A mix of dim light and sharp contrast —
a bedroom at 3:17 a.m.,
where the glow of a screen casts itself onto a dusty mirror.
There’s dried lavender tied to the doorknob,
a ripped movie ticket folded into a cracked wallet,
and a coffee mug stained with lipstick and cold tea.
A Tim Hortons bagel wrapper on the floor,
beside a half-folded script marked in red.
She’s a blur of contradiction:
Muted winter tones with one accidental splash of neon,
Long coat drama with chipped nail polish,
Fiona Apple echoing across a frozen lake,
Voicemails unsent, and text drafts that never leave,
Floral borders framing forensic screenshots,
Sadness iced into snow,
Shame at the supermarket,
Wine untouched, then poured, then forgiven.
Sticky notes whisper “don’t text him today”
beside a reminder to feed the dog she no longer has.
There’s a still from Barry Lyndon,
and a grainy photo of Southern Ontario in March.
Boots at the door, still wet from sleet,
and a book cracked down its spine —
the protagonist doesn’t make it out.
She is the color of pale yellow, dried blood red, late-night blue, and hospital beige.
She knows the white of prescription labels,
and the gold of fairy tale endings that never arrive.