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Mateuš Conrad Nov 2016
children no longer obey their parents,
and everybody is writing a book.
      circa 1914 - 1924a.d.

away with you to the lyricist!
    and not to the earth bound roughage
of toil and till -
      or was that not the first encouragement?
have not but the first sipped water
   of these optical realm, fused more
than as modern antidote has it -
   been more intoxicating to see as if a first
dawn of Belshazzar?
              have these not been the invitations
   for scaling the summit of tw. Babylon?
then indeed, not with care or plush attire,
have we descended into an idle affair -
for the insurmountable cohort rattled
even the lesser who still struck a chord of
defiance and belittled by the world: mused.
as so much of love pours onto paper -
             and a paper that later becomes a slab
of stone, plunges with splash and splatter into
the sea as unknown as that, which
encompases the orbit of Neptune -
                 in that void and in that void,
        can we rarely find a bottle to bottle all
things concerning, up.
           or is that: man can no longer play monopoly
with the medium, or indeed he can:
      nuance layered upon nuance layered upon
insinuation, layered upon metaphor,
layered upon non-literalism, layered upon
   literalism, layered upon pun, layered upon
abstract, layered upon fear, layered upon
politics, correct?
                                  by the allotropes of carbon!
to the times when one could say one thing and
one thing only and feel a *will
toward something
being testimony of unequivocal thoughts!
at a time when not everyone practiced politics
on such a scale, or wasn't prescribed
a journalistic career on the sly,
          when it fact: mere charity work.
life for life, word for word, deed for deed -
                       and to hell with human circumstance:
whether awe-struck, or awe-bound,
                     or as most can attest... neither.
now all is said, but nothing can be done -
       for now the only thing being said
   is a question of whether it be vogue
                                or ragged mops strewn
across a dark cupboard space -
as too the warm doughnuts and baguettes
on a Monday morning with headlines and
articles and opinion sections and photographs
and adverts... nothing more
                    than toilet paper already used
to wipe one's ****... lying facedown in
a puddle on some street: by the afternoon.
perhaps this too be a melancholy art,
        akin to the journalistic endeavour -
and perhaps both the hope in poetry as the hope
in journalism: is for at least a single
memorable day to be nothing but a sabbath.
could this world ever envision a media sabbath?
probably not... as this poem suggests...
   and another, and another... and...
Hadrian Veska  Aug 2019
Delve
Hadrian Veska Aug 2019
Down and down
Layered
Layers upon layers
Years and centuries
Down through the earth
Layered
Cities built
On the back of ruins
Those ruins themselves
Layered and layered
On the backs of further ruins
Far more ancient
Yet equally hollow
Layered sepulchers
Tombs and labyrinths  
Overlapping and intersecting
Time and space
Layered themselves
Deeper and deeper
Places and spirits
Intertwined
Layered and overlapping
Time does not pass
Or perhaps it does
Only backwards and forwards
Swinging like a pendulum
Deeper and deeper
Until all layers are one
All spaces the same
And all time
Now layered together
Sarah Spang Jun 2015
He told her she was pottery; a vase with grooves and cracks.
The patterns of the history she hid behind her back.

Within his words he layered in- like thread upon a loom-
The sweetest undercurrent to illuminate that gloom.

In certain cultures, he decreed, when pottery is cracked
They aggrandize them with gleaming gold to bring their splendor back

For they believe, with certainty, once damage has been wrought
Those tiny cracks, now filled with light, hold truths that can't be taught.
Sayer  Mar 2013
Invisible Rain
Sayer Mar 2013
outside there was invisible rain:

forgetting everything at once, I blinked

the colors changed and the tone settled until I blinked once more

the colors came back, the tone arrived on time

a mere hour beforehand I looked at her face

beyond time and space, throughout the souls of everyone in the room(don’t give up)

the only one I thought of was you, looking at you

what was causing your agreement…

can our eyes not even meet?

(meet me here, leave me there-take me a journey)

there’s no reason to bother anymore



I drifted away from the passion

focusing on the important details(my hero making strong points)

across from me, the other

at least she looks at me and smiles

-no, I can’t

can I? float between souls again to feel at peace

this is not a debate or an argument

we should just work like it does for other lovers

but no, that’s not how it works

walking to the end of the earth would not help



I’ve really crashed this car into the wall

to forget it all

the colors disappear and reappear

did I drift off? or tricks and invisible rain and

why don’t you just listen to my message!

this shouldn’t be such a game

-at least she looks at me and smiles

therefore everything I’ve ever created should burn

and on its side it will turn

over and let me fall off

(you’re not getting my message!)

throughout time and space, floating through the souls not in front of me anymore

but in my head instead

which makes me ask the question-



(where am I?)

does she care for me?

if the smile is a truth than I’ll fly

it would be worth it in the end, I presume



you need to just listen…                                                                                               (O save me iridescent soul!)

can’t you just listen!                                                                                                       (O forgotten ended beginning)

your eyes-meet mine?                                                                                                   (O never again forgotten love)

this is the place, the time, and the season…                                                         (O invisible rain pour down!)

                                                                                                (O invisible rain come down and cleanse my soul while I drift between you and her and her and you; forget me not! this is for you, for you to not fall into a black hole forever layered over images of the past and the future. beyond reason, beyond reality, we need to cut it in little pieces and burn it all for our love to kindle and explode into the night sky! I need your help with this one, before I fall down and into her arms, but if that’s what you want, and what she wants, so be it, forever, and ever, and ever…..)

white layered over white layered over white….

O save me iridescent soul, send your invisible rain to pour down, and like cupid’s bow, create love, somewhere, between someone and I

white over layered white over layered white….

Have you forgotten something? at least she looks at me and smiles

black overcoming white the overcoming of the blue overcoming the past….

I’m ready to accept it all, just throw it on me as we travel

past the overcoming of the blue overcoming the white overcoming the black-

(once again we)

Cut it!
beth fwoah dream Jun 2015
[you were]

"where love is a song settling in the night"

you were the softness of feathers
and the harsh cadence of grief,
you were the sky’s frail mists
and its glittering pools.
in the warm indigos of summer
i welcomed you home,
the sea with its engine pistons
played loud harmonics,
it wasn't the noise but quiet
i wanted most, the way i wanted you,
star silent, drifting like a boat.

[tonight]

tonight i can't write poetry,
a star is just a star

[shadows on my bones]

"when everything is washed out like faded jeans"

i thought i could stay alive
but there were shadows on my bones,
summer fell through my lips
and washed the colours from my shirt.
i became a lizard in the
dry heat.

the sky layered greys into
clouds, told me how
expressive it could be
and then turned white.
i wasn't going to argue
but i liked it better blue!

when your heart is
full of softness it gathers
the flowers of dusk.

the sea is so far from me
now, how can i remember
a wave or the bluster of
the wind?
i am as forgetful of
shape as foam, i am
as broken as driftwood,
i am the memory of
something that never was,
an impromptu impressionist
painting in ink.

