Submit your work, meet writers and drop the ads. Become a member
Remember they're monsters

Not just in theory, but really

It's no longer about the evidence

(If it ever was...)

But a call to collusion

They want you silent

Unless you recite after them

So they can write papers

On pipe dreams
Oxygen, two 'me's'
We expire
Oxygen in threes
Ozone acquired

Ménage à trois
Three the same
Cards to draw
A hand, a game

One former
Introduce carbon
A home? or,
Latter two undone?

Life & death
2:1
Gasp for breath
Toxic, run

Detectors
Cry out loud!
Defectors;
Poison we laud

Breathe deep
Or sweet release
Eternal sleep
If you please

When your atoms bond
Bonds is a poem that explores the fluid and often precarious nature of polyamorous relationships through the lens of chemistry. Using molecular structures as an extended metaphor, the poem illustrates how individuals (atoms) form bonds that can be either life-sustaining or toxic. It begins with the stability of a dyadic relationship (O₂) before shifting into the volatility of a triadic bond (O₃), highlighting the unpredictable nature of introducing a third partner.

The introduction of carbon further destabilizes the relationship, raising the question of whether new elements strengthen or destroy existing connections. As the poem progresses, it introduces carbon monoxide (CO), a silent and lethal gas, as a symbol of the ease with which one can succumb to emotional suffocation or self-destruction. The final stanzas present a choice—whether to embrace the complexities of the bonds or to surrender to an escape that is both literal and metaphorical.

The poet employs scientific language to dissect the emotional intricacies of polyamory, using chemical bonding as a framework to discuss intimacy, instability, and dissolution. By framing each individual as an atom, the poem presents relationships as inherently reactive—some bonds are strong, some transient, and others quietly corrosive. The progression from O₂ to O₃ mirrors the transition from monogamy to polyamory, highlighting both the excitement and fragility of expanding relational dynamics.

The use of carbon monoxide (CO) is particularly poignant, serving as both a literal reference to an accessible means of release and a metaphor for the slow, unnoticed suffocation that can occur within a deteriorating or imbalanced relationship. The poet subtly critiques the way people sometimes romanticize toxicity (“Poison we laud”) while also acknowledging the weight of personal agency in choosing whether to remain in or exit a connection. The closing line, “When your atoms bond,” leaves the reader with an open-ended reflection on the nature of relationships—do they create, destroy, or simply change form?

By intertwining chemistry with human emotion, the poem presents an unflinching yet poetic look at the risks, rewards, and potential consequences of forming and breaking bonds.
Step by step,
no louder than breath—
I walk beside
what isn’t mine to name.

No banners,
no blueprints,
just this sound
of stone learning softness.

You open a window.
I keep the door unlatched.

Let fear finish its echo.
Let the dark chants drift.

Not all ruin is ending.
Some of it
is soil.
The flower needs rest,
so winter tucks it beneath the earth,
letting it sleep until spring.

The sun needs rest,
so the clouds and rain embrace it,
shielding its warmth for another day.
Take care, breathe easy, and give yourself the rest you deserve. Rest well, recharge, and remember, like the moon, even brilliance needs the night to shine again.

— A gentle reminder that even nature pauses to gather strength.
I lie
and
I lie
and
I lie

I hide my behavior
to keep you safe.

I keep quiet
not to offend you.

I agree with you
to keep you happy.

I walk on eggshells
for you and
it’s never enough.

I lie
and
I lie
and
I lie

but when the truth
arrives at that
final moment;

jaws will drop
plates will shatter
dogs will growl

and
you’ll be long gone
after seeing what
a ghastly beast
I am

but for now

I lie
and
I lie
and
I lie

to keep us
together.

— The End —