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Apr 16
Take a harp, go about the city,
You forgotten harlot;
Make sweet melody, sing many songs,
That you may be remembered
.
                                    Isaiah 23:16

In the boogie-woogie brothel
The clients enjoy
A devilish syncopation
Wherein ragtime revel
(hops/barley/sugarcane/rye/ginever)
Reveals base barbecue of ******* beats:
Dixieland, jazz blues, doo-***, tinpan cakewalk,
psychobilly, funkafied filth, the Charleston . . .

Smoke-filled music overflows the saloon;
(tobacco/cannabis/poppy/psilocybin/crystallized coca rock)
brings a sparkle to the eyes
and red laser pointers
to the PowerPoint™ screen
of Lucifer’s marketing and sales division:

murmur murmur how can we market
this **** tree in the middle of the garden, huh?
—what, the Knowledge of Good and Evil?
people don’t need trees like that anymore;
they want extreme trees—
they want ****, they want antisocial . . .
—yeah but how are we gonna SELL it?
  —well, were there not TWO trees ?
cut one down and sell the other
!
murmur murmur murmur

The marketing minions wrangle
Over Satan’s next big thing.
The ebony Tree of Life sits sullen and angry.
Her regal Afrolinguistic foliage be like:

Ima *** PAID fo MY hustle—
Cuz girls is playaz too
.
PROMPT #16:  write a poem that imposes
a particular song on a place.
Describe the interaction between the place
and the music using references to a plant
and, if possible, incorporate a quotation –  
a piece of everyday, overheard language.
ConnectHook
Written by
ConnectHook  ☩ ☩ ☩
(☩ ☩ ☩)   
59
   Scarlet McCall
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