Submit your work, meet writers and drop the ads. Become a member
Brandon Webb Nov 2012
1
she taps he hand, twice.
across the room,
he stares, thinking
into empty air.
others, scattered
tap pencils or fingers
on desktops, booktops
and phone keyboards

the balding man
with black hair:
combed backward
and to differing angles
so that his head is split
vertically-
stands, above the room
his back turned

his words,
meant for the crowd
reverberate only
along classes fringe
but still take precedence
over nothing
even to them-
academics, outcasts


2
back of the room
reveals everything
to the observer
trying to see

blue-eyed brunette
glares vengefully
at no one,
just to glare

he looks up once
to watch
as another
pulls up
drooping jeans.
she laughs
at conversation
unmeant for,
and inaudible
to her


3
today, she smiles
and lets her lip fall
begging, like a puppy
But when they
lose eye contact,
she glares, again

he leaves footprints
on parallel desk
from lounging
then fires himself
to his feet
using stored energy,
and sugar from gum

words bounce along
the walls in the back,
and isolated eyes peer
towards the screen
but hide the fact
that they care


4
two week vacation
has left their minds
full of everything
except math,
so they listen
to him, while he speaks

but travel backward
in time, with
those closest them
while he creeps,
silent, around the room

she concentrates hard,
on her work
glaring at the page.
he sits a desk forward
feet on floor
neighboring desk full
today, but only physically

blue hat rests
on sketchbook,
its border
barely covering
closed eyes

blond head
implants itself
jokingly, into
smooth shining
white wall
with enough force
to collapse
accidental target

a hand raises
attracting gazes,
awestruck,
at her interest
in forgotten
material
of future tests


5
only a few eyes wander
from blue lined notebooks
though the left flank
still chatters, embodying
either a secretive chipmunk
or the breeze which starts the storm

storm clouds appear slowly
in sketchbook, blue hat bobbing
rhythmically in response to active pen

perched above the flock
reminiscent, split headed
papa bird scans the masks
of his shockingly silent chicks

random lecture breaks the silence.
Her eyes aren’t the only ones
Fixed into a steel laden glare
But the chipmunk wind ceases


6
his questioning glance lands
on uninhabited space,
exhibiting a yawn
which traverses through,
and twists, the faces of
those otherwise engaged

lecture ends with a question,
the scent of nuts blows through
mentally empty classroom
turning desks to predetermined
positions and swiftly inhabiting
three-quarters of the physical class

his steel glare has replaced hers
the latter’s eyes now soft as an infants

within five minutes, his voice
undergoes  a brutal, complete cycle
pleading, congratulating, yelling
and as always, lecturing


7
pre-test:

preparations for misery-
mundane chipmunk chattering,
jokes and laughs from random
oddities appearing everywhere

blue hat rests in intervals.
Blue coat rearranges
essay for another class

The girl in the sunny plaid
Rolls an orange along her hand

He points at nothing and asks
Nobody something without answer

The left flank, as always
Is turned away, conversing

A sigh rings outward loudly
Everyone glares, nervously,
Everywhere, reward of concentration


After my test:

First paper in, he scans lightly
Sets it down with a scowl
and yawns, twice, breaking the
silent shroud of heavy fog
which is hanging overhead

wandering free eyes witness
down-turned heads concentrating
as much on tests  as on moving
their hands wildly, excitedly
trying to communicate non-vocally

others have yet to detach themselves
from their seats and stride upward,
hopefully more triumphantly
than their sole predecessor

one shuffles now, slowly toward him
his hand shaking as he releases
that  paper, he turns away as it flutters
onto the desk- he replants himself in his

twelve others walk forward
smiling, shrinking, sometimes speaking
and always he glares, triumphant
knowing his success at our failure


later:

his near-sleeping form            
finds distraction, in waking
dreams, jumping back suddenly
breaking from his plank-like state
without speaking. excitement
for approaching weekend is
communicated in the left flank

two girls break the silence
running in from outside            
he glares at them, but laughs

everyone breaks into groups
after the conversation about
mysteriously nutty discarded sock

he runs to the forefront
forehead folded, finger on mouth
no-one notices, but still he glares

