Please master can I touch your cheeck
please master can I kneel at  your feet
please master can I loosen your blue pants
please master can I gaze at your golden haired belly
please master can I have your thighs bare to my eyes
please master can I take off my clothes below your chair
please master can I can I kiss your ankles and soul
please master can I touch lips to your hard muscle hairless thigh
please master can I lay my ear pressed to your stomach
please master can I wrap my arms around your white ***
please master can I lick your groin gurled with blond soft fur
please master can I touch my tongue to your rosy *******
please master may I pass my face to your *****,
please master order me down on the floor,
please master tell me to lick your thick shaft
please master put your rough hands on my bald hairy skull
please master press my mouth to your *****-heart
please master press my face into your belly, pull me slowly strong thumbed
till your dumb hardness fills my throat to the base
till I swallow and taste your delicate flesh-hot ***** barrel veined Please
Mater push my shoulders away and stare in my eyes, & make me bend over
        the table
please master grab my thighs and lift my *** to your waist
please master your hand's rough stroke on my neck your palm down to my
        backside
please master push me, my feet on chairs, till my hole feels the breath of
        your spit and your thumb stroke
please master make my say Please Master **** me now Please
Master grease my ***** and hairmouth with sweet vaselines
please master stroke your shaft with white creams
please master touch your **** head to my wrinkled self-hole
please master push it in gently, your elbows enwrapped round my breast
your arms passing down to my belly, my ***** you touch w/ your fingers
please master shove it in me a little, a little, a little,
please master sink your droor thing down my behind
& please master make me wiggle my rear to eat up the ***** trunk
till my asshalfs cuddle your thighs, my back bent over,
till I'm alone sticking out, your sword stuck throbbing in me
please master pull out and slowly roll onto the bottom
please master lunge it again, and withdraw the tip
please please master **** me again with your self, please **** me Please
Master drive down till it hurts me the softness the
Softness please master make love to my ***, give body to center, & **** me
        for good like a girl,
tenderly clasp me please master I take me to thee,
& drive in my belly your selfsame sweet heat-rood
you fingered in solitude Denver or Brooklyn or ****** in a maiden in Paris
        carlots
please master drive me thy vehicle, body of love drops, sweat ****
body of tenderness, Give me your dogh **** faster
please master make me go moan on the table
Go moan O please master do **** me like that
in your rhythm thrill-plunge & pull-back-bounce & push down
till I loosen my ******* a dog on the table yelping with terror delight to be
        loved
Please master call me a dog, an *** beast, a wet *******,
& **** me more violent, my eyes hid with your palms round my skull
& plunge down in a brutal hard lash thru soft drip-fish
& throb thru five seconds to spurt out your ***** heat
over & over, bamming it in while I cry out your name I do love you
please Master.

                                        May 1968

The chemistry so intoxicating,
Lips wet your salavitating
Feeling your vibes
Your as wet
as wet gets
Lovin every second
Not a drip wasted
One finger placed-in,
Your breathing hasten
******* pacin
Your waist whining like the time I'm takin
grinding towards something amazin
A huge explosion in a tiny place;  your haven
You lost in ecstasy while we share the same space
Its only a matter of time before its written all over your face

1969 Hartford art school is magnet for exceedingly intelligent over-sensitive under-achievers alluring freaks congenital creeps and anyone who cannot cut it in straight world it is about loners dreamers stoners clowns cliques of posers competing to dress draw act most outrageous weird wonderful classrooms clash in diversity of needs some students get it right off while others require so much individual attention one girl constantly raises her hand calls for everything to be repeated explained creativity is treated as trouble and compliance to instruction rewarded most of faculty are of opinion kids are not capable of making original artwork teachers discourage students from dream of becoming well-known until they are older more experienced only practiced skilled artists are competent to create ‘real art’ defined by how much struggle or multiple meanings weave through the work Odysseus wants to make magic boxes without knowing or being informed of Joseph Cornell one teacher tells him you think you’re going to invent some new color the world has never seen? you’re just some rowdy brat from the midwest with a lot of crazy ideas and no evidence of authenticity another teacher warns you’re nothing more than a bricoleur! Odysseus questions what’s a bricoleur teacher informs a rogue handyman who haphazardly constructs from whatever is immediately available Odysseus questions what’s wrong with that? teacher answers it’s low-class folk junk  possessing no real intellectual value independently he reads Marshall McLuhan’s “The Medium Is The Message” and “The Notebooks of Leonardo da Vinci” he memorizes introductory remark of Leonardo’s “i must do like one who comes last to the fair and can find no other way of providing for himself than by taking all the things already seen by others and not taken by reason of their lesser value” Odysseus dreams of becoming accomplished important artist like Robert Rauschenberg Jasper Johns Andy Warhol he dreams of being in eye of hurricane New York art scene he works for university newspaper and is nicknamed crashkiss the newspaper editor is leader in student movement and folk singer who croons “45 caliber man, you’re so much more than our 22, but there’s so many more of us than you” Odysseus grows mustache wears flower printed pants vintage 1940’s leather jacket g.i. surplus clothes he makes many friends his gift for hooking up with girls is uncanny he is long haired drug-crazed hippie enjoying popularity previously unknown to him rock bands play at art openings everyone flirts dances gets ****** lots of activism on campus New York Times dubs university of Hartford “Berkeley of the east coast” holding up ******* in peace sign is subversive in 1969 symbol of rebellion youth solidarity gesture against war hawks rednecks corporate America acknowledgment of potential beyond materialistic self-righteous values of status quo sign of what could be in universe filled with incredible possibilities he moves in with  painting student one year advanced named Todd Whitman Todd has curly blond hair sturdy build wire rimmed glasses impish smile gemini superb draftsman amazing artist Todd emulates Francisco de Goya and Albrecht Durer Todd’s talent overshadows Odysseus’s Todd’s dad is accomplished professor at distinguished college in Massachusetts to celebrate Odysseus’s arrival Todd cooks all day preparing spaghetti dinner when Odysseus arrives home tripping on acid without appetite Todd is disappointed Odysseus runs down to corner store buys large bottle of wine returns to house Todd is eating spaghetti alone they get drunk together then pierce each other’s ears with needles ice wine cork pierced ears are outlaw style of bad *** bikers like Hell’s Angels Todd says you are a real original Odys and funny too Odysseus asks funny, how? Todd answers you are one crazy ******* drop acid whenever you want smoke **** then go to class this is fun tonight Odys getting drunk and piercing our ears Odysseus says yup i’m having a good time too Todd and Odysseus become best friends Odysseus turns Todd on to Sylvia Plath’s “The Bell Jar” and “Ariel” then they both read Ted Hughes “Crow” illustrated with Leonard Baskin prints Todd turns Odysseus on to German Expressionist painting art movement of garish colors emotionally violent imagery from 1905-1925 later infuriating Third ***** who deemed the work “degenerate” Odysseus dives into works of Max Beckmann Otto Dix Conrad Felixmulller Barthel Gilles George Grosz Erich Heckel Ernst Ludwig Kirchner Felix Nussbaum Karl *******Rottluff Carl Hofer August Macke Max Peckstein Elfriede Lohse-Wachtler Egon Shiele list goes on in 1969 most parents don’t have money to buy their children cars most kids living off campus either ride bikes or hitchhike to school then back home on weekends often without a penny in their pockets Odysseus and Todd randomly select a highway and hitch rides to Putney Vermont Brattleboro Boston Cape Cod New York City or D.C. in search of adventure there is always trouble to be found curious girls to assist in Georgetown Odysseus sleeps with skinny girl with webbed toes who believes he is Jesus he tries to dissuade her but she is convinced

Toby Mantis is visiting New York City artist at Hartford art school he looks like huskier handsomer version of Ringo Starr and women dig him he builds stretchers and stretches canvases for Warhol lives in huge loft in Soho on Broadway and Bleeker invites Odysseus to come down on weekends hang out Toby takes him to Max’s Kansas City Warhol’s Electric Circus they wander all night into morning there are printing companies longshoremen gays in Chelsea Italians in West Village hippies playing guitars protesting the war in Washington Square all kinds of hollering crazies passing out fliers pins in Union Square Toby is hard drinker Odysseus has trouble keeping up  he pukes his guts out number of times Odysseus is *** head not drinker he explores 42nd Street stumbles across strange exotic place named Peep Show World upstairs is large with many **** cubicles creepy dudes hanging around downstairs is astonishing there are many clusters of booths with live **** girls inside girls shout out hey boys come on now pick me come on boys there are hundreds of girls from all over the world in every conceivable size shape race he enters dark stall  puts fifty cents in coin box window screen lifts inside each cluster are 6 to 10 girls either parading or glued to a window for $1 he is allowed to caress kiss their ******* for $2 he is permitted to probe their ****** or *** for $10 girl reaches hand into darkened stall jerks him off tall slender British girl thrills him the most she says let me have another go at your dickey Odysseus spends all his money ******* 5 times departing he notices men from every walk of life passing through wall street stockbrokers executives rednecks mobsters frat boys tourists fat old bald guys smoking thick smelly cigars Toby Mantis has good-looking girlfriend named Lorraine with long brown hair Toby Lorraine and Odysseus sit around kitchen table Odysseus doodles with pencil on paper Toby spreads open Lorraine’s thighs exposing her ****** to Odysseus Lorraine blushes yet permits Toby to finger her Odysseus thinks she has the most beautiful ****** he has ever seen bulging pelvic bone brown distinctive bush symmetric lips Toby and Lorraine watch in amusement as Odysseus gazes intently Tony mischievously remarks you like looking at that ***** don’t you? Odysseus stares silently begins pencil drawing Lorraine’s ****** his eyes darting back and forth following day Lorraine seduces Odysseus while Toby is away walks out **** from shower she is few years older her body lean with high ******* she directs his hands mouth while she talks with someone on telephone it is strange yet quite exciting Odysseus is in awe of New York City every culture in the world intermingling democracy functioning in an uncontrollable managed breath millions of people in motion stories unraveling on every street 24 hour spectacle with no limits every conceivable variety of humanity ******* in same air Odysseus is bedazzled yet intimidated

Odysseus spends summer of 1970 at art colony in Cummington Massachusetts it is magical time extraordinary place many talented eccentric characters all kinds of happenings stage plays poetry readings community meals volleyball after dinner volleyball games are hilarious fun he lives alone in isolated studio amidst wild raspberries in woods shares toilet with field mouse no shower he reads Jerzy Kosinski’s “Painted Bird” then “Being There” then “Steps” attractive long haired girl named Pam visits community for weekend meets Odysseus they talk realize they were in first grade together at Harper amazing coincidence automatic ground for “we need to have *** because neither of us has seen each other since first grade” she inquires where do you sleep? Todd hitches up from Hartford to satisfy curiosity everyone sleeps around good-looking blue-eyed poet named Shannon Banks from South Boston tells Odysseus his ******* is not big enough for kind of ******* she wants but she will **** him off that’s fine with him 32 year old poet named Ellen Morrissey from Massachusetts reassures him ******* is fine Ellen is beginning to find her way out from suffocating marriage she has little daughter named Nina Ellen admires Odysseus’s free spirit sees both his possibilities and naïveté she realizes he has crippling family baggage he has no idea he is carrying thing about trauma is as it is occurring victim shrugs laughs to repel shock yet years later pain horror sink in turned-on with new ideas he returns to Hartford art school classes are fun yet confusing he strives to be best drawer most innovative competition sidetracks him Odysseus uses power drill to carve pumpkin on Halloween teachers warn him to stick to fundamentals too much creativity is suspect Todd and he are invited to holiday party Odysseus shows up with Ellen Morrissey driving in her father’s station wagon 2 exceptionally pretty girls flirt with him he is live wire they sneak upstairs he fingers both at same time while they laugh to each other one of the girls Laura invites him outside to do more he follows they walk through falling snow until they find hidden area near some trees Laura lies down lifts her skirt she spreads her legs dense ***** mound he is about to explore her there when Laura looks up sees figure with flashlight following their tracks in snow she warns it’s Bill my husband run for your life! Odysseus runs around long way back inside party grabs a beer pretending he has been there next to Ellen all night few minutes later he sees Laura and Bill return through front door Bill has dark mustache angry eyes Odysseus tells Ellen it is late maybe they should leave soon suddenly Bill walks up to him with beer in hand cracks bottle over his head glass and beer splatter Odysseus jumps up runs out to station wagon Ellen hurriedly follows snow coming down hard car is wedged among many guest vehicles he starts engine locks doors maneuvers vehicle back and forth trying to inch way out of spot Bill appears from party walks to his van disappears from out of darkness swirling snow Bill comes at them wielding large crowbar smashes car’s headlights taillights side mirrors windshield covered in broken glass Ellen ducks on floor beneath glove compartment sobs cries he’s going to **** us! we’re going to die! Odysseus steers station wagon free floors gas pedal drives on back country roads through furious snowstorm in dark of night no lights Odysseus contorts crouches forward in order to see through hole in shattered windshield Ellen sees headlights behind them coming up fast it is Bill in van Bill banging their bumper follows them all the way back to Hartford to Odysseus’s place they run inside call police Bill sits parked van outside across street as police arrive half hour later Bill pulls away next day Odysseus and Ellen drive to Boston to explain to Ellen’s dad what has happened to his station wagon Odysseus stays with Ellen in Brookline for several nights another holiday party she wants to take him along to meet her friends her social circles are older he thinks to challenge their values be outrageous paints face Ellen is horrified cries you can’t possibly do this to me these are my close friends what will they think? he defiantly answers my face is a mask who cares what i look like? man woman creature what does it matter? if your friends really want to know me they’ll need to look beyond the make-up tonight i am your sluttish girlfriend! sometimes Odysseus can be a thoughtless fool

Laura Rousseau Shane files for divorce from Bill she is exceptionally lovely models at art school she is of French descent her figure possessing exotic traits she stands like ballerina with thick pointed ******* copious ***** hair Odysseus is infatuated she frequently dances pursues him Laura says i had the opportunity to meet Bob Dylan once amazed Odysseus questions what did you do? she replies what could i possibly have in common with Bob Dylan? Laura teases Odysseus about being a preppy then lustfully gropes him grabs holds his ***** they devote many hours to ****** intimacy during ******* she routinely reaches her hand from under her buns grasps his testicles squeezing as he pumps he likes that Laura is quite eccentric fetishes over Odysseus she even thrills to pick zits on his back he is not sure if it is truly a desire of hers proof of earthiness or simply expression of mothering Laura has two daughters by Bill Odysseus is in over his head Laura tells Odysseus myth of Medea smitten with love for Jason Jason needs Medea’s help to find Golden Fleece Medea agrees with promise of marriage murders her brother arranges ****** of king who has deprived Jason his inheritance couple is forced into exile Medea bears Jason 2 sons then Jason falls in love with King Creon’s daughter deserts Medea is furious she makes shawl for King Creon’s daughter to wear at her wedding to Jason  shawl turns to flames killing bride Medea murders her own sons by Jason Odysseus goes along with story for a while but Laura wants husband Odysseus is merely scruffy boy with roving eyes Laura becomes galled by Odysseus leaves him for one of his roommates whom she marries then several years later divorces there is scene when Laura tells Odysseus she is dropping him for his roommate he is standing in living room of her house space is painted deep renaissance burgundy there are framed photographs on walls in one photo he is hugging Laura and her daughters under big oak tree in room Laura’s friend Bettina other girl he fingered first night he met Laura at party is watching with arms crossed he drops to floor curls body sobs i miss you so much Laura turns to Bettina remarks look at him men are such big babies he’s pitiful Bettina nods

following summer he works installing displays at G. Fox Department Store besides one woman gay men staff display department for as long as he can remember homosexuals have always been attracted to him this misconception is probably how he got job his tenor voice suggesting not entirely mature man instead more like tentative young boy this ambiguous manifestation sometimes also evidences gestures thoroughly misleading after sidestepping several ****** advances one of his co-workers bewilderingly remarks you really are straight manager staff are fussy chirpy catty group consequently certain he is not gay they discriminate against him stick him with break down clean up slop jobs at outdoor weekend rock concert in Constitution Plaza he meets 2 younger blond girls who consent to go back to his place mess around both girls are quite dazzling yet one is somewhat physically undeveloped they undress and model for Odysseus radio plays Roberta Flack’s “Killing Me Softly With His Song” both girls move to rhythm sing along he thinks to orchestrate direct decides instead to let them lead lies on bed while curvaceous girl rides his ******* slender girl sits on his face they switch all 3 alternate giggle laughter each girl reaches ****** on his stiffness later both assist with hands mouths his ****** is so intense it leaves him paralyzed for a moment

in fall he is cast as Claudius in production of Hamlet Odysseus rehearses diligently on nights o

Fragile egg-shell mind on dawn’s highway bleeding the segue between times traversed only in momentary dreams or in enduring excursions

We drag our droll and quaint 60s baggage like the luggage of a safari made of concrete girding a cavernous expanse of unheralded ground

With our ears oriented to the floor, we leap out of body never to deplore….never to ignore….never to miss the blue bus of our drafted imaginations, so carefully culled from brash elitism

I trounce the intervening time between being friendless and an ironic end, and an irenic comrade becoming the dearest amazed but always aplomb friend

We simper in our glorious traversal, and though bedraggled through an ornamented cavern we linger just long enough to be celebrated

Then a blues riff emanates from a vapid bar, and finally someone heralds my exhumed memory still rusty with the pavement of encased concrete on an empty or full tomb

So I wander in my mind to that roughshod Paris glassy tincture a romanticized gild of proper sensibility crafted in the tongues of lizards emulating the tongues of serpentine Anglicans

As the power of love transcends the love of power, both are afforded serendipitously upon the stately occasion of a fitful revolt where heads literally rolled and deaths still unfurl from the slippage of a violent malevolent eternity, crafting a new creative way to expedite the smite of preventable scourge

So, I see your picaresque side and your wide-eyed love for a listless ship anointed of a crystal blip just detectable long enough on RADAR to become the statistic to crack the slim WHIP

No wigs are needed at this formality, no figs grow from trees forty-five years buried and almost a full month unsung

Pitiable cretins of an invented insanity, they scoff at my ravenous and portentous heart for its excess and for aligning with an upstart verging on only a specious insanity

Why in all humanity could a month be mustered with every defense of history and yet for it to be so widely flouted as a risible exercise in futility

The irony that the artistic glamor of a past vogue becoming a revival that is often toked only to one song but never to the memorial of great cavernous and commodious imaginations, staggers with dismay where otherwise the mayday would be a disaster but still a great day

Then I look at a triggered-fingered omen of a death so ominous yet so brazenly confronted as the ambassadors of time provide plaudits to a fearless martyrdom

Why such a sad spate, why such a stringent but malevolent fate a malediction on a family whose crest is not crestfallen like rolling waves but ornamented with gravity impounding its own weight

A fugacious tomb, an eternal flame, a swan song announcing an independent authority on a prescient demise mashed and deprived

A single shot rippling through the broadened space between clasped eternity and a histrionic disgrace as a psychological confederate pays lip service to a reiterative applause

A cousin hardly American in a defected record of incendiary plumes of a hoarse hatred of waxen discs and flying discs alike,  climbs out of a bonfire mounted purely out of vindictive spite

Then upon a great white buffalo a wrapped package of Californian love before California ever alighted like something beyond an avaricious dove, saw a rocky park and a hearth of illuminated darkness the singular spark

Captain Morgan knows the jackknife applause of a botched deal morphing into a disbelieved spiel. A shibboleth of enormous mystical weight crashing down from an ethereal abode and heaven heavily saddened cannot hardly appeal

Then a loving spoonful of crystal blue persuasion led me to Ethel’s regimented keepsake and for once in my life nobility and I became a grateful waif. But temerity laughed, splintered spacecraft, and the wooden paws of a bearish applause led to resurgent clarity

Blinking stars shattered by knighted and raw applause punctured the liberated might of a sentient hortatory savior grasped by the internecine wrench of a waxen time

An indie track slides by unnoticed in an aleatory time, and the threadbare whine of centuries of lament becomes a dastardly barn set ablaze with the fury of ancients and the scurry of faineant patents

Perfidy slides in recess, and in gentle forbearance the winged angel lingers like a halo on conifer and spring above a remedial ring

I dial frisky celerity tingling the dangling claws of a raven’s screed and in plunder of all history’s pilfer secrets I eagerly weave a tapestry Indiana Jones himself would be proud to watch

Not the riotous ruin of a mystery tour of verdure crippled by genocide but overcome by the revived life of raised rain razing the moments of indelible pain

But the culmination of a proffered time taken at its word for its every careened bird, for its every brazen gird. The manger of proctored stars calls us home tonight and home forever. Life in quaked timorous stumbles suddenly no longer so fitfully absurd.