[i've not written]

i've not written for a week.
i need to visualize, feed
on an image, grow out of
immense distance, slumber
on the rocks.
i need to paint a flower
in all its frailty, gather
the skies on the horizon.
until the bright lilies
have drowned me in their
white linens i will not feel whole.
gathering, gathering the world,
its moments stormy rooks.

[love poem]

"where love is a wave that splashes on the sand"

when a heart
loves
the stars surrender
to the heavens,
the moon catches her breath
and the avenues
of silence become
voice. i follow the
path to my love,
i die for him,
i live for him,
like a spartan
in the heat of battle,
like a flower in the
mist.

[summer tide]

the moon, shrunken, faint
as pencil, as if the wild nettles
of night carried her loads.
her glazes the raptures of
dancing stars.
her stencil mark a white crescent
leant on cloud.
the trees shudder in the
wind, break their promises,
forgive no one.  
the tide listens to her rhythms,
traps them in water, distils
her victories, unwraps the dark,
stretches it out.

[out of the night]

out of the night, the softening rain dripping
from leaves and memories hanging like stars
in a northern sky, everything sank to the sea,
sinking in night and song and silence.
everywhere was still, no climbing to the dawn,
no old ghost singing winter to the sky.
it was time to leave, time for the grey ghosts
to crumble, time for the rose beds to sleep.
the morning dew is the water's flowers,
the early frost is the marbling of the earth,
we're pushed to emptiness by the iron-hinged wind,
melt in caves where the shadows lie hid.
from your hair, the glistening drops of rain,
from the air, the flight of a bird,
terrible and black the dark clouds,
where the night utters vowels its voice full of stones,
and its breath an empty pail once filled
with water and the kiss of the moon.

[grey stone sky]

grey stone sky, ghost clouds crying to the wind,
remembering the distant wave.
the moon was the whitening mists of time,
was the quiver of a musical note,
her broad branches silver seas,
her caverns quiet visions of light.
i stride the shores of oblivion where
dark ages hide, where the ocean falls,
i capture infinite moons in my
mouth, capture something bright,
something of you that i bless,
something of you that grows out
of the dark, glimmering like a night frost,
midnight stars dipped in a clear lake
and as the surface gleams and reflects,
how the water ripples in little blue tides.

[i ask you]

i ask you how the water cries, how you hold
the tide, the light, the thin light glistening.
i ask you how you bury root and earth,
how you dress the wind, how you carry
clouds in your mouth, how you drift
out of morning's ghosts, sky full,
how you drift downstream taking
part of me with you. i ask and i ask.
why do you not answer me? tomorrow
stretches her wings, tomorrow with her
tremendous oceans of fire, her dark eyes
full of hope while part of me dies.
no furnace could burn like you burn,
every whisper the dark, the infinite dark,
and that little flame hovering like a bird
a paradise higher than stars.

[the ocean dreams]

the ocean dreams...
colours like burnt kisses,
the blue mist tangles the air.
the shore shook out its creases
like old linen, fell under
the tumbling wave.
i drank the silence,
walking where the moon,
carried along by the song
of a ripple, dipped
her feet in the foam,
dancing, dancing...
beneath her ivory tongue,
a glistening jewel,
her alabaster skin
night's whitest rose,
and where the stars
wrapped december in
ghosts and the
gleaming water was the
quietest echo of love,
i could no longer bear
to be alone, and my tears
were the wilderness
and how it grew inside me,
and everything i loved was there
the wave carrying the wind
and i felt alive, as joyful
as the silver shore, a dark-pooled
painting of you, a river-eyed song.

[sad, sad eyes]

winter fed us with blood-red berries and ice clouds,
our visible breath soon colder than our lips.
i did not want to see what you had seen,
could not grow out of those sad, sad eyes.
we fell into the calm wave of circumstance
and twilight hurried from us into the dark.
hurried away like the last drop of sunlight
purples the earth, dancing on the edge of the world.
do we wait, stone-heavy, for the last tendrils
of day to melt like ice?
the fearful cold breathes like a fog,
gathers its stars of voice and hill,
gathers memories and distant dreams,
lets us forget.
are you the ghost that lies on the hill
calling to me?
are you that ghost,
whose irons soften like cloud,
whose frozen leaf trembles on the branch
waiting to fall to the whispering land?
your eyes are from the past and yet
they follow like a cold wind blasts.
your eyes, everywhere your sad eyes,
biting like a frost.

[do you dream of me?]

my love, you wear silence like a coat
and i am left drifting like a far-out wave.
the wind tangles leaf and sky.
winter is barely noticed, the moon
is a ghost of forgotten flowers where
the night sings to the starry waters,
sings of our love. everything is sailing
like a ship in a bottle, a kaleidoscope  
of brightness, gothic hill and wildflower
ruin, flowing like a silvery stream.
do you dream of me? do you burn when
the night wraps you in her cloak and the moon
unwinds the waters of the seas?
do you dream of me?

[morning]

a bird slid into the wind's
bright paths, awoke
the sound of morning, the
only elegant sound. i sprinkled you
you with the roots of the rain and
with a song sweetened by
sunlight and although you were stunted
and your blue-blossom wings were broken,
and the very earth swam in dark
floods of tears, that little piece of
love was a kingdom as reachable
as your hand touching mine.

[song]

this was a song that lingers in caverns and
caves, scented by sea rose and anemone,
lost kingdoms where we dream of the sea.

this was a song like a whale shivering
through the water, diving into the
impossible dark, with its huge tail
waving, flag-like and star-hungry,
its skin the moon's lips, in a world
with no moonlight, no brightening pools,
and only echoes of a forgotten sun.

how deep do we dive, seals of ink
and overtures of unanswerable
dark? our eyes have been betrayed
many times and the water buries us
whole, takes us to the staccato rhythms
of a ghostly tide, takes us back to
a womb woman whose prayers lie
like whispers on the water, who tells
us to hush and we hear our mother's voice.

these are wild notes that press into the
waves, and i am frightened of this song,
it is dissonant and gathered from the
rivers of night, her tombs overgrown with
wild flowers and the bones of the sea,
and she cries for the lost,
for those that were taken from her,
and she will cry for all eternity
and her tears are like breath of ice.

[winter]

winter buries her flames,
buries whispers of river and leaf,

the sea wraps turquoise into bronze,
everything is full of white bones,

the sky is an illusion of clouds,
her petticoats blue rags,

the day is as heavy as a paperweight,
as brittle as a glass flower,

the light is as naked as the trees
gold could not be more cold,

the sunlight reflects in the snow,
her amber eyes gleam,

nothing flows, nothing flowers,
nothing flows, nothing flowers,

and your smile is the sun,
a ghost as faint as watercolour,

the brush dipped in daylight,
a little part of me.