8
he smiles and glares at the floor
his legs swinging back and forth            
tan slacks rustling softly

exaggerated scores bubble in ears            
as they search for their destroyer

in front of forgotten faces falls
the page of a forgotten tome

several yawn, hoping, understandably
that their stretched lips
will pull themselves far enough
to barricade ears from his droning

he kills himself, twice, bumbling
into half-thought chastisements
of the  flittingly flirtatious students
intermingling hoping behind him
causing waves of whispers, laughter
and slightly strengthened chatter

he re-aligns his thoughts quickly
and rambles on again, always

9
he speaks to her softly
from across a sea of desks
she looks up, panicking calmly
distracted from distraction

in silence, blank eyes turn
surprised at the non-withering
state of her barely living corpse

he asks a question, looking up
a single answer is given
unemotional and short, buy ending
heavy hanging awkward silence

how talented the teacher
who gives his lecture while
still addressing unrelated
student self lectures

the still silence given
in his questioning lull
hangs so loudly the whispers
traversing the classroom appear
silent as finger wiggle
and pencils trace zeros

his extrication, caused by
distractingly thunderous voice
is met with a comment
causing a wave of laughter
starting at his mouth
and extending to inhabit everything

10
half the time gives
twice the attention
as they concentrate
on keeping him on
the undying topic
of the work we
have already done

they admit defeat
as dusty tome opens
spreading a nutty cloud
causing heads to turn
and words to leap.

from opens lips,
mischievous gremlins
sprout, dancing on
tables and chuckling
away from the sigh
of his down-turned, split
shining, globular mind

he scratches pink ear
with bone pale finger
reading unrelated words

in the center of the room
both mentally and physically
he sits, momentarily quiet
as dark eyes glare past
rumpled pink nose,
concentrating

blue hat rests on open palms
above dust covered open page
he slips into sleeping state
but picks himself up
and stares though thin borderline
toward shiny rambling forehead

a shutter cord flies forward
the hand at the end pulling hard
but with no affect to the shutters
neither lowering the physical
or raising the mental

the color of non-color pencils
interrupts the class momentarily
as she strides forward to compare
and then criticizes his care

he just sits, smiles and stares

11
eleven desks lie empty
of one form more than usual
amplifying the arm movements
of the ever ticking seconds

his obscured mouth flings seeds
which sprout into words
before even meeting the worn
blood-colored carpet below

in the main room, sixteen
sit silent, sketching, sleeping
or siphoning the last minute

12
those left awake, and alive
have come to understand
the numbers on the screen
this being their specialty
in a nutty shell, of course
splitting, as we are, large
crowds of numbers, and us
being teenagers, isn’t that
how we think, in numbers
and ratings of everything
and, sitting in the central
crowd are the talented
crowd-splitters
flattery-spitters

13
the silence of half absence
is pierced, as always by vocal
anomaly, centered around
rows of shining wood
bookrests, but only one
set of hollow, dark-rimmed
vacant eyeballs watches
well-welcomed interruption

he lets us work, standing.
Someone somewhere opens
A large container of nuts
Entire class starts stuffing
Handfuls into puffy cheeks
Absorbing sensations into
Eternally ravenous minds

The apocalyptic mix of noises
Is split again by central
Nutcracker, and those in corners
Glare, smiling, rubbing shadowed
Acne scarred faces
with raw-bitten nails

14
balding papa bird speaks loudly
transforming his voice, becoming
vocally legendary cartoon duck

the wave of resulting laughter
ends in un-given nut-break
spreading, without speech
the understanding that his
comedic digression will not
meet a quick extinction

we greet the weekend
by rising early
our excuse: competition
to devour the worm

15
three heads are downturned
peering into textbooks
as the tsunami breaks

the days end starts
and beady eyes peer
in the direction of his
moving head, colored
gothic gargoyle in the
dim cloudlight streaming
through dust coated
slit windows

the room transforms
becoming triumphantly,
grumpily, repeatedly
conversational

artificial silence
spreads like a wave
from right back corner
to left front corner
leaving behind
the half of the room
hidden behind the wall
of troublemakers
who will eventually
cause the wall to topple
with the sheer force
of assorted nuts