The quixotic plundered of pirates and emperors in direct emulation of some crooned pastiche of whittled integrity, surges above any encased blurb and any vain testament to a pyramid rigid in destiny and ragged in desultory and sturdy sincerity

Multiplying the ineffable by the division of arable divorced from edible is too creative to be eaten as pabulum when sparks curdle flickered moonlight crimson and that become golden only to the last laugh of ennobled ragamuffins

Frankly the desert of melliferous gorillas abetting the lark of a heavily vetted camarilla engaged in the sinecure of a rigged wall on a main street to block the tall from the lame bleat. Stocks grazed, costs engaged on a littoral beach at the end of a Bossy promenade

This prayer is a cutthroat collapse of a merry spare, a ribbed ****** waiting to plunge into the antithesis of female despair, but sincere in its restraint that vixens courted in love aren’t courted in litigation of a wagered dare

Ambulances chase Deloreans through the desolate moon-stricken skies of a time agape with fleets of phantasmagoria on a Cliffside too wise to ever mince words or excise cries

Skulking the red-teared caverns of entombed films and lampooned tinctures on a passion vetted only for certain and utter deracinated disguise, I wallop with winged men in a single soul Armed to the Teeth with inveterate tithes to eternal internments of poached and endangered gazettes

As growth older in wizened skin bets on epithets rather than epitaphs for rinsed peace and triumphant clefts we leap above in orbit of only the bellowing nether of blown tolls and untold souls aggregating the esoteric grasp of Alexandrian tomes

The denumeration of certainty is a carousel of wonder, a splurge of time ripped asunder with majesties of paparazzi scuttled impacts a throttled iniquity of regalia’s indicted blunder frenchified but still clean with inestimable sheens

With twenty-five dollars, a dime an assist and a nickeled reiteration of currency already so personable it is divine and sublime in crazed desist I watch the embroiled natives clash in denatured violence with the warriors of a crossed repast hearkening to an old land much of ire but too much of grandstand to ultimately last

Itching for a holy field husk of peerless ties listed as rumpus and beer, a two-packed smoked by bludgeoned blokes careless in irascible sputters of a muffled doom, a Vegan becomes the author of too many sacrosanct homilies becoming defiled witchcraft brooms dead on arrival too many lionized tombs

In plaudits and the scause of an amplified “what if?” of an olfactory nightmare of petrified fog of effluvium bogged in Wade and in heat it is always clogged, sinewy libations of toasted preemptive revenge become a powerballed hog

A castle in the sky founded on Franklin but scourged of wineskins brimming with a distilled time, a swift repartee becomes the whispered ladder of saints blather becoming not rather other than a Dan Rather spatter

A door breeched by a broached inconvenience of amphigory beyond common reach, I clamber excess and whisk the lingered love into destiny beyond any word other than a beseeched preach of nothing tired but everything inspired of noble love with abundance often to teach

Fireworks of turned tides of fallow tithes to aliens beyond any conceivable bribe the bushwhacker writhes but survives Stayin' Alive without even a hint of garbled jive a 27th floor glass elevator is quite a resplendent ride

Wellsprings knowing radical rolled tides of errant dice also themselves guilty of confessional tithes to the monolith of avarice at the nooked cranny of an evaporated time we whine as the police sting the album rained with songs too lugubrious to sing but in their elegy every lonely heart has a propinquity phone of souled resonance ring

Iterative mastery of a mathematics of love, loss decay and the dross of a dental Occidental floss, the sweep of screened queues become questions of inestimable importance to foreign dues on A Horse With No Name but so consumed with fumes

A fright occultist Thriller prowls in a waylaying daylight, masquerading an innocent confection for a rescued triage of a dawn stabbed with knives in our last dying days of trembled plight

He resurrects only the wraiths of detest, squinted at by the putrefaction of summoned cardiac arrest and littered with bullets that somehow can penetrate even impregnable bullet proof vests the wrapped carcass of the mummified husk of ready despair offers itself a ghoulish and raspy prayer

Synchronized in a low roaring swathe of rollercoasters too immersive to ride, the terpsichorean obscurantism of deliberately shattered fragments becoming blurbs dismissed with hijacked deride the carnival of a summer sun becomes the ocean of limitless love becoming endless fun

We forget the drawl of the droll old tales that haunt like specters in the closet and beneath the bedridden valetudinarian of an effrontery of shackled fright, we sprawl the innumerable caverns of prophetic insight afforded by the pantheon of history enter stage left, depart stage right

And with their insight I write and write, I grasp the tusk of democracy and wage an insurrection against the doubt of plodding limitations in otherwise immaculate sight

*** and tyrannosaurus rex, of litigable offenses leading to pardonable arrests, the gated entryway of a poetic splurge leads to the demiurge of a demotic enlightenment and suddenly the frank becomes the frazzled retirement and that haunting hounding bunny transmogrified by a shattered eye averts the car crash that careens ponderous engines out of limitless twilight blue skies.

Diamond lightning in pristine skies escorts the telegraphic totems of riddled modems from distant forbearance to nescient ultimatum and suddenly all venerable personages converge on a teeming scene of a union unified by a universal dream. To become everything and yet nothing and out of light and darkness to become a beatific beam

World According to Cosmos Updates March 3, 2019

Note: I am taking a two week trip to Vietnam and will update my blog when I return with my reflections on my trip, updated publications etc.

Cosmic Dreams and Nightmares

I don't dream dreams.  I dream movies complete with action, music, food, smells everything.  In this one I had a vision of  a possible future. it was so vivid, almost as if I were watching the hearing take place.

Three stories

Dream Girl (true story)
General Zod (flash fiction
Sam Adams Vs. the Social Cleansing Board
Six Poems
Morphing Images from Hellish Nightmare
Endless Movie
Worlds within Worlds Lost in Hell
Rafting to Hell
Satanic Torture
Micro Stories

Don’t Go Jogging in the Middle of the Night
Don’t touch this button!
Don’t open the door
Don’t go to the theater tonight stay home with me
Don’t go to Dallas I have a bad feeling about the trip


Dream Girl
Cheating Death 100 Times
Guardian Angel
Medical Mystery
SLA Hit List

Dream Girl – A true Story – reprinted from Dreams and the Unexplainable
You know you’re in love when you can’t fall asleep because reality is finally better than your dreams.

Author Unknown

The dreams started when I was a senior at Berkeley High School in 1974. About a month before I graduated, I fell asleep in a physics class after lunch and had the first dream:

A beautiful Asian woman was standing next to me, talking in a strange language. She was stunning—the most beautiful girl I had ever seen. She was in her early twenties, with long black hair, and piercing black eyes. She had the look of royalty. She looked at me and then disappeared, beamed out of my dream like in Star Trek. I fell out of my chair screaming, “Who are you?” She did not answer.

About a month went by, and then I started having the dream repeatedly. Always the same pattern.

Early morning, she would stand next to me talking. I would ask who she was, and she would disappear. She was the most beautiful, alluring woman I had ever seen.

I was struck speechless every time I had the dream.

I had the dream every month during the eight years during which I went to college and served in the Peace Corps. In fact, when I joined the Peace Corps, I had to decide whether to go Korea or Thailand. The night before I had to submit my decision, I had the dream again and it made me sure that she was in Korea waiting for me.

After the Peace Corps, I still hadn’t met my dream woman. I got a job working for the U.S. Army as an instructor and stayed in Korea. I kept having the dream, until I had the very last one:
She was standing next to me, speaking to me in Korean, but I finally understood her. She said, “Don’t worry, we will be together soon.”

Why was that the last time I had the dream? Because the very next night, the girl in my dream got off the bus in front of me. She went on to the base with an acquaintance of mine, a fellow teacher, and they went to see a movie. I saw her and found the courage to speak with her.

We exchanged phone numbers and agreed to meet that weekend.

The next night, she was waiting for me as I entered the Army base to teach a class. She told me she was a college senior and she had something to tell me. I signed her on to the base and left her at the library to study while I taught, and then we went out for coffee after class. She told me she was madly in love with me, and that I was the man for her. I told her not to worry as I felt the same.

That weekend, we met Saturday and Sunday and hung out all day. On Sunday night, I proposed to her. It was only three days after we had met, but for me it felt like we had met eight years ago. I had been waiting all my life for her to walk out of my dreams and into my life, and here she was.

Her mother did not want her to marry a foreigner. One day, about a month after we met, she invited me to meet her parents. I brought a bottle of Jack Daniels for her father and drank the entire bottle with him. He approved of me, but her mother still had reservations. After a Buddhist priest told her my future wife and I were a perfect astrological combination, she agreed, and we planned our wedding.

The wedding was a media sensation in South Korea. My wife explained it to me years later. At the time, I was overwhelmed just by the fact that we were getting married and I didn’t fully understand how unusual this was. My wife was of the old royal clan, distant relatives to the former kings of Korea. In the clan’s history, only two people had ever married foreigners: my wife, and Rhee Syngman, who was the first President of South Korea. My father, who was a former Undersecretary of Labor, came out for the wedding, which fueled even more media interest. Our marriage defied the stereotypical Korean-foreign marriage where the women married some hapless GI just to escape poverty and immigrate to the U.S. We were the first foreign/Korean couple to get married at a Korean Army base. Over 1,000 people came to the wedding, and my father was interviewed on the morning news programs.

This all happened thirty-seven years ago, (45 years since the first dream) and I am still married to the girl in my dreams. Now in my dreams she watches over me when we are apart.
 
General Zod Conquers the World
SETI and the search for extraterrestrial life goes on overdrive when scientists report what appears to be radio and television broadcasts from a planet eight light years from earth, the same planet as the Vulcans came from in the Star Trek universe.  The programs show a world where dinosaur-like creatures are running the world and there appears to be a civil war.  Over the next six months, the world is transfixed watching the alien broadcasts which are translated in English via a supercomputer program.  In the broadcast, a nuclear war has occurred. The surviving party regains absolute control and announces the formation of the Galactic Empire.  General Zod is the First Emperor.  They have discovered Earth as well. The aliens launch a crash project to develop interstellar travel so they can come to earth and conquer the earth.

The revelations that there is an external threat to the planet causes the United Nations to get together with the help of the United States and Russia another space powers, they put together Space defense International organization and also invigorates efforts to make the UN a real Planetary government including finally conquering climate change.

But it was too late. General Zod’s son arrives to take over the earth. He makes a broadcast saying that they were liberating Earth in the name of the Galactic Empire and that resistance would be futile.

They land at the White House and when President Trump comes out to greet them,

General Zod cuts off his head, and then cuts off the heads of all the staffers as they come out White House. After an hour of unimaginable horrors, including mass rapes, blowing up the Pentagon and the CIA,  General Zod announces that he had taken over the world.

Life will continue as before as long as people behave and follow the rules they would be fine Resistance to the new empire will be met with instant death.  Life in the Empire is not a democracy. They would not tolerate Freedom of speech, and Freedom of Press, and Freedom of Assembly And the freedom to oppose the State. The state is everything.  As long as humans remember that they would be just fine. They took over the United States because it was the biggest country in the world. And that his forces will take over the rest of the world but in the next couple weeks. If people on earth accept the new order, their safety would be guaranteed. Companies would be taken over by Galactic Empire companies, and everybody would have to learn Galactic standard. Within one year older languages will be banned.
 
Sam Adams Vs. the Social Cleansing Board

the summons
Sam Adams was worried. He could not sleep. He got up at 4 am and wrote in his journal and tried to cope with the dread that was overwhelming him. He had received the summons yesterday that he was to report to the social cleansing board for a review on whether he would allow to continue to be on the automatic permit list or would be referred for final status determination. Sam was a retired Federal worker trying to live on dwindling savings.

Sam had Alzheimer’s and was rapidly depleting his life’s savings. Two years before he had been released from prison, one of millions of ex political prisoners. His crime? Authoring anti-government poems just before the beginning of the Christian States of America, right after the second civil war. Unfortunately for him and his millions of ex-prisoners, his side lost the war. He wanted to flee to the United Provinces and settle down in California but lacked money to move. And getting a job at his age, with Alzheimer’s and his political rating was proving difficult at best.

All of which added up to a 90 percent probability his last days were approaching.

Under the new rules imposed by the Christian republican party in the newly established Christian states, all citizens over the age of 18 were on the permitted list if they met all of the following criteria. He tried to think why he was being referred to the board. Perhaps it was because of the recent crackdown on social deviancy. Millions of homosexuals, transgenered people, atheists, drug users, alcoholics, and non-religious people had been rounded up and eliminated according to the rumors. Perhaps someone had fingered him as a possible deviant. He fit the stereotype, no children, known drug user, known alcohol user, suspect politically, atheist and now Alzheimer’s patient. And he was not racially pure having some black blood, some Asian blood and some Jewish blood. And he had married across the racial divide which was now illegal.

The story was that if you flipped and named names you would sometimes be spared for now, and if your info was correct, you could be rewarded. Of course, those whom you flipped were not too fortunate. That was probably the story or someone could have heard that he was an ex political prisoner, or simply that he had Alzheimer’s’.

He had no children. And he was a secret atheist and had been involved with the dissent movement and had spent five years as a political prisoner at the start of the Christian Revolution. He was determined to make a stand and denounce the whole rotten system before the board although that would probably seal his fate.

As an Alzheimer’s patient he could no longer work. His wife had died the year before while he was in prison after she had been deported to her native Korea. She left him some assets but he had little idea how to manage his finances and he was behind in his rent and had received an eviction notice which had probably triggered the visit by the social cleansing staff who recommend a final status determination. But it was just as likely he was on the list because someone flipped on him.

He also did not make it last time when they came for him at midnight. Always at midnight the story goes.

The soldiers came took him away from his wife and locked him up for two years. They deported his wife whom he heard had died shortly afterwards. He spend two years at hard labor in the dessert near Las Vegas and was released into Las Vegas.

Las Vegas was a different town now that the casinos had left town. All that was left were back office operations, and underground ***** and *** operations and underground casinos. It was a hot bed of political dissent and there was an underground railroad to California, which was not part of the Christian states. Sam had been preparing to leave which was a crime and perhaps that is why he was on the list.

The hearing would be at 10 am. He was meeting his lawyer at the hearing board but his lawyer was not too optimistic.
the Permit Criteria
The basic criteria for being on the permit list were:

For Males

Age 18 to age 70
White race
Married to a white woman with children
Must be either working, in school full time, serving in military duty, or working in prison if convicted of a crime.

Homelessness was not allowed. If unemployed and or homeless, would be referred to social cleansing department unless one had a relative who was willing to take care of your needs.

Since there were no pensions or social security anymore and no government provided health care, one must have sufficient assets through one’s work, or savings or through one’s relatives to provide for one ‘s needs. If not you would be sent to the social cleansing board for final status determination.

For Females

Same basic rules applied but if one were married, and had children one would be on the permitted list, if children are older, if spouse’s income is sufficient one would be on the list.
If single or divorced, and homeless one would also be subject to social cleansing unless one’s relatives would willing to sponsor you. Since there were no pensions or social security anymore and no government provided health care, one must have sufficient assets through one’s work, or savings or through one’s relatives to provide for one ‘s needs. If not you would be sent to the social cleansing board for final status determination.

For Aged People

Additional requirements for the age you were expected to take care of your basic needs through employment and savings and the help of relatives. If you were evicted for non-payment of rent, or judged to not have sufficient assets left to sustain your basic needs including medical care, you would be referred for final status determination.

For all people additional requirements applied.

****** deviancy, drug use, alcohol use, gambling, *** outside of marriage, homosexuality would result in immediate referral to the social cleansing board as all were banned conduct that could result in final termination.   Being a member of a prohibited religious class could also be grounds for referral as would a pattern of not attending Christian services. Finally, if one had been arrested for political crimes one would be marked forever.
<h2>Sam's Rating</h2>
One had a government social rating. Sam knew that his rating was a D meaning that the government would be watching him all the time, and it would be difficult to get a job. Only the A’s and B’s were guaranteed to be on the permit list.

