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A WOMAN IS CRYING

in the next room
a woman is
crying

a moon
perches upon a
n hotel sign

unmoved
as a new millennium
dawns as bright as neon

the woman
still crying
her unknown despair

shifting silently
from one century
to another

human grief
unchanged
from age to age
a woman is crying

*

New York with one century becoming another and in this one moment on the threshold of a new age...a woman cries her own private grief...a sorrow that has no name but seems to be the grief of all ages now and to come. I never discovered the reason for such sorrow and the neon coloured it blue and yellow and then red.
JOLLY GOOD SHOW

All day
stuck up this ****** tree

in the middle of ****** nowhere.

All the landscape
shrunk to this crossroads

like the cross-hairs
on a rifle sight

brings the distance
into focus.

“****** Nora! ”
He swears to himself and laughs.

His mother’s name was Nora.

Always thought it was hilarious
to swear by her.

Remembers one time as a boy
swearing at her:

“And eh by gum
she didn’t half hit me hard! ”

“Blood seeping through the gum
still taste the taste of it on my tongue
****** ‘orrible it was!

Hated her ever since.”

“Now, look whatcha made me done! ”
she hollered at him.

“Yes…sorry our Mum! ”

He didn’t dare cry
‘cos she’d hit for crying!

“She was a hard one…our Mum!
Had to be with us ****** lot!

She were fun though when she were happy! ”

He hoped to God
that his man would come

so he could **** him
and be done.

Didn’t know him
from Adam

(leader of the insurgents
capable of getting men around him) .

“Dangerously charismatic! ”

Better dead
to keep the British peace alive

as the Empire lay dying.

The sun setting
dying him a golden brown.

“If he don’t come soon
I won’t have the light to **** him.”

“Remembering shooting game with our Dad
rabbit…pheasant...up ‘eath in sunlight

. . .such as this.”

The dangly ****** rabbit
turning into next night’s stew

eating a celebration
of what you can do

- do well...****.

How he came to be here
up a ****** gum tree

rifle in hand…staring
waiting for a man to ****.

Same ****** thing.
Simple ****** plan!

Waiting 3 days now
and no man.

“Keep your position ...over.”
“Maintain radio silence.”

“Report in when job done.”
“Roger ok that...over & out.”

“Eager to get job done so I can go ****** ‘ome!”

“Didn’t believe it myself
until I seed it! ”

Dot in the distance
translating itself into a man.

Just enough light left
for killing.

“And now, put out the light
...put out the light! ”

He muttered to himself.

****** Othello!
The only Shakespeare he knew.

“A lass I once knew
A real brain & chatter box! ”

“I only ever wanted to get into her knickers
& the only way to do so was to listen…so I listened.”

“Trying to teach ****** me Proper English
and she ****** well Scottish!

****** cheek!
...och aye...but nooo! ”

The crossroads funnel him into
the killing spot

“Trot trot trot trot!
like THE HIGHWAYMAN!

Noyes! No...yes!

Why think of
Marjorie Wallace and her ****** poetry now!

No poetry in killing
just plain ****** prose.

Dead is dead is dead.

A blown rose
fading on the periphery of his vision.

The cross-hairs
come to rest

like a deadly spider
on the rider’s face.

He’s ****** grinning.

The man doesn’t even know
he’s already dead!

Won’t even know what’***** him!

(Probably thinking of a sweetheart
and getting her into ****** bed)

Just like I am.

Just the gentlest of squeezes

like stroking a lassie’s ****
(Oh Marjorie ****** Wallace!)

Then - that’s it!
The rifle spits and speaks

in the language of the dead

and only one man understands
what’s said.

And where there was a head
there is now no head.

You see it only
for the briefest of seconds

and can’t really believe it!
How the head blossoms!

Like a sudden flower
and then fades

in that
instant.

Mindless now...

he plucks the faded rose
(or whatever it is it’s called around here)

reminds him of
England.