[waiting]

i stood there waiting like a
nettle with the moon's forget-me-not
eyes, wild flowers overflowing
down the little paths, i was the flower that
no one wanted, a black companion
****.
my cherry mouth was built of
forgotten orchards and swallow's wings,
while my hair was blown by the indigo wind,
the moon tap, tap, tapping on the door.

the whiteness of the land, the colours of
winter and how her song arose out of
the dark, bearing my soul like the
earth rediscovered, glistening in the
light, drawn out of hollows, the shadows
driven back, with a dry root's crazy thirst
that left me longing for rain.
the poetry could not quite free itself
from my lips, dragged me down to
the earth where i staggered with
the lost and the weary. i tried to get back,
but all I could do was sink into the frozen waste.
no, the poetry would not free itself, and
still I waited but it didn't seem to matter
now because leaf and moon and the
frosting that covered my body had left
me like a pale ghost in the wilderness
and all I wanted to do was sink into
the cold cornered night, sink and forget.

[moonflower]

out of the water, the water of ghost pools,
you rose, naked figurehead, oh, flower of night.
an impressionist's brush shook the water
like light reflected on moonstone.
****** of prisms, flowering, flowering,
lost ocean of star voices, forgotten star.
you sang and the night ran towards the sea,
you blossomed and the night became a wanderer.
nectar of the gods, sky-visionary, you sink into
the night like the petal of a rose, the grass almond-
eyed and whispering to you her dreams, fluttering
like a butterfly; little moonflower, you gather
the shadows and the song of the dark, the
drift of the clouds is your bare feet running,
the drift of the clouds, the cold sea crashing
in the harbour, the drift of the clouds,
the incredible overflowing of sky, poet-
ink and straying hair, the drift of
the clouds, everything that scatters
like you on the wind.

[we seek...]

we seek the ocean in the palm of our hands,
breath is the frailties of a winter sky,

the stars are reflections in a mirror of bone.

we are carried by the wind into strange avenues
where we fall like leaves, dance into the indigos

of the washed out sky, haunt the dimming light like night
blossoms and dies, her rivers burning like fire.

we awaken in the eastern
sky washing slumber from our eyes, yawning

and day drops her heavy nets into the waters
of the sun and drowns out the voice of the dark.

flowers settle in the morning, capturing
the silence of the hills in petals of water and light,

and we drink passion and ink, we drink the colours
of our emotions and walk without hesitation towards the light.

[song of the wind]

the wind has something of your wild song,
whispers in a voice i knew long ago.

there is nothing here accept the empty wind,
nothing of you and me,

i could paint the silence with the moon,
kiss your mouth, touch your hair....

but we are forgotten like this song
of the wind, and in the emptiness

i can hear the faltering wave
fall against the belly of the sand

running like the white clouds
race through the sky,

where the stars fall like old ruins,
this ghost dance of stars, these crashing,

crashing waves. where is the freedom
of the falling water?

not in the breath of the earth,
not in the silvering of the sea.

[you are neither]

my love, you are neither the morning
with her bright unwinding hills

or the night, with her nets of silver stars,
you are not the sea whispering.

you are hidden from the world, an alpine
rose that nobody sees.

you flower like the sky makes its way
out of the dark, her archipelagos  

thrown to the wind, there to discover
like a frost that whitens the earth and

leaves its footprints in the leaves.

you are neither the moon, my love,
that waits at your feet

nor the sun that burns like the
summer with her mute fire. you

are none of these things and yet all  
these things carry me to you,

like a drifting cloud longing
for the waters of the night.

[those brief moments of heaven]

the land was a slumbering bird that had not yet opened
its eyes. the morning roared like a thunder

cloud and i gazed at the sky with her cornflower blues
and orchestral flutes, her dark bones whitening

in the yellow-threaded light. silence wrapped me like
a shawl, and love settled on my shoulders like

a bird. it was too early for the swallow to return
with its spring-tinted wings, the winter settled

in the nooks and crannies of the earth, sweet
as your mouth, crisp and cold as the ashen north.

and while you lay beside me, warm, nocturnal
and dreaming of the sea, i kissed your lips

and told you to hush, not because you had spoken but
because night had been so gentle to you that i

wanted to keep you wrapped in her star-scented arms.

[silence]

silence moored like a boat in the harbour,
and you flew against the horizon like a bird  

until my mouth was the night with its hungry stars
and you were the sea wind.

you were the night flowering, a ripple on
the surface of the water, the dreams of the ocean...

your eyes told me that history is made of a
a thousand bleeding wounds, your lips that

kisses are petals falling from a rose
and that we wait like old moons for night

to melt on the shore and set us free, we wait,
unquestionably free, for her gathering of

iris and blue bird, for her beautiful
and melancholy song.

[february]

the light, the faint curtain that draws across day,
far from night's shadows, creature of fire,

revolves, drops white nets into the sea-earth,
where ice and the aching frost cry out

and the soil hardens with its harsh, freezing edge.

we are deaf and blind, numb of limb
like the thin trees and the specter-sky,

blue and forlorn, dreaming our winter dreams...

and through the cold walls i can hardly draw
a smile, sad as a silver leaf the autumn forgot.

it is you who lifts me from the ground, somehow,
like an april shoot seeking the sun, somehow,

my bones as frail as a bird and yet
when the air stirs my blood and i stare into

the amber notes of the wind, the unforgiving land
buckles and breaks and i return to the

kernel of your heart and even the icy
lakes and the weighty forest you loved

under your skin that the light waits to
warm, forget their cold death, breathe

like summer returning to a distant shore.

[empty of light]

there is nothing of you in this late hour,
i have no voice to wrap you in tenderness,
and i wait for your arrival like a starless sky,
empty of light, the ocean's forgetful voyage,
the sinking wave coaxed to grow out of the dark.
the trees are motionless, branches fall silent in the night,
like ghosts against the sky. i am empty of light,
drawn out of memories and blue air,
a crystal that breaks, bound to the wide earth
and the white dust of immeasurable hills. i think i am
still, small as a bird, and i know that i long for you,
that the hunger never leaves me for long, colouring
dry paper with the gleam of a harbour-like moon.

[you grew]

you grew out of the tangling black,
those carefree tides that lead to the moon.

the stars i thought were silver knots
would not unwind, danced on the horizon,

softened like the white mist that gathered
the sky and the dark rose of your eyes.

you filled with the quiet of the hills
and i watched as your ghost

started to tell me goodbye, that
ghost whose seas were frozen in the night,

the ghost i loved, and everything that
was fire in me carved the words into

the night's magnolia net and the words
were; " i don't want you to go".


