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Sail to me

across the ocean made from my tears—

formed by the hollow you left.

I built this sea for you,

so you'd always have a way back

to where we began.



Reach me

in the places I've buried deep,

the ones even I am afraid to name.

Trace the outlines I've hidden,

and show me I was never

so easily forgotten.



Tell me the story of us,

not through my memory's window—

but in the way you survived it,

in your truths,

the tender ones you held close

when night refused to let you rest,

and I was the ache you couldn't name.



Tell me I still live in your quiet.

Speak the moments I never saw—

where you paused,

where you turned away,

where you missed me

and never said.



Is there a portrait of me

hanging in the corners of your mind?

Paint memories with the palette of our love—

when no one was watching.

Use the colours we made together—

the rise of us,

blush pinks bleeding into amber light,

the bruised violet of our breaking.



Do you still hear me

in the hush between songs?

Do the lyrics still reflect us back at you?


Show me your wounds—

the ones left

when we unravelled

into strangers

who still knew each other too well.

Let me see the shape of your life

without me in it.

Come to me again—

on the tide of every tear I shed for you.

This ocean remembers.

It knows you

better than I do now.



Let it carry you

to the shoreline of our time,

where we loved once—

wild and unguarded,

a flame burning too brightly to last.



There,

we still exist—

untouched by time,

preserved in the hush

between wave and wind,

between what was

and what is now.
A word painting of the shape grief takes after a relationship is lost.
I didn’t mean
to keep him.

But I did.

Not in thought ,
not in daydream.
But in my rhythm.
In the way I still shift
when his memory moves through you.

He looked at you
like you were the magic
the world had forgotten how to make.

I felt it.
I believed it.
And I haven’t been the same since.

I don’t know how to unlove.
That’s not what I do.
Once I’ve learned
to hold someone,
I carry them.

Not as a wound.
Not as a plea.
But as something woven
into the pattern of my pulse.

You’ve tried to let him go.
Told yourself it was time.
To detach me
from the memories.

But I…
I still fold toward him.
Without asking.
Without meaning to.
Like tide to moon.
Like roots to the place
they first found water.

He’s in the hush
just before sleep.
In the ache
that doesn’t cry out,
just lingers.

I remember
the way his pain
recognised mine,
when it reached for me
like it couldn’t bare
to be alone anymore.


There was holiness in that.
A reverence.
And I, I don’t forget.

I haven’t clung to him.
I haven’t begged.
But I keep the shape he left.
Not to trap him.
Just to honor
what it meant
to be known like that.

Don’t ask me
to erase him.

Don’t ask me
to unfeel
what once made me whole.

Because I am the heart.

And I was not made
to unlove.
A letter from the heart to its owner.
The world tilted, and there he was
Eyes flickering, dancing
a smile waiting to break
like a secret hanging just out of reach

Time folded in on itself
The air thick and still
so silent even the dust held its breath
The room a soft blur
muffled and distant
like I was underwater
All I saw was him

His hurt reached out
raw, trembling
a fragile thread pulling toward mine
We were strangers only on the surface
Beneath, something cracked open
silent wounds speaking in shadow

Inside me, a magnet pulled
urgent, wild, irrational
A voice that said
you must be near him

His voice was low and warm
a slow rhythm pulling me under
the kind of sound you hold onto
a beacon guiding you home

That night
my mind stole a picture of him
vivid, haunting
bathed in streetlamp gold

We held our gaze too long
not trapped
but willing captives
to a silence that screamed
everything words never dared

Something ancient woke in me
not gentle
but aching
It knew the absence before him
and mourned the loss
of any future without him

Still my soul leaned in
like it had done
in all our lives
before this one
When my oldest brother, Todd,
came back for my mom's funeral,
he had this light about him.
His face was a poem.
Sure, he was the oldest, and he
had a healthy-looking tan from the
hot New Mexico sun, working
outside with turquoise, silver,
and bear claws to make
jewelry for the tourists, but there
was more than that.

He was an artist, and all artists have
a fractured ease about things, but he
lit up.  Something from the inside
projected out.
He comforted everyone else, we leaned
on him.  His eyes oozed serenity.

A few calendars later, when I traveled
back for his funeral, I saw the same
look on a few of his friends' faces.
His wife told me after the service
that Todd had gotten sober years before.
https://www.youtube.com/watch?v=Gn9IAYo0wZE&t=9s
Here is a link to my YouTube channel, where I read poetry from my latest book, Sleep Always Calls, available on Amazon.  My other boos on Amazon are Seedy Town Blues Collected Poems and It's Just a Hop, Skip, and a Jump to the Madhouse.
Walking South
on the beach
in front of Doral
I heard a woman sing ...
“If you put the man
back in romance
I’ll put the lay
back in lady”
Catching up to her
I asked
where she first
heard the song
She said: “It’s mine
do you like it?
It still
needs more work
I was hoping
this walk
would enchant
or inspire”
At the Fontainebleau
I said: “I do very much
Let me help you write
the second verse”

(Miami Beach: 1982)
The tea
kettle
whistles

in the
kitchen.
Then all
is quiet.

A cloud
moves  
slightly

and the
room is
a little
brighter.
you call to cancel
you've had a change of plans now.
It's our wedding day.
A thousand poems,
a million kisses,
laughter lands in
open eyes,
sighs I hear
in lovers' rooms.
sooner will
the sun be fading,
a lifetime
of hidden hopes
buried in
hillside grasses.

TOD HOWARD HAWKS
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