear it as best we may.”
  “My friend,” said Nestor, “now that you remind me, I remember to
have heard that your mother has many suitors, who are ill disposed
towards you and are making havoc of your estate. Do you submit to this
tamely, or are public feeling and the voice of heaven against you? Who
knows but what Ulysses may come back after all, and pay these
scoundrels in full, either single-handed or with a force of Achaeans
behind him? If Minerva were to take as great a liking to you as she
did to Ulysses when we were fighting before Troy (for I never yet
saw the gods so openly fond of any one as Minerva then was of your
father), if she would take as good care of you as she did of him,
these wooers would soon some of them him, forget their wooing.”
  Telemachus answered, “I can expect nothing of the kind; it would
be far too much to hope for. I dare not let myself think of it. Even
though the gods themselves willed it no such good fortune could befall
me.”
  On this Minerva said, “Telemachus, what are you talking about?
Heaven has a long arm if it is minded to save a man; and if it were
me, I should not care how much I suffered before getting home,
provided I could be safe when I was once there. I would rather this,
than get home quickly, and then be killed in my own house as Agamemnon
was by the treachery of Aegisthus and his wife. Still, death is
certain, and when a man’s hour is come, not even the gods can save
him, no matter how fond they are of him.”
  “Mentor,” answered Telemachus, “do not let us talk about it any
more. There is no chance of my father’s ever coming back; the gods
have long since counselled his destruction. There is something else,
however, about which I should like to ask Nestor, for he knows much
more than any one else does. They say he has reigned for three
generations so that it is like talking to an immortal. Tell me,
therefore, Nestor, and tell me true; how did Agamemnon come to die
in that way? What was Menelaus doing? And how came false Aegisthus
to **** so far better a man than himself? Was Menelaus away from
Achaean Argos, voyaging elsewhither among mankind, that Aegisthus took
heart and killed Agamemnon?”
  “I will tell you truly,” answered Nestor, “and indeed you have
yourself divined how it all happened. If Menelaus when he got back
from Troy had found Aegisthus still alive in his house, there would
have been no barrow heaped up for him, not even when he was dead,
but he would have been thrown outside the city to dogs and vultures,
and not a woman would have mourned him, for he had done a deed of
great wickedness; but we were over there, fighting hard at Troy, and
Aegisthus who was taking his ease quietly in the heart of Argos,
cajoled Agamemnon’s wife Clytemnestra with incessant flattery.
  “At first she would have nothing to do with his wicked scheme, for
she was of a good natural disposition; moreover there was a bard
with her, to whom Agamemnon had given strict orders on setting out for
Troy, that he was to keep guard over his wife; but when heaven had
counselled her destruction, Aegisthus thus this bard off to a desert
island and left him there for crows and seagulls to batten upon—after
which she went willingly enough to the house of Aegisthus. Then he
offered many burnt sacrifices to the gods, and decorated many
temples with tapestries and gilding, for he had succeeded far beyond
his expectations.
  “Meanwhile Menelaus and I were on our way home from Troy, on good
terms with one another. When we got to Sunium, which is the point of
Athens, Apollo with his painless shafts killed Phrontis the
steersman of Menelaus’ ship (and never man knew better how to handle a
vessel in rough weather) so that he died then and there with the
helm in his hand, and Menelaus, though very anxious to press
forward, had to wait in order to bury his comrade and give him his due
funeral rites. Presently, when he too could put to sea again, and
had sailed on as far as the Malean heads, Jove counselled evil against
him and made it it blow hard till the waves ran mountains high. Here
he divided his fleet and took the one half towards Crete where the
Cydonians dwell round about the waters of the river Iardanus. There is
a high headland hereabouts stretching out into the sea from a place
called Gortyn, and all along this part of the coast as far as Phaestus
the sea runs high when there is a south wind blowing, but arter
Phaestus the coast is more protected, for a small headland can make
a great shelter. Here this part of the fleet was driven on to the
rocks and wrecked; but the crews just managed to save themselves. As
for the other five ships, they were taken by winds and seas to
Egypt, where Menelaus gathered much gold and substance among people of
an alien speech. Meanwhile Aegisthus here at home plotted his evil
deed. For seven years after he had killed Agamemnon he ruled in
Mycene, and the people were obedient under him, but in the eighth year
Orestes came back from Athens to be his bane, and killed the
murderer of his father. Then he celebrated the funeral rites of his
mother and of false Aegisthus by a banquet to the people of Argos, and
on that very day Menelaus came home, with as much treasure as his
ships could carry.
  “Take my advice then, and do not go travelling about for long so far
from home, nor leave your property with such dangerous people in
your house; they will eat up everything you have among them, and you
will have been on a fool’s errand. Still, I should advise you by all
means to go and visit Menelaus, who has lately come off a voyage among
such distant peoples as no man could ever hope to get back from,
when the winds had once carried him so far out of his reckoning;
even birds cannot fly the distance in a twelvemonth, so vast and

I’m wondering and I’m sitting
In this uncomfortable desk
Seeing the torrents of rain
Wash out every thought.