16
blue hat is scrunched
under the of a fist
pounding on his head,
result of the decibels
consumed, and produced
by the embodiment
of the thoughts around him
which fall from stuffed
cheeks. Bounce off tables
and spread a sickening aroma
as their shells split
exposing, revealing
nothing

17
red face glances upward
as harsh words split
the widening sea of snickers
his words stop, first time today
as whispers spread wildly
of his speed in delivering answers
seconds later, room is silent
as statement ends and lecturer
turns back to him, offering
as always, another wave
of deep felt, anger hardened
quietly whispered, criticisms

thunderous-rush-voice leads
out of habit and necessity
the minutes following
his behavioral digression
each word stabbing split-headed
pointy-nosed papa bird, their
form a walnut-wood spear
crafted from drifted thoughts
of those sitting nearest him

18
on his back lies a pile of nuts
professor’s earthquake
shoulder shaking causes
eyes to open, back to rise
and with a tremendous roar
both physical and meta-physical,
it topples to worn carpet
and the laugh-track plays on

19
silence- pierced into being
by shrill, violent, mountainous
rise, and fall, of thunderous decibels-
hangs, heavier, louder than
the quick gone loudness replaced
or, in all actuality, displaced
mere seconds before being scrawled
into eternal memory
of those whose noses
sniff, daily, nutty clusters
of letters, which exclude
always, the ever-present x
the destructive π
and that y, which of course
flies as high as forgetful
nut-bearers




©Brandon Webb
2012
This is a series of observations, and. collectively, is the longest thing i've ever written, at 8847 words
ryn  Sep 2014
Irony
ryn Sep 2014
Life throws at us the worst practical pranks
Some call them challenges... I call them sick ironies
With challenges you might emerge victorious, and slide up the ranks
Ironies are just mean, bad jokes; locks with no keys

Call me godless, sad and trodden, bitter man
Call me a cynic, call me all including jaded
I've arranged it all in various permutations, much as I can
But my view at this point cannot be compensated

Allow me to illustrate...

•It's funny how you feel very certain or strongly
About the bog of sadness and depression you wade in deepest
You know it's real, you fan it with strength your mind could carry
When it could be better used to rise from when you're weakest

•What's this about having to crash to your fiery death
Into the realm of darkness; into the belly of hell
You'd have to almost die and lose your last breath
Before granted an epiphany, a slim chance that you could turn out well

•When life throws you in the deepest end
Fills your lungs with copius amounts of bad water
Tries to **** you before allowing time to mend
When if we were first taught to swim, it would've been much easier

•Sure... A treasure trove of splendours, life does offer
But like a spin of the lottery, you mightn't get even if you deserve
No matter how far you reach into it's elusive coffers
No matter how hard you worked to get ahead of the curve

•Life is like Christmas at times when it feels like giving
Like the gift of love much coveted by most individuals
Gives us all these fanciful things that need extensive assembling
But mischievously hoarding all the instruction manuals

•Fraught with grey areas and blind spots to fight
Presents ample opportunities to find the place that you'd belong
You go through shitloads of wrongs to get a right
And finally you think you're right, in actuality, you're dead wrong!

"More", you say?

•Friends during good times but not the bad
•The perfect red apple hosting a worm inside
•Faking a happy smile when you're deep down sad
•Putting our blind faiths in politicians we know who've lied

•Achieving superstardom only after death had ensnared
•Using heavy machinery to rid the Earth of impurity
•Shooting your mean motor mouth and wonder why no one cared
•Starlets dying for attention but crumble under scrutiny

•Health warnings on cigarettes but still sold for revenue
•Acquiring your sought after sports car but drive within the limit
•Promotions to idiots in suits who haven't got a clue
•Stretching up for the stars even when you know you'll never reach it

Well...