To be a A you had be to a true believer, had to be white, had to attend church on a regular basis, and had to be employed naturally.

To be a B same thing but you could be a B if you were a minority, or had engaged in alcohol or drug use under the old rules.

C meant that there was something wrong with your background, you were an atheist, you were a minority etc.

D mean that you were a serious threat to the regime.

E meant that you would be terminated.

F met you were terminated as it met Failure to survive, and family members of F were also labeled F as they were usually terminated at the same time.

Being associated with banned political movements, including reading banned materials could also lead one to being referred to the social cleansing board as all were grounds for either termination or criminal prosecution if under the age of 70.

The board has three choices - granted temporary status extension, referral for termination, or referral to criminal prosecution.

The termination would be carried out quickly. There would be an optional funeral at your Church, then the execution through the method of your choice - firing squad, beheading, electric chair, or gas. The default was gas where you were put in a room with up to ten other people and put to sleep.

Afterwards your body would be cremated in an electricity generating plant with the ashes turned into fertilizer products. There were no burials allowed unless one was rich enough and connected enough to request a burial exception. Most people did not qualify.
the Hearing
The hearing started. The presiding Judge, Judge Miller was a stern face white man in his 70’s and a true believer. He was sent to Las Vegas to clean it up as Las Vegas was the wild west, a hot bed of dissent, illegal drug use, illegal prostitution and illegal casinos. It was also near several political prisons so many ex cons lived there.

The Judge was the chairman of the Nevada state committee that did not exist and was a senior official in the Federal committee that did not exist that brought together government, business and church leaders to coordinate government policies and that secretly ran the Christian States of America.

Probably a score of A thought Sam.

The judge announced that he had reviewed Sam’s file and was shocked that Sam had escaped final termination. He said that the previous board had erred in simply sending him to prison. He should have been eradicated as a social evil, as a cancer that needs to be removed from the pure body politics. Sam and his ilk sickened him. Sam was a free thinker, an atheist, a mix race mongrel, married to a non-white and was therefore guilty of crimes against the white race which was a crime. The Judge was determined to see justice done.

He asked Sam a series of questions. Sam’s answers sealed his fate.

Sam, what is your occupation?

None for now.

You realize that under the law you must be working, in service, in school or in prison?

I can’t find a job due to my age, my Alzheimer’s; and my political record.

That’s irrelevant. You are just a lousy atheist *******. You deserve no sympathy. And have none from me.

Are you white?

No, I am mixed race, part native, part Asian, part black.

I see you were married to a non-white and had no children. Good for you we would not want to see more mongrel children. Such children should be eliminated at birth in my opinion and will be starting next month when we begin enforcing the racial purity laws.

What was your crime? Let’s see reading prohibited writings, keeping a journal, publishing an anti-government blog, authoring anti-government poems and stories. You served two years at hard labor?

Yes

Do you still write?

Yes, everyday but I no longer publish on line.

Good. No one would want to read that trash anyway.

Do you go to church?

No

Do you believe in God?

No, I do not believe in an imaginary man in the sky.

One more anti-religious statement from you will result in an immediate ruling of termination.

Do you drink?

If I can find it yes

Do you gamble

Yes, when I can

Do you support the Christian Republican Party and the Christian States of America?

No, I do not.

Okay, I have enough for a ruling. Sam Adams, you are hereby sentence to termination. Tomorrow morning at 7 am you will be turned into electricity and fertilizer. Take him away.

Next please.

At midnight there was a knock at the door. A black man appeared and said he was a friend and he was being smuggled to California. Sam rejoiced and went with his new friend and reached SF in the morning, escaping death for the 23rd time in his life.

the End

Poetic Nightmares

Morphing Images from a Hellish Nightmare
Note: From a real nightmare End Note

I am in a room
Drinking at a party
And smoking ****

Watching people all around me

Change into hideous creatures
Monsters from the deepest depths of hell

Everyone in the room
Has been transformed except me

The Chief of them all
Wears a Trumpian mask

Complete with orange hair

Half human half pig

His deputy
Wears the face of Putin
But his body
Half human, half horse: if

The other creatures wear masks
Many of them wear
Green Pepe the alt-right
Symbolic frog masks

And have T-shirts
Bearing alt right slogans
And **** symbols

And as they prance about
They chant alt. Right slogans
And neo-**** chants

Jews will not Replace us

And the rest of these creatures
Are hideous ugly beasts
With only a vestige of humanity left

And these monsters are engaged
In all sorts of foul evil deeds
****** violence death

All around
And non-stop
violent drug-fueled ******

As these creatures
Half human half monsters
Half male, half female creatures

Snort coke, *******, speed
Smoke **** and drink ***** shots
Scotch, bourbon and beer

The Trumpian Pig leads the charge
Starts engaging in ****** with Putin
Who chases after people

Cutting off their heads with his sword
They turn on to their fellow creatures
****** and killing each other
and eating their fellow creatures

All night long

Then they attack me
Screaming

Jews will not replace us
And I wake up
Screaming

As the sun comes up
Just another nightmare

 
The Endless Movie

Watching the TV coverage
Of the great government shut down
Of 2018-2019

I am reminded of a movie
As I fall asleep
Listening to the TV

Blather on and on
About what it all means

Mr. Natural pops up
And screams

"It don’t mean s….

“Dude, the endless movie
Is about to begin”!

A middle-aged white man
Down on his proverbial luck
Just been fired

Replaced by a foreign worker
Or a robot

Or just fired
Because he was no longer
Deemed useful
To the masters of the universe

If he was lucky
He'd  be given a watch
And an IOU worthless pension

And the man wanders into a restaurant
Pulls out a gun

Eats his breakfast
After the official breakfast hour

Puts on a Pepe the green frog mask
Drops acid, Snorts speed
Drinks a shot of *****
And coffee smokes a joint

Snorts ******* for good measure
and smokes a cigarette

And walks outside
steals a bus at gun point
Filled with passengers

He tells them
They are hostages

And he puts on his vest
With the dead man switch
Next to the bomb

He announces
Via tweet

He is going to take the bus
To the proverbial *** of gold

Hidden deep in a cave
And when he got there

He would release the hostages
And disappear into the mine
And never be found again

And as the bus careens around the mountain
At 100 miles an hour
The dude sprouts out

Conspiracy after conspiracy theory
About Obama the Muslim communist

secret gay working with George Soros
the Jewish money people
in league with the shapeshifting lizards

and Mueller is one of them
they are all after him
because he knows the deal

And the passengers are transfixed
Half hoping, he would make it
Half hoping, he would be blown away

And as the bus careens out of control
With the wheels falling off

And the cliff looming ahead
You realize we are all doomed

 
Worlds Within Worlds Lost in Inner Space
A man woke up one day
Lost in inner space
Went so far down
The proverbial rabbit hole

That he did not know
Where he was
Nor what time it was
Nor when it was

As he stared out
At a bewildering world
A world lost in inner space
Deep down in his dreams

Filled with nightmarishly real
Monsters, demons and ghostly apparitions
He saw them and began running
Running running running

With the hell hounds behind him
Leading him to the edge
of the pits of hell itself

abandon all hope
ye who enter here
the sign read
above the entrance to the pit

and there was a devil standing there
armed with a clipboard
and a computer spreadsheet
Satan was the ultimate bureaucrat

Name barked the devil
Date of Birth ?
Date of Death?
Don’t know? That won’t do at all
Hmm

Car accident due to drunk driving
And you killed a child
Bad on you

But here in hell
The punishment fits the crime
And the devil laughed
Joined in by the hell hounds
And other nightmare creatures

A bell ran out
In the purple crystalline sky
And slowly the worlds receded
And he found himself alive

In his room
And vowed
That today
Was the day

He would quit drinking
Quit taking drugs
And quit chasing strange woman
And having wild libertine ***

He picked up the phone
It was Satan’s aid
Be careful what you vow
We are listening

If you fulfil your vows
You might find yourself
Escaping life in Hell
It is up to you to choose

And the man got dressed
Went to work
Thinking deep thoughts

And drove off a cliff
And back down the endless
Worlds within worlds
 
Satanic Torture

I find myself
In a dark room
Strapped to a bed

The light turns on
The large TV comes on

A smiling image
Of Satan fills the TV
He is dressed
In a conservative business suit

Looks like he came
Out of a corporate
board meeting

surrounded by demonic aides
who constantly shove papers
at him

He looks up from his lap top
And smiles
A deadly so insincere smile

His voice booms out

Welcome to Hell
My satanic slaves

I am Satan
Your new master

Each of you
Has been sentenced
To an eternity of torture

And the punishment
Must fit the crime

So, for you
Mr. Jake Cosmos Aller
Failed aspiring poet
And novelist

Your torture
Is to be strapped
To that bed

Unable to move
As you are filled
With the need
To **** and ****

But you cannot move
And your skin
Is crawling with bugs

And itchy
as Hell so to speak
and you are so sleepy

but you cannot sleep

the TV will play
endless repeats

Of some of the worst TV
and movie shows
ever produced

Starting with my favorite
A Series of Unfortunate Events

Featuring your favor annoying little girl
Carmetta! Singing for you forever
As you are the ultimate cake sniffer

Welcome to Hell
 

Rafting Towards Hell
I woke up
To find myself
Rafting down a river

I looked up
At the cliffs
Towering above
the roaring torrent

and see the dark demons
of my terrible nightmares
chasing the boat
firing flaming arrows

and I see werewolves
goblins, ghosts and monsters
running along the river bed
screaming obscenities

as they chase me
to my doom

and I see the waterfall ahead
and see my pending doom

as I rush over the edge
of reason



Micro Stories
53 word stories regarding unheeded warnings
Don’t Go Jogging in the Middle of the Night
It all started with a jog in the middle of the night. Despite my wife’s warning don’t go jogging in the middle of the night.  Broke me heal in a million pieces, 14 operations ensured, mutant MDR Staff almost killed me, almost lost the leg. . should have listened to her warning.

Don’t touch this button!
Don’t touch this button the former President said.  I said, what this button? And that led to the launching of nuclear weapons, going to defon three, and world war 3 with millions of people dead end of civilization moment. Should not have touched the red button.
Don’t open the door
When you find yourself running for your life chased by demons from hell and backed into a corner in a burning house filled with flames and are about to die in a million horrible ways you remembered that they warned you not to open door number three in this crazy reality TV show.
Don’t go to the theater tonight stay home with me
Mary Todd Lincoln had a vicious headache and was not in the mood to go out.  The President though ignored her wishes and told her that he had to go to the theater that night to show the world everything was okay now the war was ending.  Should have listened to her.
Don’t go to Dallas I have a bad feeling about the trip
Jackie was known for her moods and her premonitions. Something the President found both amusing an annoying. She told him that she a vision of death waiting for him in Dallas that day.  The President dismissed her foolishness as he put it and went to Dallas to meet his fate.
true love story.
In 1974 I had the first dream. While sleeping in a boring class, I saw a beautiful Asian woman standing at me speaking a foreign language. I fell out of chair yelling who are you?   I began having the same dream month after month for eight years.  One day I realized she was in Korea so I went there in the Peace Corps to meet her. In 1982 I had the last dream.  She said don’t worry we meet soon. That night she walked off a bus, out of the dream and into my life.  We’ve been married 37 years.
Cheating Death 22 Times
Also, a true story.
I have cheated death 22 times in my life.  I was born a preemie, almost died at birth, and had all the childhood illness at once.  In 1979 I came down with Typhoid  fever in Korea in the Peace Corps.  In 1991 almost got hit by a train. In 1996-1997 had 14 operations due to a mutant drug resistant staph infection, almost died several times.  In 1997 I had an acute stomach ailment that almost killed me, due to excessive antibiotic usage, if I had waited 30 minutes more would have been dead.  And had dengue in 2010.
Guardian Angel Saves My Life
Another true story
In 1990, I was teaching ESL in Korea.  My wife and I drove to the East Coast of Korea for a weekend away. She was in the US Army then.  As we drove towards Sorak mountain, I was filled with the need to get off the road right then. I had a premonition of doom, so did my wife. We got off to drive around another park returned a few minutes later and saw a 25 car pileup. We would have been dead if we had not listened to that inner voice telling us get off now.

Medical Mystery
Another true story
Back in 1996, when I was in the hospital fighting a mutant staph infection after a disastrous jogging accident that led to 14 operations, the internal medicine doctor said that there was something else going on. He finally discovered that I had a rare parasite, a tape worm of sorts that remained inert, its only becomes active if you take steroids then it blows up like a basketball killing you instantly. Six months later I had to take steroids due to frozen shoulder syndrome, and if I had not gotten rid of it, I would have died a medical mystery.

SLA Hit List
True story

Back in 1974 my father was a local politician in Berkeley, California who was on the SLA’***** list as “an enemy of the people, a fascist insect that needed to be killed”.  His crime?  As President of the community college district, he began requiring IDS for students and staff to combat campus crime at the local community colleges.  We had 24/7 police coverage for a while. One morning I saluted my father, “good morning fascist insect”.  My father, being of Germanic stock did not like the joke as jokes are alien to the German DNA.


the End

this is the garden:colours come and go,
frail azures fluttering from night’s outer wing
strong silent greens silently lingering,
absolute lights like baths of golden snow.
This is the garden:pursed lips do blow
upon cool flutes within wide glooms,and sing
(of harps celestial to the quivering string)
invisible faces hauntingly and slow.

This is the garden. Time shall surely reap
and on Death’s blade lie many a flower curled,
in other lands where other songs be sung;
yet stand They here enraptured,as among
the slow deep trees perpetual of sleep
some silver-fingered fountain steals the world.

Bouazizi’s heavy eyelids parted as the Muezzin recited the final call for the first Adhan of the day.

“As-salatu Khayrun Minan-nawm”
Prayer is better than sleep

Rising from the torment of another restless night, Bouazizi wiped the sleep from his droopy eyes as his feet touched the cold stone floor.

Throughout the frigid night, the devilish jinn did their work, eagerly jabbing away at Bouazizi with pointed sticks, tormenting his troubled conscience with the worry of his nagging indebtedness. All night the face of the man Bouazizi owed money to haunted him. Bouazizi could see the man’s greasy lips and brown teeth jawing away, inches from his face. He imagined chubby caffeine stained fingers reaching toward him to grab some dinars from Bouazizi’s money box.

Bouazizi turned all night like he was sleeping on a board of spikes. His prayers for a restful night again went unanswered. The pall of a blue fatigue would shadow Bouazizi for most of the day.

Bouazizi’s weariness was compounded by a gnawing hunger. By force of habit, he grudgingly opened the food cupboard with the foreknowledge that it was almost bare. Bouazizi’s premonition proved correct as he surveyed a meager handful of chickpeas, some eggs and a few sparse loaves. It was just enough to feed his dependant family; younger brothers and sisters, cousins and a terminally disabled uncle. That left nothing for Bouazizi but a quick jab to his empty gut. He would start this day without breakfast.

Bouazizi made a living as a street vendor. He hustles to survive. Bouazizi’s father died in a construction accident in Libya when he was three. Since the age of 10, Bouazizi had pushed a cart through the streets of Sidi Bouzid; selling fruit at the public market just a few blocks from the home that he has lived in for almost his entire life.

At 27 years of age, Bouazizi has wrestled the beast of deprivation since his birth. To date, he has bravely fought it to a standstill; but day after day the multi-headed hydra of life has snapped at him. He has squarely met the eyes of the beast with fortitude and resolve; but the sharp fangs of a hardscrabble life has sunken deep into Bouazizi’s spleen. The unjust rules of society are powerful claws that slash away at his flesh, bleeding him dry: while the spiked tendrils of poverty wrap Bouazizi’s neck, seeking to strangle him.

Bouazizi is a workingman hero; a skilled warrior in the fight for daily bread. He is accustomed to living a life of scarcity. His daily deliverance is the grace of another day of labor and the blessed wages of subsistence.

Though Allah has blessed this man with fortitude the acuteness of terminal want and the constant struggle to survive has its limits for any man; even for strong champions like Bouazizi.

This morning as Bouazizi washed he peered into a mirror, closely examining new wrinkles on his stubble strewn face. He fingered his deep black curls dashed with growing streaks of gray. He studied them through the gaze of heavy bloodshot eyes. He looked upward as if to implore Allah to salve the bruises of daily life.

Bouazizi braced himself with the splash of a cold water slap to his face. He wiped his cheeks clean with the tail of his shirt. He dipped his toothbrush into a box of baking powder and scoured an aching back molar in need of a root canal. Bouazizi should see a dentist but it is a luxury he cannot afford so he packed an aspirin on top of the infected tooth. The dissolving aspirin invaded his mouth coating his tongue with a bitter effervescence.

Bouazizi liked the taste and was grateful for the expectation of a dulled pain. He smiled into the mirror to check his chipped front tooth while pinching a cigarette **** from an ashtray. The roach had one hit left in it. He lit it with a long hard drag that consumed a good part of the filter. Bouazizi’s first smoke of the day was more filter then tobacco but it shocked his lungs into the coughing flow of another day.

Bouazizi put on his jacket, slipped into his knockoff NB sneakers and reached for a green apple on a nearby table. He took a big bite and began to chew away the pain of his toothache.

Bouazizi stepped into the street to catch the sun rising over the rooftops. He believed that seeing the sunrise was a good omen that augured well for that day’s business. A sunbeam braking over a far distant wall bathed Bouazizi in a golden light and illumined the alley where he parked his cart holding his remaining stock of week old apples. He lifted the handles and backed his cart out into the street being extra mindful of the cracks in the cobblestone road. Bouazizi sprained his ankle a week ago and it was still tender. Bouazizi had to be careful not to aggravate it with a careless step. Having successfully navigated his cart into the road, Bouazizi made a skillful U Turn and headed up the street limping toward the market.

A winter chill gripped Bouazizi prompting him to zip his jacket up to his neck. The zipper pinched his Adam’s Apple and a few droplets of blood stained his green corduroy jacket. Though it was cold, Bouazizi sensed that spring would arrive early this year triggering a replay of a recurring daydream. Bouazizi imagined himself behind the wheel of a new van on his way to the market. Fresh air and sunshine pouring through the open windows with the cargo space overflowing with fresh vegetables and fruits.