And a feeling of emptiness
Roars up to consume my soul
When I see all of the happiness
Overpowering the hallways.

Smiles hold unbroken promises
With my shattered heart beating
My spirit is continually drowned
By the stubborn unwillingness.

The tears slowly begin to swell
With the rising disappointment
I am unaware of my future
Lost in depths of expectations.

And suddenly I am sobbing
Into an ocean of the unknown
Now I’m the only captain
Of this fragile sailing vessel.

The strong wind is stinging
Pulling me into the depths
And the raging seven seas
Are burning into my heart.

It is difficult for me to navigate
My thoughts and my words
Through the unending sea
Of all the crashing saltwater.

Claire Bryan

Countless series of melancholic oceans
Hitting through waves of adversity
Only to be repulsed by provocations
Disjointed affections falls effortlessly

With no such contemporary feelings
Choked amongst the walls of solitary
Praying silently for a better ending
A hopeless romantic it seems evidently

Voyaging away from the sufferings
Patching holes of memories
Rekindling fire from breathing
Dreams torn away in fantasies

Sober desires creates a lustful reality
Shone away ignoring a truthful beginning
Nothing can hold us against this treachery
Forsaken our love has left me begging

©2014 Maman Screams

I

I, in my intricate image, stride on two levels,
Forged in man's minerals, the brassy orator
Laying my ghost in metal,
The scales of this twin world tread on the double,
My half ghost in armour hold hard in death's corridor,
To my man-iron sidle.

Beginning with doom in the bulb, the spring unravels,
Bright as her spinning-wheels, the colic season
Worked on a world of petals;
She threads off the sap and needles, blood and bubble
Casts to the pine roots, raising man like a mountain
Out of the naked entrail.

Beginning with doom in the ghost, and the springing marvels,
Image of images, my metal phantom
Forcing forth through the harebell,
My man of leaves and the bronze root, mortal, unmortal,
I, in my fusion of rose and male motion,
Create this twin miracle.

This is the fortune of manhood: the natural peril,
A steeplejack tower, bonerailed and masterless,
No death more natural;
Thus the shadowless man or ox, and the pictured devil,
In seizure of silence commit the dead nuisance.
The natural parallel.

My images stalk the trees and the slant sap's tunnel,
No tread more perilous, the green steps and spire
Mount on man's footfall,
I with the wooden insect in the tree of nettles,
In the glass bed of grapes with snail and flower,
Hearing the weather fall.

Intricate manhood of ending, the invalid rivals,
Voyaging clockwise off the symboled harbour,
Finding the water final,
On the consumptives' terrace taking their two farewells,
Sail on the level, the departing adventure,
To the sea-blown arrival.

II

They climb the country pinnacle,
Twelve winds encounter by the white host at pasture,
Corner the mounted meadows in the hill corral;
They see the squirrel stumble,
The haring snail go giddily round the flower,
A quarrel of weathers and trees in the windy spiral.

As they dive, the dust settles,
The cadaverous gravels, falls thick and steadily,
The highroad of water where the seabear and mackerel
Turn the long sea arterial
Turning a petrol face blind to the enemy
Turning the riderless dead by the channel wall.

(Death instrumental,
Splitting the long eye open, and the spiral turnkey,
Your corkscrew grave centred in navel and ******,
The neck of the nostril,
Under the mask and the ether, they making ******
The tray of knives, the antiseptic funeral;

Bring out the black patrol,
Your monstrous officers and the decaying army,
The sexton sentinel, garrisoned under thistles,
A ****-on-a-dunghill
Crowing to Lazarus the morning is vanity,
Dust be your saviour under the conjured soil.)

As they drown, the chime travels,
Sweetly the diver's bell in the steeple of spindrift
Rings out the Dead Sea scale;
And, clapped in water till the triton dangles,
Strung by the flaxen whale-****, from the hangman's raft,
Hear they the salt glass breakers and the tongues of burial.

(Turn the sea-spindle lateral,
The grooved land rotating, that the stylus of lightning
Dazzle this face of voices on the moon-turned table,
Let the wax disk babble
Shames and the damp dishonours, the relic scraping.
These are your years' recorders. The circular world stands still.)

III

They suffer the undead water where the turtle nibbles,
Come unto sea-stuck towers, at the fibre scaling,
The flight of the carnal skull
And the cell-stepped thimble;
Suffer, my topsy-turvies, that a double angel
Sprout from the stony lockers like a tree on Aran.