[loving you...where love is a pretty handwritten page]

loving you is like waiting for the spring,
the love that winds around my fingers

a stream that will fill with the most beautiful light.
when you open your eyes to my kisses,

i fill with the summer and the bright stars,
so chill with loneliness, leave.

i forget that the moon hangs like a
silver leaf in a sky of swallow's song,

while the rose that winter stole,
that died in my lovelorn arms,

left like the impressionist the water loved,
until all i could see was the dreams

of the water, and all i could feel was
the sleeping of the dark.

[winter faded]

winter faded like old parchment, drawn in charcoal
the trees waited for the inevitable colours of spring.

your voice coloured silence and left me standing
away from the crowd with my head inclined to yours,

listening to you, the shadows swept away and your
voice like the moonlight, the blue inks of the sea.

i watched you unwind night skies and the night stars
that burnt in the rivery realms of lost ruins and whispering

dreams, fell like dead men before your passion and there
was no reasoning with what you believed and you had

no compassion for the world. hatred fired up before
my forgiveness and you could not forgive. how many

oceans scattered their flowers and light, how many
armies fell before the burning amber of your eyes?

[i thought i understood the water]

i thought i understood the water,
the silver whispers of stream,
dying the way sadness sighs  
like a star.

the water didn't bring me to
you or you to me.

you were not the shimmer of a
fish.

you were the light reflecting,
bold splashes of colour
on a bold canvas. you

were night when i could
hardly bear the night and you
fell through me

like twilight bringing black
marble moons and watery ghosts.

i thought i understood the water.
i thought the stars painted your
reflection on my lips,

but the silver whispers were not
sad they were happy and
i wondered how i ever
found them sad.

[where]

where every poem starts
and every ends,
where we are stunned,
where we are thirsty and the thirst is
never quenched,
where there is something that breaks
and i can't bring back although it
burns me to dust, love was not our
miracle but the dying was, the flames
never quenched like the blues of the stars
little rivers,
don't bring me fire to bury me in flame,
bring me oceans of black ink to colour
the night, bring me your love.

[early summer]

the light flutters like ribbons,
the light gold leaf and flickering

amber, the light tenuous in her
gentleness, slumbering with her whims

and her sleep of blue earth, and air,
breath of joy, breath of dust.

night holds us and her daydreams are
a forgotten song, and night is like

the streams of water that awaken with
summer and her cool rivers of air. night with

her paradise far from the gathering
of limb and ledge, far from the leaves

of the dusk where the shadows tremble and the
water turns itself into tears, and we hear the

ghosts cry to the pretty sky,
sometimes we hear the ghosts cry.
judy smith Apr 2015
The Pakistan Fashion Design Council in collaboration with Sunsilk presented the fourth and final day of the eighth PFDC Sunsilk Fashion Week. Indeed the 8th PFDC Sunsilk Fashion Week marked the twelfth fashion week platform initiated by the Pakistan Fashion Design Council [with eight weeks of prêt-à-porter and four of bridal fashion] and was a direct manifestation of the Council’s commitment to sustainability and discipline within the business of fashion and the facilitation of Pakistan’s retail industry. Indeed #PSFW15 endeavoured to define and present trends for 2015, focusing specifically on fashion for the regions’ long hot summer months. Day-4 featured High-Street Fashion shows by the House of Arsalan Iqbal, Erum Khan, Chinyere and Hassan Riaz and designer prêt-à-porter shows by Sana Safinaz, Republic by Omar Farooq, Syeda Amera, Huma & Amir Adnan, Sania Maskatiya and HSY.

Speaking about the PFDC Sunsilk Fashion Week platform, Chairperson of the PFDC, Sehyr Saigol said: “With the 12th iteration of our critically acclaimed fashion weeks, the PFDC is always working to streamline our prêt-à-porter platform to make the PSFW experience more beneficial for all stakeholders in terms of show experience, exposure and ultimately, retail value. To that end, each year we look inward to find the best possible formats and categories to benefit the very trade and business of fashion. In this vein, we introduced 3 separate categories for Luxury/Prêt, High Street and Textile at PFDC Sunsilk Fashion Week, giving each entirely separate show space, times, audience exposure and viewing power. Our High Street fashion brands had been given a standalone show time on two separate days as early evening shows and Textile brands a separate dedicated day for Voile shows on Day 3 of PSFW 2015, a measured step to further highlight Pakistan’s textile prowess and high street fashion strength which are of significant importance to national and international fashion markets. As per past tradition, we continue to work closely with all our emerging designers and mainstream brands to help hone their collections for the runway through mentorship by senior PFDC Council members and with retail support through the PFDC’s own stores and network. We are grateful for the committed support of our sponsors and partners which provides us the stimulus to further enhance our fashion week platforms and put forth the best face of Pakistani fashion on a consistent basis.”

“The Sunsilk girl is an achiever, with an air of enthusiasm and positivity. Great hair can give her the extra dose of confidence so with Sunsilk by her side, she is empowered to take on life. Fashion is very close to this aspirational Pakistani girl making the PFDC Sunsilk Fashion Week a highly valued platform for us. We recognize PFDC’s efforts to promote the fashion industry and experienced and upcoming talent alike. Sunsilk has been a part of this fantastic journey for 6 consecutive years and continues to shape aspirations, taking contemporary fashion directly to the homes of consumers and encouraging them to script their own stories of success” said Asanga Ranasinghe, VP Home and Personal Care for Unilever Pakistan.

On the concluding day of #PSFW15, the Chairperson of the PFDC Mrs. Sehyr Saigol also made a special announcement on behalf of the Council and its Board Members, where she shared the Council’s plans to establish Pakistan’s first ever craft based Design District, a multi-purpose specialized facility that would assist in developing and enhancing the arts and crafts industries, which are an integral part of Pakistan’s rich cultural legacy. In addition to being a centre for skill improvement and capacity building, the Design District would also house a first of its kind Textile Museum.

The official spokesperson of the PFDC, Sara Shahid of Sublime by Sara also announced the official dates for the Council’s next fashion week, PFDC L’Oréal Paris Bridal Week 2015 which is scheduled to be held from 15th September to 17th September 2015.

Indeed the success of PFDC Sunsilk Fashion Week continued to prompt private sector associates to grow in their engagement of the platform to launch new marketing campaigns and promotional activities. To this end, the PFDC’s evolving partnership with Sunsilk grew exponentially this year whereby in addition to their title patronage; Sunsilk also took over the coveted PFDC Sunsilk Fashion Week red carpet and the Green Room/Backstage, as sponsors. This extension of their support is indeed a manifestation of the brand’s belief in and commitment to the platform. Also in continuation of their support for the platform, Fed Ex – GSP Pakistan Gerry’s International returned to PSFW as the official logistics partner, offering the PFDC a special arrangement for international designer consignments.