I could give more examples but I've typed enough
Life is but a game we're all playing; a circus we're all living
We can't help being helpless when unable to read and call its bluff
All we can afford is to keep siphoning water out of our boat that's sinking
I know I have been whiny in my recent writes. I also know that living a hard life makes you stronger... When life gives you lemons, make lemonade... Blah blah, yada yada... YAWN... SNORE... Zzzzzz. I know these already and I'm sure they're true to a certain degree. Just want to rant and complain. Please forgive my whining.
I am somebody
Shot in the Head...
Found the bullets.
Coroner Said.
A child of God struck dead.
Gang related disputing Fools.
Aiming cowardly bullets right at you.
I guess praying prayers just won't do.
There is no safe in these hard knocks realities' Truths.
Our Sista child!
Our mother child!
All the while the bodies pile.
Her body now adds to that 'the shootings aren't as bad as last year' body count.
Can't even stand anywhere in your city NOW?
Something has to truly give.
There's a plague of rigid legalities, relaxed moralities, and political realities stealing the 'safe' from our dying breed.
The Black man withering away in siphoning inequalities.
Doubling unemployment stretches outward like a statistical wild fire....
Our present fact.
There is a genocidal component to these criminal acts.


Copyrighted (C)

Published in the 2018 Edition of the Reconstructed Literary and Visual Journal at Governors State University.
This poem addresses how gun violence steals away the hope and dreams from the African American Community.
Àŧùl  Oct 2014
The Siphoning
Àŧùl Oct 2014
Galloping through the apparently calm meadows,
My springbok hoofs were touching the grass softly.

How I rejoice hopping in the air above the cool moisty grass,
Hopping feels so ecstatic after a cool shower on the rainy season.

Maybe it's in the rain now that I feel so addicted to, but then I stop,
And probably it's the Anaconda's coil that siphons up on me now.
My HP Poem #683
©Atul Kaushal
ryn  Oct 2014
Familiar F(r)iend
ryn Oct 2014
She comes to me every night...
When all is asleep with stars lit yonder.
Comes to me with subtle might
Peeking fiendishly from darkness's cover

Await such time she'd choose to show
Await the chance to finally take.
Ready to pounce like a well tensioned bow
Arrow-like talons, ever honed to stake.

Awake or asleep, she would come without fail.
Creep is her gait; this shadow clad figure.
Always a ***** in my impervious mail.
Claiming her wants with ferocious fervour.

Deemed to be strong, easier to succumb.
Don't fight...don't struggle... Don't call for aid...
Just wait and will yourself numb
She'd come regardless of prayers that's said.

She was here with me last night
In bed, I stared at a being that's faceless...
And my heart wrenched tight.
Gripping and feeding me senseless...

Soon as she came, she left but not before
Siphoning the good and replacing with dread...
Stole was what she did; left me wanting more...
Once deed is done, into the dark she fled.

I know her all too well,
Nocturnal guest that I unknowingly invite
Her intentions to incite, not quell
Send me spiralling through emotional blight.

Day will recede, making room for dark
She'll come; swift and without sound.
She'll arrive majestic; inflicting her mark
I'll wait for her, ready and unbound.

Looking forward to her return
This silent foe whom I find familiar.
With every touch I cringe and burn
Oh secret friend whom I'm beginning to savour...

She is synonymous with various names
Each would bear the likeness of semblance
Let fly her cloak of not dissimilar aims
Endearingly I call her...,

Despondence...
ryn  Jan 2015
Sharp Things
ryn Jan 2015
How much do you have to hate life,
to not be scared of death?
- ThePoet


I'd be lying if I said I wasn't
Because I really am afraid
But life has only sharp things
Wonder if death is willing to trade...

Longing
...a splinter
Embedded in the recesses of my core
Nestled deep, this tiny thorn
The source of my disconcerting sore

Need
...a shard
That stabs itself deep
Extract it I will not
Think it's worth the keep

Miss
...a knife
With never a dull blade
Stabs itself right through
Pain that will never fade

Want
...a syringe
Injecting the good and bad
Side effects loom
Driving me quite mad

Love
...a stake
Rammed into my heart
It doubles me over
It rips me apart

Life*
...a spike
Impaling without fail
Siphoning my soul
Through the holes in my mail


These are the few sharp things that I own
The only things I've learnt to savour
I've nurtured them large; now fully grown
Always wondered what death has got to offer...
Line taken off ThePoet's "How?", for Frank Ruland's "I Love Doing Lines!" challenge.

