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Linda Pahl Jun 2014
So what the fu¢k is so great
about ten words?
I get it: get in, get out, boom, you've written something in a minute when that's all the time you have. An economy of words can be a good thing.
.
  May 2014 Linda Pahl
Maya Angelou
A free bird leaps on the back
Of the wind and floats downstream
Till the current ends and dips his wing
In the orange suns rays
And dares to claim the sky.

But a BIRD that stalks down his narrow cage
Can seldom see through his bars of rage
His wings are clipped and his feet are tied
So he opens his throat to sing.

The caged bird sings with a fearful trill
Of things unknown but longed for still
And his tune is heard on the distant hill for
The caged bird sings of freedom.

The free bird thinks of another breeze
And the trade winds soft through
The sighing trees
And the fat worms waiting on a dawn-bright
Lawn and he names the sky his own.

But a caged BIRD stands on the grave of dreams
His shadow shouts on a nightmare scream
His wings are clipped and his feet are tied
So he opens his throat to sing.

The caged bird sings with
A fearful trill of things unknown
But longed for still and his
Tune is heard on the distant hill
For the caged bird sings of freedom.
Do not stand at my grave and weep..
I am not there. I do not sleep.
I am a thousand winds that blow,
I am the diamond glints on snow.
I am the sunlight on ripened grain,
I am the gentle autumn rain.
When you awake in the morning's hush
I am the swift uplifting rush
Of quiet birds in circled flight.
I am the soft star-shine at night.
Do not stand at my grave and cry..
I am not there. I did not die.
  May 2014 Linda Pahl
SG Holter
There's room for your every
Blade between my ribs.
I have a thousand other
Cheeks to turn when

You need to fling
Frustration from the channels
Of your heart's palms.
I can take all your punches.

I am a statue to your weathers.
I am the sound of handfulls of
Dirt and pebbles against an empty
Casket. I can take out my every

Nerve, my heart, my pain centre
And place it in a pocket; take it
All back out when you need to
Dillute your tears with mine

Over some matter that weighs
Heavy on the hearts of little
Girls playing with big boys; falling
From swings designed for

Denser bones and hands rough
From climbing. I am the teddy
Bear missing an eye and a limb,
Exposing stuffing through seams

Torn from being dragged over
Stairs and through sandboxes,
Always a thump behind little legs
That carry love for it, unequal to

Any.
  May 2014 Linda Pahl
Anais Nin
And then the day came,
when the risk
to remain tight
in a bud
was more painful
than the risk
it took
to Blossom.
  May 2014 Linda Pahl
Anais Nin
"Why one writes is a question I can never answer easily, having so often asked it of myself. I believe one writes because one has to create a world in which one can live. I could not live in any of the worlds offered to me – the world of my parents, the world of war, the world of politics. I had to create a world of my own, like a climate, a country, an atmosphere in which I could breathe, reign, and recreate myself when destroyed by living. That, I believe, is the reason for every work of art.
...
"We also write to heighten our own awareness of life. We write to lure and enchant and console others. We write to serenade our lovers. We write to taste life twice, in the moment and in retrospection. We write, like Proust, to render all of it eternal, and to persuade ourselves that it is eternal. We write to be able to transcend our life, to reach beyond it. We write to teach ourselves to speak with others, to record the journey into the labyrinth. We write to expand our world when we feel strangled, or constricted, or lonely … When I don’t write, feel my world shrinking. I feel I am in prison. I feel I lose my fire and my color. It should be a necessity, as the sea needs to heave, and I call it breathing."
('The New Woman', 1974)
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