It was a lifelong ambition of Bouazizi to own a van. He dreamed of buying a six cylinder Dodge Caravan. It would be painted red and he would call it The Red Flame. The Red Flame would be fast and powerful and sport chrome spinners. The Red Flame would be filled with music from a Blaupunkt sound system with kick *** speakers. Power windows, air conditioning, leather seats, a moonroof and plenty of space in the back for his produce would complete Bouazizi’s ride.

The Red Flame would be the vehicle Bouazizi required to expand his business beyond the market square. Bouazizi would sell his produce out of the back of the van, moving from neighborhood to neighborhood. No longer would he have to wait for customers to come to his stand in the market. Bouazizi would go to his customers. Bouazizi and the Red Flame would be known in all the neighborhoods throughout the district. Bouazizi shook his head and smiled thinking about all the girls who would like to take rides in the Red Flame. Bouazizi and his Red Flame would be a sight to be noticed and a force to be reckoned with.

“EEEEEYOWWW” a Mercedes horn angrily honked; jarring Bouazizi from the reverie of his daydream. A guy whipping around the corner like a silver streak stuck his head out the window blasting with music yelling, “Hey Mnayek, watch where you push that *******.”

The music faded as the Mercedes roared away. “Barra nikk okhtek” Bouazizi yelled, raising his ******* in the direction of the vanished car. “The big guys in the fancy cars think the road belongs to them”, Bouazizi mumbled to himself.

The insult ****** Bouazizi off, but he was accustomed to them and as he limped along pushing his cart he distracted himself with the amusement of the ascending sun chasing the fleeting shadows of the night, sending them scurrying down narrow alleyways.

Bouazizi imaged himself a character from his favorite movie. He was a giant Transformer, chasing the black shadows of evil away from the city into the desert. After battling evil and conquering the bad guys, he would transform himself back into the regular Bouazizi; selling his produce to the people as he patrolled the highways of Tunisia in the Red Flame, the music blasting out the windows, the chrome spinners flashing in the sunlight. Bouazizi would remain vigilant, always ready to transform the Red Flame to fight the evil doers.

The bumps and potholes in the road jostled Bouazizi’s load of apples. A few fell out of the wooden baskets and were rolling around in the open spaces of the cart. Bouazizi didn’t want to risk bruising them. Damaged merchandise can’t be sold so he was careful to secure his goods and arrange his cart to appeal to women customers. He made sure to display his prized electronic scale in the corner of the cart for all to see.

Bouazizi had a reputation as a fair and generous dealer who always gave good value to his customers. Bouazizi was also known for his kindness. He would give apples to hungry children and families who could not pay. Bouazizi knew the pain of hunger and it brought him great satisfaction to be able to alleviate it in others.

As a man who valued fairness, Bouazizi was particularly proud of his electronic scale. Bouazizi was certain the new measuring device assured all customers that Bouazizi sold just and correct portions. The electronic scale was Bouazizi’s shining lamp. He trusted it. He hung it from the corner post of his cart like it was the beacon of a lighthouse guiding shoppers through the treachery of an unscrupulous market. It would attract all customers who valued fairness to the safe harbor of Bouazizi’s cart.

The electronic scale is Bouazizi’s assurance to his customers that the weights and measures of electronic calculation layed beyond any cloud of doubt. It is a fair, impartial and objective arbiter for any dispute.

Bouazizi believed that the fairness of his scale would distinguish his stand from other produce vendors. Though its purchase put Bouazizi into deep debt, the scale was a source of pride for Bouazizi who believed that it would help his profits to increase and help him to achieve his goal of buying the Red Flame.

As Bouazizi pushed his cart toward the market, he mulled his plan over in his mind for the millionth time. He wasn't great in math but he was able to calculate his financial situation with a degree of precision. His estimations triggered worries that his growing debt to money lenders may be difficult to payoff.

Indebtedness pressed down on Bouazizi’s chest like a mounting pile of stones. It was the source of an ever present fear coercing Bouazizi to live in a constant state of anxiety. His business needed to grow for Bouazizi to get a measure of relief and ultimately prosper from all his hard work. Bouazizi was driven by urgency.

The morning roil of the street was coming alive. Bouazizi quickened his step to secure a good location for his cart at the market. Car horns, the spewing diesel from clunking trucks, the flatulent roar of accelerating buses mixed with the laughs and shrieks of children heading to school composed the rising crescendo of the city square.

As he pushed through the market, Bouazizi inhaled the aromatic eddies of roasting coffee floating on the air. It was a pleasantry Bouazizi looked forward to each morning. The delicious wafts of coffee mingling with the crisp aroma of baking bread instigated a growl from Bouazizi’s empty stomach. He needed to get something to eat. After he got money from his first sale he would by a coffee and some fried dough.

Activity in the market was vigorous, punctuated by the usual arguments of petty territorial disputes between vendors. The disagreements were always amicably resolved, burned away in rising billows of roasting meats and vegetables, the exchange of cigarettes and the plumes of tobacco smoke rising as emanations of peace.

Bouazizi skillfully maneuvered his cart through the market commotion. He slid into his usual space between Aaban and Aameen. His good friend Aaban sold candles, incense, oils and sometimes his wife would make cakes to sell. Aameen was the markets most notorious jokester. He sold hardware and just about anything else he could get his hands on.

Aaban was already burning a few sticks of jasmine incense. It helped to attract customers. The aroma defined the immediate space with the pleasant bouquet of a spring garden. Bouazizi liked the smell and appreciated the increased traffic it brought to his apple cart.

“Hey Basboosa#, do you have any cigarettes?“, Aameen asked as he pulled out a lighter. Bouazizi shook the tip of a Kent from an almost empty pack. Aameen grabbed the cigarette with his lips.

“That's three cartons of Kents you owe me, you cheap *******.” Bouazizi answered half jokingly. Aameen mumbled a laugh through a grin tightly gripping the **** as he exhaled smoke from his nose like a fire breathing dragon. Bouazizi also took out a cigarette for himself.

“Aameem, give me a light”, Bouazizi asked.

Aameen tossed him the lighter.

“Keep it Basboosa. I got others.” Aameen smiled as he showed off a newly opened box of disposable lighters to sell on his stand.

“Made in China, Basboosa. They make everything cheap and colorful. I can make some money with these.”

Bouazizi lit his next to last cigarette. He inhaled deeply. The smoke chased away the cool air in Bouazizi’s lungs with a shot of a hot nicotine rush.

“Merci Aameen” Bouazizi answered. He put the lighter into the almost empty cigarette pack and put it into his hip pocket. The lighter would protect his last cigarette from being crushed.

The laughter and shouts of the bazaar, the harangue of radio voices shouting anxious verses of Imam’s exhorting the masses to submit and the piecing ramble of nondescript AM music flinging piercing unintelligible static surrounded Bouazizi and his cart as he waited for his first customers of the day.

Bouazizi sensed a nervous commotion rise along the line of vendors. A crowd of tourists and locals milling about parted as if to avoid a slithering asp making its way through their midst. The hoots of vendors and the cackle of the crowd made its way to Bouazizi’s knowing ear. He knew what was coming. It was nothing more then another shakedown by city officials acting as bagmen for petty municipal bureaucrats. They claim to be checking vendor licences but they’re just making the rounds collecting protection money from the vendors. Pocketing bribes and payoffs is the municipal authorities idea of good government. They are skilled at using the power of their office to extort tribute from the working poor.

Bouazizi made the mistake of making eye contact with Madame Hamdi. As the municipal authority in charge of vendors and taxis Madame Hamdi held sway over the lives of the street vendors. She relished the power she had over the men who make a meager living selling goods in the square; and this morning she was moving through the market like a bloodhound hot on the trail of an escaped convict. Two burly henchmen lead the way before her. Bouazizi knew Madame Hamdi’s hounds were coming for him.

Bouazizi knew he was ******. Having just made a payment to his money lender, Bouazizi had no extra dinars to grease the palm of Madame Hamdi. He grabbed the handle bars of his cart to make an escape; but Madame Hamdi cut him off and got right into into Bouazizi’s face.

“Ah little Basboosa where are you going? she asked with the tone of playful contempt.

“I suppose you still have no license to sell, ah Basboosa?” Madame Hamdi questioned with the air of a soulless inquisitor.

“You know Madame Hamdi, cart vendors do not need a license.” Bouazizi feebly protested, not daring to look into her eyes.

“Basboosa, you know we can overlook your violations with a small fine for your laxity” a dismissive Madame Hamdi offered.

Bouazizi’s sense of guilt would not permit him to lift his eyes. His head remained bowed. Bouazizi stood convicted of being one of the impoverished.

“I have no spare dinars to offer Madame Hamdi, My pockets are empty, full of holes. My money falls into everyone’s palm but my own. I’m sorry Madame Hamdi. I’ll take my cart home”. He lifted the handlebars in an attempt to escape. One of Madame Hamdi’s henchmen stepped in front of his cart while the other pushed Bouazizi away from it.

“Either you pay me a vendor tax for a license or I will confiscate your goods Basboosa”, Madame Hamdi warned as she lifted Bouazizi’s scale off its hook.

“This will be the first to go”, she said grinning as she examined the scale. “We’ll just keep this.”
Like a mother lion protecting a defenseless cub from the snapping jaws of a pack of ravenous hyenas, Bouazizi lunged to retrieve his prized scale from the clutches of Madame Hamdi. Reaching for it, he touched the scale with his fingertips just as Madame Hamdi delivered a vicious slap to Bouazizi’s cheek. It halted him like a thunderbolt from Zeus.

A henchman overturned Bouazizi’s cart, scatter

lady craighead played the blues
on a stand-up samick
in the ***** room
along side the parsons project
and squabbling dogs
and night moves

stairs creek
up the mezzanine trek
wool sheets slide
on finished floors
little angels
play late into the seventh
(a closing match nearing
the midnight hour)

croaking toads and cicada
sing in the blue moon
musty smells and mothballs
settle deep in the vault
the kettle boils
and cat coils
as the pump house rolls
its heavy drawl

the red phone rings
and bird clock sings
(behind the ruddy stall)
a sleeman variation of the ruy lopez
employed heartily
by the incomparable master jack
marble toast burning
wringer wash churning
chris craft running
near the old carp canoe

rooster calls
and west wind squalls
rustle through the porch screen door
chicken *** pies
and rogue flies linger
a rocker chair placed
near the  sepia face
(softened by the intricate frame)

donkey in tow
(with a fastened ***)
maggie in her dreams
of green tambourines
the nocturnes
reflections
and whispering gospel bells

tractors pull on
the grinder stone
horses lay still
in the mid-day sun
a trump card is fingered
at the furnace click
(crosswords and puzzles are next!)
while the sparrow
and that **** rabid fox
are drowning
deep in castles well

SAPPHO'S POEMS FOR ATTIS AND ANACTORIA

Most of Sappho's poems are fragments but the first poem below, variously titled "The Anactoria Poem, " "Helen's Eidolon" and "Some People Say" is largely intact. Was Sappho the author of the world's first 'make love, not war' poem?

Some People Say
Sappho, fragment 16 (Lobel-Page 16 / Voigt 16)
loose translation/interpretation by Michael R. Burch

Warriors on rearing chargers,
columns of infantry,
fleets of warships:
some call these the dark earth's redeeming visions.
But I say—
the one I desire.

Nor am I unique,
since she who so vastly surpassed all mortals in beauty
—Helen—
seduced by Aphrodite, led astray by desire,
departed for distant Troy,
abandoned her celebrated husband,
turned her back on her parents and child!

Her story reminds me of Anactoria,
who has also departed,
and whose lively dancing and lovely face
I would rather see than all the horsemen and war-chariots of the Lydians,
or their columns of infantry parading in flashing armor.



Ode to Anactoria or Ode to Attis
Sappho, fragment 94 (Lobel-Page 94 / Voigt 94)
loose translation/interpretation by Michael R. Burch

So my Attis has not returned
and thus, let the truth be said,
I wish I were dead...

'Honestly, I just want to die! '
Attis sighed,
shedding heartfelt tears,
inconsolably sad
when she
left me.

'How deeply we have loved,
we two,
Sappho!
Oh,
I really don't want to go! '

I answered her tenderly,
'Go as you must
and be happy,
trust-
ing your remembrance of me,
for you know how much
I loved you.

And if you begin to forget,
please try to recall
all
the heavenly emotions we felt
as with many wreathes of violets,
roses and crocuses
you sat beside me
adorning your delicate neck.

Once garlands had been fashioned of many woven flowers,
with much expensive myrrh
we anointed our bodies like royalty
on soft couches,
then my tender caresses
fulfilled your desire...'

Unfortunately, fragment 94 has several gaps and I have tried to imagine what Sappho might have been saying.



The following are Sappho's poems for Attis or Atthis...

Sappho, fragment 49 (Lobel-Page 49 / Voigt 49)
loose translation/interpretation by Michael R. Burch

1.
I loved you, Attis, long ago...
even when you seemed a graceless child.

2.
I fell in love with you, Attis, long ago...
You seemed immature to me then, and not all that graceful.

(Source: Hephaestion, Plutarch and others.)



Sappho, fragment 131 (Lobel-Page 131 / Voigt 130)
loose translation/interpretation by Michael R. Burch

You reject me, Attis,
as if you find me distasteful,
flitting off to Andrómeda...


Sappho, fragment 96 (Lobel-Page 96.1-22 / Voigt 96 / Diehl 98)
loose translation/interpretation by Michael R. Burch

Attis, our beloved, dwells in distant Sardis, but her thoughts often return here, to our island, and how we honored her like a goddess, and how she loved to hear us singing her praises. Now she surpasses all Sardinian women, as, after sunset the rosy-fingered moon outshines the surrounding stars, illuminating salt seas and meadows alike. Thus the dew sparkles, the rose revives, and the tender chervil and sweetclover blossom. Now oftentimes when our beloved goes wandering abroad, she is reminded of our gentle Attis; then her heart assaults her tender breast with its painful pangs and she cries aloud for us to console her. Truly, we understand all too well the distress she feels, because Night, the many-eared, calls to us from across the dividing sea. But to go there is not easy, nor to rival a goddess in her loveliness.



Ode to Anactoria
Sappho, fragment 31 (Lobel-Page 31 / Voigt 31)
loose translation/interpretation by Michael R. Burch

How can I compete with that ****** man
who fancies himself one of the gods,
impressing you with his 'eloquence' …
when just the thought of sitting in your radiant presence,
of hearing your lovely voice and lively laughter,
sets my heart hammering at my breast?
Hell, when I catch just a quick glimpse of you,
I'm left speechless, tongue-tied,
and immediately a blush like a delicate flame reddens my skin.
Then my vision dims with tears,
my ears ring,
I sweat profusely,
and every muscle in my body trembles.
When the blood finally settles,
I grow paler than summer grass,
till in my exhausted madness,
I'm as limp as the dead.
And yet I must risk all, being bereft without you...



Ode to Anactoria
Sappho, fragment 31 (Lobel-Page 31 / Voigt 31)
loose translation/interpretation by Michael R. Burch

To me that boy seems
blessed by the gods
because he sits beside you,
basking in your brilliant presence.
My heart races at the sound of your voice!
Your laughter? ―bright water, dislodging pebbles
in a chaotic vortex. I can't catch my breath!
My heart bucks in my ribs. I can't breathe. I can't speak.
My ******* glow with intense heat;
desire's blush-inducing fires redden my flesh.
My ears seem hollow; they ring emptily.
My tongue is broken and cleaves to its roof.
I sweat profusely. I shiver.
Suddenly, I grow pale
and feel only a second short of dying.
And yet I must endure, somehow,
despite my poverty.



The following poems by Sappho may have been addressed to Attis or Anactoria, or written with them in mind…

Sappho, fragment 22 (Lobel-Page 22 / Diehl 33,36)
loose translation/interpretation by Michael R. Burch

That enticing girl's clinging dresses
leave me trembling, overcome by happiness,
as once, when I saw the Goddess in my prayers
eclipsing Cyprus.



Sappho, fragment 34 (Lobel-Page 34 / Voigt 34)
loose translation/interpretation by Michael R. Burch

Awed by the Moon's splendor,
the stars covered their undistinguished faces.
Even so, we.



Sappho, fragment 39
loose translation/interpretation by Michael R. Burch

We're merely mortal women,
it's true;
the Goddesses have no rivals
but You.



Sappho, fragment 5
loose translation/interpretation by Michael R. Burch

We're eclipsed here by your presence—
you outshine all the ladies of Lydia
as the bright-haloed moon outsplendors the stars.

I suspect the fragment above is about Anactoria, since Sappho associates Anactoria with Lydia in fragment 16.



Sappho, fragment 2 (Lobel-Page 2.1A)
loose translation/interpretation by Michael R. Burch

Leaving your heavenly summit,
I submit
to the mountain,
then plummet.

Sappho associates her lovers with higher elevations: the moon, stars, mountain peaks.



Sappho, fragment 130
loose translation/interpretation by Michael R. Burch

May the gods prolong the night
—yes, let it last forever! —
as long as you sleep in my sight.



Sappho, fragment 102 (Lobel-Page 102 / Voigt 102)
loose translation/interpretation by Michael R. Burch

Mother, how can I weave,
so overwhelmed by love?



Sappho, fragment 147 (Lobel-Page 147 / *** 30)
loose translation/interpretation by Michael R. Burch

Someone, somewhere
will remember us,
I swear!

'From Dio Chrysostom, who, writing about A.D.100, remarks that this is said 'with perfect beauty.''―Edwin Marion ***



Sappho, fragment 10
loose translation/interpretation by Michael R. Burch

I lust!
I crave!
**** me!



Sappho, fragment 11 (*** 109)
loose translation/interpretation by Michael R. Burch

You inflame me!



Sappho, fragment 36 (Lobel-Page 36 / *** 24 & 25)
loose translation/interpretation by Michael R. Burch

1.
I yearn for―I burn for―the one I miss!

2.
While you learn,
I burn.

3.
While you discern your will,
I burn still.

According to Edwin Marion ***, this fragment is from the Etymologicum Magnum.



Sappho, fragment 155
loose translation/interpretation by Michael R. Burch

A short revealing frock?
It's just my luck
your lips were made to mock!

Pollux wrote: 'Sappho used the word beudos for a woman's dress, a kimbericon, a kind of short transparent frock.'