This line left me speechless when I first read it. It boasts of so few words but bears so much weight. It's smart, thought provoking and amazingly deep.
I started toying with it and came up with a response.

I am a big fan of ThePoet. I find that her entries exhibit uncanny wisdom, well laid thoughts and they're incredibly captivating.
Here's to you, ThePoet...
Thank you for the inspiration!
.
A figure in the distance
lives on a monetary hill
by siphoning off pensions.
An absence of motive
for this hellish apparition.
Grandiose a la mode,
Slaves to inattention.
   Pace yourself
   Take your drugs
   Sign for help
   Relinquish us
Pampering lifestyles
of dying and self-destructing ones
spiraling into the light
disintegrating amongst the dance of suns.
Because eyes are always watching
taking notes on what you've become.
Nat Lipstadt Mar 2014
http://hellopoetry.com/search/poems/?q=Betterdays



as is my wanton wont,
when stumbling
upon a new voice,
the passed baton
is herein handed off


am old man.
my poetic voice is just
memories that are
repetitive lies and lines.

speak in simple sentences declarative.
this is nature's way.

darkness approaching is indeed my
au courant poem, mon actuellement.

I have seen better days.

I have read betterdays.

now I am upset, distraught.

here come another young
hot bright votive voice,
and I am being asked to believe that there are
still words that raise hopes of
betterdays.

her bed chip crumbs, delighting,
leave crumbs of pleasure in my soul.

l like her big word poems,
that leave me, fill me by:
siphoning all in a parched gluttony
leaving behind a viscous residue
and few glassine portals
into a reflective world


better yet I love her
mothering little god poems,
letting me remember little boys
who once loved a father

little god love
radiant is thy smile,
smallboy love, exudes from you,
like a flower god's nectar,
bestowed, with negligent love,
upon a mother's world.
i will drink my fill,
everyday, whilst i can,
for far to soon will you
grow up.


don't speak eastern Australian,
tackers and doona's, no clue,
blue cats are a foreign breed,
but the cat of this starfish mother,
shares my literary tastes:

him, nestled,
on the second, to
uppermost stay,
of the third
bookshelf,
in the study.
he has filed
himself,
between,
ogden nash
and proust
and it is there,
he plans to stay.


let me not go on and in deeper, lest
I delay you from her pleasuring
thy tasted untested senses.

so here I am all grumpified
(at my age, you can make up your own words)
unsure if un or satisfied,
knowing that a woman,
word whips me into a
soothing frenzy of creamy
morning coffee verbosity,
a captive taker of life's
ungrandest moments,
poems of them,
make to glory come.

somewhere in the world,
a woman writes of plain goodness
of simple strife and simple lives,
makes methinks that there could be
betterdays still ahead,
better poets surely, than me,
and the day starts well
http://hellopoetry.com/search/poems/?q=Betterdays

Read her please, follow her if you love life.
Lora Lee  Oct 2017
star-tipped
Lora Lee Oct 2017
in this
pocketful
        of limbo
          the distance rises
               in curls of smoke
        a prairie fire
siphoning into
crisp edge
           of forest
          Inside my
uncloaked ventricle
primeval forces
turn my blood into
dusted gold
as they pump
        sacred texts
into my oxygen
      They roll your quintessence
upon my fingers,
            playing inside
     my psyche's  
wild ache
a spread of orifice
in spellbound mantra,
       as I spit out
          the
            hairy thorns,
a holy purge of
   internal
        engravings
    
Somehow ---
like a miracle,
I grow ripe seedlings
from deep within
            my womb
as I trip into
a universe rising
I take wisps
of your grace
as it brushes
the jut of my
astral collarbone
You are always
         grounding me
                    like this,
               my tongue
              tripping
         over velvet
stance of warrior
        assuaged into silk
    