PFDC Sunsilk Fashion Week 2015 was styled by the creative teams at Nabila’s and NGENTS. Light design, set design, sound engineering, video packaging, choreography and show production from concept to construction was by HSY Events, front stage management by Maheen Kardar Ali, backstage management by Product 021, Sara Shahid of Sublime by Sara as the official spokesperson for the PFDC, logistics and operations by Eleventh Experience and photography by Faisal Farooqui and the team at Dragonfly, Hum TV/Hum Sitaray as the Official Media Partners, CityFM89 as the Official Radio Partners with all media management by Lotus Client Management & Public Relations.

High-Street Fashion Shows

The House of Arsalan Iqbal

The afternoon High-Street Fashion Shows on the final day of PFDC Sunsilk Fashion Week 2015 were opened by leading fashion brand The House of Arsalan Iqbal, who showcased a collection titled ‘Devolution Chic’. Inspired by street art across the world by various artists, European high-street trends and technique of quilting, Arsalan Iqbal garnered personal portfolios of graffitists from myriad urban cityscapes such as London, New York, Tokyo, Barcelona and Cape Town, juxtaposed with some unique in-house created patterns including those of Pac-man, calligraphic flourishes and aqua and tangerine bands and circlets. Based in chiffon, the ensembles were molded into voluminous structured silhouettes including draped tunics, edgy jumpsuits and wide palazzos dovetailed with off-white and ecru charmeuse silk jackets created with a revolutionary quilting process. Along with menswear pieces, the collection also included in-house footwear and jewellery made in collaboration with pioneering Karachi-based street artist SANKI.

Erum Khan

Designer Erum Khan followed next and made her PFDC Sunsilk Fashion Week debut with ‘The Untainted Shine’. The collection took its inspiration from the sparkle of twinkling stars, a walk on pearl dew in the morning and the enchanted glow which is produced when “a magic wand” is waved around the body, making it glow in a pearlescent white and exhibiting a jewel themed lustre on the body. With neat and straight structured cuts, Erum had used fabrics such as organza combined with silk, 3D flowers, patch work and antique katdanna in a collection which was based in a white colour palette. Trends highlighted in the collection were high waist skirts to button up pants and sheer long dresses. Acclaimed Pakistani musician Goher Mumtaz and his wife Anam Ahmed walked the ramp as the designer’s celebrity showstoppers.

Chinyere

Following Erum Khan, fashion brand Chinyere showcased its Spring/Summer 2015 High-Street collection ‘Mizaj-e-Shahana’ at PFDC Sunsilk Fashion Week 2015. An ode to the era of the Mughal royalty and their imperial aesthetic, the collection comprised of modern silhouettes and traditional embellishments with organza skirts paired with cropped tops, angarkha-peplum tops with embellished cigarette pants, sheer knee-length jackets paired with structured digital printed bustier-jumpsuits, diaphanous wrap-around boot-cuts and embellished boxy sleeves with soft A-line silhouettes. Chinyere also showcased ten menswear pieces comprising of waistcoats, jodhpurs, knee-length sherwanis paired with gossamer sheer kurtas. The colours used had been divided into a collection of distinctive Mughalesque pastels and jewel tones. The pastels included the classic marble ivory-on-ivory, the bold black, saffron, gold and ivory. The colour segments also included metallic gold and grey sections, with accents of bronze and black. The jewel tones included jade, emerald, ruby and sapphire.

Hassan Riaz

The concluding High-Street fashion show of PFDC Sunsilk Fashion Week 2015 was presented by Hassan Riaz who showcased his ‘Contained Shadows’ collection. Inspired by the diverse facets of the human soul that explore both the dark and light sides of human nature, taking into account yearnings, desires, and anxieties that make us distinctly human, Hassan had based the collection in summer twill, organza and summer denim in shades of blue and white with a gold accent to reflect upon his inspirations. ‘Contained Shadows’ made use of structured and drifting silhouettes, cage crinolines with corsets and bustiers with distinct trends featuring cropped tops, nautical accents, experiments with transparency and patchworks of metal mixed & matched with flowers.

Designer Showcases

Sana Safinaz

PFDC Sunsilk Fashion Week 2015’s evening [rêt shows on the fourth and final day was opened by premier designer label Sana Safinaz. Sana Safinaz’s PFDC Sunsilk Fashion Week collection was inspired by monochromatic structured looks with pops of color. The collection was based in luxe fabrics such as kattan, silks, fine silk organza and dutches satin in a colour palette majorly based in black and white with strong vibrant pop infusions.
Key trends being highlighted were the oversized T, constructions-clean lines, simplicity of cuts and effective embellishments.

Republic by Omar Farooq

Following Sana Safinaz, acclaimed menswear brand Republic By Omar Farooqshowcased a collection titled ‘Que Sera, Sera!’ (whatever will be, will be!). Omar Farooq had used a variety of luxe fabrics such as suede, linen, chiffon, cotton, cotton silk and wool silk. A collection for all seasons, the ensembles built upon the label’s signature aesthetics while providing a new take on contemporary menswear. Acclaimed media personality Fawad Khan walked the ramp as the brand’s celebrity showstopper.

Syeda Amera

The third Prêt show of the final day of PFDC Sunsilk Fashion Week 2015 was presented by designer Syeda Amera who made her ramp debut with ‘The World of Sea’. Inspired by love for the enchanting underwater, the collection was based in premium quality organza, jersey, nets and silks with delicate cuts and embellishments consisting of beads, sequins and feathers to reflect the collection’s aquatic theme. ‘The World of Sea’ featured a palette of aqua marine, scupa blue, powder pink, grey blue, tequila sunrise yellow, orange and lagoon green with trends that employed skirt layering, frills and ruffles and flared pants.

Huma & Amir Adnan

Following Syeda Amera, Huma & Amir Adnan showcased a joint collection for the first time at a fashion exhibition. Both Huma and Amir feel that as a couple they share their lives and draw synergies and their collection ‘Symphony’ was an epitome of how two people can revolve around the same concept in harmony, while maintaining their individual distinction. Showcasing both menswear and women’s wear at PSFW 2015, Huma and Amir had used a mix of fabrics, textures and embellishments with a complex collection of weaves, prints and embroideries in silk, linen, cotton and microfiber. The color palette included midnight blue, emerald green, wet earth, aubergine, ivory, old paper, turmeric, leaf and magenta. Key trends highlighted in the collection were long shirts, double layered shirts, printed vests and jackets, textured pants, colored shoes for men and layers of multi-textured fabrics, tighter silhouette, vests and jackets for women.