Sappho, fragment 156
loose translation/interpretation by Michael R. Burch

She keeps her scents
in a dressing-case.
And her sense?
In some undiscoverable place.

Phrynichus wrote: 'Sappho calls a woman's dressing-case, where she keeps her scents and such things, grute.'



Sappho, fragment 47 (Lobel-Page 47 / Voigt 47)
loose translation/interpretation by Michael R. Burch

Eros harrows my heart:
wild winds whipping desolate mountains,
uprooting oaks.

The poem above is my favorite Sappho epigram. The metaphor of Eros (****** desire)  harrowing mountain slopes, leveling oaks and leaving them desolate, is really something―truly powerful and evocative. According to Edwin Marion ***, this Sapphic epigram was 'Quoted by Maximus Tyrius about 150 B.C. He speaks of Socrates exciting Phaedus to madness, when he speaks of love.'



Sappho, fragment 130 (Lobel-Page 130 / Voigt 130)
loose translation/interpretation by Michael R. Burch

Eros, the limb-shatterer,
rattles me,
an irresistible
constrictor.



Sappho, unnumbered fragment
loose translation/interpretation by Michael R. Burch

What cannot be swept
aside
must be wept.



Sappho, fragment 138 (Lobel-Page 138)
loose translation/interpretation by Michael R. Burch

1.
Darling, let me see your face;
unleash your eyes' grace.

2.
Turn to me, favor me
with your eyes' indulgence.

3.
Look me in the face,
smile,
reveal your eyes' grace...

4.
Turn to me, favor me
with your eyes' acceptance.

5.
Darling, let me see your smiling face;
favor me again with your eyes' grace.



Sappho, fragment 38 (Incertum 25, *** 36)
loose translation/interpretation by Michael R. Burch

I flutter
after you
like a chick after its mother...

From the 'Etymologicum Magnum' according to Edwin Marion ***.



In the following poem Sappho asks Aphrodite to "persuade" someone to fall in love with her. The poem strikes me as a sort of love charm or enchantment…

Hymn to Aphrodite (Lobel-Page 1)
by Sappho
loose translation/interpretation by Michael R. Burch

Immortal Aphrodite, throned in splendor!
Wile-weaving daughter of Zeus, enchantress and beguiler!
I implore you, dread mistress, discipline me no longer
with such vigor!

But come to me once again in kindness,
heeding my prayers, as you did so graciously before;
O, come Divine One, descend once more
from heaven's golden dominions!

Then with your chariot yoked to love's
white consecrated doves,
their multitudinous pinions aflutter,
you came gliding from heaven's shining heights,
to this dark gutter.

Swiftly they came and vanished, leaving you,
O my Goddess, smiling, your face eternally beautiful,
asking me what unfathomable longing compelled me
to cry out.

Asking me what I sought in my bewildered desire.
Asking, 'Who has harmed you, why are you so alarmed,
my poor Sappho? Whom should Persuasion
summon here? '

'Although today she flees love, soon she will pursue you;
spurning love's gifts, soon she shall give them;
tomorrow she will woo you,
however unwillingly! '

Come to me now, O most Holy Aphrodite!
Free me now from my heavy heartache and anguish!
Graciously grant me all I request!
Be once again my ally and protector!

'Hymn to Aphrodite' is the only poem by Sappho of ****** to survive in its entirety. The poem survived intact because it was quoted in full by Dionysus, a Roman orator, in his 'On Literary Composition, ' published around 30 B.C. A number of Sappho's poems mention or are addressed to Aphrodite, the Greek goddess of love. It is believed that Sappho may have belonged to a cult that worshiped Aphrodite with songs and poetry. If so, 'Hymn to Aphrodite' may have been composed for performance within the cult. However, we have few verifiable details about the 'real' Sappho, and much conjecture based on fragments of her poetry and what other people said about her, in many cases centuries after her death. We do know, however, that she was held in very high regard. For instance, when Sappho visited Syracuse the residents were so honored they erected a statue to commemorate the occasion! During Sappho's lifetime, coins of ****** were minted with her image. Furthermore, Sappho was called 'the Tenth Muse' and the other nine were goddesses. Here is another translation of the same poem...



Hymn to Aphrodite
by Sappho
loose translation/interpretation by Michael R. Burch

Rainbow-appareled, immortal-throned Aphrodite,
daughter of Zeus, wile-weaver, I beseech you: Hail!
Spare me your reproaches and chastisements.
Do not punish, dire Lady, my penitent soul!
But come now, descend, favor me with your presence.
Please hear my voice now beseeching, however unclear or afar,
your own dear voice, which is Olympus's essence —
golden, wherever you are...
Begging you to harness your sun-chariot's chargers —
those swift doves now winging you above the black earth,
till their white pinions whirring bring you down to me from heaven
through earth's middle air...
Suddenly they arrived, and you, O my Blessed One,
smiling with your immortal countenance,
asked what hurt me, and for what reason
I cried out...
And what did I want to happen most
in my crazed heart? 'Whom then shall Persuasion
bring to you, my dearest? Who,
Sappho, hurts you? "
"For if she flees, soon will she follow;
and if she does not accept gifts, soon she will give them;
and if she does not love, soon she will love
despite herself! '
Come to me now, relieve my harsh worries,
free me heart from its anguish,
and once again be
my battle-ally!



Sappho, fragment 113
loose translation/interpretation by Michael R. Burch

No droning bee,
nor even the bearer of honey
for me!


Sappho, fragment 113
loose translation/interpretation by Michael R. Burch

Neither the honey
nor the bee
for me!



Sappho, fragment 52
loose translation/interpretation by Michael R. Burch

The moon has long since set;
The Pleiades are gone;
Now half the night is spent,
Yet here I lie ... alone.



Sappho, fragment 2 (Lobel-Page 2 / Voigt 2)
loose translation/interpretation by Michael R. Burch

Come, Cypris, from Crete
to meet me at this holy temple
where a lovely grove of apple awaits our presence
bowering altars
  fuming with frankincense.

Here brisk waters babble beneath apple branches,
the grounds are overshadowed by roses,
and through the flickering leaves
  enchantments shimmer.

Here the horses will nibble flowers
as we gorge on apples
and the breezes blow
  honey-sweet with nectar ...

Here, Cypris, we will gather up garlands,
pour the nectar gracefully into golden cups
and with gladness
  commence our festivities.


Sappho, fragment 58 (Lobel-Page 58)
loose translation/interpretation by Michael R. Burch

Virgins, be zealous for the violet-scented Muses' lovely gifts
and those of the melodious lyre ...
but my once-supple skin sags now;
my arthritic bones creak;
my ravenblack hair's turned white;
my lighthearted heart's grown heavy;
my knees buckle;
my feet, once fleet as fawns, fail the dance.
I often bemoan my fate ... but what's the use?
Not to grow old is, of course, not an option.

I am reminded of Tithonus, adored by Dawn with her arms full of roses,
who, overwhelmed by love, carried him off beyond death's dark dominion.
Handsome for a day, but soon withered with age,
he became an object of pity to his ageless wife.



Sappho, fragment 132 (Lobel-Page 132)
loose translation/interpretation by Michael R. Burch

1.
I have a delightful daughter
fairer than the fairest flowers, Cleis,
whom I cherish more than all Lydia and lovely ******.

2.
I have a lovely daughter
with a face like the fairest flowers,
my beloved Cleis …

It bears noting that Sappho mentions her daughter and brothers, but not her husband. We do not know if this means she was unmarried, because so many of her verses have been lost.



Sappho, fragment 131 (Lobel-Page 131)
loose translations/interpretations by Michael R. Burch

1.
You reject me, Attis,
as if you find me distasteful,
flitting off to Andromeda ...

2.
Attis, you forsake me
and flit off to Andromeda ...



Sappho, fragment 140 (Lobel-Page 140)
loose translation/interpretation by Michael R. Burch

He is dying, Cytherea, the delicate Adonis.
What shall we lovers do?
Rip off your clothes, bare your ******* and abuse them!



Sappho, fragment 36
loose translation/interpretation by Michael R. Burch

Vain woman, foolish thing!
Do you base your worth on a ring?



Sappho, fragment 130
loose translation/interpretation by Michael R. Burch

May the gods prolong the night
—yes, let it last forever!—
as long as you sleep in my sight.



... a sweet-voiced maiden ...
—Sappho, fragment 153, loose translation/interpretation by Michael R. Burch

I have the most childlike heart ...
—Sappho, fragment 120, loose translation/interpretation by Michael R. Burch

There was no dance,
no sacred dalliance,
from which we were absent.
—Sappho, fragment 19, loose translation/interpretation by Michael R. Burch

I love the sensual
as I love the sun’s ecstatic brilliance.
—Sappho, fragment 9, loose translation/interpretation by Michael R. Burch

I love the sensual
as I love the sun’s splendor.
—Sappho, fragment 9, loose translation/interpretation by Michael R. Burch

You anointed yourself
with most exquisite perfume.
—Sappho, fragment 19, loose translation/interpretation by Michael R. Burch

Awed by the moon’s splendor,
stars covered their undistinguished faces.
Even so, we.
—Sappho, fragment 34, loose translation/interpretation by Michael R. Burch

Sappho, fragment 138, loose translations/interpretations by Michael R. Burch

1.
Darling, let me see your face;
unleash your eyes' grace.

2.
Turn to me, favor me
with your eyes' indulgence.

3.
Look me in the face,
           smile,
reveal your eyes' grace ...

4.
Turn to me,
favor me
with your eyes’ indulgence

Those I most charm
do me the most harm.
—Sappho, fragment 12, loose translation/interpretation by Michael R. Burch

Those I charm the most
do me the most harm.
—Sappho, fragment 12, loose translation/interpretation by Michael R. Burch

Midnight.
The hours drone on
as I moan here, alone.
—Sappho, fragment 52, loose translation/interpretation by Michael R. Burch

Once again I dive into this fathomless ocean,
intoxicated by lust.
—Sappho, after Anacreon, loose translation/interpretation by Michael R. Burch

Did this epigram perhaps inspire the legend that Sappho leapt into the sea to her doom, over her despair for her love for the ferryman Phaon? See the following poem ...

The Legend of Sappho and Phaon, after Menander
loose translation/interpretation by Michael R. Burch

Some say Sappho was an ardent maiden
goaded by wild emotion
to fling herself from the white-frothed rocks of Leukas
into this raging ocean
for love of Phaon ...

but others reject that premise
and say it was Aphrodite, for love of Adonis.

In Menander's play The Leukadia he refers to a legend that Sappho flung herself from the White Rock of Leukas in pursuit of Phaon. We owe the preservation of those verses to Strabo, who cited them. Phaon appears in works by Ovid, Lucian and Aelian. He is also mentioned by Plautus in Miles Gloriosus as being one of only two men in the whole world, who "ever had the luck to be so passionately loved by a woman."

Sappho, fragment 24, loose translations/interpretations by Michael R. Burch

1a.
Dear, don't you remember how, in days long gone,
we did such things, being young?

1b.
Dear, don't you remember, in days long gone,
how we did such things, being young?

2.
Don't you remember, in days bygone,
how we did such things, being young?

3.
Remember? In our youth
we too did such reckless things.

Sappho, fragment 154, loose translations/interpretations by Michael R. Burch

1.
The moon rose and we women
thronged it like an altar.

2.
Maidens throng
at the altar of Love
all night long.


Even as their hearts froze,
their feathers molted.
—Sappho, fragment 42, loose translation/interpretation by Michael R. Burch

Your voice beguiles me.
Your laughter lifts my heart’s wings.
If I listen to you, even for a moment, I am left speechless.
—Sappho, fragment 31, loose translation/interpretation by Michael R. Burch

Sappho, fragment 57
loose translation/interpretation by Michael R. Burch

1a.
That country ***** bewitches your heart?
Hell, her most beguiling art's
hiking her dress
to ****** you with her ankles' nakedness!

1b.
That country ***** bewitches your heart?
Hell, her most beguiling art
is hiking her dress
to reveal her ankles' nakedness!

2.
That hayseed ****
bewitches your heart?
Hell, her most beguiling art's
hiking her dress
to ****** you with her ankles' nakedness!

3.
That rustic girl bewitches your heart?
Hell, her most beguiling art's
hiking the hem of her dress
to ****** you with her ankles' nakedness!



Sappho Translations by Michael R. Burch

These are Michael R. Burch's modern English translations of the immortal Sappho of ******, the great lyric poet who was called The Tenth Muse by her ancient peers. The other nine muses were goddesses, so Sappho was held in the very highest regard!



A short revealing frock?
It's just my luck
your lips were made to mock!
—Sappho, fragment 177, loose translation/interpretation by Michael R. Burch



Eros harrows my heart:
wild winds whipping desolate mountains,
uprooting oaks.
—Sappho, fragment 47, loose translation/interpretation by Michael R. Burch



That enticing girl's clinging dresses
leave me trembling, overcome by happiness,
as once, when I saw the Goddess in my prayers
eclipsing Cyprus.
—Sappho, fragment 22, loose translation/interpretation by Michael R. Burch



Gongyla, wear, I beg,
that revealing white dress …
—Sappho, fragment 22, loose translation/interpretation by Michael R. Burch



Bed the bride with the beautiful feet,
or bring her to me!
—Sappho, fragment 103b, loose translation/interpretation by Michael R. Burch



That hayseed ****
bewitches your heart?
Hell, her most beguiling art's
hiking her dress
to ****** you with her ankles' nakedness!
—Sappho, fragment 57, loose translation/interpretation by Michael R. Burch



I long helplessly for love. Gazing into your eyes not even Hermione compares. Who is your equal? I compare you only to goldenhaired Helen among mortal women. Know your love would free me from every care, and keep me awake nightlong beside dewy deltas.
—Sappho, fragment 22, loose translation/interpretation by Michael R. Burch



Aphrodite, do you not love the windlike dances
of beautiful, apple-cheeked Abanthis?
—Sappho, fragment 301, loose translation/interpretation by Michael R. Burch



I am an acolyte
of wile-weaving
Aphrodite.
—Sappho, fragment 12, loose translation/interpretation by Michael R. Burch



Sing, my sacred tortoiseshell lyre;
come, let my words
accompany your voice.
—Sappho, fragment 118, loose translation/interpretation by Michael R. Burch



She keeps her scents
in a dressing-case.
And her sense?
In some undiscoverable place.
—Sappho, fragment 156, loose translation/interpretation by Michael R. Burch



Vain woman, foolish thing!
Do you base your worth on a ring?
—Sappho, fragment 36, loose translation/interpretation by Michael R. Burch



May I lead?
Will you follow?
  Foolish man!
Ears so hollow,
minds so shallow,
never can!
—Sappho, fragment 169, loose translation/interpretation by Michael R. Burch



With my two small arms, how can I
think to encircle the sky?
—Sappho, fragment 52, loose translation/interpretation by Michael R. Burch



The black earth absorbed grief-stricken tears along with the interred sons of Atreus.
—Sappho, fragment 297, loose translation/interpretation by Michael R. Burch



Menelaus, son of Atreus, lies returned to the black earth, finally beyond agony.
—Sappho, fragment 27, loose translation/interpretation by Michael R. Burch



Gold does not rust,
yet my son becomes dust?
—Sappho, fragment 52, loose translation/interpretation by Michael R. Burch



Atthis, so charming in the bedroom, but otherwise hateful, proud and aloof, her teeth clicking like castanets.
—Sappho, fragment 87a, loose translation/interpretation by Michael R. Burch



I sought the Goddess in your body's curves and crevasses.
—attributed to Sappho, loose translation/interpretation by Michael R. Burch



Mnemosyne was stunned into astonishment when she heard honey-tongued Sappho, wondering how mortal men merited a tenth Muse.
—Antipater of Sidon, translated by Michael R. Burch



Mere air,
my words' fare,
but intoxicating to hear.
—Sappho, cup inscription, loose translation/interpretation by Michael R. Burch



What cannot be swept
------------------------------------- aside
must be wept.
—Sappho, translation/interpretation by Michael R. Burch



Pain
drains
me
to
the
last
drop
.
—Sappho, fragment 37, loose translation/interpretation by Michael R. Burch



Mother, how can I weave,
so overwhelmed by love?
—Sappho, fragment 102, loose translation/interpretation by Michael R. Burch


Spartan girls wear short skirts
and are brazen.
—attributed to Sappho, translator unknown



Someone, somewhere
will remember us,
I swear!
—Sappho, fragment 147, loose translation/interpretation by Michael R. Burch



No droning bee,
nor even the bearer of honey
for me!
—Sappho, fragment 146, loose translation/interpretation by Michael R. Burch



The moon has long since set;
the Pleiades are gone;
now half the night is spent
yet here I lie—alone.
—Sappho, fragment 168b, loose translation/interpretation by Michael R. Burch



Sappho, fragment 136
loose translation/interpretation by Michael R. Burch

after Aaron Poochigian

Nightingale,
how handsomely you sing
your desire,
sweet crier
of blossoming spring.

2.
Nightingale, enticing-songed harbinger of spring. Sing!



Sappho, fragment 130
loose translation/interpretation by Michael R. Burch

1.
Eros, the limb-shatterer,
rattles me,
an irresistible
constrictor.

2.
Eros, the limb-loosener,
rattles me,
an irresistible
constrictor.



Sappho, fragment 10
loose translation/interpretation by Michael R. Burch

I lust!
I crave!
F-ck me!



Sappho, fragment 93
loose translation/interpretation by Michael R. Burch

Gongyla, wear, I beg,
that revealing white dress
when you come,
so that desire surrounds you,
descending in circling flight as you dance
to the strains of Abanthis's lyre
while I compose hymns to your loveliness,
both of us stirred by your beauty
and that dress!
Wherefore I once prayed to Aphrodite: I want
and she reprimanded me.