Pops it into
an amo pocket.

Good clean ****.
Head shot – one shot.

Tries to pretend...
but it always hits him hard

taking a closer look
at his handiwork.

Kicks the body:
“You poor stupid ****** ******! ”

“A man no less a man
than I am...”

Faceless.

Lying there in the dirt
as he were only having a kip.

Becoming dirt.

Breaks radio silence:
“Come and ****** well pick me up! ”

“Jolly well done! ”
The radio cackles back.

“Jolly good show! ”

*

Brian was the gentlest and nicest man...he had a great sense of humour and always greeted me with a big sweary hello. He was always delighted to see me and I him. He was a delight to be with. I knew he had been in the army but didn't know the where and when of it. One evening as we sat in his room with the sun bathing us in gold he suddenly came out with all of this...inside this lovely man was the practical let's-get-on-with-it killer....a job to be done no more. I've tried to keep his voice and his telling and the sense of self...letting him tell the story as he did that day without any comment.
THIS MAN WHO IS NOT MY FATHER IS MY FATHER

This man
who is not

my father

is

my
father.

The others laugh:

“It’s not your turn but
he calls only for you! ”

And so I go
& clean him up

his skeleton thin body
splashed with ***** & sh.

I laugh & joke
with him.

He chuckles
as I tell him:

“Johnny....you used to be
so full of crap
but sh
...now you’re not! ”

Lucky
our Irish sense of humour

extends this far

say anything with love and
it becomes so.

It is a tired old joke
but like a child he

pounces on its nuances
relishing each pause and stupid syllable!

I bathe
him

this man
who is not my father

gently as if he were

my child.

I sing
to him
all the old songs

I learned
at my father’s hands

as he bathed me.

“...why does my poor heart keep following you...”

We sing together
softly as I bathe him

dress him
anew

in the memory
of my father.

This man
who is not

my father

becomes
my father

as my hands learn
to care for him.

I settle
a pillow

behind
his head

wipe sweat
from his forehead

stroke
his hair

until  his sleep
is full

of dreams

...dreams.

*

He was only skin and bone and very weak...one could imagine Death standing by. He was always amazed that "How does a young fella like you know that" or as I would bathe him when he soiled himself I would sing the "Old Refrain" and again he would  say "But how does a young fella like you know a song like that!?" And the answer was always the same "My Da would always sing it to me when I was small and he was bathing me!" Or my Da would suddenly recite to me when tying my shoelaces or combing my hair "Jenny kiss'd me!" Or sing to me as he worked in his plot...'Liverpool  Lou.' And so the love of these would be passed from my Da to me and so to him. We all loved these things in a line stretching all the way back to my Da's young days in the 1920's. Love never goes away it just changes into another person  and an old poem and an old song would be the means to carry that love.
OH FRABJOUS DAY!

“Well well!”
chortled the Jabberwock
rising to greet me

“If it isn’t Donall
of the Dempseys
to be sure to be sure!”

I beamed
at the Irishism and
gave him a great big hug

he took an enormous
fob watch out of
his waistcoat pocket

“Is that the time?”
smirked the Jabberwock
“We haven’t met since…”

“…I967!” I answered
“From ’67 to now
that makes you 67!”

“Were you scared
of me way back then”
snickered the Jabberwock

“Naw…I knew you were
just a load of nonsense
fun with sounds and words!”

he put down
his vorpal knife and fork
said he had to fly

another reader
had opened the book
and he had to jump

into his Tenniel
illustration
and play his part

“But dear boy…dear boy
how wonderful it was
to see you after all this time!”

he smiled
over his shoulder
"Oh and tell Alice...