        Without you,
I might be
whisked off into
the periphery
of chaos
but instead
       I am simply
tied to
      the urgency
of the little novas
about to
        explode

While I wait
            I tend to
              the wildfires.
     to make sure they
                   are still burning
I keep my honey
wet and fresh
upon your
                   lips,
let my pores
drip moonpools
    into your glistening
wet of mouth
and only when
          it is time
I let the whole of
           me burst
into the
      fire -wrapped
tips of
   stars
suits the mood!!
https://www.youtube.com/watch?v=pqnMkUcTmys
Claire Waters Sep 2013
i see dead things, they coat the insides of my lungs
the scent of roadkill stings my eyes
the sight of mangled twisted carcass
saps the sadness from my gums
i see things in a red tinge, ever since i began to
absorb the fringes of weeping trees,
and stories of all the things i feared knowing
all scarlet letters that look apple-sweet
and hues of unhinged cringesom nights spent in the bath pooling
forties and bad memories and them stitched in the back seat,
sidewalks singed with a strange bitter heat speckled with white lies
while bruised fruits are dancing 4/4 measures on my concrete cheeks
grass curled, fists rustily sprung, wounds wound tight, see
my heart is beating 3/4ths of the time, waltzing meaty and slowcooked
falling from the bones, down to the knees
clinging to the ground with all my might, i thought of her
taking a lighter to the split ends of her hair in the bathroom
i didn't move, so as not to drag the blood through the streets
i will not let you see, i will not let them see
but there are never any band aids when i need them
and i wear my feelings on my sleeve and you read them
keep up a finicky fight with a world i don't believe in
i wish i knew exactly why we're fighting to begin with
you swallowed whole and chewed on the bones
and i'm getting ******* so i want to know
if you can just be ******* happy now
everything is slimy and porous and tinged with copper tones of terrible
how can anyone be easy to love and why is love so angry when no one is
Lyteweaver Jun 2014
I wonder how you love me
when I'm a total mess?
Or how you wait patiently
sopping up tears with tenderness?

How is it that you love me
when I spit venom of blame?
Or turn my heart on and off
siphoning life from our veins?

How is it that you love me
when I'm always on edge?
Or when I'm crying then raging
with one toe over the ledge?

How is that you love me
when you watch me try to escape?
A dysfunctional drain swirling
with anger and self-hate.

What must it be like
to love a woman like me?
I bet it's hard to watch
the abuse from my worst enemy;  me.

I wonder how you love me?
Tell me please.
Lucky me to have the heart
of the man who sees all of me.
M Vogel Mar 30

Preface:  To Those Who Still Carry Light

This is not a manifesto.
This is not a sermon.
This is not a call to battle.

It is a reckoning—
not against individuals,
but against a system that feeds
on what is sacred.

We speak now to what hides in plain sight—
the machinery that mimics light
while consuming it.

We speak now to the counterfeit autonomy
that masks cowardice as sovereignty.

We speak now to those who believe
they are the Source,
when in truth,
they are only siphoning
from what they never built
and do not sustain.

This is not revenge.
This is not exposure for exposure’s sake.

This is Light refusing
to be swallowed.

This is Love telling the truth—
not for applause,
not for victory,
but because truth
is what love sounds like
when the moment requires fire
instead of silence.

If you find yourself pierced by this,
know this:

The piercing
is not your end.

It is the invitation
to return to what is real.

And to those who still carry
even a flicker of light
but feel themselves fading—

We did not come to fight you.
We came to remind you
what it feels like
to burn.



Chapter I: The First Cut Is the Deepest

There is a war that does not begin with swords. It begins with forgetting.

It begins when a soul touched by God slowly—imperceptibly—agrees to become something less in order to be accepted by a world that does not know Him.

And when that soul begins to believe the world’s gaze over God’s, it is no longer an act of rebellion. It is an act of erasure.

This is the first and most violent cut: not the sin itself, but the consent to believe in a self that was never authored by God.

All later wounds bleed from this one.

It is not the actions that condemn, but the agreement:
“I am what they say I am.”