Sania Maskatiya

Designer Sania Maskatiya showcased the penultimate Luxury/Prêt collection of the evening at PFDC Sunsilk Fashion Week 2015. This S/S ’15, Sania Maskatiya took audiences on a fashion journey to ‘Paristan’ – a place of fairytale whimsy at PFDC Sunsilk Fashion Week. With a colour palette ranging from the softest shades of daybreak to the deepest hues of nightfall, ‘Paristan’ was a collection of playful, dreamlike prêt ensembles. Featuring luxury fabrics like silk, organza, charmeuse and crepe, the pieces followed the brand’s signature silhouettes, both structured and fluid. Beads and sequins embellished varied hemlines and multiple layering, all set against captivating scenes of mirth and magic. Motifs ranged from the sublime to nonsensical; friendly mice and naughty elves, clocks and teapots, flowering fields and star-filled skies, princesses and ponies.

HSY

Day-4’s finale was presented by acclaimed couturier HSY who showcased a collection titled ‘INK’; a collection inspired by Asia and specifically HSY’s journeys to The Land of the Rising Sun. INK represented the essence of Langkawi, Indonesia, Nagasaki, and Yunnan with natural and indigenous yarns, hand-woven to perfection. The collection featured the traditional dyeing techniques of Shibori from Nagasaki, Batik from Indonesia, and Gara from Sierra Leone infused with mackintosh, saffron, aubergine, eggshell, rosette, indigo and ochre. Created with the scorching sub continental summer in mind, INK channelled versatile hemlines to suit a diversity of younger, older, working men, women and homemakers alike.Read more here:www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/formal-dresses-brisbane
Scott M Reamer Apr 2013
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You are what your reading lady. Now would you hold this gun?
LAYERED EMOTIONS



Heaps of hope she heaved on
the rare orchid, bidding it bloom.

Annum four begot the boon;
it tested its little magic
and sprouted a slender shoot,
sprinkled with decimal buds.  

She kept breathing life into her hope,
pining for the buds’ open sesame,
and daily guarded over it,
with her adored two year old.

Slowly, after what seemed a ‘thapas’
the teeny buds unfurled, one by one,
into a beauteous brooch of mimosa pink.

Moment of pure fulfilment!

Next noon, her beloved two year old
drew nigh, with a spring in his sprint,
chirping, ‘mom, close your eyes,
I have a present for you.’

Mom geared up as per order,
eager to glimpse the gift of love.

‘One, two, three: open your eyes’
the proud voice cooed.

She obeyed and lo!
upheld in his tender fingers
was the rarest of gifts,
the pendant of her four year dream,
the mimosa pink brooch!

He offered his token of love
with a proud enchanting smile!

Should she cry,
or should she laugh?

She did both.

She locked him in a bear hug,
showering kisses all over,
proud of his precious love!

But tears of joy, laced with dismay
silently dripped down her cheeks!

It was a loaded moment
of layered emotions!
heavily loaded, heavily layered!
"Thapas" : Long meditative waiting
'Layered Emotions' is a poem that will be included in my second volume of poems 'Summer Snow'
Robin Carretti Aug 2018
Something is
simmering  *  
  ****      
His spice the stars*
His cologne heat up the
woods
Lips and taste boiling
The Green Irish Tweed
Epicurean love at
the Italian
Spice Epic Stadium

Here comes the
Sun the__?
Royal Mayfair

strikingly
My Fair Lady
The spice diction of words
Her name is Sage Lady Bird
You could feel her smile
shimmering

Carnal spice knowledge
Savory animalistic
Spice culture ******
Citrusy fancy dress
Not to panic
His Sunday gravy
Italian sauce garlicky  
She could win so pungent
Spicy lady Pagent

The poor stealing the
rich culture
Sage surrender like the Oz
Like Robin Hood

Spice of life this is our life
Top of the sea salt Spy
scouring
You better have a love
Like a deep pouring
Her Sage Genie bottle
on the stove

Her sheerness lascivious robe

The Meditteranean sea with
Four leaf clovers
freeloaders
These cultures and eyes of
strength feature
There is no time to
break up for the love of a spice
Is this the human race
Fresh linens better company
What a primary
Oh! Hail Mary

Those ethnic spices
what a sensual smell
Sage pretty coffee cup show and tell
What a razzle top of her cake
The media takes over all
painted and swirled
Baked spicy finger she dialed

Through her locket heart sake
Recovered love reconciled
The Teddy Rosevelt or Chicago Bears
tight hugs of cultures


Hairy chest his smooth gestures
Culture rough and tough exterior

Like the smile beautiful mind
creature
Beyond to be seen
The Spices computer
world of devices
Strawberry fields forever
But what is forever more love
Crises

Do we always lose our stripes
Feeling layered with her cereal
Tony the tiger
Whats great about curses
Sage speechless can feel the
roar spicy mouth
Going South or North
Victorian corset sensual
Guity spice dark side of Goth
Hot desire from both
The pine needles
Christmas time
The mistletoe kissing pointing to the star

Wearing herself out with her
pointed pump shoe*
But losing her spirit what to
endeavor
*The Blue Horizon Spice Rub

The  pub the sky has no limits
to the Stars that twinkle
The Gods to their *****
Rip Van Winkle
Dry Vermouth or the Russian Roulette
French spice Crepe Suzette

"Adam I Apple Dante Jubilee
Eve was more like a neigh
Horse spicy slide Colonel Spicy mustard
Meeting General Lee Sage custard

Her handkerchief
with sage cut leaves
Hearing echoes what gives
Anyone's spice rack
of shoes engraves Sage leafs

Noone really knows for sure
She wore spice deep blue velvet
Jade Ring Brittish Colony
Stuck to her beliefs like a magnet

Eating vegetable and fish
Her best China ever find her dish

How the jade chandelier twisted
Became laughing like two musketeers
New York City love Serendipity
The Queen chair so domineer
'What Debutants"
Crazed like spices of mutants
The anger management getting
the evil out
The shoutbox strong clove spice
Sage was never outfoxed
Her **** jaded uniform
The firefighter Smoky the bear
  eyes of candlelight storm
didn't make it this year
Torn to tears like two
vultures of
the haunted night
He peddles fast
But the fear needs to disappear

Fresh lake smells fresh
as her breath
The culture and media
make tons of mistakes
She knows what she wants
Not a jungle of
poisonous snakes
He knows what he doesn't want
to tell her
Perhaps losing his
bark dog naps
The best part engage her on
Sage with a heart
The fruit her
flesh and blood
The blood on his finger
Her medicinal herbs
of China
The mason spice jar is empty
The full heart needs his half
Cream of the crop
Careless love accidentally
spice dropped
Sensual Chin like pine needles
The exception to the rule more leaders
Remember Every September
to leave your scent
We all have needs we want
Drinking all the flavors of Snapple
*Big waves of the ripple don't you
love her amazing dimples
Sage spice mighty divine but when its mixed love can be jinxed watch out. But just keep singing her "Sage way" her garden is magnificent in every way just pray
elle jaxsun Jul 2018
looking at
sedona red
rock layered majesties

against bright, cerulean sky
and marshmallow clouds
droplets dripping, pecking our cheeks

sitting on
the balcony of a casita
holding hands with my peace

surrounded by forest green
and buzzing honey bees
they mingle with the flowers

and i mingle with my peace
06102018
ryn  Feb 2015
Scent
ryn Feb 2015
Blue clouds gaze the wrapped sun
frozen kisses in my blood
travelling a thousand miles
to meet up with you.