Sappho, fragment 24
loose translation/interpretation by Michael R. Burch

1.
Don't you remember, in days bygone,
how we did such things, being young?

2.
Remember? In our youth
we too did such reckless things.

3.
Remember how we did such things in our youth? Many lovely and beautiful things in the city of dangerous enticements! We lived face-to-face with great daring amid those who inflict pain. Daring even to believe in golden-haired, slender-voiced Love …




The fragment below seems to be one of the most popular with translators …

Sappho, fragment 145

If you're squeamish, don't **** the beach rubble.―Mary Barnard
If you dont like trouble dont disturb sand.―Cid Corman
Don't move piles of pebbles.―Diane J. Rayor
Don't stir the trash.―Guy Davenport
If you're squeamish don't trouble the rubble!―Michael R. Burch
Let sleeping turds lie!―Michael R. Burch
Leave every stone unturned!―Michael R. Burch
Roll no stones, let them all gather moss!―Michael R. Burch
do not move stones―Anne Carson



Sappho, fragment 33
loose translation/interpretation by Michael R. Burch

Golden-crowned Aphrodite,
don't be a glory-hog!
Share a little of your luck with me!



Sappho, fragment 133 (Wharton 133, Barnard 31)
loose translation/interpretation by Michael R. Burch

1.
Blushing bride, brimful of rose-petaled love,
brightest jewel of the Goddess of Paphos,
come to the bridal bed,
tenderly entice your bridegroom.
May Hesperus lead you starry-eyed
to stand awestruck before the silver throne of Hera,
Goddess of Marriage!

2.
Of all the stars the fairest,
Hesperus,
lead the maiden straight to her bridegroom's bed,
honoring Hera, the goddess of marriage.

3.
The evening star
is of all stars the brightest,
the fairest.



Sappho, fragment 160
loose translation/interpretation by Michael R. Burch

1.
I shall now sing skillfully
to please my companions.

2.
I shall sing these songs skillfully
to please my companions.

3.
Goddess,
let me sing skillfully
to please my companions.



Sappho, fragment 102 (Lobel-Page 102 / Diehl 114 / Bergk 90 / *** 87 / Barnard 12)
loose translation/interpretation by Michael R. Burch

1.
Mother, how can I weave,
so overwhelmed by love?

2.
Mother, how can I weave,
so overwhelmed by love?
Sly Aphrodite incited me!



Sappho, fragment 130
loose translation/interpretation by Michael R. Burch

1.
May the gods prolong the night
   —yes, let it last forever!—
as long as you sleep in my sight.

2.
I prayed that blessed night
might be doubled for us.



Sappho, fragment 123
loose translation/interpretation by Michael R. Burch

Just now I was called,
enthralled,
by golden-sandalled
dawn…



Sappho, fragment 22
loose translation/interpretation by Michael R. Burch

I bid you, Abanthis, grab your lyre
and sing of Gongyla, while desire
surrounds you. Sing of the lovely one,
how her clinging white dress excited you
as she whirled. Meanwhile, I rejoice
although Aphrodite once chided me
for praying … and yet I still pray to have her.



Sappho, fragment 23
loose translation/interpretation by Michael R. Burch

I long helplessly for love.
Gazing into your eyes not even Hermione compares.
Who is your equal?
I compare you only to goldenhaired Helen among mortal women.
Know your love would free me from every care, and keep me awake nightlong beside dewy deltas.



Sappho, fragment 78
loose translation/interpretation by Michael R. Burch

… nor were we without longing together,
as flowers long to delight …



Sappho, fragment 44
loose translation/interpretation by Michael R. Burch

The Wedding of Andromache and Hector

The herald arrived from Cyprus, Idaios, the fleetfooted Trojan messenger, whose ringing voice announced the wedding’s immortal fame to all Asia: “Hector and his companions deliver delightful-eyed delicate Andromache over the salt sea, on ships from holy Thebes and eternal-shored Plakia, with many gold bracelets, fragrant purple garments, iridescent adornments, and countless silver cups and ivory.” As he spoke, Hector’s beloved father sprang joyously to his feet and the report soon reached Hector's friends throughout the sprawling city. Immediately the sons of Ilos, Troy's founder, harnessed mules to smooth-wheeled carriages as throngs of women and slender-ankled virgins climbed aboard. Priam's daughters came in royal carriages. Elsewhere bachelors harnessed stallions to their chariots. From far and wide charioteers rode like gods toward the sacred gathering. Everyone of one accord they set out for Ilion accompanied by the melodies of sweet-voiced flutes, reed pipes and clacking castanets. The virgins sang sacred songs whose silvery echoes brightened the heavens. Everywhere in the streets wine bowls and cups were raised in jubilant toasts. The fragrances of myrrh, cassia and frankincense mingled together, perfuming the wind. The older women cried aloud for joy and the men's voices rang forcefully, calling on the archer Paion Apollo, master of the lyre, as all sang the praises of godlike Hector and Andromache.



Sappho, fragment 132
loose translation/interpretation by Michael R. Burch

1.
I have a delightful daughter
fairer than the fairest flowers, Cleis,
whom I cherish more than all Lydia and lovely ******.

2.
I have a lovely daughter
with a face like the fairest flowers,
my beloved Cleis …



Sappho, fragment 295
loose translation/interpretation by Michael R. Burch

1.
I fluttered
after you
like a chick after its mother …

2.
I fluttered
after you
like a chick after its hen …

3.
I flew back like a chick to its hen.

4.
I flew back like a child to its mother.



Sappho, fragment 30
loose translation/interpretation by Michael R. Burch

Stay!
I will lay
out a cushion for you
with the plushest pillows …



Sappho, fragment 46
loose translation/interpretation by Michael R. Burch

My body descends
and my comfort depends
on your welcoming cushions!

From Herodian, according to Edwin Marion ***.



Sappho, fragment 140
loose translation/interpretation by Michael R. Burch

He is dying, Cytherea, the delicate Adonis.
What shall we women do?
Virgins, rend your garments, bare your ******* and abuse them!



Sappho, fragment 168
loose translation/interpretation by Michael R. Burch

Alas, Adonis!



Sappho, fragment 55
loose translation/interpretation by Michael R. Burch

1.
Lady,
soon you'll lie dead, disregarded,
as your worm-eaten corpse like your corpus degrades;
for those who never gathered Pieria's roses
must mutely accept how their memory fades
as they flit among the obscure, uncelebrated
Hadean shades.

2.
Lady,
soon you'll lie dead, disregarded,
as your worm-eaten corpse like your verse degrades;
for those who never gathered Pierian roses
must mutely accept how their reputation fades
among the obscure, uncelebrated
Hadean shades.

3.
Lady,
soon you'll lie dead, disregarded;
then imagine how quickly your reputation fades …
when you who never gathered the roses of Pieria
mutely assume your place
among the obscure, uncelebrated
Hadean shades.

4.
Death shall rule thee
eternally
now, my Lady,
for see:
your name lies useless, silent and forgotten
here and hereafter;
never again will you gather
the roses of Pieria, but only wander
misbegotten,
rotten
and obscure through Hades
flitting forlornly among the dismal shades.



Sappho, unnumbered fragment
loose translation/interpretation by Michael R. Burch

All mixed up, I drizzled.



Sappho, fragment 34
loose translation/interpretation by Michael R. Burch

1.
Awed by the Moon's splendor,
the stars covered their undistinguished faces.
Even so, we.

2a.
You are,
of all the unapproachable stars,
the fairest.

2b.
You are,
of all the unapproachable stars,
the brightest.

2c.
You are,
of all the unapproachable stars,
by far
the fairest,
the brightest―
possessing the Moon's splendor.

2d.
You are,
compared to every star,
by far
the fairest,
the brightest―
surpassing the Moon's splendor.

3.
The stars lose their luster in the presence of the waxing moon when she graces the earth with her silver luminescence.

4.
The stars, abashed, hide their faces when the full-orbed moon floods the earth with her clear silver light.

5a.
Stars surrounding the brilliant moon pale whenever she lights the earth.

5b.
Stars surrounding the brilliant moon pale whenever she silvers the earth.



Sappho, fragment 39
loose translation/interpretation by Michael R. Burch

We're merely mortal women,
it's true;
the Goddesses have no rivals
but You.



Sappho, fragment 5
loose translation/interpretation by Michael R. Burch

We're eclipsed here by your presence—
you outshine all the ladies of Lydia
as the bright-haloed moon outsplendors the stars.

I suspect the fragment above is about Anactoria aka Anaktoria, since Sappho associates Anactoria with Lydia in fragment 16.



Sappho, fragment 16
loose translation/interpretation by Michael R. Burch

1.
Those I most charm
do me the most harm.

2.
Those I charm the most
do me the most harm.



Sappho, fragment 68a
loose translation/interpretation by Michael R. Burch

Apart from me they became like goddesses
in their unrestrained excesses.
Guilty Andromedas. Deceitful Megaras.



Sappho, fragment 62
loose translation/interpretation by Michael R. Burch

You lay in wait,
beautiful in your garments
beneath a sweet-scented laurel tree,
then ambushed me!



Sappho, fragment 154
loose translation/interpretation by Michael R. Burch

1a.
The moon rose and we women
thronged it like an altar.

1b.
As the full moon rose,
we women
thronged it like an altar.

1c.
Women thronged the altar at moonrise.

2.
All night long
lithe maidens thronged
at the altar of Love.

3.
Maidens throng
at the altar of Love
all night long.

4.
The moon shone, full
as the virgins ringed Love's altar …



Sappho, fragment 2
loose translation/interpretation by Michael R. Burch

Leaving your heavenly summit,
I submit
to the mountain,
then plummet.



Sappho, fragment 129
loose translation/interpretation by Michael R. Burch

1.
You forget me
or you love another more!
It's over.

2.
It's over!
Who can move
a hard heart?



Sappho, fragment 51
loose translation/interpretation by Michael R. Burch

1.
I'm undecided.
My mind? Torn. Divided.

2.
Unsure as a babe new-born,
My mind is divided, torn.

3.
I don't know what to do:
My mind is divided, two.



Sappho, fragment 78
loose translation/interpretation by Michael R. Burch

… nor were we without longing together,
as flowers long to delight …



Sappho, fragment 68a
loose translation/interpretation by Michael R. Burch

Apart from me they became like goddesses
in their unrestrained excesses.
Guilty Andromedas. Deceitful Megaras.



Sappho, fragment 23
loose translation/interpretation by Michael R. Burch

I long helplessly for love. Gazing into your eyes not even Hermione compares. Who is your equal? I compare you only to goldenhaired Helen among mortal women. Know your love would free me from every care, and keep me awake nightlong beside dewy deltas.



Sappho, fragment 62
loose translation/interpretation by Michael R. Burch

You lay in wait,
beautiful in your garments
beneath a sweet-scented laurel tree,
then ambushed me!



Sappho, fragment 100
loose translation/interpretation by Michael R. Burch

When the bride comes
let her train rejoice!



Sappho, fragment 113
loose translation/interpretation by Michael R. Burch

Bridegroom,
was there ever a maid
so like a lovely heirloom?



Sappho, fragment 19
loose translation/interpretation by Michael R. Burch

You anoint yourself
with the most exquisite perfume.



Sappho, fragment 120
loose translation/interpretation by Michael R. Burch

1.
I'm no resenter;
I have a childlike heart …

2.
I'm not resentful;
I have a childlike heart …

3.
I'm not spiteful;
I have a childlike heart …

4.
I'm not one who likes to wound,
but have a calm disposition.



Sappho, fragment 126
loose translation/interpretation by Michael R. Burch

1.
May you sleep, at rest,
on your tender girlfriend’s breast.

2.
May your head gently rest
on the breast
of the tenderest guest.

3.
May your head gently rest
on the tender breast
of the girl you love best.



Sappho, fragment 107
loose translation/interpretation by Michael R. Burch

1.
Is there any good in maidenhood?

2.
Is there any synergy
in virginity?



Sappho, fragment 81
loose translation/interpretation by Michael R. Burch

Dica! Do not enter the presence of Goddesses ungarlanded!
First weave sprigs of dill with those delicate hands, if you desire their favor,
for the Blessed Graces disdain bareheaded girls.



Sappho, fragment 58
loose translation/interpretation by Michael R. Burch

1a.
I confess
that I love a gentle caress,
as I love the sun's ecstatic brilliance.

1b.
I confess
that I love her caresses;
for me Love blazes with the sun’s brilliance.

1c.
I love refinement
and for me Eros
blazes with the sun's beauty, brightness and brilliance.

2.
I love the sensual
as I love the sun's ecstatic brilliance.

3.
I love the sensual
as I love the sun's celestial splendor.

4.
I cherish extravagance,
intoxicated by Love's celestial splendor.



Sappho, fragment 127
loose translation/interpretation by Michael R. Burch

Assemble now, Muses, leaving golden landscapes!



Sappho, fragment 138
loose translation/interpretation by Michael R. Burch

1.
Darling, let me see your face;
unleash your eyes' grace.

2.
Turn to me, favor me
with your eyes' indulgence.

3.
Look me in the face,
           smile,
reveal your eyes' grace …

4.
Turn to me, favor me
with your eyes' acceptance.

5.
Darling, let me see your smiling face;
favor me again with your eyes' grace.



Sappho, fragment 38
loose translation/interpretation by Michael R. Burch

1.
You inflame me!

2.
You ignite and inflame me …
You melt me.



Sappho, fragment 12
loose translation/interpretation by Michael R. Burch

I am an acolyte
of wile-weaving
Aphrodite.



Sappho, fragment 4
loose translation/interpretation by Michael R. Burch

What can Sappho possibly offer
all-blessed Aphrodite?



Sappho, fragment 104a
loose translation/interpretation by Michael R. Burch

Hesperus, herdsman most blessed!,
you herd homeward the wayward guest,
herd sheep and goats back home to their rest,
herd children to snuggle at their mother's breast.



Sappho, fragment 105
loose translation/interpretation by Michael R. Burch

1.
Like the quince-apple ripening on the highest bough,
which the harvesters missed, or forgot—somehow—
or perhaps just couldn't reach, until now.

Like a mountain hyacinth rarely found,
which shepherds' feet trampled into the ground,
leaving purple stains on an unmourned mound.

2.
You're the sweetest apple reddening on the highest bough,
which the harvesters missed, or forgot—somehow—
or perhaps just couldn't reach, until now.

3.
You're the sweetest apple reddening on the highest bough,
which the harvesters missed … but, no, …
they just couldn't reach that high.



Sappho, fragment 145
loose translation/interpretation by Michael R. Burch

Prometheus the Fire-Bearer
robbed the Gods of their power
and so
brought mankind and himself to woe …
must you repeat his error?



Sappho, fragment 169
loose translation/interpretation by Michael R. Burch

May I lead?
Will you follow?
Foolish man!

Ears so hollow,
minds so shallow,
never can!



Sappho, fragments 156
loose translation/interpretation by Michael R. Burch

1.
Your voice—
a sweeter liar
than the lyre,
more dearly bought
and sold,
than gold.

2.
Your voice?—
more melodious than the lyre,
more dearly bought and sold
than gold.



Sappho, fragment 100
loose translation/interpretation by Michael R. Burch

1.
She wrapped herself then in
most delicate linen.

2.
She wrapped herself in
her most delicate linen.



Sappho, fragment 57
loose translation/interpretation by Michael R. Burch

1a.
That country ***** bewitches your heart?
Hell, her most beguiling art's
hiking her dress
to ****** you with her ankles' nakedness!

1b.
That country ***** bewitches your heart?
Hell, her most beguiling art
is hiking her dress
to reveal her ankles' nakedness!

2.
That hayseed ****
bewitches your heart?
Hell, her most beguiling art's
hiking her dress
to ****** you with her ankles' nakedness!



Sappho, fragment 54
loose translation/interpretation by Michael R. Burch

1.
Eros
descended from heaven
clad in his imperial purple mantle.

2.
Eros
descends from heaven
wearing his imperial purple mantle.



Sappho, fragment 121
loose translation/interpretation by Michael R. Burch

1.
As a friend you're great,
but you need a much younger bedmate.

2.
Although you're very dear to me,
please don't be silly!
You need a much younger filly.

3.
Although you're very dear to me
you need a much younger filly;
I'm far too old for you,
and this old mare's just not that **** silly.



Sappho, after Anacreon
loose translation/interpretation by Michael R. Burch

Once again I dive into this fathomless ocean,
intoxicated by lust.



The Legend of Sappho and Phaon, after Menander
loose translation/interpretation by Michael R. Burch

Some say Sappho was an ardent maiden
goaded by wild emotion
to fling herself from the white-frothed rocks of Leukas
into this raging ocean
for love of Phaon …

but others reject that premise
and say it was Aphrodite, for love of Adonis.



Sappho, fragment 140
loose translation/interpretation by Michael R. Burch

Phaon ferried the Goddess across:
the Goddess of Love, so men say
who crowned him with kingly laurels.
Was he crowned for only a day?



Sappho, fragment 105c
loose translation/interpretation by Michael R. Burch

Shepherds trample the larkspur
whose petals empurple the heath,
foreshadowing shepherds' grief.



Sappho, fragment 100
loose translation/interpretation by Michael R. Burch

The softest pallors grace
her lovely face.



Sappho, fragment 36
loose translation/interpretation by Michael R. Burch

1.
I yearn for―I burn for―the one I miss!

2.
While you learn,
I burn.

3.
While you try to discern your will,
I burn still.



Sappho, fragment 30
loose translation/interpretation by Michael R. Burch

Virgins, keeping vigil all night long,
go, make a lovely song,
sing of the love you abide
for the violet-robed bride.

Or better yet―arise, regale!
Go entice the eligible bachelors
so that we shocked elders
can sleep less than the love-plagued nightingales!



Sappho, fragment 122
loose translation/interpretation by Michael R. Burch

1a.
A willowy girl plucking wildflowers.

1b.
A willowy girl picking wildflowers.

2.
A tender maiden plucking flowers
persuades the knave
to heroically brave
the world's untender hours.



Sappho, fragment 125
loose translation/interpretation by Michael R. Burch

Love, bittersweet Dispenser of pain,
Weaver of implausible fictions:
     flourishes in prosperity,
     weeps for life's perversity,
     quails before adversity,
dies haggard, believing she's pretty.



Sappho, fragment 201
loose translation/interpretation by Michael R. Burch

1.
Death is evil;
so the Gods decreed
or they would die.

2.
Death is evil; the Gods all agree.
For, had death been good,
the Gods would
be mortal, like me.



Sappho, fragment 43
loose translation/interpretation by Michael R. Burch

Come, dear ones,
let us cease our singing:
morning dawns.