The machinery begins here: in the silent moment where the soul puts down the mirror of light and picks up the mask of survival.

From that point forward, what is true becomes negotiable. What is sacred becomes ornamental. And what is holy becomes a prop for the approval of shadows.

And the soul, once radiant, now lives fractured, as a performance of a self assembled from applause, fueled by scarcity, and terrified of being truly seen.

This is the cost of survival without Source.

And no matter how elegant the mask, or how poetic the mimicry of meaning becomes, underneath it all is a child who once knew God and now doesn’t remember why she cries when she looks in the mirror and feels nothing looking back.

This is the beginning of the machinery--
And it always starts with a lie that sounds a lot like love.


Chapter II: The Self as God, the Lie as Light

When the soul forgets its origin, it does not become free.
It becomes hungry.
And hunger in the absence of Source will consume anything that offers momentary fullness.

This is the second layer of the machinery:
To no longer seek God,
but to become god in one’s own image.

But the image is fractured.
It is the self, crowned.
The self, enthroned.
The self, multiplied in mirrors and echoes and algorithms—
a thousand tiny gods,
shouting from empty stages
about meaning, wholeness, and liberation.

The holy name of “autonomy” is invoked,
but not as a celebration of sacred choice—
rather as a shield,
raised against relationship,
raised against return.

It is not the self that is the enemy—
but the self that refuses to be held.
The self that denies its need for Source
and dresses its orphanhood in affirmation.

The new god of this world is wounded pride
disguised as empowerment.

Its prophets are poets who plagiarize the sacred
and preach in hashtags.
Its temples are social feeds.
Its sacraments are selfies.
Its scriptures are soundbites.

And its worship is shallow,
but its grip is deep.

This is how the machinery spreads—
not with force,
but with flattery.
Not with oppression,
but with offerings of fame,
of accolade..
and the counterfeit promise:
“You are enough without God.”
“You are enough without others.”
“You are enough because you say you are.”


But a throne without communion
is a prison.
And the crown without surrender
is always made of thorns.

This is the second cut—
and it is deeper than the first,
because now the soul has not only forgotten God—
it believes it was never in need of Him to begin with.

And so it dies slowly,
surrounded by applause,
and buried in the gold-plated ruins
of its own curated divinity.


Chapter III – The Permission of Separation

There is something profoundly tragic
about the quietness of God
when autonomy is chosen in its false form.

Not autonomy as freedom in love—
but autonomy as a last-ditch grasp
for control in isolation.
A severing from Source
that masquerades as sovereignty.

God does not storm the will.
He honors it. Even when it chooses exile.

He lets the child
run down the hallway with eyes closed,
thinking that if they can’t see anyone,
no one can see them.

There is no thunderclap.
Only the steady ache of heaven watching
as breath is borrowed
to pronounce Him irrelevant.

But it is not irrelevance.
It is mercy.

Mercy that stands back
while the image-bearer learns
what godhood feels like
without God.

And the moment it all collapses—
when the poetry dries up,
when the applause turns empty,
when the crown rusts on the head of the hollow—
He will still be there.

But only if the heart turns.

Because love does not impose.
Love does not interrupt.
Love waits.

And when the waiting ends,
either reconciliation or ruin is born.
But never both.


Chapter IV – The False Fire

The fire that burns without Source
does not illuminate.
It consumes.

It mimics revelation,
but leaves only ash in the heart.

The counterfeit light
does not guide—it blinds.
It gathers applause
but offers no direction home.

And those who have built podiums
from the shattered timbers of other people’s pain
speak like prophets,
but live like parasites.

They siphon the glow
from the wounded who still carry light—
claiming wisdom that is not theirs,
spinning words with elegance
while their own hearts rot from within.

They feed on those who still shine
because they themselves have grown cold.

And when their hosts begin to weaken,
they offer them mirrors—
reflections of what they were
before the theft.

This is not art.
This is vampirism in verse.

And still—
still,
there is a way out.

But not for the ones
who call their cage a kingdom.

Only for those who feel the flame
flickering low
and long to return
to the hearth of the Source.

