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scully May 2016
i have wasted so much paper for you
i have told strangers things i haven't thought about telling you
i have written poetry like
its a cheap substitute for therapy
and i've held the pencil so hard the lead breaks
when my hands shake too much to keep going
i have gone to all of these great lengths
i have written epics about the way you left me
i have written sonnets about how you came back
ive never shown you any of this in fear you will see how my handwriting slowly deteriorates into shaky lines and abstract complaints
in fear that you will make the connection that i havent spent one day free of you since we met
i feel like i have so much to say
and maybe im an expert on beating around the bush
or maybe you're just too self absorbed to hear me
i have tried every way to encrypt my words and say them without letting their meaning sink into your skin
ive got enough for a novel but i havent made my point
i love you
stop hurting me
okay, now im done.
scully May 2016
i try not to write poetry with your name in mind
because maybe im afraid of getting optimistic
maybe hopeful is too much of a burden to carry around
and staying angry is more safe than
all of the colors i feel when i look you in the eyes
and believe me baby-
sorry-
believe me,
i avert your gaze with probable cause
its easier to hate you than to hate our odds
and the comfort i feel when you say my name
like a whisper
like a prayer
like a moment for me alone
its easier to keep this pessimistic mindset
because i think, even as a raincloud, i can admit
if i describe the way my hands shake
when you touch me
i will never be able to silence myself
its easier to keep all of this bottled up
and sent out to sea
with no recipient
than to reach across the table
and break the silent rules we never put into permanence
believe me,
it's easier to avert your gaze
than to confront my feelings
because you know how i feel about confrontation
i can sleep surrounded by white noise
and i'll still have said too much
because every time you slip up
i feel it in my chest
and maybe i can admit that i dream about the eye contact i avoid
without destroying the way we both hold our breath around eachother
i dream about you hating these urges the same way i do
i dream about you wanting me and your sacrilegious mindset
and maybe if i fall asleep sober enough
in that dream
i can find a way to reach across the table
and write optimistic poetry about
how it feels to break the rules
shhh
scully Apr 2016
because it echoes inside of my head
and i stare at a blank screen waiting
for the grace of God to light everything up
to light me up
to follow my parents footsteps and pretend im not in
desperate need of a deep breath
we are putting on a show and i am the star of their exasperated
"just get through it, alright?"

i know its over
because it has slowed to this gradual
remedial stop
after so much time and fake kinetic energy
and all i am left to do
is ponder the imaginary hypocrisy of something real
that is unable to be created
but destroyed in an instant
that manages to take hours
like my own personal paradox
my own personal big bang
i starve while watching everyone eat full meals

but, i suppose, my pauses cause bitterness and i know its over
because it took you this infinite instant to form
"i don't care anymore"
and you watched the expressions dance across my blank face
like you were my very own god
and in those words
that instant
that feeling
that remedial stop
you were telling me
"you don't need a deep breath.
you need an oxygen mask."

love is your recovery room
it is not the accident that puts you there
it doesn't matter how many times
i push my pencil into paper
and pass metaphors off as my own

i know its over
because i know you well enough
to know what it looks like
when color drains from your face
when your eyes gloss over like you've never said my name before
you are worse than a corpse
alive and breathing while i stay hooked into an IV with your words pushing through my bloodstream

i can write and write and write
about how much i know
how well i can pretend
how many big breaths i need

but it will not make it less over
it will not change the fact that
while i sit in the middle of my own big bang
while i choke on this instant
i use my last words
to apologize for making so much noise
i use my last words
to ask if you're breathing alright
less poetry and more drug induced rambling
scully Apr 2016
some evenings it's early
before anyone has a chance to notice
before any mouths can open for objections
before my limbs can react to your magnetic pull of opposite forces
some evenings its late
so late its barely evening at all
so late the moon creeps up like an hourglass counting down the seconds that belong to us
an alarm clock you can't reach to turn off
so late my words have strung out and dried
beyond the comprehension that we share
before you have a chance to hear them
some evenings it leaves my back pressed against glass like a prisoner
and im forced to watch people crack my exterior like an exhibit
some evenings it leaves me stumbling over
backspaced words and eraser marks
some evenings it is comfort that envelops me
it lingers until the next some-evening when i am
trapped and desperate like a caged animal
i am still waiting for the evening that plays out our scenario
im waiting for our odds to improve
the some-evening where you sit next to me in this glass home
and pretend you are not as uncomfortable as i am alive
and i don't have to sit and catalouge
all of these post-five PM hours
you are here before day turns to dusk
as you were always meant to
some evenings i immobilize my eagerness
by shoving "now is not the time"
down my own throat
some evenings i glance at the door
at my watch
i settle on my own hands
that beg to make your existence poetic
some evenings i just wait.
scully Apr 2016
There is a part of me
In the middle of my chest
Surrounding my center of gravity
That wants to write you out of my palms
For the hundredth time
And
Tell everyone in the world but you
In a collection of sentiments and drug induced nightfalls
My exact and precise emotions