Sappho, fragment 14
loose translation/interpretation by Michael R. Burch

1.
Today
may
buffeting winds bear
all my distress and care
away.

2.
Today
may
buffeting winds bear
away
all my distress and care.



Sappho, fragment 69
loose translation/interpretation by Michael R. Burch

1.
I gladly returned
to soft arms I once spurned.

2.
Into the soft arms of the girl I once spurned,
I gladly returned.



Sappho, fragment 29
loose translation/interpretation by Michael R. Burch

Since my paps are dry and my barren womb rests,
let me praise lively girls with violet-scented *******.



Sappho, fragment 1
loose translation/interpretation by Michael R. Burch

Beautiful swift sparrows
rising on whirring wings
flee the dark earth for the sun-bright air …



Sappho, fragment 10
loose translation/interpretation by Michael R. Burch

1.
Girls ripening for marriage wove flowers into garlands.

2.
Girls of the ripening maidenhead wove garlands.

3.
Girls of the ripening maidenhead wore garlands.



Sappho, fragment 94 & 98
loose translation/interpretation by Michael R. Burch

Listen, my dear;
by the Goddess I swear
that I, too,
(like you)
had to renounce my false frigidity
and surrender my virginity.
My wedding night was not so bad;
you too have nothing to fear, so be glad!
(But then why do I sometimes still think with dread
of my lost maidenhead?)



Sappho, fragment 114
loose translation/interpretation by Michael R. Burch

Maidenhead! Maidenhead!
So swiftly departed!
Why have you left me
forever brokenhearted?



Sappho, fragment 2
loose translation/interpretation by Michael R. Burch, after Sappho and Tennyson

I sip the cup of costly death;
I lose my color, catch my breath
whenever I contemplate your presence,
or absence.



Sappho, fragment 32
loose translation/interpretation by Michael R. Burch

1.
The Muses honored me by gifting me works.

2.
The Muses gave me their gifts and made me famous.

3.
They have been very generous with me,
the violet-strewing Muses of Olympus;
thanks to their gifts
I have become famous.



Sappho, fragment 3
loose translation/interpretation by Michael R. Burch

Stars ringing the lovely moon
pale to insignificance
when she illuminates the earth
with her magnificence.



Sappho, fragment 49
loose translation/interpretation by Michael R. Burch

You have returned!
You did well to not depart
because I pined for you.
Now you have re-lit the torch
I bear for you in my heart,
this flare of Love.
I bless you and bless you and bless you
because we're no longer apart.



Sappho, fragment 52
loose translation/interpretation by Michael R. Burch

Yesterday,
you came to my house
to sing for me.

Today,
I come to you
to return the favor.

Talk to me. Do.
Sweet talk,
I love the flavor!

Please send away your maids
and let us share a private heaven-
haven.



Sappho, fragment 94
loose translation/interpretation by Michael R. Burch

There was no dance,
no sacred dalliance,
from which we were absent.



Sappho, fragment 152
loose translation/interpretation by Michael R. Burch

… shot through
with innumerable hues …



Sappho, fragment 46
loose translation/interpretation by Michael R. Burch

You came and did well to come
because I desired you. You made
love blaze in my breast, thus I bless you …
but not the endless hours when you're gone.



Sappho, fragment 153
loose translation/interpretation by Michael R. Burch

They call me the sweet-voiced girl, parthenon aduphonon.



Sappho, fragment 94
loose translation/interpretation by Michael R. Burch

You anointed yourself
with the most exquisite perfume.



Sappho, fragment 42
loose translation/interpretation by Michael R. Burch

1.
As their hearts froze,
their feathers molted.

2.
As their hearts grew chill
their wings grew still.

3.
Their hearts quieted,
they alighted.



Sappho, fragment 134
loose translation/interpretation by Michael R. Burch

Selene came to Endymion in the cave,
made love to him as he slept,
then crept away before the sun could prove
its light and warmth the more adept.



Sappho, fragment 47
loose translation/interpretation by Michael R. Burch

Eros harrows my heart:
wild winds whipping desolate mountains,
uprooting oaks.



Sappho, fragment 36
loose translation/interpretation by Michael R. Burch

Vain woman, foolish thing!
Do you base your worth on a ring?



Sappho, fragment 52
loose translation/interpretation by Michael R. Burch

With my two small arms, how can I
think to encircle the sky?



Sappho, fragment 137
loose translation/interpretation by Michael R. Burch

Gold does not rust,
yet my son becomes dust?



Sappho, fragment 48
loose translation/interpretation by Michael R. Burch

You did well to come and I yearned for you.
Though I burned with desire, you cooled my fevered mind.



Mere air,
my words' fare,
but intoxicating to hear.
—loose translation/interpretation by Michael R. Burch



Sappho, fragment 9
loose translation/interpretation by Michael R. Burch

Mere breath,
words I command
are nevertheless immortal.



Sappho, fragment 118
loose translation/interpretation by Michael R. Burch

Sing, my sacred tortoiseshell lyre;
come, let my words
accompany your voice.



My Religion
attributed to Sappho
loose translation/interpretation by Michael R. Burch

1a.
I discovered the Goddess in your body's curves and crevasses.

1b.
I found the Goddess in your body's curves and crevasses.

1c.
I sought the Goddess in your body's curves and crevasses.

2a.
My religion consists of your body's curves and crevasses.

2b.
My religion became your body's curves and crevasses.

2c.
I discovered my religion in your body's curves and crevasses.



Sappho, fragment 37
loose translation/interpretation by Michael R. Burch

1.
Pain
drains
me
to
the
last
drop
.

2.
Pain drains me;
may thunderstorms and lightning
strike my condemners.



Sappho, fragment 147
loose translation/interpretation by Michael R. Burch

Someone, somewhere
will remember us,
I swear!



Sappho, fragment 146
loose translation/interpretation by Michael R. Burch

1a.
No droning bee,
nor even the bearer of honey
for me!

1b.
No buzzing bee,
nor even the bearer of honey
for me!

2.
Neither the honey
nor the bee
for me!



Sappho, fragment 168b
loose translation/interpretation by Michael R. Burch

1a.
Midnight.
The hours drone on
as I moan here, alone.

1b.
Midnight.
The hours drone.
I moan,
alone.

2a.
The moon has long since set;
the Pleiades are gone;
now half the night is spent
yet here I lie—alone.

2b.
The moon has long since set;
the Pleiades are gone;
now half the night is spent
yet here I sleep, alone.



Sappho, fragment 119
loose translation/interpretation by Michael R. Burch

1.
We brought the urn aboard the barge, inscribed:
This is the dust of Timas,
whom Persephone received, *****, into her bedchamber,
for whom her fellowmaidens in mourning
slashed their soft curls with sharpened blades.

2.
This is the dust of Timas, dead, *****,
whom Persephone took to her dark bed,
for whom her fellowmaidens, mourning,
hacked off their locks like sheep at a shearing.



Sappho, fragment 21
loose translation/interpretation by Michael R. Burch

A purple scarf shadowed your face—
a cherished gift from Timas,
sent from Phocaea.



Sappho, fragment 290
loose translation/interpretation by Michael R. Burch

1.
Dancing rhythmically, with light feet,
the Cretan women thronged the altar,
trampling circles in the fine soft flowering grass.

2.
Dancing rhythmically, with light feet,
to the pulsating beat,
Cretan
women thronged the altar in their mass,
trampling circles in the fine soft flowering grass.



Sappho, fragment 128
loose translation/interpretation by Michael R. Burch

Come join us, tender Graces
and lovely-haired Muses,
in our ecstatic dances!



Sappho, fragment 93
loose translation/interpretation by Michael R. Burch

Our playmates are pink-ankled Graces
and golden Aphrodite!



Sappho, fragment 53
loose translation/interpretation by Michael R. Burch

Come, rosy-armed Graces,
Zeus's daughters,
in your perfection!



Sappho, fragment 111
loose translation/interpretation by Michael R. Burch

Raise the rafters, carpenters.
Hoist high the roof-beams!

***** Hymenaeus!

Here comes the bridegroom,
statuesque as Ares!

***** Hymenaeus!



Sappho, fragment 112
loose translation/interpretation by Michael R. Burch

Lucky bridegroom,
your wedding day has finally arrived
and your alluring bride is your heart’s desire!



Sappho, fragment 32 (Barnard 32)
loose translation/interpretation by Michael R. Burch

Virginity!
Alas my lost Virginity!



Sappho, fragment 57
loose translation/interpretation by Michael R. Burch

Heavy-lidded Slumber, child of Night, claimed them.



Sappho, fragment 57a
loose translation/interpretation by Michael R. Burch

Aphrodite's handmaid, resplendent in gold,
Hecate, Queen of Darkness untold!



Sappho, fragment 63
loose translation/interpretation by Michael R. Burch

Last night, Cyprian,
you and I clashed (s)words
in my dreams.



Sappho, fragment 48
loose translation/interpretation by Michael R. Burch

Now I know why Eros,
of all the gods’ offspring,
is most blessed.



Sappho, fragment 68
loose translation/interpretation by Michael R. Burch

That was then, this is now!
In those days my maidenhead was in full bloom,
then you …



Sappho, fragment 135
loose translation/interpretation by Michael R. Burch

Golden Persuasion, Aphrodite's daughter,
how you deceive mortals!



Sappho, fragment 88
loose translation/interpretation by Michael R. Burch

Why, Procne,
delicate swallow, daughter of Pandīon,
why do you weary me with tales of woe?



Sappho, fragment 287
loose translation/interpretation by Michael R. Burch

I once instructed Hero of Gyara, the fleetfooted.



Sappho, fragment 15
loose translation/interpretation by Michael R. Burch

Cypris, may she find you a harsh mistress,
Doricha, the ****!
Put an end to her bragging,
nor let her boast that she fooled him twice,
my brother's embezzler!

Doricha was a courtesan who allegedly caused Sappho's brother Charaxus to lose considerable wealth. Doricha was also known by the pseudonym Rhodopis, which means "rosy-cheeked."



Sappho, fragment 7
loose translation/interpretation by Michael R. Burch

Doricha commands arrogantly,
like young men.



Sappho, fragment 148
loose translation/interpretation by Michael R. Burch

A vagabond friendship,
a public blessing …
repent Rhodopis!



Sappho, fragment 138
loose translation/interpretation by Michael R. Burch

The beautiful courtesan Rhodopis,
lies here entombed, more fair
than when she walked with white lilies
plaited in her dark hair,
but now she's as withered as they:
whose dust is more gray?



Sappho, fragment 5
loose translation/interpretation by Michael R. Burch

Revered Nereids, divine sea-daughters, please grant that my brother may return unharmed,
his heart's desires all fulfilled,
and may he show his sister more honor than in his indifferent past …
But you, O august Kypris, please keep him from unbearable dooms!



Sappho, fragment 148
loose translation/interpretation by Michael R. Burch

Wealth unaccompanied by Character
is a dangerous houseguest,
but together they invite happiness.



Sappho, fragment 201
loose translation/interpretation by Michael R. Burch

1.
Gold is indestructible.

2.
Gold is God's indestructible Child:
the One neither moth nor worm devours.



Sappho, fragment 66
loose translation/interpretation by Michael R. Burch

Ares bragged he'd drag forge-master Hephaestus off by sheer force!



Sappho, fragment 120
loose translation/interpretation by Michael R. Burch

Over fisherman Pelagon's grave his father Meniscus left creel and oar, relics of a luckless life.



Sappho, fragment 143
loose translation/interpretation by Michael R. Burch

How golden broom brightens riverbanks!



Sappho, fragment 94
loose translation/interpretation by Michael R. Burch

You remind me of a little girl
I once assisted picking flowers.



Sappho, fragment 95
loose translation/interpretation by Michael R. Burch

Lord Hermes, you guide spirits to their final destination.
Now guide me, for I am despondent and wish only to die,
to see the lotus-lined shores of Acheron.



Sappho, fragment 150
loose translation/interpretation by Michael R. Burch

1
Cleis, daughter, don't cry!
Mourning is unbecoming a poet's household.

2.
For those who serve the Muses,
mourning is unbecoming.



Sappho, fragment 56
loose translation/interpretation by Michael R. Burch

1.
Will any woman
born under the sun
ever match your art?

2.
No woman
born under the sun
will ever have your wisdom.



Sappho, fragment 135
loose translation/interpretation by Michael R. Burch

Erinna, why does darkwinged Procne, King Pandion's daughter, beckon?



Sappho, fragment 17
loose translation/interpretation by Michael R. Burch

Hear me, Queen Hera, as your delightful festival nears,
you to whom the sons of Atreus performed vows,
those dazzling kings who did such amazing things,
first at Troy, then later at sea.
And yet, sailing the sea-road to our island,
those mighty kings still could not attain it
until they had called on you and Zeus,
the god of seekers and beseechers,
and Dionysus, alluring son of Semele.
Now we too perform the ancient rites,
O most holy and most beautiful Goddess,
we throngs of virgins, young women and wives.
Please allow us to arrive safely at the shrine.



Sappho, fragment 86
loose translation/interpretation by Michael R. Burch

In this quiet moment,
I beg a boon from Zeus,
the bearer of the aegis,
even as I implore, O Aphrodite,
the tenderness of your benevolent heart;
hear my prayer, as once before,
when, departing Cyprus,
you heeded my earnest cry
and chose not to be harsh.



Sappho, fragment 44a
loose translation/interpretation by Michael R. Burch

Golden-haired Phoebus was sired on Leto by the high-soaring son of Kronos. His sister, Artemis, swore a great oath to Zeus: “By your crown, I shall always be an ***** ****** hunting on remote mountaintops. Assent!” The father of the Blessed Ones nodded his consent. Now gods and mortals call her The ****** Huntress and Eros, limb-loosener, dare never approach her!



Sappho, fragment 168c
loose translation/interpretation by Michael R. Burch

Gaia, rainbow-crowned, garbs herself in myriad hues.



Sappho, fragment 101a
loose translation/interpretation by Michael R. Burch

Undaunted by summer ablaze
the cicada emits its high, shrill song.



Sappho, fragment 103
loose translation/interpretation by Michael R. Burch

Sing of the bride with shapely feet, fair as the violet-robed daughter of Zeus, Artemis. Let the violet-robed bride calm her bridegroom's anger. Come holy Graces and Pierian Muses, whose sweet-toned songs soothe the overwrought heart. Let the annoyed bridegroom complain to his companions as she redoes her hair, fiddles with her lyre, and tries on dawn-golden sandals!



Sappho, fragment 103b
loose translation/interpretation by Michael R. Burch

Bed the bride with the beautiful feet,
or bring her to me!



Sappho, fragment 141
loose translation/interpretation by Michael R. Burch

Hermes mixed ambrosia in a bowl,
then poured it for the gods
who, having lifted their cups, made libations,
then in one voice blessed the bridegroom.



Sappho, fragment 27
loose translation/interpretation by Michael R. Burch

Because you were once young and loved to dance and sing, come, think favorably of us and be gracious. You know we're off to a wedding, so quickly as possible please send the virgins away. And may the gods bless us here since there's no path yet for men to reach great Olympus.



Sappho, fragment 115
loose translation/interpretation by Michael R. Burch

Dear groom,
to whom
may I compare you?
To a slender sapling.



Sappho, fragment 103c
loose translation/interpretation by Michael R. Burch

1.
… remembering delightful Arheanassa,
her laughter lovely as any Lorelei's …

2.
… remembering delightful Arheanassa,
her laughter lovely as any water nymph's …



Sappho, fragment 76
loose translation/interpretation by Michael R. Burch

Fulfill?
At my age I'm just hanging on!



Sappho, fragment 45
loose translation/interpretation by Michael R. Burch

1.
As long as you desire, I do!

2.
As long as you command, I obey!

3.
As long as you will, I submit.

4.
As long as you want me, I'm yours.



Sappho, fragment 50
loose translation/interpretation by Michael R. Burch

A handsome man pleases the eyes
but a good man pleases.



Sappho, fragment 41
loose translation/interpretation by Michael R. Burch

For you, O my Beautiful Ones,
my mind is unalterable.



Sappho, fragment 18
loose translation/interpretation by Michael R. Burch

Everyone extols my storytelling:
"better than any man's!"



Sappho, fragment 88
loose translation/interpretation by Michael R. Burch

Though you prefer not to get carried away
and may imagine someone sweeter to behold,
someone who may yet say "Yes!"
still I will love you as long as there's breath in me,
swallowing the bitter,
ever the faithful lover.



Sappho, fragment 158
loose translation/interpretation by Michael R. Burch

When anger floods your chest,
best to still a reckless tongue.



Sappho, fragment 129
loose translation/interpretation by Michael R. Burch

They say Sappho's sweetest utterance
Was the hymeneal hymn of Love.



Sappho, fragment 153
loose translation/interpretation by Michael R. Burch

Queen Dawn,
solemn Dawn,
come!



Sappho, fragment 26
loose translation/interpretation by Michael R. Burch

Why, Mistress Aphrodite,
*******! Why do you
fill me with such lust? Why
inflict such suffering on me?
When I prayed to you in the past,
you  never treated me with such indifference!



Sappho, fragment 132
loose translation/interpretation by Michael R. Burch

Love, the child of Aphrodite and heaven;
Sappho, of earth;
Who had the more divine birth?



In the following 101 short translations the fragment numbers are Lobel-Page unless otherwise noted. All translations are by Michael R. Burch and should be so credited if they are used in any way, shape or form.