There is none else walking
down this path where memories
wake up and dance
inside my armored heart.

I peeled off each kisses embrace
out of my parched lips.
I shook off the tree,
where your scent had blossomed.

Every step down this scarcely trodden path saw...
Each peel fall with helpless, damsel-like grace.
Brown leaves shone amber touched by fingers of the sun
Invasion of warmth through my greyed bony carapace.

Gentle tremors reverberate within with subtle anguish.
Sweet scented portal that took me back,
To the illusion of time where we once were...
In drunken stupor...laying under a star strewn canvas of black.

Senses that spoke of a great fantastical tale.
You are still here... In this cloying void with no one around...
Only that scent...your scent tugging on my core
Invisible tendrils berthing my feet back on ground.


Alone and wanting don't want to be anymore.
I want to feast my lungs on your skin once more.
I want to vibrate under your touch again,
In anguished anticipation and sweet pain.

I hurl your name to the echoing wind,
Blowing ferociously over the closed passage.
Only to find that I'm but elongating
the distance between our fading wishful stars.

Fading far only to find that I'm lost yet again,
Still harvesting a basket full of ripened hope.
Traversing planes with warped, slanted doorways,
Frantically seeking purchase on knobs with fevered gropes.

Heavy layered breaths inhaled too shallow...
Tracing missteps to decipher what it all meant.
When all is moot...weary, weathered and futile,
Forever I'll be bathing in the familiarity of your soothing, nectarous scent...



Dajena M
**ryn
My first collab with the incredible Dajena M. She had deleted her account and the collaborative pieces she had posted went away as well. But... I found them!!! Yay!

I'm so glad we had the chance to collaborate on such an amazing piece together.
Blissful Nobody Sep 2018
I must be made out of stone,
A stone is a good thing to be,
I have weathered wounds ,
Changed a bit on the outside,
The core remains the same .

A stone is a good thing to be ,
Nothing changes inside,
A landslide or an avalanche,
It’s just an adventurous ride,
An experience that shaped me.

Nothing changes inside,
Time has layered me solid,
A little unraveling by nature,
Is time again working on me,
Showing the grit that makes me.

Time has layered me solid,
Bruises sharpened my edges,
Water smothered me smooth,
I could lay alone for ages,
Or I could flow and dissolve .
softcomponent May 2014
Find the lighter, use it as a lighthouse on a walk below the wall you watch along the wave-formations. Who Wants a Cold One? a Coors Light ad corrects.. When it comes to your home, the little things matter.. an insurance ad blares.. my computer is infected with 3rd party applications unremovable to my meagre tech-ability.. there is a hero as Joseph Campbell once theorized.. in myself like a sick bastardly virus waiting for moments to prove to me "I AM THE SAVIOR, I AM THE CHRIST, I AM THE WARLORD, MICE, MAN, AND VICE".. the windows of opportunity close, I am left waiting the door

& the elevator.

Thirty-thousand years ago, there was nothing but a breeze.. a viscous breeze across chill-spined pterodactyls.. warm-under-the-jungle-brush tyrannosaurus rex, and to think one day I will be just a legend in bone..
Charlotte said she thinks of death and so did Jen. They sat next to the all-you-can-eat and discussed the inevitable. I was sour and playful with no-will-to-understand, just reminding my hair of breezy summer days of 10, thinking of strangeness, of place I was in.

When it's quiet sometimes, I think of old dreams.. dreams I sunk below drown-level as a child in bed and belief. Both mommy and daddy were arguing in the kitchen, this was 7 or 8.. they argued so often one could hear mom begin to cry sometimes, and dad I could see in minds-eye with a grimace so closed and so creased he was hurt and yet honest.. I did not understand so I hid under-stood-silhouettes, oh adulthood..

once in dream I was in pulsing green graveyard like crayon realism strobe lights, tombstones all-round and faint-buzz of outside and one of those strange balded henchmen of badguy Jafar from Disney's Aladdin came peaking outta nowhere with curled eyebrow and baggy one-thousand-one Arabian nightlives parachute pants, curled toes brown-beige moccasins to.. he let out conniving 'HEUHEE!' and slapped me right-side cheek and I JOLTED up bedwise in real time to feel actual physical sting for a few lingered seconds then the sobs of poor mother outside.. I never remembered a dream so clearly again.. they all come, Pro-Found, and dizzy away after hour or two for rest of eternity or perhaps to Place I Can Visit at Death to Review Every Vision and I wonder... when your life flashes before your eyes and the light is encroaching, scenes of mother, brother, father, son, daughter, best-friend, party, break-up, heartbreak, slip-fall, first-sip, first-drag, last-leg, first-kiss, first-hit, first-game, fear, love,  HATE, wait.. do the Dreams come to? Are they all flesh-ed before your eyes as you pass into Light? Are they brought to direct remembrance as you cross the border with Passport of Gods and a Goddess (and which Picture appears on the Page)..?

I remember the old eczema taking bits of skin to carpets round-town and round-lower-mainland to disgust of friends old and new-- this was era where confidence ate itself in mirrors, the sober reality of ugly-ness chiseling away at my Goodness Attempts.. All That Pointless Pain was no Exception nor a Rule, it just **** Happens every once-and-again to the sound of life farting. I used to miss school for feet so impossible to walk on, pussing and bleeding and staining the sheets, shoe soles, carpets, and soul.. limp thru the hallways of Brooks Secondary feeling like bad flavor additive to multicultural Planet Earth-- sleeping 'til the bell rang drinking coffee singing songs I said '**** the ******* educational system and **** me I'm so flatlined..' someday I felt things would really get better and lucky young me I was right.