Be by your one ghost pierced, his pointed ferrule,
Brass and the bodiless image, on a stick of folly
Star-set at Jacob's angle,
Smoke hill and hophead's valley,
And the five-fathomed Hamlet on his father's coral
Thrusting the tom-thumb vision up the iron mile.

Suffer the slash of vision by the fin-green stubble,
Be by the ships' sea broken at the manstring anchored
The stoved bones' voyage downward
In the shipwreck of muscle;
Give over, lovers, locking, and the seawax struggle,
Love like a mist or fire through the bed of eels.

And in the pincers of the boiling circle,
The sea and instrument, nicked in the locks of time,
My great blood's iron single
In the pouring town,
I, in a wind on fire, from green Adam's cradle,
No man more magical, clawed out the crocodile.

Man was the scales, the death birds on enamel,
Tail, Nile, and snout, a saddler of the rushes,
Time in the hourless houses
Shaking the sea-hatched skull,
And, as for oils and ointments on the flying grail,
All-hollowed man wept for his white apparel.

Man was Cadaver's masker, the harnessing mantle,
Windily master of man was the rotten fathom,
My ghost in his metal neptune
Forged in man's mineral.
This was the god of beginning in the intricate seawhirl,
And my images roared and rose on heaven's hill.

The book of moonlight is not written yet
Nor half begun, but, when it is, leave room
For Crispin, ***** in the lunar fire,
Who, in the hubbub of his pilgrimage
Through sweating changes, never could forget
That wakefulness or meditating sleep,
In which the sulky strophes willingly
Bore up, in time, the somnolent, deep songs.
Leave room, therefore, in that unwritten book
For the legendary moonlight that once burned
In Crispin's mind above a continent.
America was always north to him,
A northern west or western north, but north,
And thereby polar, polar-purple, chilled
And lank, rising and slumping from a sea
Of hardy foam, receding flatly, spread
In endless ledges, glittering, submerged
And cold in a boreal mistiness of the moon.
The spring came there in clinking pannicles
Of half-dissolving frost, the summer came,
If ever, whisked and wet, not ripening,
Before the winter's vacancy returned.
The myrtle, if the myrtle ever bloomed,
Was like a glacial pink upon the air.
The green palmettoes in crepuscular ice
Clipped frigidly blue-black meridians,
Morose chiaroscuro, gauntly drawn.

How many poems he denied himself
In his observant progress, lesser things
Than the relentless contact he desired;
How many sea-masks he ignored; what sounds
He shut out from his tempering ear; what thoughts,
Like jades affecting the sequestered bride;
And what descants, he sent to banishment!
Perhaps the Arctic moonlight really gave
The liaison, the blissful liaison,
Between himself and his environment,
Which was, and is, chief motive, first delight,
For him, and not for him alone. It seemed
Elusive, faint, more mist than moon, perverse,
Wrong as a divagation to Peking,
To him that postulated as his theme
The ******, as his theme and hymn and flight,
A passionately niggling nightingale.
Moonlight was an evasion, or, if not,
A minor meeting, facile, delicate.

Thus he conceived his voyaging to be
An up and down between two elements,
A fluctuating between sun and moon,
A sally into gold and crimson forms,
As on this voyage, out of goblinry,
And then retirement like a turning back
And sinking down to the indulgences
That in the moonlight have their habitude.
But let these backward lapses, if they would,
Grind their seductions on him, Crispin knew
It was a flourishing tropic he required
For his refreshment, an abundant zone,
Prickly and obdurate, dense, harmonious
Yet with a harmony not rarefied
Nor fined for the inhibited instruments
Of over-civil stops. And thus he tossed
Between a Carolina of old time,
A little juvenile, an ancient whim,
And the visible, circumspect presentment drawn
From what he saw across his vessel's prow.

He came. The poetic hero without palms
Or jugglery, without regalia.
And as he came he saw that it was spring,
A time abhorrent to the nihilist
Or searcher for the fecund minimum.
The moonlight fiction disappeared. The spring,
Although contending featly in its veils,
Irised in dew and early fragrancies,
Was gemmy marionette to him that sought
A sinewy nakedness. A river bore
The vessel inward. Tilting up his nose,
He inhaled the rancid rosin, burly smells
Of dampened lumber, emanations blown
From warehouse doors, the gustiness of ropes,
Decays of sacks, and all the arrant stinks
That helped him round his rude aesthetic out.
He savored rankness like a sensualist.
He marked the marshy ground around the dock,
The crawling railroad spur, the rotten fence,
Curriculum for the marvellous sophomore.
It purified. It made him see how much
Of what he saw he never saw at all.
He gripped more closely the essential prose
As being, in a world so falsified,
The one integrity for him, the one
Discovery still possible to make,
To which all poems were incident, unless
That prose should wear a poem's guise at last.