I now, with all my heart, fully, as much as it is possible for me, blossom to see your lovely face, touching. (4)

Let's go ogle golden-armed Lady Dawn before our doom. (6b)

It's impossible to be happy and human; yet I still pray a share for myself, of happiness. (16a)

Even this pressed for time, tonight we can raise a toast to the stars. (18a)

Put on your finery and with any luck we'll make harbor — back to dry land, back to the black earth. (20)

Though I'm skilled in lament and trembling with wrinkle-skinned age, yet there is the chase. Strum your lyre and sing to us of violet-robed loveseekers, Abanthis! (21)

Left to our own devices, two pretty young things, we found our way to the bedroom. (25)

Menelaus, son of Atreus, lies returned to the black earth, finally beyond agony. (INCERT. 27)

Colorful Lydian sandals covered her feet. So beautiful! (39)

At your altar, unforgiving Mistress, I will sacrifice a white goat and offer libations. (40)

I and Archeanassa, Gorgo's wife … (42a)

Beauty brings peace when my mind is troubled. Come sit beside me, friends, for day draws nigh. (43)

Once fleeing, hounded and bitten by gods, you gave me a name, put fame in my mouth. (58a)

O darkwinged dream you soar on night's drafts to sleep with the gods, and I am in agony to sense such distant power for I expect to share nothing with the blessed. I would rather not be left with mere trinkets, yet may I have them all! (63)

Andromeda may have abandoned you, but I, Aphrodite, Queen of Cyprus, still love you, Sappho, as the sun illuminates everything, everywhere; even by the dewy banks of Acheron, I am with you. (65)

I come to join the harmonies of a joyful chorus: sweet-toned, clear-voiced. (70)

Aphrodite, goddess of sweet-sung desires, sits on her throne of blooms in the beautiful dew. (73)

Aphrodite, sweet-talking goddess of love, sits on her throne of blooms in the beautiful dew. (73)

Joy? What joy? You gave me nothing: though beautiful, always unsmiling. (77)

She was all hair, otherwise nothing. (80)

Mnasidika is more curvaceous than even our soft Gyrinno. (82a)

Wait here once again, because … I come! (84)

You enrich me, like listening to an old man. (85)

We, having left rumors behind, departed people in a frenzy, tearing out their hair. (87)

Atthis, so charming in the bedroom, but otherwise hateful, proud and aloof, her teeth clicking like castanets. (87a)

Though you caused my soul and my heart sorrow, here's a small truth: I will always say "I love you" with a true heart. (88a)

Persuasion, Aphrodite's fledgling, with her broad, arrogant wings, sped me to Gyrinno, then to graceful Atthis. (90)

Irana, you're the biggest pain I've ever met! (91)

… saffron-dyed Phrygian purple robes and rugs … (92)

Later Polyanaktidis takes the lyre, strums the chords till they vibrate softly, and yet the sound pierces bones and melts the marrow. (99a)

Sons of Zeus, come to your rites from wooded Gryneia, here to our oracle! Then let the ritual songs begin! (99b)

Expensive gifts, these scented purple headscarves Mnasis sent us from Phokaia. (101)

Gorgo took her many insignificant verses to Cyprus, to be admired by many. (103a)

******'s singers reign supreme! (106)

Lesbian singers out-sing all others. (106)

… a most beautiful, graceful girl … (108)

The doorkeep’s feet are seven fathoms long, fill five oxhides, and it took ten cobblers to strap his sandals! (110)

Groom, to whom can I fairly compare you? To a slender sapling. (115)

Rejoice, most honored bride and groom! Rejoice! (116)

May the bride rejoice and her groom rejoice. Rejoice! (117)

The newlyweds appeared at the polished entryway. (117a)

Hesperus, star of the evening! *****, god of marriage! Adonis-like groom! (117b)

She stunned us in / wet linen. (119)

I'm talented, it's true, / but you / Calliope, remain unrivaled. (124)

I now wear garlands, who once wove them. (125)

Come again, Muses, leaving the golden heavens. (126)

Andromeda had a fine retort: "Sappho, why did Aphrodite so favor you? Did you ****** her?" (133)

We once spoke in a dream, Cyprian! (134)

Nightingale, enticing-songed harbinger of spring. Sing! (136)

The gods alone are above tears. (139)

They've all had their fill of Gorgo. (144)

Nightlong celebration wearies their eyes, then closes them. (149)

Our eyes embrace the black sleep of night. (151)

… many colors mingled … (152)

Women thronged the altar at moonrise. (154)

A hearty "Hello!" to the daughter of Polyanax. (155)

Lady Dawn, arise, / flood night's skies / with cerise. (157)

Imperial Aphrodite said: "You and Eros are my vassals. (159)

Imperial Aphrodite! bridegrooms bow down to Her! kings are Her bodyguards and squires. (161)

You "see" me? With whose eyes? (162)

Oh, my dearest darling, never depart/ or you'll wreck my heart! (163)

Leto summons her son, the Sun. (164)

To himself he seems godly, to us a boor. (165)

Leda, they said, once discovered a hidden, hyacinth-blue egg. (166)

Whiter than eggs, your unsunned *******. (167)

She's fonder of children than cradlerobber Gello. (168a)

We ran like fawns from the symposium: me, Cleis and reckless Gongyla. (168d)

Destiny is from the Muses, / and thus I was destined to leave him / to become / Sappho, Mistress of Song. (168e,f)

Unknowing of evil, I was pure innocence. (171)

Eros, pain-inducer, desist! (172)

She grew like a trellis vine. (173)

Mighty Zeus, World-Holder! (180)

Little is learned with an easy passage, much by a hard. (181)

May I go, or must you? (182)

Eros gusting blew my heart to pieces. (183)

I live in danger of too much love. (184)

Men fell in love with my honeyed voice, but I fell for girls. (185)

Sappho: Let me be one of the Muses when I die! Aphrodite: Granted! (187)

Eros, story-weaver, never a happy ending? (188)

I was very wise, except in the ways of love. (190)

That girl grew curvy and curly, like celery. (191)

We raised golden goblets inlaid with ivory and toasted the stars. (192)

I once instructed Hero of Gyara, the fleetfooted runner. (287)

We collapsed, drenched in sweat on both sides. (288)

Dawn spilled down the high mountains. (289)

Trading rosy health for less heartache, I fled my girlish youth. (291)

Such a boy once drove his chariot to Thebes, while Malis spun his fate on her spindle. (292, Malis was a Lydian war goddess)

"Thorneater?" That doesn't offend irongutted Arcadians! (293)

Hecate, Aphrodite's golden-armored ally, Queen of the Underworld. (294)

Learn from Admetus to love the courageous and avoid cowards, who seldom show gratitude. (296)

The black earth absorbed grief-stricken tears along with the interred sons of Atreus. (297)

Nightingale, sing your song and I'll sing along. (298)

Aphrodite, my mind is troubled. I'm still your servant, but Atthis remains a headstrong child. (299)

As when before your light streamed like honey but I was in darkness still. (300)

She is lovely as before, but where now is Hope? (300a)

Aphrodite, do you not love the windlike dances / of beautiful, apple-cheeked Abanthis? (301)

Cyprian, how splendid your altar ablaze in blue, silver and gold. Yet you all the more amazing! (302)

The bride lovely as dawn's unfolding sky, the groom nearly as handsome. (303)

Cyprian, here we come, singing songs and offering libations! (304)

A graceful girl, shy as a fawn and as flighty. (305)

Glorious passions! Passions uproarious! (306)



Sappho, fragment 306a
loose translation/interpretation by Michael R. Burch

O most revered Queen of Heaven,
Golden Aphrodite!

Blessed above all mortal women,
and blessed by them …

Goddess, come!

Aphrodite, most beautiful,
enter with your train of elegant attendants!

Arise now for me,
honeysweet Aphrodite!

Meet me with greetings holy and divine!

Be mine!

What ecstasies, O my Queen,
shall we revel in at midnight?



THE LONGER POEMS OF SAPPHO

Unfortunately, the only completely intact poem left by Sappho is her "Ode to Aphrodite" or "Hymn to Aphrodite" (an interesting synchronicity since Sappho is best known as a love poet and Aphrodite was the ancient Greek goddess of love). However, "That man is peer of the gods" and the first poem below, variously titled “The Anactoria Poem,” “Helen’s Eidolon” and “Some People Say …” are largely intact. Was Sappho the author of the world's first "make love, not war" poem?



"Some Say"
Sappho, fragment 16
loose translation/interpretation by Michael R. Burch

Warriors on rearing chargers,
columns of infantry,
fleets of warships:
some call these the dark earth's redeeming visions.
But I say—
the one I desire.

Nor am I unique
because she who so vastly surpassed all other mortals in beauty
—Helen—
seduced by Aphrodite, led astray by desire,
departed for distant Troy,
abandoning her celebrated husband,
deserting her parents and child!

Her story reminds me of Anactoria,
who has also departed,
and whose lively dancing and lovely face
I would rather see than all Lydia's horsemen, war-chariots
and columns of infantry parading in flashing armor.



Sappho, fragment 31
loose translation/interpretation by Michael R. Burch

To the brightness of Love
not destroying the sight—
sweet, warm noonday sun
lightening things dun:
whence comes the Night?



Ode to Anactoria
Sappho, fragment 31
loose translation/interpretation by Michael R. Burch

How can I compete with that ****** man
who fancies himself one of the gods,
impressing you with his "eloquence" …
when just the thought of basking in your radiant presence,
of hearing your lovely voice and lively laughter,
sets my heart hammering at my breast?

Hell, when I catch just a quick glimpse of you,
I'm left speechless, tongue-tied,
and immediately a blush like a delicate flame reddens my skin.

Then my vision dims with tears,
my ears ring,
I sweat profusely,
and every muscle twitches or trembles.

When the blood finally settles,
I'm paler and wetter than the limpest grass.

Then, in my exhausted madness,
I'm as dull as the dead.

And yet I must risk all, being bereft without you …



Ode to Anactoria
Sappho, fragment 31
loose translation/interpretation by Michael R. Burch

To me that boy seems
blessed by the gods
because he sits beside you,
basking in your brilliant presence.

My heart races at the sound of your voice!
Your laughter?—bright water, dislodging pebbles
in a chaotic vortex. I can't catch my breath!
My heart bucks in my ribs. I can't breathe. I can't speak.

My ******* glow with intense heat;
desire's blush-inducing fires redden my flesh.
My ears seem hollow; they ring emptily.
My tongue is broken and cleaves to its roof.

I sweat profusely. I shiver.
Suddenly, I grow pale
and feel only a second short of dying.
And yet I must endure, somehow,

despite my poverty.



Sappho, fragment 31
loose translation/interpretation by Michael R. Burch

… at the sight of you,
words fail me …



Sappho, fragment 31
loose translation/interpretation by Michael R. Burch

Your voice beguiles me.
Your laughter lifts my heart's wings.
If I listen to you, even for a moment, I am left stunned, speechless.



The following are Sappho's poems for Atthis aka Attis aka Athis …



Sappho, fragment 49
loose translation/interpretation by Michael R. Burch

1.
I loved you, Atthis, long ago …
even when you seemed a graceless child.

2.
I fell in love with you, Atthis, long ago …
You seemed immature to me then, and not all that graceful.

3.
I loved you, little monkey-faced Atthis, long ago …
when you still seemed a graceless child.

4.
I loved you Atthis, long ago,
when my girlhood was a heyday of flowers
and you seemed but an awkward adolescent.



Sappho, fragment 131
loose translation/interpretation by Michael R. Burch

1.
You desert me, Atthis,
as if you find me distasteful,
flitting off to Andromeda …

2.
Atthis, you forsake me
and flit off to Andromeda …



Ode to Anactoria or Ode to Atthis or Ode to Gongyla
Sappho, fragment 94
loose translation/interpretation by Michael R. Burch

So my Atthis has not returned
and thus, let the truth be said,
I wish I were dead …

"Honestly, I just want to die!"
Atthis sighed,
shedding heartfelt tears,
inconsolably sad
when she
left me.

"How deeply we have loved,
we two,
Sappho!
Oh,
I really don't want to go!"

I answered her tenderly,
"Go as you must
and be happy,
trust-
ing your remembrance of me,
for you know how much
I loved you.

And if you begin to forget,
please try to recall
all
the heavenly emotions we felt
as with many wreathes of violets,
roses and crocuses
you sat beside me
adorning your delicate neck.

Once garlands had been fashioned of many woven flowers,
with much expensive myrrh
we anointed our bodies, like royalty
on soft couches,
then my tender caresses
fulfilled your desire …"



Sappho, fragment 96
loose translation/interpretation by Michael R. Burch

1.
Our beloved Anactoria dwells in distant Sardis, but her thoughts often return to the life we shared together here, when she saw you as a goddess incarnate, robed in splendor, and loved to hear you singing her praises. Now she surpasses all Sardinian women, as, rising at sunset the rosy-fingered moon outshines the surrounding stars, illuminating salt seas and flowering meadows alike. Thus the delicate dew sparkles, the rose revives, and the tender chervil and sweetclover blossom. Now oftentimes when our beloved wanders aimlessly, she is reminded of gentle Atthis; then her heart assaults her tender breast with painful pangs and she cries aloud for us to console her. Truly, we understand the distress she feels, because Night, the many-eared, calls to us from across the dividing sea. But to go there is not easy, nor to rival a goddess in her loveliness.



The following translation is based on an imaginative translation by Willis Barnstone. The source fragment has major gaps.

Sappho, fragment 96
loose translation/interpretation by Michael R. Burch

How can mortal women rival the goddesses in beauty? But you may have come closest of all, or second to only Helen! With much love for you Aphrodite poured nectar from a gold decanter and with gentle hands Persuasion bade you drink. Now at the Geraistos shrine, of all the women dear to me, none compares to you.



Sappho, fragment 92
translation/interpretation by Michael R. Burch

“Sappho, if you don’t leave your room,
I swear I’ll never love you again!
Get out of bed, rise and shine on us,
take off your Chian nightdress,
then, like a lily floating in a pond,
enter your bath. Cleis will bring you
a violet frock and lovely saffron blouse
from your clothes-chest. Then we’ll adorn
you with a bright purple mantle and crown
your hair with flowers. So come, darling,
with your maddening beauty,
while Praxinoa roasts nuts for our breakfast.
The gods have been good to us,
for today we’re heading at last to Mytilene
with you, Sappho, the loveliest of women,
like a mother among daughters.” Dearest
Atthis, those were fine words,
but now you forget everything!



Sappho, fragment 98
translation/interpretation by Michael R. Burch

1.
My mother said that in her youth
a purple ribband
was considered an excellent adornment,
but we were dark
and for blondes with hair brighter than torches
it was better to braid garlands of fresh flowers.

2.
My mother said that in her youth
to bind one's hair in back,
gathered together by a purple plaited circlet,
was considered an excellent adornment,
but for blondes with hair brighter than torches
it was better to braid garlands of fresh flowers,
or more recently, to buy colorful headbands from Sardis
and other Ionian cities.
But for you, my dearest Cleis,
I have no iridescent headband
to match your hair's vitality!



Sappho, fragment 41
translation/interpretation by Michael R. Burch

For you, fair maidens, my mind does not equivocate.



Hymn to Aphrodite
by Sappho
loose translation/interpretation by Michael R. Burch

Immortal Aphrodite, throned in splendor!
Wile-weaving daughter of Zeus, enchantress and beguiler!
I implore you, dread mistress, discipline me no longer
with such vigor!

But come to me once again in kindness,
heeding my prayers, as you did so graciously before;
O, come Divine One, descend once more
from heaven's golden dominions!

Then, with your chariot yoked to love's
white consecrated doves,
their multitudinous pinions aflutter,
you came gliding from heaven's shining heights,
to this dark gutter.

Swiftly they came and vanished, leaving you,
O my Goddess, smiling, your face eternally beautiful,
asking me what unfathomable longing compelled me
to cry out.

Asking me what I sought in my bewildered desire.
Asking, "Who has harmed you, why are you so alarmed,
my poor Sappho? Whom should Persuasion
summon here?"

"Although today she flees love, soon she will pursue you;
spurning love's gifts, soon she shall give them;
tomorrow she will woo you,
however unwillingly!"

Come to me now, O most Holy Aphrodite!
Free me now from my heavy heartache and anguish!
Graciously grant me all I request!
Be once again my ally and protector!

"Hymn to Aphrodite" is the only poem by Sappho of ****** to survive in its entirety.



Sappho, fragment 2
translation/interpretation by Michael R. Burch

Come, Cypris, from Crete
to meet me at this holy temple
where a lovely grove of apples awaits our presence
bowering altars
                            fuming with frankincense.

Here brisk waters babble beneath apple branches,
the grounds are overshadowed by roses,
and through their trembling leaves
                                                              deep sleep descends.

Here the horses will nibble flowers
as we gorge on apples
and the breezes blow
                                       honey-sweet with nectar…

Here, Cypris, we will gather up garlands,
pour the nectar gratefully into golden cups
and with gladness
                                 commence our festivities.



The Brothers Poem
by Sappho
translation/interpretation by Michael R. Burch

… but you’re always prattling about Kharaxos
returning with his ship's hold full. As for that,
Zeus and the gods alone know, so why indulge
idle fantasies?

Rather release me, since I am commending
numerous prayers to mighty Queen Hera,
asking that his undamaged ship might safely return
Kharaxos to us.

Then we will have serenity. As for
everything else, leave it to the gods
because calm seas often follow
sudden squalls

and those whose fortunes the gods transform
from unmitigated disaster into joy
have received a greater blessing
than prosperity.

Furthermore, if Larikhos raises his head
from this massive depression, we shall
see him become a man, lift ours and
stand together.



Sappho, fragment 58
translation/interpretation by Michael R. Burch

Virgins, be zealous for the violet-scented Muses' lovely gifts
and those of melodious lyre …
but my once-supple skin sags now;
my arthritic bones creak;
my ravenblack hair's turned white;
my lighthearted heart's grown heavy;
my knees buckle;
my feet, once fleet as fawns, fail the dance.

I often bemoan my fate … but what's the use?
Not to grow old is, of course, not an option.

I am reminded of Tithonus, adored by Dawn with her arms full of roses,
who, overwhelmed by love, carried him off beyond death's dark dominion.
Handsome for a day, but soon withered with age,
he became an object of pity to his ageless wife.

And yet I still love life's finer things and have been granted brilliance, abundance and beauty.



And now, in closing, these are poems dedicated to the Divine Sappho:



Sappho's Rose
translation/interpretation by Michael R. Burch

The rose is—
the ornament of the earth,
the glory of nature,
the archetype of the flowers,
the blush of the meadows,
a lightning flash of beauty.



Sappho’s Lullaby
by Michael R. Burch

for Jeremy

Hushed yet melodic, the hills and the valleys
sleep unaware of the nightingale's call
as the dew-laden lilies lie
listening,
glistening …
this is their night, the first night of fall.

Son, tonight, a woman awaits you;
she is more vibrant, more lovely than spring.
She'll meet you in moonlight,
soft and warm,
all alone …
then you'll know why the nightingale sings.

Just yesterday the stars were afire;
then how desire flashed through my veins!
But now I am older;
night has come,
I’m alone …
for you I will sing as the nightingale sings.

Keywords/Tags: Sappho, ******, Greek, translation, epigram, epigrams, love, ***, desire, passion, lust