I was asking for her!"
and he was gone
flying off into my imagination
DRESS WITHOUT A WOMAN

dress without a woman
high heel without a foot
ring without a finger

who you were
reduced down to
items in a second-hand shop

death erases you
( memory tries to... )
death erases you

a palimpsest of selves
I try to make you
exist

my fingertip
writes your name upon
a frosted window pane
CRÚISCÍN...CÍSTÍN BAISE
(LITTLE JUG...LITTLE PALM CAKE)

Auntie Mary’s
currant cake & blackberry jam

“Mmmmmmmm”

The jewels in the crown
of our forever summer

holiday

precious Corkonian objects
brought back to the lowly lowlands of the Curragh.

All the blackberries
that ever were

bursting with sunshine
& childhood

Jumping into
the jar for her
as if it were
an honour.

They & I
transformed by her

love
& lovely laughter

cake baked
with smiles & chuckles

winks & singings.

Me on her knee...tiny
being kissed to bits

Me being devoured
by an enormous hug

smothered in bosoms
many many yellow flowers on her purple pinny.

Her blowing my curls
out of the way

so that her smile
could kiss me

more &
more...er!

Me unable to
comprehend anything

of her
Cork accent.

Me saying “Yes..? ” & “No..? ”
in all the wrong hilarious places

(to my great embarrassment
& her great amusement)

her breath
tickling my cheek

telling me
she loved me
...loved me...

& that I looked
so good

she could
“...ate me! ”

*

(
Homely little terms! A little jug of milk and a little cake in the palm of your hand.)

A cístín baise is a little cake made on the side of the griddle especially for the child...eh...“helping” with the baking.

This was written for my Aunt Mary who passed away recently leaving me with nothing but the memory of her love...her all abiding love...that not even her death can diminish. I simply adored her.

The Cork accent is like fast fluent French cross pollinated with sing- song Welsh...almost impossible to understand unless you are immersed in it for a couple of months! But of course she would also play with me and make up a whole lot of what they call in Cork... “glig glag”...silly talk.

She was so easy to love.

A child’s delight!
DANNY DEMPSEY'S SON

my name
floated free
from me

like a child's ballon
taken prisoner
by a sky

here at the Old Head
of Kinsale where
my father had been born

I had become
"Ahhh Danny Dempsey's son!"
"Ahhh Danny Dempsey's boy!"

my Donall-self lost
in their delight of my father
"Where's my name gone?"

"He's the spit of ya!"
"The very echo of ya!"
"Hasn't he stole yer face!"

everyone having an opinion
of who it was
I was

and wasn't I only
delighted to be
" Ahhh Danny Dempsey's son!"

*

It was the first and only time I had been taken to my father's birthplace. And despite being long away from here he was instantly  
known by strangers who could tell him by just the look of him. And it turned out everyone was a second or seventh cousin. They delighted in him...sheer happiness to be in his presence as in the wild sky generation after generation linked together in the cry of the gulls.

The lighthouse was too dangerous to go up in so we stood at its base with a storm rearing its head. It was odd that nobody referred to me by my name only as "Danny Dempsey's son!" I wore this naming like a medal...always delighted to be his child.

On my first Holy Communion I was taken to Dublin for the great day. We were walking down Moore Street with the women selling their fruit and vegetables in full voice. A babble of voices....crazy as gulls.
When they saw us the whole street as one stopped and smiled with glee. One after another they declaimed: "Ahhh sure if it isn't Danny with his little fella!"  I was petted and patted and hair ruffled and oooh'd and ahhh'ed over.Money and fruit...fruit and money were ****** into our hands despite our protestations.

I thought it was the Cork effect happening all over again. It was like my Da was The Beatles but they had simply mistaken him for someone else. And the more he tried to tell him who he was...didn't they laugh and say: "Ahh sure isn't it a terrible man y'are altogether...always the joker.!"

We tried to give the money back but they wouldn't be having it. I whispered to my Da: "Who are they...do you know them?" He gulped; "Know them? No!" I gulped: "What do we do?" He told me" "We take the money and run!"

And so we did...dropping oranges and apples as we made our escape. The stall women shouting after us:.."Don't forget to come back!" I still wonder what happened when their Danny turned up!
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