A half-decade later, I am 21 and hoping, floating, free in the breeze as the wings I have grown keep on wishing the subsistence down. The girl, whoever-she-might-as-well-be, sits immediately vertical chatting frantically to boy with a bit of a cowlick slouching on-up over a bundle of colored paperwork. It seems late in the season for homework, and assume they may have some affiliation with a crazy-hep computer design group in the tradition of Nouevau Silicon Valley.... I sit at my laptop, inching a word a million cubic millimeters closer to God or Divinity or Crescendo or A Bunch More ******* You'll End Up Ignoring---

It's a sunny day, the rain having slathered-off into obscurity somewhere with the Monsoons when the Sun gave the Moon a Soft Slap and the poor purity white-kid went off whimpering, bleeding nose-- I sat, the other night, playing another Grand Strategy game as Tom divided his time between a vaulted and damaged lover, his labor, and his life (friends, food, video-games, vice)... Chai, old Chai the Thai Guy mentioned past his nose in previous iterations of Depictions sat and described his pins-and-needles upset at his bosses at one his three many jobs.. desperately firing text-messages into receiving-space-panel and reflect and back unto Tom's smartphone dash asking him to order a six-pack from a local delivery service cuz his adrenal was giving him heartpain with hurt, and Tom being Busy as All-Ways Tom Is wasn't able to decipher the scramble in-time to make contact before closure of the liquor stores.. poor not-so-poor Chai at first felt castrated at realization he would miss the 11 PM dot-time, but didn't mind as he rendezvoused with Tom and I at Willows Beach where Tom reminded him of a whiskey he'd bought sitting counter-wise at his place.. we kissed a few Mary Janes rightsideup, dragging our butts in the sand to discuss what was wrong (each of us had a problem that night, save for perhaps a less-vocal Tom, I describing my annoyance that a lazy consensus had erupted in my sorry-hometown between my sorta-friends and friends-of-friends that my writing and sharing my writing was arrogant and I an arrogant *** for sharing and I just confounded that they would find my passions so trivial-- perhaps jealousy, perhaps complacency and judgement-for-lack-of-anything-better-to-do and ah **** em all if they think like that, I'll write and be the arrogant me they think I am and share 'til I'm blue in the face and dead perhaps for outspoken intellectualism in their autocratic pointless-waste worldviews.. sad that I dislike them only on the basis they disliked me first..)

I had planned to stay late and leave early-morn (5 or 6 AM) to catch a first-off morning bus back home and sleep, hoping for most part to avoid the shattered-***-mess of a home I was living in.
About 2 days ago, give or take, a water-line for the laundry machine had erupted to soak our entirely-carpeted basement suite, forcing the poor new landlord (a sweetheart of a man named Ron having just taken possession of the house from previous owner on May 1st and, it seems, left 'holding the bag' as they'd call it in day-trading-investment-lingo) to tear out the entirely-soaked carpet and replace it with sensible laminate flooring and rendering the entire suite virtually unlivable for indefinite-few-days and so for me work and friends and especially writing become a welcome reprieve to I, a first world Refu-Jeez.. us, so terribly-off I sip a latte near sunny panorama windows-so-clear-they're-not-there overlooking the crosses of Yates and Blanshard with European church of Gothic architectural style poking heedlessly into empty-open blue.. ironically and strangely there is a liquor store quite literally right next door, and's one I shop at often for its decent prices (God is Dead or Just Drinking to Cope with Sartre and Kierkegaard's Ultimate Thesis) (Kierkegaard especially '*** Kierkegaard seems a good and long friend of God the Almighty) (...I talk with such Judaeo-Christian Catholic rhetoric it never ceases to amaze myself as it bleeds to page..) (stranger thing is, tho, there is no beginning, no middle, no end.. you read or you are bored and either/or is just fine..)

There is some hypothesized crescendo-bliss Tech Singularity on the way in the try-dition of Ray Kurzweil and William Burroughs.. Oscar Wilde to.. (see The Soul of Man Under Socialism in essay-collect book De Profundis).. one day we will all be eternal happiness expressed in song and dance and LED erected-projections of Imperfect Universe (Our Imperfect Earth) with lives stuck on infinite repeat.. our idea of Paradise.. and for those with ability to remain rushed to cortisol (stress-the-best hormone) it will be Hell on Earth, so DRAB and THE SAME all the TIME and it's READ and it's WRITE and it's RIGHT.. the world runs faster with every passing day so desperate to discover the Globe is Flat so we can Hop Off the Other Side into what one might assume to be The Better Place.. elusively picking-up speed thinking 'closer now definitely closer now' unaware (or, secretly aware and unwilling to admit for what will one do when one cannot run?) they are Running in Circles Over and Over and Over and Over and Over Again... cannot take the hint in the fact the Pacific (same Pacific) has been crossed a hugeillion times, nor the same McDonald's in the Azores of Atlantic Portugal is the Same ******* McDonald's stopped-thru on the then-trillionth time last year... and all whilst the International Space Station remains muted up-above crossing 'round and 'round 'til the Jehovah'n Day of Judgement (Chris Hadfield now below with advice for how to run a little faster even blinded in one eye..) then there are the dying Prophets Predicting Industrial Collapse who preach upon the Mount of Internet Sinai Eternal and state "the world is now unsalvageable and we are all about to die.. if ever you wished to find Buddhistic Nirvanic Peace, now is the time so start meditating and imagine Death as New Life and Geopolitics as Game".. forever and ever and ever and ever.

It is only natural to find existence to be 'weird..' layered with Who's That's and giant What The ***** everywhichway you turn.. did it start in a Big Bang, will it end in a Big Crunch, Big Freeze, Big Bang.. ? all questions once ignored for certain ignorance and resurrected as questions concerning the Nature of the What The ***** (also known as 'Science').. and if it did start in a Big Bang, did I start in a Big Bang..? and if it does end in a Big Crunch, will I end in a Big Crunch..? am I a sudden flash of REAL in a Universe that isn't me..? or am I an entire Universe.. perhaps even more than that...? the questions pulse in youth like bad words or bullets. I once stayed up all-night thinking of infinity with my head soaring space-wise forever and ever and ever and I stopped in sudden panic thinking: I could lie here up all night and all day 'til the towered age of 37 (I was 14 at the time) and still be no further on the Universal Map than from thumb-tip-middle to thumb-nail so I wrapped up the attempt with a mix of fear and incredulity, went to school next-day exhausted and tried to explain it all to friends.. they got it, I suppose, but we were all 14 and played basketball instead (I imagined infinite-spinning-basketball on thumb of Michael Jordan).

It's always best describing life in form of Disembodied Poetics.. sure some Philistines won't understand '*** their minds are made of Clockwork, Digits, and Blockthought.. but the general psychic underly implied in all with human faculty will ring-a-ding-ding! and remember all such ancient thoughts and feels as forgotten as a child, locked away until the Spirit rose-up from a rosey thorn prickle to flower straight-up into a Rose! or so I hope as a one-of-many writers-- all of which will write so-as to speak on your behalf.. all floaty and marking a purpose.

— The End —