There is a part of me
In the back of my head
Next to all of my memories
That begs for the erasure of your name
For the thousandth time
That pushes me to write down how I feel for the times
I forget that I loved everything poisonous about you

That I make art and I do it for you
And I can't sleep anymore and I do it for you
That every word I drip onto paper I say it for you

There is a part of me
In my fingertips,
In my stomach
That hurts to be natural
That hurts to go this distance
That hurts to write one poem about you
Where I dont come up on the losing end
That waits for your touch
The words I know you dont say for me

There is a part of me
In the front of my brain
Behind my eyelids
That remembers your apathy
That soaks in your words and
Refuses to settle within me in fear that
This repression will spring to life
And I will spend my nights in the echo of your words
Letting it scratch into my skin
Letting you scar me

It balances
With the part of me in my ribcage
That opens and closes for you like
A white picket fence
That does everything for you
That watches me listen to you
And fade in and out of consciousness
That remembers your antidote like a phone number
That silences the rest of my ******* body
In the hum of the drunk times you've told me
This time will be different
This time I will love you


There is a part of me
That wants to eradicate the existence of you in notebooks
In sentence structures and walls of words

And it strains against something that is not a part of me at all
But surrounds my body and pushes against me like gravity
That keeps you trapped in the center my palms
Against my skin with no puncture wounds
It flashes your face every time I blink
And I havent figured out how to free myself of this heart crushing weight
Than to write that

My body agrees
Loving you is not worth
All of this pressure
scully Mar 2016
you felt like a still life.
i laid next to you and held your hand
and tunnel visioned on your IV
while everyone sat around you in a circle
coloring you in without looking up from their paper
convinced they can capture the color of your lips
as if they exist in a way that isnt
completely unique to you.
scratching their pencils in an echo
that stretched across the grand-*******-canyon.
(i'm no artist
but i traced a smiley face into your palm)
i've watched your eyes fall over your pale skin
cursing your own body for making you into
a stone cut marble statue
instead of a vibrant painting on the wall.
(this poem does your portrait no justice)
if i could drown myself in a thesaurus
i would come up with words that are
synonymous to the hole you are leaving in my chest,
you felt like a still life.
you reached out and ghosted your hand over river water
you reached out and pulled budding flowers from trees
you reached out and broke pencils and snapped necks
you reached out for please do not touch signs
(you reached out and your arms fell short of distance.)
and i refuse to believe your legacy will stay in this artwork,
that your vibrant light will be caged in the chest of those who know you,
that your masterpiece will be shoveled into the storage rooms,
and pushed around and cracked at the edges,
that eventually i will forget how your voice sounds
and how you reach out and touch right through me
(and how you clung to your body and forgave it for betraying you.)
i can only imagine
that you will leave me
(with a grief that is waiting in a sickly anticipation
crawling up my legs and surrounding me like ivy)
i dont know anything about grieving
but it sounds so heavy, like a cement weight subject
a sixteen-year-old isnt supposed to teach.
(with deafening echos of people who scribble over your eyelids)
(with a calling into the earth like there are stones in my stomach and i make a home in the bottom of a riverbed)
and don't understand what it means
to watch art be nothing more than art
when your words become quotes
and your life becomes dates
and your eyes become a memorial
(i will live with you
trapped in the holes)
covering the parts of me i left at your bedside
drenched in the ironic taste of brushstrokes and immortality
you still feel like a still life
you are your own genre
you give art a new definition
(and i will spend the rest of my time
getting your details right)
hidden in the sand / tally hall
scully Jan 2016
i've spent hours cramped over thesaurus pages and days ignoring warnings to write about the people who make me feel the things i am supposed to feel

i've spent sentences and words and enough knowledge to fill volumes like a life-time credit debt, pouring sentiments and metaphors over people who won't even bother to read how i venerate their actions, their touch, their reactions

how i analyze each detail like ive got a four year degree and student loans to last me until im ninety in How to Make Yourself Sick With Overthinking

i've spent so much time deflecting like a broken pinball machine in the back of an old restaurant, telling anyone who listens that people make me feel human, give me emotions, make me feel real

i've never spent enough time away from instant gratification, reaction, attention, to know who i am without the people that fill gaps in my lungs and ribs, who stitch me up and send me into a field of disconcerted intentions and bad messes

i can't wite much about who i am, how i react, my actions, my touch, my reactions. my soul is based off of the fragments of other souls that have touched me.

and still, i want the words and syllables and poetry.
i want the actions and touches and reactions
i want to mean something to the people that mean so much to me
i want someone to raise me to this compulsory apotheosis
it's impossible i am the only one with emotions bursting inside of them like nightlights and meteor showers

i suppose
i haven't spent enough time thinking how
there is a vain narcissism that encompasses a person who, without people, would not be a person at all.
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