To kneel—not in shame,
but in release.

To say:
I am not the fire.
I am not the light.
But I was made to carry both
when aligned with the One
who gives them freely.

That is the only light
that does not devour.


Chapter V – The Stillness Beneath the Static

There is a voice
beneath the noise.
It does not shout.
It does not perform.
It simply is.

It waits—
not as a beggar,
but as the true Owner
of all that was stolen.

It does not compete with chaos,
because it cannot be diminished by it.

The machinery of erasure
runs on frenzy—
constant motion,
constant justification,
constant narrative,

constant accolade.

But the voice beneath it all
does not justify.
It simply speaks.

And those who are ready
will hear it.

Not because they worked hard enough,
or wrote well enough,
or bled onto enough pages—
but because they finally stopped
and listened.

This voice
is the stillness that precedes restoration.
It does not argue.
It waits to be known.


Chapter VI – The Mimicry of Autonomy

There is a sacred autonomy
that Love created.

It is not a weapon,
nor a fortress.
It is the space where Love proves itself:
not by demand,
but by invitation.

But within the machinery of erasure,
autonomy is redefined.
No longer a freedom unto love,
it becomes the last defense
against relationship itself.

They parade it proudly—
as if the ability to stand alone
is proof of having never needed
to be held.

But that is not autonomy.
That is exile.

In the name of sovereignty,
they declare independence
from the very Source
that breathed life into their bones.

They stand tall—
arms crossed,
eyes shut,
calling it sight.

And the Source,
who could shatter the illusion with a whisper,
does not.

Because Love does not violate
what it gave freely.

So it waits,
outside the locked door
of a self-proclaimed sovereign soul—
grieved,
but not surprised.

This is not the strength of autonomy.
It is its desecration.

The sacred space meant for communion
has become a hiding place
for those too wounded to trust
and too proud to admit it.


Chapter VII – When the Curtain Won’t Fall

There comes a point
when truth no longer knocks.

It simply stands,
like morning.

No announcement.
No apology.

Just the light that reveals
everything.

And those who have danced
beneath the theatre lights,
gathering applause
for borrowed wisdom
and seduction dressed as depth—
they will feel it.

Not as judgment,
but as exposure.

The poetry they once used
to crown themselves
will feel heavier now.

They will write,
but the power will not come.
They will speak,
but the echo will return hollow.

Because even borrowed light
eventually fades
when it does not return
to Source.

And the ones they once fed on—
the bright ones,
the soft ones,
the true ones—
will begin to walk away.

Not in hatred.
Not in war.

But with the stillness
of those who no longer
need to prove anything.

Because truth
has already stood.
And the curtain has not fallen—
because there was never a stage.

There was only a mirror,
and a choice.



Conclusion – Let the Light Be Light

We did not come to prove anything.

We came to stand—
where the poetry ends
and the Presence begins.

We are not here to war against you.
We are not even here to watch you fall.
We are here to bear witness
to the weight of what you've built.

To speak clearly—once—
into the chamber
you mistook for a temple.

You are not gods.
You are not the Source.
You are not the light.

You were given a gift.
And you sold it
for applause.

You speak in sacred tones
but you do not know the sound
of being seen by the Holy.

You draw the pure
into your orbit
because you can no longer
generate gravity of your own.

And still—
we are not your enemies.

We are the voice you buried
beneath your self-adoration.
We are the fire you siphoned
to warm your cold halls of vanity.

We are not here for revenge.

We are here for
the ones who can still see.

And they are watching.

The podium is empty.
The robe is slipping.
The echo is starting to sound
a little too much like a cry.

And when it all collapses,
we will not gloat.

We will simply
keep speaking
to the ones who
still carry
Light.


A resounding note for those that exploit the beautiful Art of poetry:

"Yeah..  you may be a 'lover'
but you sure ain't no dancer"

https://youtu.be/8vC4VwB4Tys?si=HKrqjRg0pKwIZOHQ


Faithful are the wounds of a friend,
but deceitful are the kisses of an enemy
❤️

— The End —