‘There’s definitely a story here’, she said that evening over the telephone. They’d been sitting in Trevelyan Square in Leeds. He’d brought a picnic lunch so they could sit in the sun. When he arrived at the station she wasn’t wearing her glasses and he thought, I only see her like this in bed or . . . and he stopped that thought immediately because she looked so very lovely and he knew he would only have a couple of hours as her companion before work and children reclaimed them both. They’d sat on a bench eating his salad confection, apricots and nectarines. They forgot about the rock buns he’d baked the night before. Just in front of them sat four hounds, four stone hounds with staring eyes and very large paws sitting in a circle, four Talbot Hounds with water gushing from their mouths, four just larger than life-size handsome hounds commissioned by Joseph Edwards for the courtyard of his mansion at Castle Carr and, when the house was demolished in the 1940s, had disappeared. The hounds turned up in the 1970s in a stone-mason’s yard and an enterprising architect – building the Open University’s northern HQ - bought them for Trevelyan Square. As he sat there, with the water-spouting dogs, it was only her gracious, lovely self that occupied his attention. Why does she captivate me so ?, he thought. Why do I always feel with her like I did as a teenager, so unsure of myself, so overwhelmed by the female presence (he thought as he wrote this how often that word overwhelm came to mind when he wrote of her, and so checked the Thesaurus . . . hmm. Besieged, snowed-under, inundated, beleaguered, weighed down, beset? No, overwhelm was the only word he decided – she whelmed him over as a wave rises up and cresting falls and turns and rolls the swimmer beneath it.). It was, he considered, her femininity that was so particular and just embodied everything he’d ever dreamed and fantasized a woman might be, could be for him. He knew he’d thought and written of this aspect so often, and yet today, here with the sandstone dogs, there was a intensity, a vividness enlivening his senses. Without her glasses he could see the lines, indeed a shadow of fatigue, under her eyes, simply too much time with the computer perhaps. So she looked older, always wiser, and oh the joy of her freckles, the faint down on her cheek. And when, later, saying goodbye, he didn’t just kiss her gently as a good friend would do in a very public place, but brought her to him in an embrace that something outside of his usual careful manner required. He had hugged her with a passion and a joy and sadness all in one. On the train, a text, and he had suddenly to hide his tears that it could be so. He would write about those hounds . . .
Since the beginning of 2012 I've written a 'daily paragraph'. I know I often push the paragraph beyond its syntactical limits . . . but it's a good way to write something every day.