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 Apr 20 om4r
Lyda M Sourne
It's 3am

I'm on the phone
No one's awake and I'm alone

It's 3am

The radio's on
Songs are played on lonely station

It's 3am

I'm in my bed
My eyes are open and sleep has fled

It's 3am

I'm on the balcony
The sky is dark and just quite scary

It's 3am

Some windows have lights
Could they also not sleep tonight

It's 3am

I'm still awake
When will life ever give me a break
Insomniac nights are the worst. And it's been going on like this for quite awhile.
 Apr 20 om4r
Manx Pragna
"But what of these truths?" Asked Plato of Socrates.

"But what is truth in purest essence?
For what of the material is purely true?
Yet, by the very nature of the immaterial,
What may we ever quantifiably call truth which we ourselves have no alternative way of examining?
In going so far as to ask for an answer, you must already have proof.
What proof is there that there is truth?"
Spoke Socrates.

"Mentor, you ramble."
Spoke Plato.

"Pupil, I rumble!"
Spoke Socrates.
The natural check & balance:
Discussion.
 Apr 20 om4r
Manx Pragna
Don't search for me for where I am,
I'm not searching for where you are.

To that which you "belong."

Don't look for me to the future,
For I learned your histories & they are repulsive.

The records are detailed & long.

Don't give no magnification on my past,
For I have the details of your future.

Wrong is just wrong!
 Apr 20 om4r
Violet
If I die, would you cry,
Or just let the moment slide by?
Would i be in your mind,
Or maybe fade with the tides we left behind?

Would the silence feel like pain,
or pass you, just like the rain?
i dont seek for fame or your time,
Just a whisper of my name.
 Apr 19 om4r
Sylvia Plath
'Perspective betrays with its dichotomy:
train tracks always meet, not here, but only
    in the impossible mind's eye;
horizons beat a retreat as we embark
on sophist seas to overtake that mark
    where wave pretends to drench real sky.'

'Well then, if we agree, it is not odd
that one man's devil is another's god
    or that the solar spectrum is
a multitude of shaded grays; suspense
on the quicksands of ambivalence
    is our life's whole nemesis.

So we could rave on, darling, you and I,
until the stars tick out a lullaby
    about each cosmic pro and con;
nothing changes, for all the blazing of
our drastic jargon, but clock hands that move
    implacably from twelve to one.

We raise our arguments like sitting ducks
to knock them down with logic or with luck
    and contradict ourselves for fun;
the waitress holds our coats and we put on
the raw wind like a scarf; love is a faun
    who insists his playmates run.

Now you, my intellectual leprechaun,
would have me swallow the entire sun
    like an enormous oyster, down
the ocean in one gulp: you say a mark
of comet hara-kiri through the dark
    should inflame the sleeping town.

So kiss: the drunks upon the curb and dames
in dubious doorways forget their monday names,
    caper with candles in their heads;
the leaves applaud, and santa claus flies in
scattering candy from a zeppelin,
    playing his prodigal charades.

The moon leans down to took; the tilting fish
in the rare river wink and laugh; we lavish
    blessings right and left and cry
hello, and then hello again in deaf
churchyard ears until the starlit stiff
    graves all carol in reply.

Now kiss again: till our strict father leans
to call for curtain on our thousand scenes;
    brazen actors mock at him,
multiply pink harlequins and sing
in gay ventriloquy from wing to wing
    while footlights flare and houselights dim.

Tell now, we taunq where black or white begins
and separate the flutes from violins:
    the algebra of absolutes
explodes in a kaleidoscope of shapes
that jar, while each polemic jackanapes
    joins his enemies' recruits.

The paradox is that 'the play's the thing':
though prima donna pouts and critic stings,
    there burns throughout the line of words,
the cultivated act, a fierce brief fusion
which dreamers call real, and realists, illusion:
    an insight like the flight of birds:

Arrows that lacerate the sky, while knowing
the secret of their ecstasy's in going;
    some day, moving, one will drop,
and, dropping, die, to trace a wound that heals
only to reopen as flesh congeals:
    cycling phoenix never stops.

So we shall walk barefoot on walnut shells
of withered worlds, and stamp out puny hells
    and heavens till the spirits squeak
surrender: to build our bed as high as jack's
bold beanstalk; lie and love till sharp scythe hacks
    away our rationed days and weeks.

Then jet the blue tent topple, stars rain down,
and god or void appall us till we drown
    in our own tears: today we start
to pay the piper with each breath, yet love
knows not of death nor calculus above
    the simple sum of heart plus heart.
 Apr 19 om4r
E. E. Cummings
i like my body when it is with your
body. It is so quite new a thing.
Muscles better and nerves more.
i like your body.  i like what it does,
i like its hows.  i like to feel the spine
of your body and its bones,and the trembling
-firm-smooth ness and which i will
again and again and again
kiss, i like kissing this and that of you,
i like, slowly stroking the,shocking fuzz
of your electric furr,and what-is-it comes
over parting flesh….And eyes big love-crumbs,

and possibly i like the thrill

of under me you so quite new
 Apr 19 om4r
Vale Luna
(read forward, then backward, line by line)

I ran.
Not knowing what else to do
There was so much blood on my hands
It was mine
The kitchen knife
Caught in my chest
Guilt
Consumed by
Fear
I was heightened by
Adrenaline
But running on
Wasn’t enough
While trying to stay calm,
Losing control
It was me that would end up
Dead. Because
He was
In front of me
The whole time
It was too late
Trapped
I found myself
Locked in chains
My fate was
Death.
Forward: from the victims perspective.
Backward: from the murderers perspective.

This TOOK ME FOREVER TO WRITE
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